AVENGERS: INFINITY WAR (2018)

April 25, 2018

 Greetings again from the darkness. We are at the 10 year mark of the new Marvel cinematic universe that began with the revolutionary IRON MAN (2008). This 19th movie in the franchise is actually Part 1 of 2 films that will (supposedly) be the lasting legacy of The Avengers. The second “half”, much of which was filmed simultaneously with this one, is set for 2019. Co-directing brothers Anthony Russo and Joe Russo were responsible for the two most recent Captain America movies (and also one of my all-time least favorites: YOU, ME AND DUPREE), and have now taken on the biggest budget, biggest cast, and longest run time yet of any Marvel movie. In fact, it’s so big, it could only be named ‘Infinity’.

Being that the fan base for this movie is highly sensitive to anything resembling a hint, much less a spoiler, this review will tread very lightly, and instead function as an overview with very general observations. There are a few key points, most of which are quite obvious from either the trailers or the previous movies in the series. First thing to realize is that this is a Thanos movie. He’s the first big (I told you everything was big), bad, nearly omnipotent villain. It should be noted that Thanos sees himself as misunderstood, which leads to the second key point: melodrama abounds – moreso than any previous comic book movie. It seems to be reminding us that Superheroes are people too (but are they really?). The third point is that if every character with a speaking part simply said “I am Spartacus”, it would still likely be the longest ever comic book movie. There are at least 28 characters with “key” roles – and that’s not counting the end credit stinger, or the missing characters we thought we would see, or the one that gets a logo tease as a coming attraction for part 2.

Co-writers Stephen McFeely and Christopher Markus had their hands full in working to come up with a coherent story, while allowing so many familiar characters to have at least one moment in the spotlight, if not a few. The fact that AVENGERS: CIVIL WAR divided the group actually allows for multiple segments to play out concurrently. Though we never doubt these fragmented cliques and isolated individuals will fight to save the galaxy, that doesn’t necessarily mean they get the band back together. In fact, it’s the Guardians of the Galaxy who are a much more cohesive group than our beloved Avengers. But fear not … there is plenty of fighting and action to go around.

Thanos claims he is saving many interplanetary civilizations and restoring balance with his plan to eliminate half of all living beings. While there might be some scientific evidence to back up his plan, it doesn’t sit well with the good guys. More focus is given to his cravings for ultimate control and power provided by tracking down all six Infinity Stones (Tesseract/Space, Mind, Time, Power, Reality, and Soul) to complete his Infinity Gauntlet. Many of these stones are in quite inconvenient locations and require some ingenuity and brute force from Thanos.

Perhaps the travel agent had the biggest challenge as portions of the film take place in New York City, Knowhere, and Wakanda (good luck finding a brochure on those last two).  We also get a budding romance from Vision and Scarlet Witch, as well as annoying quasi-romantic banter between Tony Stark and Pepper Potts. And while we are on the “TMZ” portion of the review, it should be noted that both Black Widow and Captain America (introducing himself as Steve Rogers) both have new hair styles – though only one of them sports a beard.

In the realm of comic book movies, this would be considered an epic. It has stunning action sequences, remarkable special effects and some terrific comedy mixed in. Of course, you’ll have to accept the melodramatic emotions and fear that we haven’t been previously subjected, and know that the final finality doesn’t arrive for another year. It’s very long (more than 2 ½ hours) but it seems to go pretty quickly. The filmmakers have mostly succeeded in the monumental task of remaining true to the history in order to keep comic book fans satisfied, while also creating something that most should be entertained by. Despite lacking the upbeat, feel-good ending we’ve grown accustomed to, there is a welcome Stan Lee cameo, a post credit stinger (after about 10 minutes of rolling credits). And to top it off, we get “Rubberband Man” from The Spinners. Now that’s big!

watch the trailer:

 

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THOR: RAGNAROK (2017)

October 30, 2017

 Greetings again from the darkness. The ultimate cinematic dilemma … how to make the next comic book movie stand out from the (many, many) others? The brilliant answer comes from director Taika Waititi and co-writers Eric Pearson, Craig Kyle and Christopher Yost – a screwball superhero action film that delivers not only the required alien war scenes, but also a campy villain for the ages in a movie that may be the funniest of the year.

For those who prefer their superheroes dark and brooding, this one will be a shock. Prepare for Jeff Goldblum as the Grandmaster – the most polite villain we’ve seen in awhile, and one who looks to be straight out of the 1960’s “Batman” series. Chris Hemsworth as Thor is one of many returning actors/characters, only this time he really gets to flash his comic timing on top of his Thunder God biceps. His love-hate, trust-no trust, see-saw relationship with brother Loki (Tom Hiddleston) is in full force, as is the Bruce Banner banter with The Hulk (Mark Ruffalo). It’s certainly more in line with GUARDIANS OF THE GALAXY than the previous movies for Avengers.

As much fun as Goldblum brings to the party, this is really Cate Blanchett’s show. She is the frightening (with a dash of camp) Goddess of Death, and long-lost sister of Thor and Loki, and daughter of Odin (Anthony Hopkins). With a headdress that puts everyone at the Kentucky Derby to shame, Hela’s enormous powers are such that she crumbles Thor’s mighty hammer with little effort – just to remind everyone that big sisters are renowned for messing up younger brother’s toys.

Of course, with that title, we know that the story revolves around what could be the end of Asgard. Joining in the fun are: Idris Elba who is back as Heimdall, Tessa Thompson as a master of one-liners Valkyrie, Karl Urban as Skurge – rewarded with a wonderful exit scene, Ray Stevenson returns as Volstagg, and rocky alien Korg who is voiced by director Waititi. Fans of the series will be happy to know other familiar faces pop up periodically – one especially magical sequence teaches Loki a quick lesson.

In addition to the main rescue story line, the powerful villains, and crazy aliens, there are numerous nods and tributes to previous versions (notably Planet Hulk, and Fantastic Four), and a hilarious early stage play with three cameos that make it clear, big time laughter is here to stay. It’s fun to catch the reunions from such previous projects as Star Trek, JURASSIC PARK and Westworld.

Special acknowledgment goes to director Taika Waititi for hilariously taking the comic book film world down a different path. He’s known for his comedic projects like HUNT FOR THE WILDERPEOPLE (one of my favs from 2016), WHAT WE DO IN THE SHADOWS, and his work on the brilliant but short-lived “Flight of the Conchords”. It’s still very much a Marvel movie, with visible fingerprints of Stan Lee, Larry Lieber, and Jack Kirby. It’s also a fantastic adventure film that sets the stage for next year’s AVENGERS: INFINITY WAR, while also featuring the best use ever of Led Zeppelin’s “Immigrant Song”. So get ready to rock, roll and rollick in a film that is just about as much fun as you can have in a theatre.

watch the trailer:


DOOMED! THE UNTOLD STORY OF ROGER CORMAN’S THE FANTASTIC FOUR

October 15, 2016

doomed Greetings again from the darkness. Most people over age 30 remember the release of Tim Burton’s Batman Returns, the sequel to his 1989 hit. The film’s budget was $80 million, which seems remarkably low compared to the $250 million (or more) budget of today’s superhero and comic book film adaptations. Putting all of that in perspective, and providing the best ever look at low budget filmmaking, comes this documentary from director Marty Langford. It’s a look back at the ONE million dollar production of Marvel’s iconic The Fantastic Four (the same year as Batman Returns), and how backroom negotiations provided a stake to the heart of those involved.

We are shown a quote from Stan Lee: “The movie was never supposed to be shown to anyone.” It’s a quote that we understand by the end of Langford’s story, but still makes little sense. In 1992, producer Bernd Eichinger realized his rights to these famous Marvel characters were expiring at year end. He contacted the master of “B” movies, Roger Corman, who gave his production team one weekend to come up with a workable plan. What followed was the “movie magic” that we rarely glimpse. Even with that low budget, the script was written, the movie was cast and shooting began (with no rehearsal) … the ultimate rushed production.

The documentary connects the dots between Eichinger, Corman, Troma Entertainment, Marvel Studios, Neue Constantine Films, and Avi Arad; however, the real heart and soul comes courtesy of the interviews with the actors and production crew who were so involved. Looking back with nostalgia, pride and frustration, these folks clearly represent the “get it done” attitude that is so crucial in low budget filmmaking. Their disappointment in never having the film released is evident a quarter century later in their words and their faces.

In what could be described as a conspiracy … though more appropriately as yet another clash in the age old art vs. business battle … the cast and crew were manipulated into believing the film would be released. Many made publicity appearances at festivals, and a trailer was cut and shown in many theatres. Unfortunately (for all but a few), the production was merely a ploy to drive up the demand and cost for the rights … as Avi Arad envisioned a slick, high-budget version of the franchise (there have been two failed versions in the years since).

Some of those interviewed include director Oley Sassone, editor Glenn Garland, Joseph Culp (Doctor Doom, son of Robert Culp), Jay Underwood (Johnny Storm), Alex Hyde-White (Reed Richards), Rebecca Staab (Sue Storm), Michael Bailey Smith (Ben Grimm), and Carl Ciarfalo (The Thing). We mostly get the viewpoint of those who were so close to the film, though there is a brief clip of Roger Corman claiming he was under the impression that it was a legitimate film project … this despite his healthy cash out.

Since a copy of the film was “rescued” by the director and editor, it has become something of an urban legend among the comic book fan base … a cult film that never had its day on the big screen. The best comparison might be a bootleg version of a deep cut of a Springsteen song in the 1970’s. Everything gets released today, but in those days, studios had a way to control what was seen (and what wasn’t). This is a well made documentary on an unusual topic – and a reminder that the artists just want their work seen, while the business side just wants the money.

 


DEADPOOL (2016)

February 12, 2016

deadpool Greetings again from the darkness. Superhero movies have been dominating the box office for the better part of two decades, and most tend to lean towards moody and intense … though Iron-Man and The Avengers have certainly enjoyed adding searing one-liners to the mix. As for ratings, superheroes have steadfastly claimed PG-13 as the perfect blend of massive action, massive muscles and massive audiences. So it’s a little surprising to find a movie about a relatively unknown superhero, that’s the first feature from director Tim Miller (previously a visual effects guru), crashing through the R-rated barrier in no-holds-barred fashion. It’s startling and refreshing to see a new take on what had become just a bit too familiar.

This is a movie for which you will want to actually read the opening credits and stay for the post credit scene (a 2-parter). Additionally, you will want to make sure you keep not only little kids away (remember the hard R-rating), but also any grown-ups who are offended by harsh language (on the Tarantino scale), ultra-violence (on the Kill Bill scale) or any combination of sex, sex talk or sex jokes (all at an entirely new level). To label this movie as crass or profane is like calling Chewbacca somewhat fuzzy. And while it pushes the raunch-o-meter, it’s also blazingly funny at times (especially for a cancer movie).

The previously mentioned opening credits refer to the writers as “the real heroes here”, and while the plot is pretty textbook superhero stuff, it’s the barrage of one-liners and sight gags at which those writers so excel. They even make sure those unfamiliar with the Wade Wilson backstory understand that he is a former special forces operative turned mercenary for the average Joe’s and Jane’s. In no time, it’s drilled into our heads that he is also a wiseacre, wisenheimer, wise-ass, wisecracker and any other adjective that means funny but not wise.

Ryan Reynolds stars as Wade Wilson/Deadpool and leaves no doubt that he has finally found the role that fits him as well as his red suit. If you are convulsing as you flashback to Mr. Reynolds as Green Lantern (2011), take solace in the fact that this movie fires a couple of deadly shots at that oh-so-disappointing effort. His girlfriend Vanessa is played by Morena Baccarin (“Homeland”), and his best buddy/bartender is played by TJ Miller (“Silicon Valley”). Since Reynolds had a brief appearance as Deadpool in X-Men Origins: Wolverine (2009), there are numerous nods to that franchise, including two key roles here for Colossus (Stefan Kapicic) and Negasonic Teenage Warhead (Brianna Hildebrand). The target of Deadpool’s revenge comes in the form of Ed Skrein (The Transporter Refueled) as Ajax and Gina Carano as Angel Dust … accompanied by her theme song “Angel of the Morning” (unfortunately it’s the Juice Newton version, and not the more powerful Merrillee Rush and the Turnabouts version). Lastly, it’s pure joy to see Leslie Uggams cast in a spunky supporting role, and Stan Lee appears in what might be his most unique cameo yet.

As for music, the range is Neil Sedaka to DMX – yep, you’re unlikely to find a more diverse soundtrack. Your kid may have a Captain America figurine on their bookshelf, but the R-rating for this one is solidified in the first 10 minutes, and is relentlessly reinforced until the movie ends – this means don’t bring your kids! We can only imagine how much fun those old enough to watch are going to have, and brace yourself for an onslaught of Deadpool comebacks over the next few weeks … only hopefully not in church, at the office, in front of grandma, etc …

watch the trailer:

 

 


GUARDIANS OF THE GALAXY (2014)

August 3, 2014

guardians Greetings again from the darkness.  Are you ready for a new brand of Marvel movie heroes?  You surely know Iron Man, Captain America, Thor and Hulk, but it’s high time you are introduced to Peter Quill, Rocket Raccoon, Gamora, Groot and Drax – known collectively as the Guardians of the Galaxy. Instead of dark, brooding and super-serious, this group is not just funny … they are actually FUN!

The plot is admittedly a bit simple. Everyone is basically chasing a ball (the orb) around the universe.  Instead of good guys vs bad buys, it’s actually kinda bad guys vs really bad guys. See, the heroes of our story are, for the most part, criminals themselves. The main difference is, they aren’t on a quest for intergalactic super power or mega destruction like Ronan (Lee Pace).  Ronan makes for a pretty menacing villain, complete with a voice that shakes the theatre!

The band of misfits thrown together by circumstance actually provides much entertainment.  Chris Pratt (“Parks and Recreation“) is the self-nicknamed Star-Lord, better known as Peter Quill. The film begins in 1988 when his mother lay dying and he is abducted by aliens. Quill’s criminal activity has him crossing paths with Gamora, a green assassin played by Zoe Saldana; Rocket, a brilliant wise-cracking raccoon voiced by Bradley Cooper; Rocket’s bodyguard Groot, an unusually mobile tree with a limited vocabulary voiced by Vin Diesel; and the hulking, knife-wielding, bent on revenge Drax the Destroyer played by WWE star Dave “The Animal” Bautista.  It’s a rag-tag group of heroes unlike anything we have seen before.

Other colorful supporting work comes courtesy of a blue-faced Michael Rooker, who controls his lethal arrow through a series of whistles; Djimon Hounsou as a sparkly-eyed warrior; John C Riley as a galaxy cop; Karen Giillan as a smooth-headed daughter of Ronan; and Glenn Close as a community leader.  We also get the traditional Stan Lee cameo, plus Benecio Del Toro as The Collector (teased in Thor: The Dark World).  The music actually plays a strong supporting role with such classics as “Hooked on a Feeling” by Blue Swede, “Cherry Bomb” by The Runaways, and “Ooh Child” by The Five Stairsteps”.

Despite the lack of familiarity with these characters for most viewers, writer/director James Gunn (Slither) does a terrific job of having us quickly connect and even groot … err, I mean root … for these guys. Quill’s possession of a Sony Walkman to play his mother’s mix tape of songs from the 1970’s and 80’s give the film a very different flavor, having the familiar songs pop up at just the right time.

Pratt does an admirable job in the lead, although compared to the GQ of Tony Stark/Iron Man, his Quill is more Mad Magazine (funny and easy to like)  The best comparison I have for Quill is Han Solo, and for the movie it harkens back to 1978’s Superman … both very high compliments. It’s also the first time I have been completely caught off guard and laughed out loud at a Jackson Pollack reference!

**NOTE: If I had seen this movie as an 11-year-old boy, I would probably think it’s the coolest movie ever made.  Of course, they didn’t make movies like this when I was 11, so I have to enjoy them now.

SEE THIS MOVIE IF: you are a comic book fan but kinda tired of the all too familiar string of Avengers OR you just want to sing along to some classic songs of yesteryear (please don’t sit by me)

SKIP THIS MOVIE IF: a talking raccoon and tree are likely to give you nightmares, no matter how funny their lines are.

watch the trailer:

 


CAPTAIN AMERICA: THE WINTER SOLDIER (2014)

April 20, 2014

capt america Greetings again from the darkness. Many were unimpressed with the first Captain America movie, though I have always had a soft spot for the most heroic and genuinely pure of the superheroes. This sequel opens with Steve Rogers trying to acclimate after a 70 year sleep … he thinks the internet is pretty cool. It is a bit surprising that the Russo brothers (Anthony and Joe, known for You, Me and Dupree) are the ones who load up on plot lines within a Marvel movie.

Starting off with big time action sequences, the movie then morphs into a geopolitical weave of intrigue between SHIELD and HYDRA. New to this maze of distrust is Robert Redford … proving once again that Hollywood doesn’t trust guys wearing suits in fancy offices. In a twist, Captain America (Chris Evans) and Black Widow (Scarlett Johansson) find themselves the target of a manhunt by those they work for. Then they drag Falcon (Anthony Mackie) into this … his flight suit is a nice effect. All of this happens after an unexpected action-packed sequence featuring Nick Fury (Samuel L Jackson).  The titular Winter Soldier provides an identity twist, as well as some intense fighting.

The multiple plot lines and emphasis on trust issues all correlate pretty well to some of the things going on in the world today. That adds an enjoyable element that really brings relevance to the Captain America character. Because of this, the repartee between Cap and Natasha is limited … we get some, but much less than what we have come to expect from other Avengers-related films. And it’s probably a good idea to go a different direction with the Avenger who really is different from the others. Don’t miss the extra scene in the closing credits … it’s the lead in to Avengers: Age of Ultron movie coming in 2015.

**NOTE: there is the always-anticipated Stan Lee cameo, and it adds the usual touch of humor

watch the trailer:

 


IRON MAN 3 (2013)

May 5, 2013

iron man1 Greetings again from the darkness. My initial reaction upon seeing this opening day was that some fanboys are not going to be happy. Of course, this happens every time Hollywood makes changes to the original comic book material in hopes of attracting massive box office numbers. While I recognize many of the “flaws”, I found this to be an interesting and entertaining turn on the Tony Stark/Iron Man series.

Shane Black was brought in to direct and help write the script. Mr. Black is best known for his crackling buddy dialogue in movies like Lethal Weapon and Kiss Kiss Bang Bang (also with Robert Downey Jr), but doesn’t have significant directorial experience (his most recent effort was KKBB 5 years ago). My belief has always been that what sets this franchise apart is Robert Downey Jr’s take on Tony Stark. A wiseiron man4-cracking billionaire playboy technology and mechanical genius searching for his true identity. Mr. Black re-focuses the story on Stark. In fact, he basically takes everything away and has him start over.

Regardless of the story, many line up for these movies to see the special effects and the bad guys. The special effects are everywhere … and loud … and massive. The trailer shows a clip of Stark’s Malibu mansion being destroyed, but the entire segment is quite impressive. The number of Iron Man suits seems unlimited at times and the big finale gave me the same feeling of a 4th of July fireworks display when it ends with so many clumps of fireworks being fired at once, that the impact is dulled. As for the bad guys, The Mandarin is one of the most fierce opponents faced by Iron Man in the comics. His portrayal here by Ben Kingsley is a blast to iron man2watch, but will undoubtedly upset the true fanboys. Guy Pearce plays Aldrich Killian, a demented mastermind, once snubbed by Stark – in a scene we witness in flashback.

My preference here is to focus on the fun elements since that’s clearly what Marvel and Black are shooting for. Jon Favreau directed the first two entries in the franchise and here takes on a slightly bigger acting role as head of security for the Stark corporation … and he provides some comic relief. Pepper Potts (Gwyneth Paltrow) finally gets to do more than roll her eyes, but she still has her damsel in distress moments. Don Cheadle returns as Col. Rhodes … or War Machine … now re-branded as Iron Patriot, but mostly he is just waiting for his own movie. Rebecca Hall has some screen time as a smart woman who is not so wise in her choosing of partners. No comment. Ty Simpkins plays Harley, a country boy who helps Stark in his time of need. James Badge Dale, Miguel Ferrer, William Sadler, and Dale Dickey all have strong moments, but therein lies what may be the film’s biggest weakness.

iron man3 It’s an incredibly impressive film to watch … giant visuals, really good actors and quick, witty dialogue. But there seems to be an overload of each of these things. Guy Pearce’s character is woefully underdeveloped. I so wanted more of his backstory and motivation. Same with Harley, the boy. Much could have been done with that. Miguel Ferrer, always a worthy opponent, must have had his best scenes left in editing. The scene with Ben Kingsley, Don Cheadle and Robert Downey Jr, may have been the best in the movie simply because we got a real peak at each of these character’s personality. That’s way more fun that another explosion!

The film pummels us with action, probably has too much Tony Stark and too little Iron Man for the fanboys, throws in a hard-to-swallow sub-plot regarding Anxiety issues for Stark (thanks to his Avengers escapades), and underutilizes Guy Pearce in what could have been a world class evil doer. Still, despite all of that, it’s fun to watch and Robert Downey Jr will always be Iron Man!

*NOTE: the expected Stan Lee cameo occurs during the Beauty Contest scene (he plays a judge)

SEE THIS MOVIE IF: you are fan of the Iron Man franchise … it delivers what we want and what we expect

SKIP THIS MOVIE IF: you are expecting something wildly different from the first two Iron Man movies – the tweaks are minor and mostly effective

watch the trailer:

http://www.youtube.com/watch?v=aV8H7kszXqo