Book Review- DEVIL ON MY SHOULDER: A MEMOIR

October 5, 2026

by Alice Cooper and Daniel Richler

When you think of Alice Cooper, images of the goth rocker putting on a macabre theatrical rock and roll performance likely fill your mind. A chicken, the gallows, the guillotine, baby dolls, and (fake) blood were all part of the show, alongside the music which spanned heavy metal, glam rock, and even new wave. Mr. Cooper is now 78 years old, and this is his third memoir/autobiography. He opens this latest by pledging, after six decades of entertaining, to come clean about some of the previous rumors, exaggerations, and inflated legends.

You might be aware that ‘Alice Cooper’ was first the name of the band, and then in the 1970’s lead singer Vincent Furnier legally changed his name to Alice Cooper. That matters because this book is written from the perspective of Vincent Furnier, with periodic (and often humorous) interjections from Alice Cooper, Vincent’s celebrity alter ego (and his now legal name). If that’s a bit confusing, fear not, the book’s structure works just fine, and we empathize with the man who prefers to separate himself from the legend.

The first half of the book acts as a cautionary tale for teenagers dreaming of a glamorous and high-roller lifestyle associated with rock stars. Alice Cooper the rock star was borne from Alice Cooper the band, which had begun as The Spiders and transitioned into Nazz. Vincent/Alice walks us through the teenage years of poverty and sleeping in cars, hoping to book a gig that could be split amongst band members in a way sufficient for food and beer. The cautionary tale label can be applied equally to the struggles of a band striving to get noticed and young men succumbing to the bottle (and other things). In fact, Vincent seems intent on emphasizing the regrets he has about his many years of heavy drinking, and eventual drug use. In the later chapters, he goes into detail about the drug use and difficulty in finding a way out. Sure, these are entrapments we’ve come to expect from a rock band, but the effects on the person behind the mask (makeup) are what come to light here.

As you might expect, much of the book is dedicated to the band’s rise to the top with gold records, charting singles, and the infamous live shows. What’s surprising is that the glory days are recalled with as many downs as ups. Challenges within the band, with recording, and with the record companies are all outlined. It acts a bit as a behind-the-scenes look, as the curtain is pulled back and we find out that even the most popular and famous performers face professional challenges throughout their career.

Songwriting, performing, band dynamics, life on the road, addiction, and love life are all given due weight throughout the book, and this never reads like self-promotion or an ego trip. Rather, it’s memories of the progression from high school band to global fame, with the many ups and downs highlighted for those who want or need to know. From the childhood foundation of religion to blackout addiction and rehab to finding and losing love, Alice Cooper/Vincent Furnier has lived a life every bit as colorful as the stage persona. What many will find surprising is that he’s basically a shy and thoughtful and nice guy … admittedly one who has made mistakes along the way. In this book, Alice Cooper welcomes us to his nightmare, while confirming it wasn’t all so bad.

Available on Amazon October 6, 2026

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Posted by David Ferguson

Book Review: EVERY TIME A BELL RINGS

September 28, 2026

by Emily St James and Lauren Theisen

Like many families, our holiday traditions include annual viewings of the 1966 animated “How the Grinch Stole Christmas”, A CHRISTMAS STORY (1983), and, of course, the main event, IT’S A WONDERFUL LIFE (1946). The latter, Frank Capra’s classic, is now 80 years old, and the timing is perfect for a deep dive into why this film has made such an impact on so many viewers over the years. Co-authors Emily St James and Lauren Theisen clearly share a love for the film and fully engage when writing about the individual pieces that make up the whole: the studio, the filmmakers, the cast, and a couple of odd (perhaps lucky) breaks along the way.

When classics collide, the result can be fascinating. The ties to the 1938 short story, “The Greatest Gift” by writer Philip Van Doren Stern is pretty direct, and we can’t help but notice some connection or familiarity to Charles Dickens’ classic 1843 novella “A Christmas Story”, which has spawned many movie versions. And then there is the tale of director Frank Capra’s trip to Seneca Falls, NY, a town that even today, stakes a claim and its identity to being the inspiration for Bedford Falls (understandably, no town attaches its tourism hopes to Pottersville). The book explores all of this, giving Mr. Capra a well-earned extended segment on his life, career, and feelings about the film.

“No man is a failure who has friends.” Perhaps no quote better exemplifies the crux of the film’s message than that one. It certainly applies to George Bailey, played so beautifully by lead actor James Stewart, and couldn’t be further from describing his nemesis Mr. Potter, played with a snarling Ebenezer Scrooge-like persona by Lionel Barrymore. It’s here where the co-authors excel – detailing cultural aspects at the time the film was made, and how that time capsule has so been so readily adopted by contemporary viewing audiences. Well, of course, that’s only after the bookkeeping fluke that lost the copyright and opened the film up to the masses.

Chapters in the book are devoted not just to the main characters of George, Mary, and Potter, but also to Clarence Odbody, Angel 2nd Class; forgetful Uncle Billy; heroic Harry Bailey; Bert the cop; Ernie the cab driver; Nick, Martini, and Annie (lumped in to one chapter); other Bedford Falls ‘weirdos’; and Violet (a terrific Gloria Grahame), a character we wish we knew a bit more about. There are also chapters on Bedford Falls, Seneca Falls, and the copyright mess. Because of these separate segments, and the fact that each chapter is credited to one of the authors, we are asked to think of the book as “a series of essays”, rather than a traditional ‘making of’ book.

Most fans of the film know this was James Stewart’s first film after returning as a war hero from WWII. Another well-known fact is that the film wasn’t a box office smash the year it was released, and despite its five Oscar nominations, there were no wins on a night dominated by THE BEST YEARS OF OUR LIVES. The authors also address why the story is sometimes labeled as promoting socialism, and yet, even with married screenwriters Frances Goodrich and Albert Hackett being close to known communists, neither the film nor the filmmakers were part of the extended Hollywood blacklist of the era.

Contributing to the film’s brilliance is how most who watch describe it as upbeat, joyous, and/or inspirational. This, despite the lead character contemplating suicide and the entire ‘Pottersville’ sequence which can simply be described as bleak and horrific. The authors cover how the film generates a favorable vision of community and country, and how heroism and morality overcome darkness … explaining the film’s place in cinematic history. The book’s Introduction opens with, “Certain movies take on lives of their own.” This movie in particular seems to make the lives of all who watch just a bit more ‘wonderful’, and this book helps us all understand why.

The book is available on Amazon beginning September 29, 2026

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Posted by David Ferguson

Book Review: IT’S ALL ABOUT THE PLAYERS

September 21, 2026

by Peter Gammons

There are fans of baseball and then there is Peter Gammons. He’s on another level with his passion for the game, appreciation of its history, and respect for its players. While there are quite a few talented baseball writers, Mr. Gammons expertly utilizes his love of the game to describe what he’s seen and what it means to him. In this book, baseball history is the foundation, but it’s Gammons’ knowledge, experience, and adoration that feed his perspective and the words that fill the pages.

He’s well known as a sportswriter, announcer, analyst, and historian, and for many of us, Peter Gammons has been an educator … one who teaches us the intricacies of the game. It’s the stuff not in rule book. So why am I writing so much about Peter Gammons in this review? Well, because this book is a collection of stories and observations that he has collected over many decades. This book answers the question, ‘Why does Peter Gammons love baseball?’ It’s joyous reading for any baseball fan, but especially for those of us of a certain age who have watched and admired the players he writes about. He takes us into the clubhouses and dugouts. He lets us hang out by the batting cages. This is ‘inside baseball’ at its finest … easily accessible.

Gammons’ entire professional career has been intertwined with baseball. Being born and raised in the Boston area, his early ties were to the Boston Red Sox, and as any fan knows, those early loyalties often stick. He spent years as a writer for the ‘Boston Globe’, ‘Sports Illustrated’, and ‘The Sporting News’, before joining ESPN as an analyst. Over those decades, he won many awards and was recognized nationally for his baseball insight.  All of that time spent around the game is laid out with stories and moments and memories of the players who made his time at ballparks so special. Baseball fans will soak up these stories and feel like we were right there with him.

In keeping with the book’s title, each of the seven Parts and most of the chapters are sub-titled with the names of the players being written about in a particular part of the book. As an example, one of the most fascinating segments is titled, “Geniuses”, and subtitled with names like Jason Varitek, Greg Maddux, Robin Yount, Tony Gwynn, and Johnny Bench, to name a few. Gammons proceeds to tell a story about each that identifies the player as a baseball genius or savant … the trait, other than raw talent, that set them apart from other big leaguers who simply played hard.

Gammons has at least one story about every significant player over the past fifty years, and since the timeline of my love of the game corresponds so closely to the writings of Gammons, the book acts as a trip down memory lane … with the added benefit of being educational and entertaining. Even the stories on players who weren’t among my favorites are fascinating to read, providing a feeling of discovery and bonding over a beloved sport. This book is for you if you are the type who would be thrilled to read about such things as Ted Williams smelling the burning of the wood of the bat, the green wall and green grass of Fenway, the Yaz era, the rise of Latin American players and later Asian players, Castro’s Cuba, Frank Robinson as the first black manager, the uber-talented Barry Bonds and Ken Griffey Jr, the remarkable Cal Ripken Jr, an enigmatic Alex Rodriguez, “Chicks dig the long ball”, Moneyball, Cubs relief, difference-making GMs, the inexact science of drafting, Gammons’ chat with young Bryce Harper, torch passing from Mattingly to Jeter, and so much more.

Gammons comes clean about his brain surgery and facing the significant chance that his memory would be gone. Memories are what this book is – a treasure for baseball fans everywhere.

Available on Amazon beginning September 22, 2026 

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Posted by David Ferguson

Book Review- BLOW BY BLOW: THE JEFF BECK STORY

July 13, 2026

written by Brad Tolinski & Chris Gill

When we think of a Rock ‘n Roll legend, we usually envision arenas packed with screaming fans and a decadent lifestyle filled with groupies, endless parties, and mansions. We don’t tend to think of a tortured artist toiling for decades in search of perfection and capturing the music they hear in their head. As authors Brad Tolinski and Chris Gill detail in this book, the toiling perfectionist label fits guitar legend Jeff Beck much better than decadent party animal. And perhaps no writers are better positioned to write about Beck than the two long-time music journalists from “Guitar World” magazine.

It’s not surprising when a list of greatest guitarists is published without Jeff Beck’s name. Always listed are Eric Clapton, Jimmy Page, Stevie Ray Vaughan, Jimi Hendrix, and Eddie Van Halen (about whom the two authors wrote, “Eruption: Conversations with Eddie Van Halen”). However, the writers at Rolling Stone magazine placed Beck fifth on their 2023 list, and, as foolish as it seems to try to rank great guitarists, any list omitting Beck cannot be considered legitimate. Although his long-time girlfriend, British model Celia Hammond and his wife (at the time of his death) Sandra Cash are mentioned in the book, the focus is on Jeff Beck’s never-ending search for music perfection (as if it exists), rather than any semblance of his personal life not involving music or cars.

The book does an extraordinary job of taking us on Beck’s non-linear musical journey. It’s impossible to place one label on his music or style, yet all of the following apply: rock, jazz, jazz fusion, R&B, blues, instrumental, and progressive. The authors recount Beck’s early influences, while understanding that the most effective approach is allowing Beck’s story to speak for itself. Was he a key piece of rock supergroup The Yardbirds? Well, yes, he was … and they fired him. Did he seem to prefer instrumental music? Well, yes, he did … yet he also recorded with legendary vocalist Rod Stewart, as well as many others. Has anyone ever opted NOT to join the Rolling Stones? Well, yes, Jeff Beck decided it wasn’t for him.

A (usually friendly) rivalry with Eric Clapton is understandable, as are friendships with Jimmy Page and Ronnie Wood. As the chapters passed in the book, I couldn’t help but wonder if the authors put together a flow chart of fellow musicians Beck played with, toured with, or recorded with. It’s a veritable ‘who’s who’ of music beginning in the 1960’s. We learn an early spark occurred for Beck while watching Little Richard in THE GIRL CAN’T HELP It (1956) and listening to Gene Vincent play guitar. Still, his constant drive for the sound he wanted was an internal trait that didn’t always sit well with band members and music producers, much less the labels that pushed him for mainstream/accessible songs.

Attempts to reconcile, or make sense, of Jeff Beck’s life and career are fruitless. It’s best to let the music speak … or the words on this book’s page. Beck is a man who jammed on stage with rock royalty, traded pranks with Les Paul, played with Jagger at the White House, and had a complicated history with the great Stevie Wonder over the classic song, “Superstition”. The book goes into detail on that messy situation, while ending with the confirmation that Johnny Depp was one of only two humans graveside at Beck’s burial. The two men had become close friends and recorded an album together … Beck’s last.

Authors Tolinski and Gill worked diligently to help us understand what drove Jeff Beck, and how he often created his own obstacles to success by sticking to his methods. Beck had successful solo albums (“Blow by Blow”, “Wired”), won multiple Grammy Awards, and was inducted in the Rock and Roll Hall of Fame (with The Yardbirds, and as a solo act), yet his mainstream popularity never reached the level of his talent. Should you doubt his place as a music legend, simply take time to read the tributes paid to him upon his death by the long list of music legends you likely have on your playlist. Better yet, just take the time to read this book and appreciate the commitment Jeff Beck maintained for his art.

The book is available on AMAZON beginning July 14, 2026

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Posted by David Ferguson

Book Review: A SUDDEN FLICKER OF LIGHT: A REVISIONIST HISTORY OF MOVIES

July 6, 2026

Book by David Thomson

If you are looking for a timeline of movie history compiled by one of the foremost film historians, and if you find text sprinkled with harsh opinions from a pompous expert to be an added benefit, then David Thomson has written the book for you. The British-born octogenarian has contributed thoughtful film criticism to most every major publication, and this is his 45th published book – some biographies, some based on television, most on cinema, and all with ties to the industry that supplies moving pictures for entertainment. This latest book covers the entire history from Eadward Muybridge’s galloping horses in 1887 to the Best Picture win for Sean Baker’s ANORA at the 2025 Oscars.

Mr. Thomson has never been one to sugarcoat his opinions, and the years have not softened his approach in the least. It’s important to note that this book serves as an overview of an industry that’s well over one hundred years old. Rather than drop a brief synopsis on thousands of movies released, he instead opts to pick the highlights and then dig a bit deeper on those topics, films, and contributors. Never do we doubt Mr. Thomson’s knowledge, nor are we left wondering where he stands on a particular movie, actor, writer, director, producer, or studio head. His clarity can be blinding and abrasive, while also being informative and thought-provoking.

True cinephiles will find value in the historical commentary. Thomson takes us back to the days of the Lumiere brothers and Georges Melies, and through the “new” waves – the studio systems of Selznick, Mayer and Thalberg; ‘talkies’; followed by the French directors Truffaut, Godard, and Rohmer; and then the 1970’s brats of Coppola, Lucas, Scorsese, and Spielberg. What Thomson spells out are the eras involved as cinema reinvents itself. Of course, technological advances played a role in filmmaking changes, and so did societal and cultural differences. Pre-Code, the Production Code, and the morality shifts post-code have all influenced who makes movies and what we see on screen.

Mr. Thomson has a recurring comparison throughout of movies versus books – watching versus reading. The difference between plopping down in your favorite chair and quietly escaping through the page-turning is one thing, and yet, the darkness of a spacious theater and the illumination of the silver screen is yet another escape that brings pleasure. It’s not surprising that Thomson is no fan of watching movies on personal devices, or even screening movies at home. Nothing replaces the communal experience of a packed theater for opening night of the latest release. Perhaps this is just the latest shift in movie watching, and we will learn to accept, regardless of how much nostalgia is lost.

At times, reading Thomson’s latest is a bit of a downer as he dwells on a particular film or topic of which he’s no fan. However, as soon as we begin to label him a “hater”, he will eloquently describe his admiration of a particular film or filmmaker. His respect for THE GODFATHER and CHINATOWN is as clear as his understanding of the vital advances from those early days as the industry was building and developing. Segments on DW Griffith, Thomas Dixon, Erich Stroheim, Francois Truffaut, Frank Capra, Hitler/Riefenstahl, CASABLANCA, CITIZEN KANE. Alfred Hitchcock (especially PSYCHO), OUT OF THE PAST, SUNSET BOULEVARD, BONNIE AND CLYDE, the 1970’s are among the most interesting. Personally, I embraced the connection of Norman Bates to Hannibal Lecter, as those are two characters (and movies) I’ve watched numerous times. Many other films, directors, and actors are referenced, though the value is in the highlights throughout the timeline of movies.

In this book, David Thomson does what we’ve come to expect David Thomson to do. We even depend on it.  He will shoot straight with us about his opinions, no matter how strongly many movie-goers may disagree. Pointed zingers are common in the book and often aimed at specific filmmakers and their final products. Thomson even shares his thoughts on Donald Trump a couple of times. David Thomson has devoted many decades of his life to an industry that he’s not hesitant to criticize. Disagreeing with Thomson on a movie, or debating him on the merits of a scene, are what keeps his work relevant after all of these years. He doesn’t seem to mind at all if we believe he’s wrong about something … just be prepared to defend your stance. A book that recounts history, provides insight from an expert, and encourages thought from the reader, is one that isn’t for everyone, but you know if it’s for you.

Published by Simon & Schuster, the book is available on AMAZON beginning July 7, 2026

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Posted by David Ferguson

Book Review- A CENTURY OF HITCHCOCK: THE MAN, THE MYTHS, THE LEGACY by Tony Lee Moral

June 1, 2026

Alfred Hitchcock certainly earned the moniker ‘The Master of Suspense’.  Through his many classic films and superb TV show, “Alfred Hitchcock Presents” (1955-62, 268 episodes), Hitch consistently built tension that frayed our nerves to the point that we could neither look away, nor hardly wait for the next film or episode. The list of filmmakers influenced by his work is endless, and as film lovers, we are continually drawn back to his movies due to emotions and nostalgia. While all of that remains true one hundred years after his debut feature film, the reputation of Alfred Hitchcock the man was forever changed/damaged with the unauthorized biography by Donald Spoto and the memoir of actress Tippi Hedren.

Author Tony Lee Moral, a British filmmaker and film historian, has devoted countless hours to research in offering a counterpoint, or rebuttal, to the previous accusations hurled at Hitchcock. His interviews and real-world examples provide a profile of a genius filmmaker who was described (in various ways) by his co-workers as an often quiet gentleman dedicated to maintaining structure on his sets. Since Hitchcock passed away in 1980, unable to defend himself against the later accusations, Mr. Moral offers perspective from the other side. Moral’s book is less about the fascinating films Hitchcock directed (there are literally hundreds of publications dedicated to this), and more about his personality, demeanor, and approach to the work – as recalled and documented by those he worked with.

Part 1 of the book details young Alfred’s rise through German, British, and ultimately, American filmmaking. Part 2 dives into the psychology of Hitchcock – both real and perceived, specifically the allegations brought by Ms. Hedren, and Francois Truffaut’s role in providing a contrasting prospective. Part 3 provides context to Hitchcock’s overall legacy and how revenge, greed, the need for attention, and changing social mores likely played a role in shifting attitudes. It’s important to note that this book is not designed to provide critical film analysis or a creative breakdown of any of film in the Hitchcock oeuvre. Rather, at its core, this is an author and film historian providing a measured and detailed response to the attempted character assassination of a deceased man. Moral even provides substantial information on what was possibly behind the words of Mr. Spoto and Ms. Hedren.

As a film lover and film critic, I’ve long been an admirer/fan who obsesses over Hitchcock’s body of work. I’ve also been fascinated by how he turned himself into an iconic public figure through film cameos, measured interviews, and especially, the hosting of his TV series. Author Moral lays out the memories of many who worked with Hitchcock, and includes the importance of the director’s long-time wife and frequent collaborator, Alma Reville. We also learn of Hitchcock’s penchant for practical jokes … a trait that contrasts with his meticulous approach to structure on the set. It’s likely many will find interest in Hitchcock’s intent to create a new movie star out of a beautiful model with little acting experience. His success in this venture may be best judged by the films they made together, THE BIRDS (1963) and MARNIE (1964) … as well as her acting career post-Hitchcock. The legacy of Alfred Hitchcock is certainly more complex now than it was at time of his death. The MeToo# movement played a part in the shift, while the movies and words of all collaborators must be considered. This book from Tony Lee Moral helps us do so.

The book is available on Amazon beginning June 9, 2026

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Posted by David Ferguson

Book Review- I WANNA BE LOVED BY YOU: MARILYN MONROE: A LIFE IN 100 TAKES by Andrew Wilson

May 29, 2026

Glamour is the descriptive word that comes to mind when we think back to Hollywood’s Golden Age. The stars shone brightly in the days of Cary Grant, Clark Gable, Grace Kelly, and Elizabeth Taylor. However, many would agree that the brightest star and the most glamorous was Marilyn Monroe. She might also have been the most tragic. This detailed and intricately researched book from author Andrew Wilson pulls back the curtain on Marilyn’s façade of glamour, while serving up specifics about her childhood, her desire to be loved, and her recurring depression. The book may not be a traditional tribute, but in fact it serves as proof of how she struggled to overcome her personal challenges.

Wilson’s book is timed to release in celebration of what would have been Marilyn’s 100th birthday. Of course, it’s a tragedy that she only lived for 36 years, and we discover even more tragedy and sadness as the book guides us through a childhood (as Norma Jeane) we wouldn’t wish on anyone … foster homes and orphanages. This led to her foundation of fear and insecurity. Wilson describes how her need to be loved and wanted was often at odds with her public image of glamorous blonde bombshell, as was her commitment to reading and learning – despite being a high school dropout.

As proof of her iconic image as a movie star and celebrity, it’s truly fascinating to note the number of legends, rumors, and conspiracies linked to Marilyn. Wilson discloses his access to the archives (tapes, interviews, documents, letters) of 1985 biographer Anthony Summers, who wrote “Goddess: The Secret Life of Marilyn Monroe”. Additionally, Wilson researched so much more on his own, making this work truly stand out despite the dozens of books already published profiling Marilyn. What we learn is that stories and tales and memories of Marilyn are easy to come by. The difficult part is separating fact from fiction, especially when so much of the fiction has been fed to us over the years. Wilson lays out the facts and admits when he’s drawing his own conclusions. This is in stark contrast to how he feels about Norman Mailer’s 1973 “Marilyn: A Biography”, which Wilson describes as ‘sloppily researched.’

When it comes to beloved icons, the real money makers are conspiracy theories and rumors when trying to sell one of those many Marilyn books. Wilson methodically addresses the facts as applied to such items as her being sexually assaulted as a minor, the white piano, multiple miscarriages, her endometriosis, the clashes with Laurence Olivier, the ‘wrong door raid’, her conversion to Judaism, that infamous dress from “Happy Birthday, Mr. President”, her three marriages (the first at age 16), brothers John and Bobby Kennedy (each get their own chapter), and of course, her death at such a young age and under mysterious circumstances. Also included is the story behind Hugh Hefner obtaining the Marilyn photos he used in the 1953 launch of “Playboy” magazine.

For those interested in Marilyn’s three marriages, Wilson includes plenty. First husband Jim Doughterty, a police officer, wrote two books about her, while neither Hall of Famer Joe DiMaggio nor Pulitzer Prize winner Arthur Miller did. In fact, the latter two remained quite close-lipped when it came to discussing Marilyn after her death. Specifics on the marriages are included, and as you’d suspect, it wasn’t all rosy for Marilyn. Other romances and rumored romances are part of her story. This includes Frank Sinatra and Yves Montand, as well as screenwriter Jose Bolanos, supposedly her final lover.

Famed acting coach Lee Strasburg not only worked with Marilyn, but also became one of the few she trusted implicitly. Wilson covers her lifelong connection to therapists, including her time with Anna Freud, daughter of Sigmund. Marilyn’s struggles with mental health and depression were a constant battle, and given her childhood and fame, it’s actually understandable. Arthur Miller is quoted as telling her, “You’re the saddest girl I ever met.” Compare that to what Oscar winning director Billy Wilder said: “When I met her, she did not impress me. When I saw what the camera saw, I knew she was special.” Wilder directed Marilyn on THE SEVEN YEAR ITCH (1955) and SOME LIKE IT HOT (1959), the former included the iconic scene of Marilyn standing on the grille as the wind blows her skirt up. It’s that transformation in front of the camera that Wilson notes a few times.

Clark Gable passed away twelve days after filming wrapped on THE MISFITS (1961 screenplay by Arthur Miller), and it became the final feature film released for both Gable and Marilyn Monroe. The last public photos of her were taken at Dodger Stadium for a charity game with kids, and yes, writer Andrew Wilson covers her death and funeral and how those have been analyzed and debated since. It’s interesting to note that Marilyn lived in more than fifty different places during her short life, and the only house she purchased had an inset in the tiled doorway that read “Cursum Perficio”, translated to ‘My journey ends here’. And what a journey it was … despite ending much too soon. Marilyn’s cover story is glamour, but Andrew Wilson separates the person from the star.

The book by Andrew Wilson is available on Amazon beginning June 2, 2026

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Posted by David Ferguson

Book Review- NOLAN: THE SINGULAR LIFE OF AN AMERICAN ORIGINAL

May 15, 2026

Author: Tim Brown

The Ryan Express. Tex. Nolie. However you refer to Lynn Nolan Ryan, he was without question one of the most exciting players and dominating pitchers in Major League Baseball history. Sure, he had some detractors, but few of those are knowledgeable baseball fans or among those who were lucky enough to see him pitch. Renowned sportswriter and author Tim Brown serves up plenty of ‘inside baseball’ here as it relates to Nolan’s career, yet some of the most interesting bits and pieces are in regard to Ryan as a man.

Some standard biographical information is included, with an emphasis on Ryan’s childhood in Alvin, Texas (born in Refugio) and his lifelong connection to the area. He’s been married to local girl Ruth Holdorff since 1967 and if anything, Ruth’s continued support of and importance in Nolan’s career might be slightly underplayed in the book. We are talking about a woman who would gear up and catch Nolan Ryan pitches in the offseason. Still, this is a book about Nolan, and some terrific stories are recollected. This includes that incredible baseball career of 27 seasons, and also the post-playing career, which led to his continuing need to scratch the competitive itch.

We learn the importance of Red Murff (an entire chapter), the baseball scout who discovered Nolan and so believed in his potential, that he persuaded the New York Mets to draft him … leading to his MLB debut at age 19 and his only World Series appearances in 1969 for the legendary “Miracle Mets.” After the 1971 season, the Mets traded the young fireballer to the Angels, where he pitched some of his most dynamic and spectacular games. Eight seasons later, Nolan seized the chance to play near his hometown of Alvin for the Houston Astros. With this move, he became the first major leaguer to earn more than $1 million per season. After nine seasons in Houston, Nolan jumped to the Texas Rangers, where he would end his playing career five years later … at the age of 46.

Those are the numbers and years, yet as Tim Brown’s book stresses, there are more pertinent ways to capture Nolan Ryan, the man. A consistent theme appears at the point of those career moves. Ryan felt disrespected by the owners/management teams of the Angels, Astros, and ultimately the Rangers (after he became a part-owner and Team President). In keeping with the ‘strong, silent type’, Ryan demanded respect and saw no need to put up with anything less. The true way to judge a man’s character is by hearing what others say about him, and Brown’s book excels at telling such stories and laying out the foundation of why Nolan Ryan remains a Texas and baseball legend.

Some numbers are crucial in further understanding Ryan’s legacy. You should know that his 27-year career resulted in 324 wins, seven no-hitters, 12 one-hitters, 18 two-hitters, and 5714 career strikeouts. An obvious Hall of Famer, Ryan refused to rest on his laurels after his playing career ended. Instead, his resume includes rancher (with a beef business), banker, spokesperson, college baseball assistant coach and part owner (with his son) of Ryan Sanders Sports and Entertainment (owner of minor league Round Rock Express). All of this was after his time as President/CEO/part owner of the Texas Rangers and Special Assistant to the Houston Astros.

Brown devotes a full chapter to a breakdown of each of Nolan’s seven no-hitters, including naming the catcher, providing the final score, and the number of strikeouts and walks. Other chapters speak to the important figures in his career: Gene Autry, Bobby Valentine, Tom Grieve, Tom Seaver, Phil Garner, Tom House, Tim Purpura, and (not in a good way) John McMullen. Of course, the Robin Ventura episode is detailed, as is the underreported meeting between the two men a few years later (again, true character shining through). Hardcore baseball traditionalists will find immense pleasure the “The Bow Tie” chapter which speaks directly to Nolan’s use of intimidation while on the mound … or hulking around the mound … or reacting to batter’s bunts or smiles.

As a young kid just getting into baseball, I first saw Nolan pitch in the 1969 World Series for the Mets (on TV). Through the 1970’s, 1980’s, and early 1990’s, I was fortunate enough to see him in person as he pitched for the Angels, Astros, and Rangers. Each outing began with anticipation and excitement over what ‘might’ happen, and the confidence of knowing it would be memorable, regardless of the outcome. Brown’s last few chapters detail how Ryan has spent his time since retiring. There is also a section on how it’s possible the Texas Rangers might have folded and/or relocated if not for the timely addition of Nolan Ryan to the roster, and his subsequent impact in the front office. When the franchise finally secured a World Series win in 2023, those conversations and thoughts resurfaced.

Of course, there have been quite a few previous books written about Nolan Ryan. Even today, young pitchers can learn from “Nolan Ryan’s Pitcher’s Bible” (co-written by Ryan and Tom House). Still, it’s this latest book from Tim Brown that is so thorough and comprehensive. It covers so many aspects of the man. The legacy of Nolan Ryan remains massive from a baseball perspective, yet his lasting impact is that of being a man of principle, a man of honor, a devoted husband and family man, the ultimate competitor … and a final description that seems all too rare these days … a worthy role model.

The book releases on May 19, 2026

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Posted by David Ferguson

Book Review- “BOOMTOWN: THE TRUE STORY OF THE WICKEDEST TOWN IN TEXAS”

April 19, 2026

author: Joe Pappalardo

release date: April 21, 2026

It’s possible, even likely, that I’ve been more surprised by a book than I was by this latest from Joe Pappalardo (a freelance journalist and critically acclaimed author), but I don’t recall when or by what book. While it’s understandable that many readers would initially muster little interest in a true story that took place 99 years ago in a small town located in the Texas panhandle, that’s where the surprise comes in. The Borger, Texas population may be significantly smaller now than it was then, yet the story includes politics, violence, corruption, brothels, moonshine, sports gambling, greed, and the evolution of America … many of the elements that keep us glued to the book’s pages and sometimes stunned by what we are reading.

Author Pappalardo structures the book much like a journal, detailing occurrences on specific days between February 1927 and August of the same year. Some days even warrant multiple entries (morning, evening, etc). He also goes to great lengths to explain that much of the dialogue and conversation presented between these real-life folks has been ‘imagined’ to fill the gaps. If that technique bothers you, please understand that the book and the story and people involved have been meticulously and extensively researched by the author. It’s fair to say that no living person knows more about 1927 Borger, Texas than Joe Pappalardo … the 366 footnotes prove it.

Bootleggers, gamblers, and corrupt politicians all served the up-and-coming oil workers congregating in the up-and-coming boomtown of Borger, dubbed ‘the wickedest town” in Texas. Rarely has a town sprung up so quickly (it was founded only a year earlier), and the daily recounting of events is sometimes startling. If you are thinking this story needs a hero, well how about Frank Hamer, the Texas Ranger Captain best known for leading the search that led to the end of the Bonnie and Clyde crime spree in 1934. Hamer’s story itself is enough to fill a book … actually two: one in 1968 by H. Gordon Frost and John H. Jenkins, and another in 2016 by John Boessenecker.

This is a rare glimpse into what America looked like a century ago. Of course, this is not the big cities of New York or Chicago, but rather the dusty plains that would ultimately create incalculable wealth and a booming industry. By recounting specific days, the author avoids generalities to focus on details and specifics … and yes, there’s a murder mystery as well. Individual personalities become familiar, and things play out like the developing story it was. Were the numerous incredulous events and colorful characters not part of actual history, Pappalardo’s book would excel as a page-turning novel of fiction. Instead, we are privy to the historical record.

St. Martin’s Press is releasing the book on April 21, 2026. Here is the Amazon link:

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Posted by David Ferguson

Book Review- “HANNIBAL LECTER: A LIFE” by Brian Raftery

February 7, 2026

Analyzed too closely, our fascination with serial killers could (and should) be considered disturbing. Novels, stage plays, movies, and TV series have long focused on the criminals who both frighten society and manage to long elude law enforcement. This is not referring to the demented appeal of scumbag shoot-the-CEO-in-the-back murderers with bushy eyebrows, but rather those whose intellect and psychological profiles allow them to stay one step ahead of those seeking justice – at least for a while. Included on the list would be such recognizable names as Jack the Ripper, Ed Gein, Ted Bundy, Jeffrey Dahmer, Aileen Wuornos, and the Zodiac Killer. Capitalizing on the public’s fascination led Thomas Harris to write “Red Dragon” in 1981, his first novel featuring Hannibal Lecter. Three more Lecter novels followed, and it’s Mr. Harris’ many Lecter works, and the projects influenced by them, that drove this detailed and expertly researched book from author Brian Raftery.

It’s tempting to call this a biography of Hannibal Lecter, a fictional character – despite his being referred to as “the late, great, Hannibal Lecter” during the most recent Presidential campaign (and a few times since). Yet, the biography label feels insufficient since Raftery also delves into Thomas Harris’ writing process, interviews with FBI agents, and serves up some behind-the-scenes details of the movie and TV projects of which ‘Hannibal the cannibal’ was a part. For many readers, including yours truly, gaining some insight into Harris is reward enough. The ever-reclusive bestselling author (more than 50 million books sold) is renowned not just for his outstanding storytelling, but also for his ability to avoid the spotlight and most anything resembling an interview (for decades).

Of course, the public fascination lies not with bestselling authors, but instead on serial killers. Harris’ work on Lecter has permitted us to get up close and (too) personal with this brilliant and dangerous character. It’s the mind games that draw us in … much more so than the grisly murders or cannibalism. This is what makes Raftery’s book so special. He guides us through the various incarnations of the enigmatic Hannibal Lecter. Harris’ four Lecter novels are “Red Dragon” (1981), “The Silence of the Lambs” (1988), “Hannibal” (1999), and the prequel “Hannibal Rising” (2006). Releases of the four novels spanned twenty-five years, fitting properly with Harris’ devotion to the character and his process. The novels fed the cinema with MANHUNTER (1986), THE SILENCE OF THE LAMBS (1991), HANNIBAL (2001), RED DRAGON (2002), HANNIBAL RISING (2007), and the TV series “Hannibal” (2013-15). Author Raftery divides the books/films into sections to facilitate our understanding of Lecter and how the projects came together.

Easily the most popular and widely seen version of Lecter is from the 1991 film version, THE SILENCE OF THE LAMBS. It won five Oscars: Best Picture, Best Director (Jonathan Demme), Best Adapted Screenplay (Ted Tally), Best Actress (Jodie Foster), and Best Actor (Sir Anthony Hopkins). Raftery gives the novel and the film its due, and includes quotes from Hopkins on his pride in portraying the character. For film lovers, Raftery also includes some juicy details around the early decisions on script, director, and casting. There are plenty of surprises throughout the book, yet this section probably contains the most. Raftery doesn’t shy away from the fading interest in Lecter in the later versions, however, the overall success rate and longevity is quite impressive.

Whether you are drawn to Hannibal Lecter through the Thomas Harris novels, the frightening on screen portrayal by Sir Anthony Hopkins, or a general interest in the criminal mind, Brian Raftery’s book will surely exceed expectations, while offering valued insight into one of the most intriguing literary villains of all-time.

Published by Simon & Schuster, available February 10, 2026

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Posted by David Ferguson

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