Analyzed too closely, our fascination with serial killers could (and should) be considered disturbing. Novels, stage plays, movies, and TV series have long focused on the criminals who both frighten society and manage to long elude law enforcement. This is not referring to the demented appeal of scumbag shoot-the-CEO-in-the-back murderers with bushy eyebrows, but rather those whose intellect and psychological profiles allow them to stay one step ahead of those seeking justice – at least for a while. Included on the list would be such recognizable names as Jack the Ripper, Ed Gein, Ted Bundy, Jeffrey Dahmer, Aileen Wuornos, and the Zodiac Killer. Capitalizing on the public’s fascination led Thomas Harris to write “Red Dragon” in 1981, his first novel featuring Hannibal Lecter. Three more Lecter novels followed, and it’s Mr. Harris’ many Lecter works, and the projects influenced by them, that drove this detailed and expertly researched book from author Brian Raftery.
It’s tempting to call this a biography of Hannibal Lecter, a fictional character – despite his being referred to as “the late, great, Hannibal Lecter” during the most recent Presidential campaign (and a few times since). Yet, the biography label feels insufficient since Raftery also delves into Thomas Harris’ writing process, interviews with FBI agents, and serves up some behind-the-scenes details of the movie and TV projects of which ‘Hannibal the cannibal’ was a part. For many readers, including yours truly, gaining some insight into Harris is reward enough. The ever-reclusive bestselling author (more than 50 million books sold) is renowned not just for his outstanding storytelling, but also for his ability to avoid the spotlight and most anything resembling an interview (for decades).
Of course, the public fascination lies not with bestselling authors, but instead on serial killers. Harris’ work on Lecter has permitted us to get up close and (too) personal with this brilliant and dangerous character. It’s the mind games that draw us in … much more so than the grisly murders or cannibalism. This is what makes Raftery’s book so special. He guides us through the various incarnations of the enigmatic Hannibal Lecter. Harris’ four Lecter novels are “Red Dragon” (1981), “The Silence of the Lambs” (1988), “Hannibal” (1999), and the prequel “Hannibal Rising” (2006). Releases of the four novels spanned twenty-five years, fitting properly with Harris’ devotion to the character and his process. The novels fed the cinema with MANHUNTER (1986), THE SILENCE OF THE LAMBS (1991), HANNIBAL (2001), RED DRAGON (2002), HANNIBAL RISING (2007), and the TV series “Hannibal” (2013-15). Author Raftery divides the books/films into sections to facilitate our understanding of Lecter and how the projects came together.
Easily the most popular and widely seen version of Lecter is from the 1991 film version, THE SILENCE OF THE LAMBS. It won five Oscars: Best Picture, Best Director (Jonathan Demme), Best Adapted Screenplay (Ted Tally), Best Actress (Jodie Foster), and Best Actor (Sir Anthony Hopkins). Raftery gives the novel and the film its due, and includes quotes from Hopkins on his pride in portraying the character. For film lovers, Raftery also includes some juicy details around the early decisions on script, director, and casting. There are plenty of surprises throughout the book, yet this section probably contains the most. Raftery doesn’t shy away from the fading interest in Lecter in the later versions, however, the overall success rate and longevity is quite impressive.
Whether you are drawn to Hannibal Lecter through the Thomas Harris novels, the frightening on screen portrayal by Sir Anthony Hopkins, or a general interest in the criminal mind, Brian Raftery’s book will surely exceed expectations, while offering valued insight into one of the most intriguing literary villains of all-time.
Published by Simon & Schuster, available February 10, 2026
Posted by David Ferguson
Greetings again from the darkness. William Shakespeare has inspired so many writers and stories over the years that he often goes unacknowledged rather than credited. Such is the case with this latest from writer/director/animator Mamoru Hosoda with character names such as Amulet, Claudius, and Gertrude. Of course, since this is Japanese anime, the story’s path varies and features unusual and colorful characters.
Greetings again from the darkness. Well, it’s not exactly a ‘good cop/bad cop’ scenario, since only one of them is a cop – and he’s suspended and out of his territory. It’s also not a traditional ‘Buddy comedy’ since these aren’t buddies, but rather estranged, grudge-holding half-brothers. Still, the premise is admirable, and the casting choice of pairing Dave Bautista with Jason Mamoa is marketing brilliance. Jonathan Tropper (creator and writer of “Banshee”) wrote the screenplay and Angel Manuel Soto (BLUE BEETLE, 2023) directed.
Greetings again from the darkness. The concept is interesting and relatable. A woman undertakes the solving of a mystery, and in the process, learns a great deal about herself. Writer-director Rebecca Zlotowski w-d (OTHER PEOPLE’S CHILDREN, 2022) and co-writers Anne Berest and Gaelle Mace have delivered a film that works on a couple of levels: as a whodunit and self-discovery.
Greetings again from the darkness. If not for a few bizarre (and interesting) visual metaphors tossed in, one might mistake this film from Icelandic filmmaker Hlynur Palmason (GODLAND, 2022) as a documentary. After all, we are mostly watching one family’s life over the course of a year. There are no car chases or criminal masterminds – just a few people living their lives.
Greetings again from the darkness. ‘Arco, phone home’. OK, that’s not actually a line of dialogue in this Oscar nominated animated feature film from w-d Ugo Bienvenu, co-director Gilles Cazaux, and co-writer and Felix de Givry … but the line sure fits. Taking place in the future, the film’s strong themes are family, friends, and coming-of-age.
Greetings again from the darkness. Heroes come in many shapes and sizes, and heroic acts may be big or small. What’s consistent is the need for courage to do the right thing, regardless of the circumstances or personal risk. The actions of Pavel “Pasha” Talankin clearly fall under this definition, and with the help of his co-director David Borenstein, the finished film not only provides us with rare insight into Russian life, it has also been nominated for Best Documentary Feature at this year’s Academy Awards.
As we experience this age of cinematic sequels, spinoffs, remakes, and reboots, author and historian Robert Hofler reminds us how a good story lends itself to being reimagined for different eras. He does this by taking us through the incredible history of the various film projects for A STAR IS BORN – on the 50th anniversary of the 1976 version. The book is subtitled: “The Most Filmed Hollywood Story of Love Found and Lost”.
Greetings again from the darkness. Artificial Intelligence ranks with politics as one of the hottest topics of conversation these days. Of course, we don’t yet know what role AI will play in society; however, we are pretty certain all aspects of our world will be touched in some form. This story from writer Marco van Belle and director Timur Berkmambetov (WANTED, 2008) is set only three years in the future, and the premise is that AI judges now decide criminal cases. As with most stories steeped in science fiction, your enjoyment of the film will depend on your willingness to buy into a concept that seems a bit far-fetched. But that buy-in will likely leave you entertained, rather than rolling your eyes (ok, maybe both), by what’s on screen.
Greetings again from the darkness. One might believe that celibate communal living and worship would have been an easier sell in the 1780’s than today, yet this film from writer-director Mona Fastvold (THE WORLD TO COME, 2020) and co-writer Brady Corbet (THE BRUTALIST, 2024) proves otherwise. It turns out the second coming and extreme shaking while worshipping requires a bit more faith than many possess. The film is based on the true story of Ann Lee, the founder of the Shakers who, along with a small contingency, emigrated to the U.S. from England to spread their beliefs.