Greetings again from the darkness. In 2004, we had a film based on dodgeball, so it only makes sense that the hottest game going these days, Pickleball, gets its shot on the big screen. Josh Greenbaum (WILL & HARPER, 2024) directs a screenplay from Sean Clements (“Workaholics”), and the result is a comedy in the realm of films like HAPPY GILMORE (1996), KICKING & SCREAMING (2005), and yes, DODGEBALL: A TRUE UNDERDOG STORY (2004). The film tries (too) hard to generate laughs, and its best moments seem to be in the sincere intergenerational bond between two otherwise mismatched characters.
Jake Johnson (“New Girl”) stars as Dustin Boyd, a one-time tennis prodigy whose pro tennis career was derailed by a wrist injury. Having been cultivated from an early age by his father (think Todd Marinovich), the collapse of his career also caused a break in his relationship with dear old dad, Chuck (Ed Harris), who now owns and runs a prestigious tennis club where he allows Dustin to train rich kids … although he spends most of his time telling stories about ‘what could have been.’ As the popularity of pickleball grows, tennis traditionalist Chuck fights the pressure from the pickleball contingent led by Skip (the always great Patton Oswalt). A quirk in the club by-laws sets up a duel – a match between the tennis proponents and the pickleball group.
Circumstances shove Dustin into the pickleball universe, and it’s this route that offers him a shot at regaining dad’s respect. Actually, pickleball is prescribed to him by his unconventional doctor played by Ben Stiller (also a producer on the film). Dustin thinks the new game is hokey, but he finds a true friend in Candace (Oscar winner Mary Steenburgen). This contrasts with RJ, his loyal assistant at the club (played by Aaron Chen, George on “Fisk”), who worships Dustin, but hesitates to call him out. Dustin and Candace are surprisingly good together – not just as pickleball partners against Gail (Cleo King) and Judy (the late Lynne Marie Stewart, Miss Yvonne on “Pee-Wee’s Playhouse”) – but as true friends.
The duel – traditional versus contemporary – ends exactly how you would expect, and it’s elevated by surprise appearances from a couple of real life tennis legends during the match. Jake Johnson is at his comedic best in slightly awkward situations, but much of this one is so obvious and generic, it’s difficult to give much credit to the comedy. The use of Country music and the classic film, THE GRADUATE (1967) are especially nice touches, as are supporting roles from Christine Taylor (Stiller’s wife) and Martin Kove (THE KARATE KID). The pickleball fans out there deserve their moment on the big screen, and they will hopefully find a few more laughs than I did.
THE DINK will premiere globally on AppleTV on July 24, 2026
Posted by David Ferguson
Greetings again from the darkness. Most of us would do just about anything for a grieving loved one. Kepsuke (Daigo Yamamoto) proves this when he accompanies his wife Otone (Haruka Ayase) to a presentation at ReBirth, a company specializing in humanoids meant to replace a lost child. An accident two years ago cost this couple their 7-year-old son Kakeru (Rimu Kuwaki), and the husband, though skeptical of the whole thing, hopes this is what his wife needs to move on.
Greetings again from the darkness. It’s such a treat when a film sneaks up and surprises you with such emotional depth that you not only feel like you know the characters, but you also want to stick around and see how they do over the next few years. The first feature film from writer-director A.R. Ephraim does just that, leaving me so touched by what I’d just watched, yet saddened that my connection with Jolene was over.
Greetings again from the darkness. What makes a movie “epic”? Most cinephiles would agree the list of epic movies includes LAWRENCE OF ARABIA (1962), GONE WITH THE WIND (1939), BEN-HUR (1959), and APOCALYPSE NOW (1979). Of course, arguments can be made for many other films, and it really comes down to how you define ‘epic’ and how you perceive a specific film. Regardless of your definition or perception, there is no doubt that this latest from Oscar winning filmmaker Christopher Nolan is an epic film and an epic movie-watching experience. Yes, it’s the first film to be filmed entirely with IMAX 70mm cameras, and it’s based on the Homer’s “Odyssey”, itself a piece of epic Greek literature … but it also is a piece of filmmaking unlike anything we’ve previously seen.
Greetings again from the darkness. For those who are itching to re-live the glory days of 1984 high school, writer-director Michael Walker and co-writer Susan Gomes are here for you. The surprising part is that even for non-Gen X viewers, the film is so well crafted and acted, that it flows beautifully as a time capsule for the era. As if that’s not enough, it’s also based on a true story.
Greetings again from the darkness. I usually try to avoid using the word ‘endearing’ to describe a film that strikes an emotional chord, but for this film from writer-director Lauren Meyering and co-writer Mackenzie Breeden, the word fits perfectly. Much of the reason for this is the screen presence of Lillian Carrier, who was diagnosed with autism at age 16. Here she portrays twenty-two-year-old Margarita in a way that allows us to understand her real life challenges.
Greetings again from the d arkness. While I certainly value the importance of fiction and creativity, I choose to watch so many documentaries because I’m also a fan of real life and the truth. However, the truth is often anything but uplifting and such is the case with this film from Jessica Earnshaw as she tells the story of Gail Ritchey and the “Geauga’s Child” case.
When we think of a Rock ‘n Roll legend, we usually envision arenas packed with screaming fans and a decadent lifestyle filled with groupies, endless parties, and mansions. We don’t tend to think of a tortured artist toiling for decades in search of perfection and capturing the music they hear in their head. As authors Brad Tolinski and Chris Gill detail in this book, the toiling perfectionist label fits guitar legend Jeff Beck much better than decadent party animal. And perhaps no writers are better positioned to write about Beck than the two long-time music journalists from “Guitar World” magazine.
Greetings again from the darkness. As a huge fan of THE WIZARD OF OZ (1939), I admire the homage paid to the classic film by writer-director David Wain (WET HOT AMERICAN SUMMER, 2001) and his co-writer Ken Marino, collaborators on ROLE MODELS (2008) and WANDERLUST (2012). In fact, there are long-term shared comedic genes noted throughout the list of cast, crew, and filmmakers here … with quite a few running through the “Reno 911!” franchise. If that’s not hint enough, I’ll repeat what I’ve written many times over the years: comedy tastes are quite diverse, and some will laugh heartily at this one, while others will be baffled as to what is so funny.
Greetings again from the darkness. Other than basic decency and human connection, there are few things that define a person and their life more than education. Whether gained in a classroom or through daily experiences, understanding people and history is what provides our perspective and our foundation of humanity. A common strategy of small-minded authoritarians who seek only more power is to limit educational opportunities for others … as if holding one group down will lift up said power-monger. This is on full display in this film based on the experiences Azar Nafisi detailed in her 2003 memoir. The film is directed by Eran Riklis (LEMON TREE, 2008), who co-wrote the screenplay with Marjorie David.