HEART OF THE BEAST (2026)

September 24, 2026

Greetings again from the darkness. Director David Ayer (the excellent END OF WATCH, 2012) is no fool. He wisely begins the movie by putting the audience at ease. Yes, the dog survives. We learn this in the opening scene he blocks the road of a pickup driver (Anna Lambe, “True Detective”). We immediately shift to flashback mode, unsure whether the dog’s owner is still alive. The first feature film screenplay from Cameron Alexander benefits immensely from a couple of key factors: stunning scenery and a touching bond between man (Oscar winner Brad Pitt) and dog (Odin, a properly renamed Uber).

Pitt plays James Belmont, retired after 30 years in Army Special Forces. His loyal companion, Odin, is a beautiful Shepherd who served as combat scout dog alongside James in multiple wars. Both carry their bodily and mental scars. Odin has been partially reassembled, including a prosthetic leg that doesn’t seem to slow him down. The two companions are now living a quiet life, close to nature, in the wilderness of Alaska. Well, it’s quiet except for multiple interruptions … some more dangerous than others.

One evening, an old-timer (Oscar winner JK Simmons) pulls up his canoe for a fireside chat with James. This allows us to learn some specifics about the background for man and ‘beast’.  The geezer is gone by the next morning, and a storm forces James and Odin into an early departure. It’s one that ends badly, as a heart attack causes a horrific plane crash. James and Odin are battered, but survive and begin a 58 mile trek through harsh Alaskan wilderness. The dangers lurking in nature are many. Some you expect, some you don’t. One segment recalls THE GREY, while another poses a nature-made tree bridge over raging river waters.

I may not be the first to notice that Brad Pitt has a face seemingly designed for the big screen, yet this time, his co-star’s face is equally impressive. Odin is a stunning creature and the bond these two share carries zero Hollywood fluff, and is sure to capture the emotions of most viewers. In fact, you should have nothing to do with anyone who doesn’t at least well up a bit during this one. Pitt has reunited with Ayer, his director from FURY (2014), and this survival story may work even better as a love story.

Opens in theaters on September 25, 2026

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PRIMETIME (2026)

September 24, 2026

Greetings again from the darkness. Director Lance Oppenheim (SOME KIND OF HEAVEN, 2020) and co-writers Luke Dittrich and Ajon Singh toss nearly two hours of psychology at us, leaving us to fend for ourselves on how best to define evil and acceptable boundaries of ethics and decency. It’s a bit of a mind twister that some may define as horror, while others cast it as satire. Regardless of your take, I found this to be a mesmerizing look at the things that make some people tick.

Robert Pattinson stars as Chris Hansen, whom you likely recall as the host of “To Catch a Predator”, a special offering which ran from 2004-08 on “Dateline NBC”. Hansen became renowned for his creepy voice and catchphrases, “Why don’t you have a seat” and “You see how this looks, right?” It wasn’t enough to catch the pedophiles … they needed to be humiliated on camera and then have the tape replayed on national television. Legalities caught up with show … entrapment being a topic, despite few having sympathy for those targeted. Those caught in compromising positions are shown here, but this film is ingenious in how it turns the camera on what was going on behind the scenes.

Pattinson captures a persona as Hansen that is difficult to describe, yet abnormal and a bit twisted is a start. The always great Merritt Weaver (CHRISTY, 2025) plays the show’s ambitious producer Andie Bender – one who would readily admit to not being cut out for rom-coms. She’s a master at manipulating a situation or person so that it makes her and the show look good. Proof of this is in how she handles “Decoy Dan” (a terrific Skyler Gisondo, SUPERMAN, 2025). Ambitious in his own right, Dan masters the innocent voice used to reel in the target, and does so for the purpose of obtaining his SAG card.

Yes, everyone is out for something here. Matthew Maher (THE BRIDE!, 2026) plays Xavier, the staffer charged with attracting the right kind with online banter. Xavier founded “Perverted Justice”, an organization committed to nailing pedophiles. The downfall of the show occurred with an incident in Murphy, Texas … shown here with Bokeem Woodbine as a strutting Texas sheriff, devoted to nailing ‘The Whale’ … an important local official. It’s the one target that Hansen never had the chance to confront with his own words.

The supporting cast in the film is deep and, in some cases, quite surprising. These actors include Phoebe Bridgers (musician), Anna Farris, Jessica Hecht, Jeff Zucker (former President of CNN), Jonathan Lipnicki (the kid from JERRY MCGUIRE), Alex Winter (BILL & TED’S EXCELLENT ADVENTURE), Tony Revolori (THE GRAND BUDAPEST HOTEL), and Creed Bratton (“The Office”, The Grass Roots).

In addition to the cast, director Oppenheim has put the band back together (from SOME KIND OF HEAVEN, 2020). This includes cinematographer David Bolen whose lighting and camera work deliver a unique atmosphere, composer Ari Balouzian whose musical notes match the feeling, and editor Daniel Garber who fits the pieces together in a way that the “Yuck” factor never overwhelms. The psychological aspects mentioned earlier are on full display throughout, and best of luck maintaining your own sanity as you attempt to figure out if any of these folks are ‘good’ or if that bar is simply unachievable.

Opens in theaters on September 25, 2026

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UNABOMBER (2026)

September 24, 2026

Greetings again from the darkness. One of the most frightening things in existence is when mental illness blends with brilliance. Ted Kaczynski was a 16-year-old math prodigy at Harvard in 1958, and then arrested in 1996 after being identified as the Unabomber. His reign of terror covered 1978 through 1995, and his bombings were responsible for three murders and twenty-three injuries. The manhunt was the longest and most expensive in FBI history.

Director Janus Metz (ALL THE OLD KNIVES, 2022) works from a screenplay by Sam Chalsen and Nelson Greaves, delivering a look at young Kaczynski and the FBI efforts to track him down with so few clues. In an interesting approach, Metz flip-flops the story between 1958 Harvard and the manhunt in the 90’s … opening with a New Jersey bombing in 1994 and moving to the release of the Manifesto a year later. It’s the Manifesto that breaks the case for the FBI, although it almost didn’t. The key agent involved here is Joanne Miller (Shailene Woodley, THE DESCENDANTS, 2011) as a behavioralist. When Kaczynski’s brother David (Matthew Kevin Anderson) relays to the feds that the writing style and terminology remind him of his brother, Joanne Miller shifts her focus.

The Harvard segments focus on Professor Henry Murray (Oscar winner Russell Crowe) and the mental stress project he runs with Christiana Morgan (Annabelle Wallis, THE MUMMY, 2017). At this age, Kaczynski is played exceptionally well by Jacob Tremblay (ROOM, 2015), who captures a young man who doesn’t really fit in socially, and believes he has a mentor and supporter in the Professor and his assistant. This segment shows what a quick mind Kaczynski possessed, while also letting us see just what led to extreme behavior later.

The FBI pieces fit together like a procedural, and in addition to Woodley, agents are portrayed by Alexander Ludwig (“Vikings”), Stephen Ogg (“The Walking Dead”), and Marc Menchaca (“Ozark”). We also see how luck and perseverance and instinct can play a role in such a broad investigation. The capture of Kaczynski at his remote and rustic cabin in Montana is reenacted here, as is at least one “wrong guy” moment from earlier. We see actual news clips from reports during this era, and at the film’s conclusion, audio recordings and photos of imprisoned Kaczynski are replayed. In 2020, a docuseries, “Unabomber: In His Own Words”, was released, and both projects capture the mental state of one who was a true danger to society. This film from Mr. Metz states that it’s based on a true story, however, I couldn’t find a reference to a female agent who was key to the case, and none are noted in the update prior to the closing credits. At this point, I’m not sure if this is creative license or protecting agent identities.

Premieres on Netflix on September 25, 2026

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SHAUN THE SHEEP: THE BEAST OF MOSSY BOTTOM (2026, animated)

September 24, 2026

Greetings again from the darkness. Shaun the Sheep is a British creation dating back thirty years or so. It’s through Aardman, the same imaginative studio as the brilliant ‘Wallace and Grommet’ characters and stories. Through multiple series and feature movies, we’ve come to know and love the claymation Shaun and his misadventures. This latest from co-directors Steve Cox and Matthew Walker, and co-writers Mark Burton and Giles Pilbrow, is yet another entry that will entertain adults and kids of all ages.

Halloween is rapidly approaching and the flock of sheep has been cultivating a secret pumpkin patch. At the same time, the clumsy, unaware farmer is working up the courage to invite the local veterinarian to the Halloween Hoe-down. A freak occurrence has the farmer accidentally destroying the pumpkin patch, leading Shaun and his nifty science book (“Home-Made Science”) to concoct a rapid-growth solution meant to replenish the pumpkins. Of course, there are ‘hairy’ side effects that put all involved on a track resembling a Buster Keaton movie … one hilarious misstep (with the best intentions) after another.

There are so many subtle touches to complement the chaos that most are best left for the viewer to discover. For a taste, there’s a nod to Hitchcock’s PSYCHO, perfectly timed wilting flowers, a slick use of a car wash, a sea shanty, and a few pokes at selfies and social influencers. Perhaps my favorite is the angry mob chasing the beast, reminiscent of what happened to the Frankenstein monster. In reality, the show is a tribute to monster movies with an emphasis on Shaun (and his trusty book of experiments) as Doctor Frankenstein.

The visuals here are outstanding as usual, and for those unfamiliar, dialogue is non-existent – other than a song lyric near the end. The communication and emotions are conveyed through grunts, groans, and giggles … and we are never in doubt as to what a character is thinking or ‘saying’. Sheep, a farmer, a loyal dog, the helpful vet, some longshoremen, and angry townspeople all play a role in this Halloween tale that will surely entertain (with a good-natured fright) viewers of all ages. The tradition continues.

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THE LOVE HYPOTHESIS (2026)

September 22, 2026

Greetings again from the darkness. This year’s batch of Hallmark Christmas movies hasn’t hit yet, so for those fans, here’s the next best thing … a Romantic Comedy based on the New York Times bestseller written by Ali Hazelwood. Directed by prolific TV director Claire Scanlon, with an adapted screenplay by Sarah Rothschild, the film delivers easy comedy with a burst of ‘Girl Power’.

Lili Reinhart (CHEMICAL HEARTS, 2020) stars as Olive, a junk food junkie fighting anxiety over her Grad School interview when we first meet her. This anxiety acts as an internal battle for the brilliant researcher committed to finding a treatment for pancreatic cancer, the disease that took her mother. Once on campus at Stanford, Olive is quickly befriended by the much more outgoing Anh (Rachel Marsh, “Unstable”). The story’s ‘conflict’ occurs when Olive realizes she and Anh have a crush on the same guy, Jeremy (Nicholas Duvernay, “The White Lotus”). Being the grateful and dutiful friend she is, Olive yields the lust to Anh via a most awkward interaction with Dr. Adam Carlsen (Tom Bateman, DEATH ON THE NILE, 2022).

Soon, ‘Dr Evil’ (as Carlsen is known by students) and Olive have struck up a mutually beneficial “fake dating” agreement, complete with rules and regulations. This arrangement allows Dr. Carlsen to pursue the professional advancement he requires, while Olive can ensure that BFF Anh and Jeremy are unencumbered to pursue romance. It’s a win-win, except, of course (and obviously), fake dating rarely stays fake. The necessary complication arrives in the form of Dr Thomas Benton (Arty Froushan, “Daredevil: Born Again”) who fulfills the role of scummy, misogynistic male who abuses his position of power.

This is a Girl Power story told in a rom-com the traditional rom-com style, which makes it a challenge for some of us to appreciate. Reportedly, author Hazelwood used Rey from the Star Wars movies as inspiration for Olive. In a touch of synchronicity, Daisy Ridley (who played Rey) is married to Tom Bateman. It’s not difficult to imagine this as a more real-life drama, which means the story is one worth telling. As a bonus, the best line in the movie is, “Carry yourself with the confidence of a mediocre white guy”, and that made me laugh.

Premieres on Prime Video on September 23, 2026

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Book Review: IT’S ALL ABOUT THE PLAYERS

September 21, 2026

by Peter Gammons

There are fans of baseball and then there is Peter Gammons. He’s on another level with his passion for the game, appreciation of its history, and respect for its players. While there are quite a few talented baseball writers, Mr. Gammons expertly utilizes his love of the game to describe what he’s seen and what it means to him. In this book, baseball history is the foundation, but it’s Gammons’ knowledge, experience, and adoration that feed his perspective and the words that fill the pages.

He’s well known as a sportswriter, announcer, analyst, and historian, and for many of us, Peter Gammons has been an educator … one who teaches us the intricacies of the game. It’s the stuff not in rule book. So why am I writing so much about Peter Gammons in this review? Well, because this book is a collection of stories and observations that he has collected over many decades. This book answers the question, ‘Why does Peter Gammons love baseball?’ It’s joyous reading for any baseball fan, but especially for those of us of a certain age who have watched and admired the players he writes about. He takes us into the clubhouses and dugouts. He lets us hang out by the batting cages. This is ‘inside baseball’ at its finest … easily accessible.

Gammons’ entire professional career has been intertwined with baseball. Being born and raised in the Boston area, his early ties were to the Boston Red Sox, and as any fan knows, those early loyalties often stick. He spent years as a writer for the ‘Boston Globe’, ‘Sports Illustrated’, and ‘The Sporting News’, before joining ESPN as an analyst. Over those decades, he won many awards and was recognized nationally for his baseball insight.  All of that time spent around the game is laid out with stories and moments and memories of the players who made his time at ballparks so special. Baseball fans will soak up these stories and feel like we were right there with him.

In keeping with the book’s title, each of the seven Parts and most of the chapters are sub-titled with the names of the players being written about in a particular part of the book. As an example, one of the most fascinating segments is titled, “Geniuses”, and subtitled with names like Jason Varitek, Greg Maddux, Robin Yount, Tony Gwynn, and Johnny Bench, to name a few. Gammons proceeds to tell a story about each that identifies the player as a baseball genius or savant … the trait, other than raw talent, that set them apart from other big leaguers who simply played hard.

Gammons has at least one story about every significant player over the past fifty years, and since the timeline of my love of the game corresponds so closely to the writings of Gammons, the book acts as a trip down memory lane … with the added benefit of being educational and entertaining. Even the stories on players who weren’t among my favorites are fascinating to read, providing a feeling of discovery and bonding over a beloved sport. This book is for you if you are the type who would be thrilled to read about such things as Ted Williams smelling the burning of the wood of the bat, the green wall and green grass of Fenway, the Yaz era, the rise of Latin American players and later Asian players, Castro’s Cuba, Frank Robinson as the first black manager, the uber-talented Barry Bonds and Ken Griffey Jr, the remarkable Cal Ripken Jr, an enigmatic Alex Rodriguez, “Chicks dig the long ball”, Moneyball, Cubs relief, difference-making GMs, the inexact science of drafting, Gammons’ chat with young Bryce Harper, torch passing from Mattingly to Jeter, and so much more.

Gammons comes clean about his brain surgery and facing the significant chance that his memory would be gone. Memories are what this book is – a treasure for baseball fans everywhere.

Available on Amazon beginning September 22, 2026 


SICK (2026, Poland)

September 19, 2026

Fantastic Fest 2026

Greetings again from the darkness. My decision to review this movie was based on one thing: it’s the feature film directorial and screenwriting debut of Agata Trzebuchowska, who starred in Pawel Pawlikowski’s excellent IDA (2013). That was the extent of my research for this film from Poland, and now after watching it, I am at a loss on how to review without spoiling anything about it. Simply stating that the twists will surely surprise you is not enough – and it helps if you are unaware, as I was, of the film’s genre prior to watching.

It starts out as a ‘normal’ family situation. Sixteen-year-old Maks (Konrad Kakol) travels to a rural home to care for his ailing grandmother (Monica Niemczyk). Maks is a typically awkward teenage boy who spends his time reading comic books and looking at girls online. He is soon joined by his nineteen-year-old sister, Emma (Katarzyna Lubik). She’s perturbed she has to be there and spends entirely too much time drinking and sunbathing, leaving much of the work to Maks.

Emma’s tough façade hides the depression she’s fighting, while Grandma appears to be battling multiple ailments – both physically and mentally. All I can add here is that things get creepy. And then things get creepier. The film takes us in a couple of different directions initially and then stuns us with a twist that shifts everything. The climax is something else totally (with only a few subtle hints along the way). It’s a summer Maks will never forget. Any deeper description would take away from your own bewilderment at the progressions. The twists are such that most will not ‘figure out’ where it’s headed, and viewers are better off just letting it unfold. It will be interesting to see where Ms. Trzebuchowska takes her next feature film.

The film has its World Premiere at Fantastic Fest on September 18, 2026

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THE WEIGHT (2026)

September 17, 2026

Greetings again from the darkness. Padraic McKinley, a film editor by trade, makes his feature film directorial debut with one that feels like a throwback. And that’s not just because it’s based in 1933 Eugene, Oregon during the depression.  This is a period thriller that maintains our interest through characters and setting and story. What’s unusual is that there are four writing credits: Matthew Booi, Shelby Gaines, Leo Scherman, and Matthew Chapman … usually not a good sign, but most of it works pretty well here.

Ethan Hawke stars as Samuel Murphy, a single dad devoted to his precocious young daughter Penny (Avy Berry, A QUIET PLACE: DAY ONE, 2024). Times are tough, and father and daughter return from church service to find they’ve been evicted. This leads to an alleyway skirmish resulting in Samuel being wrongfully arrested and separated from his daughter. Sentenced to a work camp run by Warden Clancy (Oscar winner Russell Crowe), Samuel’s resourcefulness in engineering the removal of a boulder and fixing up a broken down 1918 bootlegger’s car, impresses Clancy.

Samuel is laser-focused on getting released and reuniting with his daughter, so he accepts a deal with Clancy. The job is moving a supply of gold bars through the rough forest terrain before the government confiscates it. He has five days and must depend on a couple other convicts. We get a countdown through the trek, where they meet up with native American Anna (Julia Jones, WIND RIVER, 2017) and a creepy stranger (Cameron Brady). The journey is anything but simple as challenges include more than a creepy stranger … also, a dangerous rope bridge, campfires, weather, and mostly distrust, backstabbing, and greed.

The film’s only weakness is in the non-descript secondary characters, although the cast (Austin Amelio, Avi Nash, Lucas Lynngaard Tonnesen, Sam Hazeldine, George Burgess, Alec Newman) does the best with what they are given. In fact, only Mr. Hawke, Mr. Crowe, and Ms. Jones are memorable in their roles, and what’s interesting is that both Hawke and Crowe quietly underplay their characters using eyes and body language, making them stand out even more. Hawke has really put together a varied career, and he’s coming off a terrific season one of “The Lowdown” (plus he’s had five Oscar nominations over the years). Oscar winner Crowe remains one of the most powerful screen presences when he’s in the mood.

As previously stated, McKinley’s first feature is a bit of throwback, but one with heart and depth … and plenty to keep us engaged (although I’ll admit Clancy’s infatuation with baseball felt like a piece was missing). Whether a happy ending is in the wings is in doubt until the very end.

Opening in theaters on September 18, 2026

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TRACES OF HOME (2026, doc)

September 17, 2026

Greetings again from the darkness. The risk a filmmaker runs by producing a documentary to make sense of their own family is that it might easily turns into family therapy and/or personal therapy. However, in this case, it appears that’s exactly what Colette Ghunim was trying to do. She never had the close bond with her parents that she desperately wanted, so she set out to find out why those emotional defense mechanisms were in place. As with any therapy, the hope is that things get better, while the possibility exists that things get worse.

We first see Colette in a family video at Christmas in 1977. A grown Colette is not only the director of this film, she’s also the narrator … and she spent five plus years on the project. Her mother Iza is of Mexican descent, while her father Hosni was born in Palestine. Colette states she and her older brother Ramsey lived what appeared to be a typical suburban sitcom style childhood in Schaumburg, Illinois. Her complaint is that she never felt especially close to either of her parents, despite admitting they simply wanted to provide an American upbringing to the kids. Dad Hosni wanted to be a director, so he was rarely without a camera – providing plenty of clips of the kids from their childhood. Some of those clips show Mom Iza and Colette exchanging glances that carried silent messages.

Remarkably, Colette arranges a couple of family trips so that the parents can re-trace their roots. A trip to Palestine (Safed) finds Hosni emotional, despite cloudy memories of his time as a four-year-old, escaping war with his family. The sojourn to Mexico not only allows Iza to experience the joy of locating a childhood home, but also the pain of learning just how much her mother sacrificed in taking the kids from a dangerous environment. The emotions are rampant and that includes Colette’s own reactions.

Family dynamics are often bumpy, and we can’t help but wonder if Colette’s project was more for her than for her parents. Clearly, it was difficult for all. As viewers, we feel like eavesdroppers most of the time, and intruders some of the time.

Opens in theaters September 18, 2026 in NYC and September 25th in Los Angeles.

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KNIFE: THE ATTEMPTED MURDER OF SALMAN RUSHDIE (2026, doc)

September 17, 2026

Greetings again from the darkness. Seeing someone get violently attacked is horrifying, whether that be live or a video replay. An additional adjective can be added, ‘shocking’, when the attack occurs on a public figure in a public place. Such is the case when author Salman Rushdie was ambushed on stage at Chautauqua Institute (NY) in 2022. The attacker used a knife to stab Rushdie 14 times. One of the best documentarians working today, Alex Gibney (ENRON: THE SMARTEST GUYS IN THE ROOM, 2005; and an Oscar winner for TAXI TO THE DARK SIDE, 2007), brings this story to the screen based on Rushdie’s 2024 memoir “Knife: Meditations After an Attempted Murder”.

Salman Rushdie makes for quite an eloquent narrator of his own story, and you are likely familiar with him as the target of Iranian Ayatollah Khomeini-issued fatwa in 1988, after Rushdie released his book, “The Satanic Verses.” A bit of quick math tells you that, at the time of this attack, Rushdie had lived more than thirty years with a death threat following him around. Mr. Gibney structures the film in intertwined pieces, including the attack, Rushdie’s hospital and recovery stint, the recordings by his wife, his earlier background as a writer, and his post-attack return to writing.

The film opens with Rushdie on stage at the event that would change his life, yet miraculously, not end it. Gibney elects not to show the video of the attack until much later in the film, however, the early images of Rushdie in the hospital bed make it clear just how violent this attack was. Rachel Eliza Griffiths is a renowned writer and Rushdie’s fifth wife. The video and photos she took of him in the hospital are incredibly personal, while also documenting his amazing recovery from a near-death attack. She understands the importance of documenting his recovery, and it’s clear these two adore each other.

Rushdie tries to recall those early days in the hospital, and one of his most vivid memories is a dream sequence involving Death from Bergman’s 1957 THE SEVENTH SEAL (a clip is included), and we also get scenes from TWELVE ANGRY MEN (1957) and PSYCHO (1960), two classic movies in which knives played a prominent role. Our first look at Rushdie’s injured eye is stunning, and as we learn more about his severe injuries, we can’t help but wonder just how he recovered so quickly and maintained such a positive outlook.

This is a man who uses language at an elevated level, and despite living most of his adult life under threats, his writings are often inspirational and about freedom of expression, especially in regard to religion. The archival footage of his early years provides a profile of a man who has always had the courage to write and say what he felt needed to be expressed. Amazingly, he was cleared to leave the hospital after six weeks, and Gibney films Rushdie’s return to the very stage (on Day 401) where the attack took place. It’s an emotional moment, and one Rushdie says brings him full circle and allows him to make peace … although neither Rushdie nor his wife mention the attacker’s name (a young man likely to spend the rest of his life in prison). Perhaps the most powerful words come not from the filmmaker or either of the talented writers, but rather when Rushdie recalls a lesson learned from his parents: “What can’t be cured, must be endured.”

Opening in theaters on September 17, 2026

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