Greetings again from the darkness. The concept of ‘normal behavior’ seems quite elusive these days, but clearly the uncontrollable ticks and inappropriate (for proper society) verbal outbursts of Tourette Syndrome add to life’s complexities. Writer-director Kirk Jones (WAKING NED DEVINE, 1998) takes on the true story of John Davidson, whose actions prove role models come in many forms. Although the film doesn’t dig too deeply, it benefits from the real-life actions of one man and a couple of excellent lead performances … plus the always welcome presence of two beloved character actors.
The film opens in 2019 with the adult John Davidson (Robert Aramayo, DANCE FIRST, 2023) spouting an obscenity at Queen Elizabeth as he’s to receive his MBE (Member of the Order of the British Empire) for his volunteer work. This outburst actually occurred. We then flash back to 1983 Scotland where Scott Ellis Watson portrays young John as a charming middle school kid with a knack for soccer. Once the unexplained ticks begin, everyone assumes John is acting out – despite his denials. This includes the school administration and his own parents (Steven Cree and the always great Shirley Henderson), who dole out punishments ranging from physical to emotional … all in an attempt to rein in his actions.
If there is a more remarkable person in the story than John, it would be Dottie Achenbach (Maxine Peake, DANCE FIRST, 2023). She’s the mother of John’s schoolmate, and she’s been diagnosed with terminal cancer. Watching her get to know John and show patience with his affliction is not just heartwarming, but also a case study in patience and caring. Dottie helps John get a job (working for a stellar Peter Mullan) at the community center, and then assists in finding John his own flat as he strives for independence. Of course, as you would expect whenever someone bucks societal norms and expectations, John is a curiosity to some and bothersome to others. He faces judgment and even assault … plus an arrest from law enforcement that hasn’t yet been educated.
It’s adult John that really surprises. Not only does he embrace the responsibilities of his job, he begins helping others through his Tourette’s Weekend seminars. He recognizes what these folks are going through, as he’s living life daily in the same (metaphorical) shoes. John becomes an ambassador for Tourette Syndrome through lectures and seminars … educating those who previously had no understanding. We’ve seen the quirks … kissing the lamppost … and now we see the true impact of caring. The relentless stream of “Sorry” has shifted to education and societal improvement. Robert Aramayo turns in a terrific performance as John, and the film leaves us with the keys: education, understanding, acceptance. Clips from a documentary on Davidson’s life are shown over the closing credits.
In theaters beginning April 24, 2026
Posted by David Ferguson 
Greetings again from the darkness. Memorable movies need not have a huge budget or special effects. All that’s needed is an interesting story and characters we care about. Screenwriter Robert Machoian (the excellent THE KILLING OF TWO LOVERS, 2020) fully understands this, while Cole Webley’s feature film directorial debut (after many shorts and videos) transitions the story to the big screen in a way that leaves us emotionally drained. It’s one of the obligatory ‘tough watches’ that plays the festival circuit – only this one is extremely well written, directed, and acted.
Greetings again from the darkness. Learning that Lou’s life is a bit of a mess becomes clear in the first few opening scenes. It’s early morning and she sneaks out after a one-night stand, noticing missed calls from Steve, her ex that she’s living with temporarily (along with his new partner). Soon, she’s dumped by her agent and is adamant that she won’t fly home to see her dad, despite holding the ticket he purchased for her. This is the feature film directorial debut from Timothy David, and the screenplay comes from Sally Gifford, who also has a small role in the film.
Greetings again from the darkness. Relationships require communication, diligence, and a bit of luck. Director Chloe Robichaud (SARAH PREFERS TO RUN, 2016) is working from a script from playwright Catherine Leger to deliver a remake of the 1970 French sex comedy, DEUX FEMMES EN OR from Claude Fournier. Finding humor in strained or crumbling relationships is never easy – especially when medication or a newborn is involved.
Greetings again from the darkness. The popularity and staying power of Karaoke shows just how much we enjoy singing. Even for those with crippling stage fright, singing in the shower can provide a bit of joy. But what about those with real talent? There is only so much room for the Adeles and Ed Sheerans of the world. Co-directors Angelique Molina and Abraham Troen take us inside the world of collegiate a cappella (singing without instrumentation). Now, you are likely to immediately think of either church choir, barbershop quartets, or Pentatonix … all fine singing choices, yet all a bit different than what the film documents.
Greetings again from the darkness. Perhaps we can all agree that hiking is not best served as a spectator sport. Sure, there have been other hiking movies, including WILD (2014) as Cheryl Strayed (portrayed by Reese Witherspoon) takes on a solo hike of the Pacific Crest Trail. Yet almost by definition, a hike is meant, at a minimum, to help clear one’s head and, at its best, allow a connection with nature as one tries to center themselves from the stress of life. Writer-director Bart Schrivjer w-d (not his first hiking movie) has seemingly captured these elements of hiking better than others.
It’s possible, even likely, that I’ve been more surprised by a book than I was by this latest from Joe Pappalardo (a freelance journalist and critically acclaimed author), but I don’t recall when or by what book. While it’s understandable that many readers would initially muster little interest in a true story that took place 99 years ago in a small town located in the Texas panhandle, that’s where the surprise comes in. The Borger, Texas population may be significantly smaller now than it was then, yet the story includes politics, violence, corruption, brothels, moonshine, sports gambling, greed, and the evolution of America … many of the elements that keep us glued to the book’s pages and sometimes stunned by what we are reading.
Greetings again from the darkness. As evidenced by the abundance of ‘shoot-em-ups’ released each and every year, it’s clearly not that challenging for screenwriters to find a reason to have characters firing bullets at each other. Director Ben Wheatley proved his mettle with this genre in 2016 with the excellent and madcap FREE FIRE. This time out, he’s working from a script by Derek Kolstad (the “John Wick” and “Nobody” franchises) and Bob Odenkirk (well known comedy writer and star of “Better Call Saul”).
Greetings again from the darkness. For a soldier of war, making it back home is the goal; yet it’s also only a first step. What comes home with the veteran is never simple. Many films have characterized PTSD on screen, but the debut feature from writer-director Aaron Davidman digs even deeper. Slinger (Joshua Close, “Fargo”) returns home as a wounded Special Forces veteran who nearly died (perhaps he even did briefly) and now must rediscover his own self while also finding his place in a society that presents so many challenges for him.
Greetings again from the darkness. For his debut feature film, writer-director Josh Heaps pays tribute to the Italian Giallo films (originating in the 1960’s) he clearly adores. But he goes a step further by creating his own Giallo … placing a Giallo-loving film student right in the heart of a Giallo world. Clearly not a film for the masses, but for the admirers of this genre, it’s likely to bring great pleasure and entertainment.
Movie Reviews from the Dark 