Greetings again from the darkness. Director Ben Gregor may have delivered the rarest of films in this day and age … one filled with adventure, goodness, and life lessons … and one the entire family can watch and enjoy together. Simon Farnaby (PADDINGTON 2, 2017) adapted the screenplay from Enid Blyton’s series of four books published between 1939 and 1951. Ms. Blyton passed away in 1968, yet she remains one of the best-selling authors of children’s books.
Tim (Andrew Garfield) and Polly (Claire Foy, “The Crown”) are a married couple with three kids. Polly comes home in a stupor one evening, confessing to Tim that she quit her job due to a principle that meant a great deal to her. Since she’s the breadwinner of the family, and their car and apartment were tied to the job, they find themselves instantaneously broke and homeless. Their plan is tied to a ‘Dream Binder’ put together many years ago, and off they go to live in a rustic barn landlorded by marble-mouthed Brian (the film’s writer Simon Farnaby) and Bella (Farnaby’s real life wife Claire Keelan). Rustic is a bit of an understatement as the place is a mess and has no electricity.
Youngest daughter Fran (Billie Gadsdon, HERE, 2024) doesn’t speak much, while Joe (Phoenix Laroche) is having video game withdrawals. Beth (Delilah Bennett-Cardy) is the angry teen who wants nothing to do with a place lacking WIFI and friends. Daddy Tim is the dreamer, while Mama Polly is the practical one. Together they plan to grow tomatoes and market Tim’s delicious tomato sauce recipe. Meanwhile, Fran discovers the titular magic tree which leads to an enchanted land of colorful characters, including the charming and delightful Fairy Silky (Nicola Coughlan, “Bridgerton”) and the skeptical Moonface (Nonso Anozie, “Sweet Tooth”). Things escalate once Fran’s siblings join in the magic. Trips to Land of Goodies (“Don’t be greedy”) and Land of Birthdays (cold due to icing) also involve an angry Pixie, Saucepan Man, Mr. Wazisname, and Dame Washalot. The kids find out it’s not all rainbows and unicorns when they cross paths with the vicious Dame Snap (Rebecca Ferguson).
Polly’s ultra-wealthy and snobbish mother (screen veteran Jennifer Saunders) can’t comprehend this new lifestyle and looks forward to telling them, “I told you so.” Of course, this is a throwback fairy tale, so we are fairly certain she won’t get the chance. The closest comparisons to the film would be along the lines of THE CHRONICLES OF NARNIA (2005), THE ADVENTURES OF BARON MUNCHAUSEN (1988), and most any Monty Python feature. This particular family adventure leads to some wonderful life lessons and yes, brings the family closer together. The books from Enid Blyton are from another era, but the film has a contemporary feel as it reminds us that somewhere along the line, we lose the magic we had as kids … well, all except Tim, who has held on tightly.
Opens nationwide in theaters on August 21, 2026
Posted by David Ferguson
Greetings again from the darkness. This is a Jason Statham movie on a boat. For anyone who would be interested in this one, that description is all that’s needed. By now, we know what to expect from a Statham movie: lots of action, plenty of mano-y-mano fisticuffs, and a reason for him to flash a heart of gold buried under that tough and well-toned exterior. Director Jean-Francois Richet was behind the two excellent “Merine” movies in 2008, and here is back with his PLANE (2003) screenwriter JP Davis (joined by co-writer Lindsay Michel).
Greetings again from the darkness. Some folks are just made differently. As a kid, Reed Timmer was afraid of storms. Because of this, he watched The Weather Channel religiously. This drove his knowledge and interest, and he eventually became the foremost storm chaser in the United States. Director Ken Cole has followed Timmer for more than twenty years, as they have collaborated on the 2004 PBS movie TORNADO GLORY, and the 2013 series, “Tornado Chasers”. Additionally, Timmer has appeared on The Discovery Channel’s “Storm Chasers”. This latest takes viewers directly into storms with Reed’s team.
Greetings again from the darkness. It has been quite a while since the last film adaptation of Albert Camus’ 1942 novel “L’Etranger”, and filmmaker Francois Ozon (behind one of my favorites, SWIMMING POOL, 2003) went to Albert’s daughter Catherine to get approval for this project. Previous adaptations include THE STRANGER (1967, Italy) and FATE (2001, Turkey). Ozone and Phillippe Piazzo collaborated on this updated screenplay (including some variations from the source material).
Greetings again from the darkness. “Break a leg.” The well-meaning phrase dates back many years as a way to avoid the dreaded ‘good luck’ for someone preparing to perform on stage. When high school sophomore Sophie explains this to her mother, the mom hugs her and offers how bad she would feel if her daughter actually broke her leg. Such is the love of a mother … this particular mother … in this heartfelt movie from director Julia Hart, who co-wrote the screenplay with her husband Jordan Horowitz and Laura Hankin. It’s based on Ms. Hankin’s own personal story.
Greetings again from the darkness. This can’t be right. It doesn’t seem real. Yet, it’s possibly the harshest form of reality. Documentarians Tanaz Eshaghian and Farzad Jafari managed to gain access to two families during a process most of us westerners can’t fathom. I had to keep reminding myself this is a documentary and these are real people from real families. Theirs is a true story … a legal and cultural and family thriller with real consequences.
Greetings again from the darkness. “Would you like to buy some Girl Scout cookies?” It’s a familiar pitch we hear every year at grocery stores, our front doors, and even at the office as co-workers spread the word on behalf of their scouting daughters. With an annual hankering for Thin Mints, we gladly exchange our cash for a box … or two or three. Documentarian Alysa Nahmias takes an unusual approach to this ritual of local Girl Scouts selling sweets. For historical perspective, the film opens with archival footage covering decades of boxed goodie transactions initiated by girls in the familiar vests.
Greetings again from the darkness. Olmo is like most fourteen-year-old boys. His visual fantasizing about the girl of his dreams requires nothing more than a toy car and a glimpse of her walking outside. Yet, Olmo is also different than most his age because he shares caregiving responsibilities for his disabled dad, who is stricken with Multiple Sclerosis. It’s been more than a decade since he last directed a feature film, and writer-director Fernando Eimbcke delivers one of his best. He and co-writer Vanesa Garnica also collaborated on this year’s FLIES, which is currently making the festival rounds (including Cannes).
Greetings again from the darkness. Movie weddings are fertile grounds for romantic-comedies. Folks get dressed up and meet at a fancy venue, while possibly drinking a bit too much and almost certainly dealing with an abundance of family drama. Emotions and stress levels skyrocket, and some handle this better than others. Writer-director Reed Arnold (his directorial debut) sees this as the perfect opportunity for the groom’s ex (best friend/wannabe lover) to crash the wedding, igniting chaos and guilt and pent-up feelings … and laughs.
Greetings again from the darkness. In 2004, we had a film based on dodgeball, so it only makes sense that the hottest game going these days, Pickleball, gets its shot on the big screen. Josh Greenbaum (WILL & HARPER, 2024) directs a screenplay from Sean Clements (“Workaholics”), and the result is a comedy in the realm of films like HAPPY GILMORE (1996), KICKING & SCREAMING (2005), and yes, DODGEBALL: A TRUE UNDERDOG STORY (2004). The film tries (too) hard to generate laughs, and its best moments seem to be in the sincere intergenerational bond between two otherwise mismatched characters.