Greetings again from the darkness. Director David Ayer (the excellent END OF WATCH, 2012) is no fool. He wisely begins the movie by putting the audience at ease. Yes, the dog survives. We learn this in the opening scene he blocks the road of a pickup driver (Anna Lambe, “True Detective”). We immediately shift to flashback mode, unsure whether the dog’s owner is still alive. The first feature film screenplay from Cameron Alexander benefits immensely from a couple of key factors: stunning scenery and a touching bond between man (Oscar winner Brad Pitt) and dog (Odin, a properly renamed Uber).
Pitt plays James Belmont, retired after 30 years in Army Special Forces. His loyal companion, Odin, is a beautiful Shepherd who served as combat scout dog alongside James in multiple wars. Both carry their bodily and mental scars. Odin has been partially reassembled, including a prosthetic leg that doesn’t seem to slow him down. The two companions are now living a quiet life, close to nature, in the wilderness of Alaska. Well, it’s quiet except for multiple interruptions … some more dangerous than others.
One evening, an old-timer (Oscar winner JK Simmons) pulls up his canoe for a fireside chat with James. This allows us to learn some specifics about the background for man and ‘beast’. The geezer is gone by the next morning, and a storm forces James and Odin into an early departure. It’s one that ends badly, as a heart attack causes a horrific plane crash. James and Odin are battered, but survive and begin a 58 mile trek through harsh Alaskan wilderness. The dangers lurking in nature are many. Some you expect, some you don’t. One segment recalls THE GREY, while another poses a nature-made tree bridge over raging river waters.
I may not be the first to notice that Brad Pitt has a face seemingly designed for the big screen, yet this time, his co-star’s face is equally impressive. Odin is a stunning creature and the bond these two share carries zero Hollywood fluff, and is sure to capture the emotions of most viewers. In fact, you should have nothing to do with anyone who doesn’t at least well up a bit during this one. Pitt has reunited with Ayer, his director from FURY (2014), and this survival story may work even better as a love story.
Opens in theaters on September 25, 2026
Posted by David Ferguson
Greetings again from the darkness. Director Lance Oppenheim (SOME KIND OF HEAVEN, 2020) and co-writers Luke Dittrich and Ajon Singh toss nearly two hours of psychology at us, leaving us to fend for ourselves on how best to define evil and acceptable boundaries of ethics and decency. It’s a bit of a mind twister that some may define as horror, while others cast it as satire. Regardless of your take, I found this to be a mesmerizing look at the things that make some people tick.
Greetings again from the darkness. One of the most frightening things in existence is when mental illness blends with brilliance. Ted Kaczynski was a 16-year-old math prodigy at Harvard in 1958, and then arrested in 1996 after being identified as the Unabomber. His reign of terror covered 1978 through 1995, and his bombings were responsible for three murders and twenty-three injuries. The manhunt was the longest and most expensive in FBI history.
Greetings again from the darkness. Shaun the Sheep is a British creation dating back thirty years or so. It’s through Aardman, the same imaginative studio as the brilliant ‘Wallace and Grommet’ characters and stories. Through multiple series and feature movies, we’ve come to know and love the claymation Shaun and his misadventures. This latest from co-directors Steve Cox and Matthew Walker, and co-writers Mark Burton and Giles Pilbrow, is yet another entry that will entertain adults and kids of all ages.
Greetings again from the darkness. This year’s batch of Hallmark Christmas movies hasn’t hit yet, so for those fans, here’s the next best thing … a Romantic Comedy based on the New York Times bestseller written by Ali Hazelwood. Directed by prolific TV director Claire Scanlon, with an adapted screenplay by Sarah Rothschild, the film delivers easy comedy with a burst of ‘Girl Power’.
There are fans of baseball and then there is Peter Gammons. He’s on another level with his passion for the game, appreciation of its history, and respect for its players. While there are quite a few talented baseball writers, Mr. Gammons expertly utilizes his love of the game to describe what he’s seen and what it means to him. In this book, baseball history is the foundation, but it’s Gammons’ knowledge, experience, and adoration that feed his perspective and the words that fill the pages.
Greetings again from the darkness. My decision to review this movie was based on one thing: it’s the feature film directorial and screenwriting debut of Agata Trzebuchowska, who starred in Pawel Pawlikowski’s excellent IDA (2013). That was the extent of my research for this film from Poland, and now after watching it, I am at a loss on how to review without spoiling anything about it. Simply stating that the twists will surely surprise you is not enough – and it helps if you are unaware, as I was, of the film’s genre prior to watching.
Greetings again from the darkness. Padraic McKinley, a film editor by trade, makes his feature film directorial debut with one that feels like a throwback. And that’s not just because it’s based in 1933 Eugene, Oregon during the depression. This is a period thriller that maintains our interest through characters and setting and story. What’s unusual is that there are four writing credits: Matthew Booi, Shelby Gaines, Leo Scherman, and Matthew Chapman … usually not a good sign, but most of it works pretty well here.
Greetings again from the darkness. The risk a filmmaker runs by producing a documentary to make sense of their own family is that it might easily turns into family therapy and/or personal therapy. However, in this case, it appears that’s exactly what Colette Ghunim was trying to do. She never had the close bond with her parents that she desperately wanted, so she set out to find out why those emotional defense mechanisms were in place. As with any therapy, the hope is that things get better, while the possibility exists that things get worse.
Greetings again from the darkness. Seeing someone get violently attacked is horrifying, whether that be live or a video replay. An additional adjective can be added, ‘shocking’, when the attack occurs on a public figure in a public place. Such is the case when author Salman Rushdie was ambushed on stage at Chautauqua Institute (NY) in 2022. The attacker used a knife to stab Rushdie 14 times. One of the best documentarians working today, Alex Gibney (ENRON: THE SMARTEST GUYS IN THE ROOM, 2005; and an Oscar winner for TAXI TO THE DARK SIDE, 2007), brings this story to the screen based on Rushdie’s 2024 memoir “Knife: Meditations After an Attempted Murder”.