AVENGERS: INFINITY WAR (2018)

April 25, 2018

 Greetings again from the darkness. We are at the 10 year mark of the new Marvel cinematic universe that began with the revolutionary IRON MAN (2008). This 19th movie in the franchise is actually Part 1 of 2 films that will (supposedly) be the lasting legacy of The Avengers. The second “half”, much of which was filmed simultaneously with this one, is set for 2019. Co-directing brothers Anthony Russo and Joe Russo were responsible for the two most recent Captain America movies (and also one of my all-time least favorites: YOU, ME AND DUPREE), and have now taken on the biggest budget, biggest cast, and longest run time yet of any Marvel movie. In fact, it’s so big, it could only be named ‘Infinity’.

Being that the fan base for this movie is highly sensitive to anything resembling a hint, much less a spoiler, this review will tread very lightly, and instead function as an overview with very general observations. There are a few key points, most of which are quite obvious from either the trailers or the previous movies in the series. First thing to realize is that this is a Thanos movie. He’s the first big (I told you everything was big), bad, nearly omnipotent villain. It should be noted that Thanos sees himself as misunderstood, which leads to the second key point: melodrama abounds – moreso than any previous comic book movie. It seems to be reminding us that Superheroes are people too (but are they really?). The third point is that if every character with a speaking part simply said “I am Spartacus”, it would still likely be the longest ever comic book movie. There are at least 28 characters with “key” roles – and that’s not counting the end credit stinger, or the missing characters we thought we would see, or the one that gets a logo tease as a coming attraction for part 2.

Co-writers Stephen McFeely and Christopher Markus had their hands full in working to come up with a coherent story, while allowing so many familiar characters to have at least one moment in the spotlight, if not a few. The fact that AVENGERS: CIVIL WAR divided the group actually allows for multiple segments to play out concurrently. Though we never doubt these fragmented cliques and isolated individuals will fight to save the galaxy, that doesn’t necessarily mean they get the band back together. In fact, it’s the Guardians of the Galaxy who are a much more cohesive group than our beloved Avengers. But fear not … there is plenty of fighting and action to go around.

Thanos claims he is saving many interplanetary civilizations and restoring balance with his plan to eliminate half of all living beings. While there might be some scientific evidence to back up his plan, it doesn’t sit well with the good guys. More focus is given to his cravings for ultimate control and power provided by tracking down all six Infinity Stones (Tesseract/Space, Mind, Time, Power, Reality, and Soul) to complete his Infinity Gauntlet. Many of these stones are in quite inconvenient locations and require some ingenuity and brute force from Thanos.

Perhaps the travel agent had the biggest challenge as portions of the film take place in New York City, Knowhere, and Wakanda (good luck finding a brochure on those last two).  We also get a budding romance from Vision and Scarlet Witch, as well as annoying quasi-romantic banter between Tony Stark and Pepper Potts. And while we are on the “TMZ” portion of the review, it should be noted that both Black Widow and Captain America (introducing himself as Steve Rogers) both have new hair styles – though only one of them sports a beard.

In the realm of comic book movies, this would be considered an epic. It has stunning action sequences, remarkable special effects and some terrific comedy mixed in. Of course, you’ll have to accept the melodramatic emotions and fear that we haven’t been previously subjected, and know that the final finality doesn’t arrive for another year. It’s very long (more than 2 ½ hours) but it seems to go pretty quickly. The filmmakers have mostly succeeded in the monumental task of remaining true to the history in order to keep comic book fans satisfied, while also creating something that most should be entertained by. Despite lacking the upbeat, feel-good ending we’ve grown accustomed to, there is a welcome Stan Lee cameo, a post credit stinger (after about 10 minutes of rolling credits). And to top it off, we get “Rubberband Man” from The Spinners. Now that’s big!

watch the trailer:

 

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THE MAGNIFICENT SEVEN (2016)

September 25, 2016

mag-7 Greetings again from the darkness. In this era of endless remakes, sequels and superheroes, I strive to keep an open mind when it comes to mainstream movies. All I ask is that the classics be left alone. Most will agree that there is no need for a new version of The Godfather, Citizen Kane or Gone with the Wind; however, disputes arise in the gray areas. An old guy like me may cringe at the thought of updating this western, though it’s easy enough to understand how Hollywood studio types view it as an opportunity to sell tickets to a younger audience. In art vs. commerce, making money usually prevails.

The 1960 original, directed by John Sturges was itself a remake/reimagining of one of the greatest films ever made: Akira Kurosawa’s Seven Samurai (1954). Both are must-see’s for any movie lover. Given the technical advancements in filmmaking over the past 50-60 years, it only makes sense that director Antoine Fuqua (Southpaw, Training Day) would go bigger, faster, louder. What he can’t do is match the cool factor of Steve McQueen, Yul Brenner, James Coburn, Charles Bronson, or of course, Toshiro Mifune.

Mr. Fuqua does bring a more racially diverse cast with Denzel Washington taking the lead as Chisolm, the dignified man-on-a-couple-of-missions. Chris Pratt basically buckles a holster onto his Jurassic World character and becomes Faraday, the wise-cracking sharp-shooter, who is as likely to cheat in a card game as lay his life on the line for a good cause. The “seven” are rounded out with Ethan Hawke as war hero Goodnight Robicheaux, Vincent D’Onofrio as bear-sized man Jack Horne, Byung-hun Lee as knife specialist Billy Rocks, Manuel Garcia-Rulfo as Vasquez, and Martin Sensmeier as native-American outcast Red Harvest. You might think the only thing missing from this culturally diverse group is a woman, but Haley Bennett (and her distractingly terrible hair dye) plays a key role as a recently widowed town person intent on revenge against the heartless robber-baron Bogue, played by a sneering Peter Sarsgaard.

Co-writers Nic Pizzolatto (“True Detective”) and Richard Wenk (The Expendables 2) devote so much screen time to Denzel and Pratt that we never much get a feel for what makes the other characters tick. What’s not missing is the thundering hooves of galloping horses, steely-eyed glares, and gunfire … lots and lots of gunfire. This is where today’s sound technology really adds a welcome element – the cocking of a rifle, the leather of the holster, and of course, the near-deafening chorus from the Gatling gun all benefit from Sony 4k sound.

Fuqua’s stylistic approach may have more in common with Silverado (1985) than the 1960 Sturges film, but it’s important to note that this was legendary composer James Horner’s final score before he passed away. While we hear Horner’s unique take, we can’t miss the influence of the iconic original score by Elmer Bernstein. So while Pratt’s “So far, so good” joke may be a Steve McQueen re-tread, your appreciation of this latest probably correlates to your appreciation of the 1960 version.

watch the trailer:

 


JURASSIC WORLD (2015)

June 21, 2015

jurassic world Greetings again from the darkness. I’m guessing that most anyone who enjoys movies and is at least 30 years old, has vivid recollections of Steven Spielberg’s original Jurassic Park from1993 (based on the Michael Crichton novel). The iconic theme from John Williams, that initial awe-inspiring look at the dinosaurs grazing in the valley, the reminder that “objects are closer than they appear” in side mirrors, and the late Sir Richard Attenborough stating that he “spared no expense” in creating the park … all merged to became part of an incredibly moving and huge new movie theatre experience.  This latest (and fourth in the franchise) offers us “big”, but very little “new”, and unfortunately nothing very “moving” in its presentation.

Set two decades after the tragic and messy park trial run of that original movie, we find Bryce Dallas Howard (The Help) managing the financially-challenged theme park owned by Irrfan Khan (Life of Pi). Chris Pratt is training Velociraptors, while BD Wong is cooking up hybrid and genetically modified monsters such as Indominus Rex – designed to excite the audiences who have become bored with an old-fashioned T-Rex.

Even though this is technically a sequel, there are numerous similarities to the original film, and a fun parlor game consists of spotting all the homage’s and tributes sprinkled throughout. Two of my favorites are the “Winston’s” shop in the park, and the ViewMaster shot early on. These two are tips of the cap to Stan Winston and Ray Harryhausen … two giants in the world of special effects.

In what has become the Hollywood “go to” for evil-doers, the secret plan to militarize the dinosaurs is being carried out by Vincent D’Onofrio. Of course, this clashes with Pratt’s ideal life for “his” trainees. The mandatory kids-in-peril are played by Ty Simpkins (Insidious) and Nick Robinson. Much has been made of the absurdity of Ms. Howard’s numerous scenes of sprinting in high heels, and I found her overall demeanor to be every bit as exaggerated and unbelievable as her actions in heels. Jake Johnson (TV’s “New Girl) and Omar Sy (so wonderful in The Intouchables) were the most “real” characters, though neither was given much to do.

Much of what is written here is “in comparison” to the original. While this may not be fair, it is inescapable when dealing with such a respected and iconic film. Youngsters unfamiliar with the original film, are likely to find this one exciting – even terrifying at times – and that’s an important distinction to make. The Mosasaurus alone is worth the price of admission … and good for a few nightmares!  And who among us wouldn’t pay up for a Baby Triceratops ride in the Petting Zoo?

For the Jurassic Park stalwarts, the inconsistent (sometimes great, sometimes fake-looking) CGI will be as tough to overlook as Ms. Howard’s cartoon character. And yes, composer Michael Giacchino is new to the Jurassic series, and he is wise enough to work in the terrific and familiar John Williams theme in more than one scene.  However, none of the downsides will keep the true fans away, and there is an entire generation of kids who should have the chance to marvel at lifelike dinosaurs on the big screen courtesy of director Colin Trevorrow (previously known for his work on the indie gem Safety Not Guaranteed).

watch the trailer:

 

 


GUARDIANS OF THE GALAXY (2014)

August 3, 2014

guardians Greetings again from the darkness.  Are you ready for a new brand of Marvel movie heroes?  You surely know Iron Man, Captain America, Thor and Hulk, but it’s high time you are introduced to Peter Quill, Rocket Raccoon, Gamora, Groot and Drax – known collectively as the Guardians of the Galaxy. Instead of dark, brooding and super-serious, this group is not just funny … they are actually FUN!

The plot is admittedly a bit simple. Everyone is basically chasing a ball (the orb) around the universe.  Instead of good guys vs bad buys, it’s actually kinda bad guys vs really bad guys. See, the heroes of our story are, for the most part, criminals themselves. The main difference is, they aren’t on a quest for intergalactic super power or mega destruction like Ronan (Lee Pace).  Ronan makes for a pretty menacing villain, complete with a voice that shakes the theatre!

The band of misfits thrown together by circumstance actually provides much entertainment.  Chris Pratt (“Parks and Recreation“) is the self-nicknamed Star-Lord, better known as Peter Quill. The film begins in 1988 when his mother lay dying and he is abducted by aliens. Quill’s criminal activity has him crossing paths with Gamora, a green assassin played by Zoe Saldana; Rocket, a brilliant wise-cracking raccoon voiced by Bradley Cooper; Rocket’s bodyguard Groot, an unusually mobile tree with a limited vocabulary voiced by Vin Diesel; and the hulking, knife-wielding, bent on revenge Drax the Destroyer played by WWE star Dave “The Animal” Bautista.  It’s a rag-tag group of heroes unlike anything we have seen before.

Other colorful supporting work comes courtesy of a blue-faced Michael Rooker, who controls his lethal arrow through a series of whistles; Djimon Hounsou as a sparkly-eyed warrior; John C Riley as a galaxy cop; Karen Giillan as a smooth-headed daughter of Ronan; and Glenn Close as a community leader.  We also get the traditional Stan Lee cameo, plus Benecio Del Toro as The Collector (teased in Thor: The Dark World).  The music actually plays a strong supporting role with such classics as “Hooked on a Feeling” by Blue Swede, “Cherry Bomb” by The Runaways, and “Ooh Child” by The Five Stairsteps”.

Despite the lack of familiarity with these characters for most viewers, writer/director James Gunn (Slither) does a terrific job of having us quickly connect and even groot … err, I mean root … for these guys. Quill’s possession of a Sony Walkman to play his mother’s mix tape of songs from the 1970’s and 80’s give the film a very different flavor, having the familiar songs pop up at just the right time.

Pratt does an admirable job in the lead, although compared to the GQ of Tony Stark/Iron Man, his Quill is more Mad Magazine (funny and easy to like)  The best comparison I have for Quill is Han Solo, and for the movie it harkens back to 1978’s Superman … both very high compliments. It’s also the first time I have been completely caught off guard and laughed out loud at a Jackson Pollack reference!

**NOTE: If I had seen this movie as an 11-year-old boy, I would probably think it’s the coolest movie ever made.  Of course, they didn’t make movies like this when I was 11, so I have to enjoy them now.

SEE THIS MOVIE IF: you are a comic book fan but kinda tired of the all too familiar string of Avengers OR you just want to sing along to some classic songs of yesteryear (please don’t sit by me)

SKIP THIS MOVIE IF: a talking raccoon and tree are likely to give you nightmares, no matter how funny their lines are.

watch the trailer:

 


HER (2013)

January 11, 2014

her Greetings again from the darkness. Well, critics have been raving about this film so strongly the past few weeks that I almost feel guilty going against the grain. Almost. Where they see a masterpiece with insight into love and self, I see an implausible story bordering on ludicrous.

Writer/director Spike Jonze is an incredibly creative filmmaker. His Adaptation and Being John Malkovich are two movies I can watch repeatedly. I was a fan of his film version of Where The Wild Things Are, but this one just brought me nothing but annoyance, frustration and irritation.

Rather than defend my minority stance, I’ll just admit to not being onboard with this one. I have always believed we should each judge a film by how it touches us … how we connect with it. I was neither touched nor connected.

What I will say is the premise of technology replacing human interaction in the near future is not unthinkable and has already happened for some. But to say that a real relationship … that true love … can not just occur, but become commonplace between people and machines just simply contradicts what I believe comprises true love.

The film is extremely well made and visually beautiful. The acting is superb: Joaquin Phoenix, Rooney Mara, Amy Adams are all terrific. Voice acting is spot on including Scarlett Johansson, Brian Cox, Kristen Wiig, and even Spike Jonze. But falling in love with an operating system? Maybe what Osgood Fielding III said at the end of Some Like it Hot is really true … “Nobody’s perfect“.

SEE THIS MOVIE IF: you would like to see a very sad version of what could happen if technology continues to expand its role in our lives OR cyber-sex with Kristen Wiig is appealing to you

SKIP THIS MOVIE IF: you prefer your love stories to involve two PEOPLE!

watch the trailer:

http://www.youtube.com/watch?v=WzV6mXIOVl4

 


ZERO DARK THIRTY (2012)

January 5, 2013

zero Greetings again from the darkness. Kathryn Bigelow entered the realm of elite directors when her war thriller The Hurt Locker exploded onto the Oscar scene a few years ago. Once again she proves why the critics adore her, and the movie going masses stay away. She is an expert filmmaker, a brilliant technician, though not much into the whole entertainment scene.

We always try to label films and this one doesn’t quite fit as thriller or action, or even war genre. It’s really a tense, procedural drama focusing on the behind-the-scenes CIA hunt for Osama bin Laden. In fact, it’s mostly the story of one obsessed CIA agent’s research and un-wavering pursuit of the one most responsible for the tragic events of 9-11-01 (as well as many others).

zero4 The film started out as a story of the nearly decade long pursuit and the failure to find him. Everything, including the movie, changed on May 2, 2011 when Navy SEAL Team Six pulled off the daring and historic mission to kill bin Laden. The book “No Easy Day” by Mark Owen (pseudonym for real life SEAL Matt Bissonnette) was released and many of the details became public. Bigelow and her writer Mark Boal (former journalist) went even deeper into research mode and now the film has instigated Congressional hearings in regards to some of the scenes.

Bigelow presents this as old school, hard core males vs the intellectual, instinctive and brazen Maya, played by Jessica Chastain. In the book, she is referred to as “Jen”, but her name matters not. What’s important is her laser-like focus for almost 10 years, despite the numerous attempts by her superiors to ignore her theories.

zero3 Much of the film deals with the group meetings and presentations to CIA mid-managers, who either don’t trust her or refuse to put their own careers on the line. Maya remains relentless. She finally gets a audience with CIA Director Leon Panetta (played by James Gandolfini) and introduces herself as “the M*****F****R who found this place, sir”. This comes across as confident, not disrespectful.

Bigelow and Boal refuse the temptation of providing any real backstory or personal life on these characters. We do learn that Maya was recruited right out of high school, so we can assume she wasn’t a typical 18 year old. The only thought of a romantic interlude is quickly shot down by Maya proclaiming (in so many words), she’s not that kind of girl.

zero5 Most of the men in the film are presented as near Neanderthals. Jason Clarke is the old school field agent who has mastered the use of torture, water-boarding and humiliation to gain information from detainees. The “60 Minutes” clip of Obama saying that America will no longer utilize torture is one of the few tips to national politics that the film offers up. The only other politics are those played by station chief Kyle Chandler, who is protective of his job, and Mark Strong, who seems relatively helpless without the support of his superiors. All the while Maya keeps pushing and pounding for action.

The Langley desk jockeys vs actual Field work provides a distinctive line in the sand between the two worlds, and emphasizes just how easy it is to make a mistake in judgment. What if we had been wrong on the location of bin Laden? What if the “fortress” had belonged to a drug dealer instead and the SEAL team had invaded a private home within the boundaries of our supposed ally zero2Pakistan? Jessica Chastain is believable and tough in her role, and Jason Clarke dominates the screen in his early scenes. Other fine support work comes courtesy of Edgar Ramirez, Mark Duplass, Harold Perrineau, and Jennifer Ehle. When we finally get to the strategy session for the mission, we meet SEAL’s played by Chris Pratt and Joel Edgerton. The 25 minutes or so dedicated to the helicopter mission are filmed as if we are wearing the same night-vision goggles worn by the brave souls storming the castle. It’s a very impressive sequence.

If you enjoy the details of a procedural drama, then you will find much to like here … knowing the ultimate outcome doesn’t affect the suspense one bit. However, if you seek an entertaining respite from your daily grind, this one will offer no assistance … despite another excellent and minimalistic mood score from Alexadre Desplat.

SEE THIS MOVIE IF: you get a kick out of the details involved in a CIA procedural OR you enjoy expert filmmaking, regardless of entertainment value OR you need further proof that Jessica Chastain is a major star OR you want to see Mark Strong’s best impersonation of Alec Baldwin from Glengarry Glen Ross.

SKIP THIS MOVIE IF: it’s still too soon after the actual event OR you can’t stomach the thought of torturing detainees

watch the trailer:

http://www.youtube.com/watch?v=cAtWcvCxPhc

 


MONEYBALL

September 15, 2011

 Greetings again from the darkness. While reading “Moneyball: The Art of Winning an Unfair Game” by Michael Lewis, I never once considered what it might look like as a movie.  And I am the kind of guy who looks at a mailbox and wonders if a movie about a mailman might be interesting (Costner proved me wrong).  If you are a baseball fan, you should see this movie. If you are not a baseball fan, the movie works very well as a metaphor for any business maverick who takes a risk and analyzes their company or industry from an entirely new perspective. The game of baseball was over a hundred years old when Oakland A’s GM Billy Beane and friends turned the institution on its ear.

Mr. Lewis spent most of the 2002 season with the Oakland team and had full access to GM Billy Beane, Asst GM Paul DePodesta, and their process in putting together a team that would contend for the American League title … all under the severe handicap of ridiculous salary constraints placed by team owners.

 In this movie, Brad Pitt is spot on as Beane – the cocky, tobacco spitting former jock trying desperately to put his stamp on the institution of baseball. Due to some lawsuit of which I know nothing, the DePodesta role is renamed Peter Brand and is played by Jonah Hill, who looks absolutely nothing like Mr. DePodesta (who played baseball at Harvard). Despite this, Mr. Hill does an terrific job of becoming the statistical whiz who can analyze data and place value on players … a skill he is obsessed with even 10 years later.

 Watching Beane trying to communicate the point of change to the old school scouts is simply priceless and painful. Years of scouting based on body type and girlfriend ranking is replaced by statistical data spit out by Brand’s computer. The real fun comes when the team’s field Manager, Art Howe (Philip Seymour Hoffman), flashes his bah-humbug attitude, bucks Beane’s system and continues coaching old school … from the gut. It’s not until Beane takes away all other options that Howe is forced to follow the new plan.

Baseball fans know that Bill James is the godfather of sabermetrics in baseball. I was happy to see him receive props in the movie.  For years his formulas and calculations were ignored and scoffed at by owners, managers and scouts. Thanks to the A’s success, ALL teams now utilize some form of sabermetrics combined with old fashioned scouting. Every measurable event in a game is tracked and results are analyzed. Many fans say it has sucked the joy out of the game. Others say it has provided opportunities for players previously ignored. I prefer to look at it as the same in any industry … everyone looks for a competitive advantage. Never ignore a tool or approach that can make your company more profitable or your team more competitive.

Being a long time Texas Ranger fan, I must mention some of the ties to this story. The Rangers current manager, Ron Washington (portrayed by Brent Jennings), was an infield coach on those Oakland A’s and gets a few scenes. Grady Fuson was the Head Scout for the A’s and later came to the Rangers as co-GM or Asst GM (depending who you ask) but had a very limited stay. Mike Venafro was a relief pitcher for the A’s who gets traded in 2002 so they can pick up a more valued reliever to take his spot (Rincon). It should also be noted that current Rangers GM Jon Daniels and his talented staff have a place for sabermetrics and their formula has worked.

The director of the movie is Bennett Miller, who was responsible for the excellent Capote, which also starred Phillip Seymour Hoffman. Bennett’s DP here is Wally Pfister, who works frequently with the great Christopher Nolan. Pfister’s camera work is superb. The amazing writing team of Steve Zaillian and Aaron Sorkin provide a script with sharp dialogue and just enough baseball lingo so that everyone can follow. Supporting actors include: Chris Pratt (“Parks & Recreation”) as Scott Hatteberg, poster child for sabermetrics; Robin Wright as Beane’s ex-wife; and fantastic writer/director Spike Jonze (came0) as Wright’s zenned-out new husband and the polar opposite of Beane.

 I need to make a point about the performance of Jonah Hill. His movies Superbad and Get Him to the Greek are not my type of movies so I was never a big fan. That changed when I saw Cyrus last year. During the Q&A after this screening, Mr. Hill pointed out that Cyrus was the bridge that allowed him to be cast in this movie … his bridge to drama. He went on to state that his acting heroes are Dustin Hoffman and Bill Murray because they have had successful careers in both comedy and drama. I can honestly say that it is easy to see Jonah Hill having a Bill Murray type career, especially since he has now lost so much weight – a significant weight loss after the filming of Moneyball. He is no longer the funny fat guy. He is a talented actor.

SEE THIS MOVIE IF: you are drawn to movies about visionaries OR you are a baseball fan and/or business person

SKIP THIS MOVIE IF: you are looking for over-the-top action sequences or a pure baseball flick

watch the trailer: