JURASSIC WORLD: FALLEN KINGDOM (2018)

June 29, 2018

 Greetings again from the darkness. While I will never tire of seeing really cool dinosaurs on the big screen, I’ll probably never avoid frustration from a poorly written and poorly acted film. On the bright side, I got to see this at the Grand Opening of the beautiful new Alamo Drafthouse in Denton, Texas. A 66 foot curved screen with the best available sound system made the dinosaurs that much more impressive, while simultaneously exposing the acting for the disappointment it is … especially the almost impossible to watch Bryce Dallas Howard.

J.A. Bayona directs this follow up to the 2015 JURASSIC WORLD, but he’s saddled with a subpar script from the writers and director of that previous entry, Derek Connolly and Colin Trevorrow. The creatures of the late, great Michael Crichton deserve better. In addition to the aforementioned Ms. Howard (as Claire Dearing), Chris Pratt also returns as the smirking Owen Grady, and this time he flashes some fighting skills that would make Jean-Claude Van Damme proud. Not sure how his experience training baby dinosaurs and building a cabin in the mountains prepared him to single handedly take on an army of armed mercenaries, but such things are possible in a cartoon … which is exactly what this plays like: a live action cartoon with high dollar special effects.

We have a spoof of a villain in Eli Mills, played by an over-the-top Rafe Spall, a quivering techie played by Justice Smith (PAPER TOWNS), a tough Paleo vet in Daniela Pineda (MR ROOSEVELT), a dying billionaire former partner of John Hammond played by James Cromwell, a greedy capitalist who should be twirling a mustache in Toby Jones, a big-gun toting badass by Ted Levine, and a good-hearted housekeeper played by Geraldine Chaplin. Mr. Cromwell and Ms. Chaplin add a touch of class in their all too brief scenes. BD Wong is back doing things with dino DNA, and sadly, Jeff Goldblum probably filmed his two courtroom scenes in a couple of hours. One nice addition is young Isabella Sermon, in her screen debut. She is part of the only decent twist in the story.

Despite the disappointments, it remains awe-inspiring to see the dinosaurs on screen. If only those moments weren’t ruined by such superfluous bits such as a close up of Ms. Howard’s footwear to prove that she’s not wearing high heels in the jungle this time. Director Bayona has three very fine movies under his belt: THE ORPHANAGE (2007), THE IMPOSSIBLE (2012), and A MONSTER CALLS (2016). He’s likely to make more good films during his career, and this will surely be a box office smash because people love seeing the dinosaurs, and are willing to overlook the people. As a frequent movie goer, I’m just unable to cut slack to a mega-budget film that expects us to overlook shoddy writing and laughable acting. We don’t expect to recapture the (25 years ago) magic of Steven Spielberg and composer John Williams in the stunning JURASSIC PARK, but we do expect a better effort than this.

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JURASSIC WORLD (2015)

June 21, 2015

jurassic world Greetings again from the darkness. I’m guessing that most anyone who enjoys movies and is at least 30 years old, has vivid recollections of Steven Spielberg’s original Jurassic Park from1993 (based on the Michael Crichton novel). The iconic theme from John Williams, that initial awe-inspiring look at the dinosaurs grazing in the valley, the reminder that “objects are closer than they appear” in side mirrors, and the late Sir Richard Attenborough stating that he “spared no expense” in creating the park … all merged to became part of an incredibly moving and huge new movie theatre experience.  This latest (and fourth in the franchise) offers us “big”, but very little “new”, and unfortunately nothing very “moving” in its presentation.

Set two decades after the tragic and messy park trial run of that original movie, we find Bryce Dallas Howard (The Help) managing the financially-challenged theme park owned by Irrfan Khan (Life of Pi). Chris Pratt is training Velociraptors, while BD Wong is cooking up hybrid and genetically modified monsters such as Indominus Rex – designed to excite the audiences who have become bored with an old-fashioned T-Rex.

Even though this is technically a sequel, there are numerous similarities to the original film, and a fun parlor game consists of spotting all the homage’s and tributes sprinkled throughout. Two of my favorites are the “Winston’s” shop in the park, and the ViewMaster shot early on. These two are tips of the cap to Stan Winston and Ray Harryhausen … two giants in the world of special effects.

In what has become the Hollywood “go to” for evil-doers, the secret plan to militarize the dinosaurs is being carried out by Vincent D’Onofrio. Of course, this clashes with Pratt’s ideal life for “his” trainees. The mandatory kids-in-peril are played by Ty Simpkins (Insidious) and Nick Robinson. Much has been made of the absurdity of Ms. Howard’s numerous scenes of sprinting in high heels, and I found her overall demeanor to be every bit as exaggerated and unbelievable as her actions in heels. Jake Johnson (TV’s “New Girl) and Omar Sy (so wonderful in The Intouchables) were the most “real” characters, though neither was given much to do.

Much of what is written here is “in comparison” to the original. While this may not be fair, it is inescapable when dealing with such a respected and iconic film. Youngsters unfamiliar with the original film, are likely to find this one exciting – even terrifying at times – and that’s an important distinction to make. The Mosasaurus alone is worth the price of admission … and good for a few nightmares!  And who among us wouldn’t pay up for a Baby Triceratops ride in the Petting Zoo?

For the Jurassic Park stalwarts, the inconsistent (sometimes great, sometimes fake-looking) CGI will be as tough to overlook as Ms. Howard’s cartoon character. And yes, composer Michael Giacchino is new to the Jurassic series, and he is wise enough to work in the terrific and familiar John Williams theme in more than one scene.  However, none of the downsides will keep the true fans away, and there is an entire generation of kids who should have the chance to marvel at lifelike dinosaurs on the big screen courtesy of director Colin Trevorrow (previously known for his work on the indie gem Safety Not Guaranteed).

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FOCUS (2015)

March 7, 2015

focus Greetings again from the darkness. Movies about “the con” have had many different looks over the years: the suave coolness of Oceans 11, David Mamet’s twisted perspective in House of Games, the tongue-in-cheek teamwork of Redford and Newman in The Sting, the demented mother-son approach in The Grifters, and of course, the slapstick style of Steve Martin in Dirty Rotten Scoundrels. All of these committed to one style and made it work. The latest from the writing/directing team of Glenn Ficarra and John Requa (I Love You Phillip Morris, Crazy Stupid Love) can’t seem to decide if they want the audience in on the joke, or if they rather the audience be the butt of the joke.

Will Smith plays Nicky, a third generation con man who is also a very conservative entrepreneur. He runs his cons as a business and prides himself on never taking unnecessary risks, ensuring the odds are in his favor. His professional curiosity lands him in an awkward situation with Jess, played by Margot Robbie (The Wolf of Wall Street), who clumsily mistakes Nicky for an easy mark. Instead, he agrees to mentor her during Super Bowl week in New Orleans. This sequence is the best and most entertaining part of the film.

The second half of the film complicates things with the do they or don’t they love story between Nicky and Jess, as well as a few other messy personal relationships. The fun here lies with the con, not the love story, and that’s where the focus should stay. In fact, the most interesting characters aren’t Nicky and Jess, but rather a riotous Adrian Martinez (as Nicky’s computer whiz assistant), Rodrigo Santoro (as a racing team owner trying to cheat the competition), Gerald McRaney (a hoot as Santoro’s crusty old henchman), Robert Taylor (TV’s “Longmire”) as one of Santoro’s competitors, and BD Wong as Nicky’s betting adversary in the film’s most ludicrous sequence (and that’s saying a lot). Ms. Robbie has true star potential, but the script hangs her out a few times. She will be seen as Jane in next year’s Tarzan movie, so add that to your must-see list.

A very smart person I know observed that Will Smith has been conning us for years, and maybe by taking this role, at least he is finally admitting it. It is a bit tiresome to see Mr. Smith consistently play the smartest guy in the room, the most charming guy in the room, and the sneakiest guy in the room. It seems maybe he is one of the few that still sees him as such. The best actors elevate their co-stars and the script, while it seems he believes his star power is all that’s required.

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