THE MAGNIFICENT SEVEN (2016)

September 25, 2016

mag-7 Greetings again from the darkness. In this era of endless remakes, sequels and superheroes, I strive to keep an open mind when it comes to mainstream movies. All I ask is that the classics be left alone. Most will agree that there is no need for a new version of The Godfather, Citizen Kane or Gone with the Wind; however, disputes arise in the gray areas. An old guy like me may cringe at the thought of updating this western, though it’s easy enough to understand how Hollywood studio types view it as an opportunity to sell tickets to a younger audience. In art vs. commerce, making money usually prevails.

The 1960 original, directed by John Sturges was itself a remake/reimagining of one of the greatest films ever made: Akira Kurosawa’s Seven Samurai (1954). Both are must-see’s for any movie lover. Given the technical advancements in filmmaking over the past 50-60 years, it only makes sense that director Antoine Fuqua (Southpaw, Training Day) would go bigger, faster, louder. What he can’t do is match the cool factor of Steve McQueen, Yul Brenner, James Coburn, Charles Bronson, or of course, Toshiro Mifune.

Mr. Fuqua does bring a more racially diverse cast with Denzel Washington taking the lead as Chisolm, the dignified man-on-a-couple-of-missions. Chris Pratt basically buckles a holster onto his Jurassic World character and becomes Faraday, the wise-cracking sharp-shooter, who is as likely to cheat in a card game as lay his life on the line for a good cause. The “seven” are rounded out with Ethan Hawke as war hero Goodnight Robicheaux, Vincent D’Onofrio as bear-sized man Jack Horne, Byung-hun Lee as knife specialist Billy Rocks, Manuel Garcia-Rulfo as Vasquez, and Martin Sensmeier as native-American outcast Red Harvest. You might think the only thing missing from this culturally diverse group is a woman, but Haley Bennett (and her distractingly terrible hair dye) plays a key role as a recently widowed town person intent on revenge against the heartless robber-baron Bogue, played by a sneering Peter Sarsgaard.

Co-writers Nic Pizzolatto (“True Detective”) and Richard Wenk (The Expendables 2) devote so much screen time to Denzel and Pratt that we never much get a feel for what makes the other characters tick. What’s not missing is the thundering hooves of galloping horses, steely-eyed glares, and gunfire … lots and lots of gunfire. This is where today’s sound technology really adds a welcome element – the cocking of a rifle, the leather of the holster, and of course, the near-deafening chorus from the Gatling gun all benefit from Sony 4k sound.

Fuqua’s stylistic approach may have more in common with Silverado (1985) than the 1960 Sturges film, but it’s important to note that this was legendary composer James Horner’s final score before he passed away. While we hear Horner’s unique take, we can’t miss the influence of the iconic original score by Elmer Bernstein. So while Pratt’s “So far, so good” joke may be a Steve McQueen re-tread, your appreciation of this latest probably correlates to your appreciation of the 1960 version.

watch the trailer:

 


THE EQUALIZER (2014)

September 28, 2014

equalizer Greetings again from the darkness. While you are likely familiar with slapstick comedy, this latest from director Antoine Fuqua could be described as slapstick action. This fits because the implements of destruction include barbed wire, a power drill, a book (hardcover, of course), a nail gun, and even a corkscrew. Such an unusual assortment takes a bit of edge off the the extremely graphic violence. If the kills weren’t so gruesome, we might be tempted to chuckle. The titular character is the MacGuyver of Special Ops.

Writer Richard Wenk adapts the story from the terrific TV series which ran from 1985-89. It starred the late, great Edward Woodward as a classy, sophisticated guy who believed in justice for those who needed help against the odds. For the movie, Denzel Washington (re-teaming with his Training Day director) takes over for Mr. Woodward as Robert “Bob” McCall … the seemingly normal guy with extraordinary skills used to balance the scales.

McCall lives a quiet life with OCD tendencies. He is a friendly guy liked by his co-workers at the home improvement box store (imagine Clark Kent working at Home Depot), and even mentors an overweight hispanic young man in his quest to pass the security guard test. McCall is also an insomniac who hangs out after hours reading Hemingway at a local diner, passing along words of hope and wisdom to an underage prostitute (Chloe Grace Moretz). None of these people have any idea of McCall’s previous career with “the company”. Our only glimpse of this is a quick visit to the home of characters from his past, played by Melissa Leo and Bill Pullman.

Our villains here are the Russian mob, and it’s tough to beat that accent for a juicy villain. David Meunier (Johnny Crowder of “Justified” fame) is our first goon, followed up by the slick and menacing Marton Csokas (The Debt) who has an impressive resume of his own. It would have been interesting to have more screen time together for Csokas and Denzel, but we understand why that’s not practical.

Similar to the Bourne movies, the good guy always seems to be a step ahead of the bad, but that has little impact on our ability to find fun in the action. Director Fuqua provides four or five really stylistic shots (including super slo-mo), but also relies on Michael Bay-splosions for one laughable scene at the loading docks. A missed opportunity is the film’s score. We are slammed with a thumping bass line through much of the movie, rather than utilizing the Stuart Copeland theme from the TV series. Expect McCall to arrange the flatware just so, and continue to dish out justice in at least one sequel.

SEE THIS MOVIE IF: you are a fan of action movies and enjoy very creative methods of hand-to-hand combat OR you were a fan of the TV series OR you always wondered if shot glasses or corkscrews had other uses.

SKIP THIS MOVIE IF: graphic gore and violence, even when provided by the always suave and cool Denzel Washington, is not to your taste

watch the trailer: