Greetings again from the darkness. Melissa McCarthy and writer/director Paul Feig are back together in hopes of recapturing their Bridesmaids comedy and box office magic. They are also re-teaming for next year’s all-female Ghostbusters remake.
This time it’s a parody of James Bond films … right down to the elaborate and creative opening credit sequence. Recognizing that combining action and comedy can be a bit challenging, Feig enlists the help of Jason Statham and Jude Law. Statham parodies his well known uber-intense characters with a running dialogue of his bravery and heroism, while Law is clearly having a blast as the ultra-smooth agent Bradley Fine (think Pierce Brosnan’s Bond).
In spite of the gentlemen, this is Ms. McCarthy’s film and she is believable as the frumpy CIA analyst who is the “voice in the ear” of super agent Fine (Law). He maneuvers the front line of dangerous assignments as she provides life-saving high-tech guidance from the relative safety of the vermin-infested basement CIA lab. Of course, we know McCarthy’s agent will end up in the field in her attempts to avenge a mission gone wrong.
It’s McCarthy in the field that will either make or break the film for you. Her scenes with Rose Byrne and Peter Serafinowicz worked best for me, while her Jackie Chan-style kitchen fight scene and her chase scenes were a bit more difficult to buy off on. It can be confusing as a viewer when we are constantly bombarded with PC rules, and then Feig and McCarthy don’t hesitate to use her heft for laughs.
Other supporting work is provided by British comedienne Miranda Hunt, another fish out of water agent; Morena Baccarin as a strutting super agent at the level of Statham; Bobby Cannavale as a would-be terrorist; and Allison Janney as the CIA Supervisor. While each have their moments, it’s McCarthy’s visit to the spy gadget department that provides the best laughs.
The Action-Comedy-Spy Thriller genre is pretty sparse, and as you may expect, comedy is the priority for most scenes. McCarthy does well in her first true film lead, though my prediction is that her value as an actress will ultimately come from playing characters who are more “real” – like her role in last year’s St. Vincent.