EDGE OF TOMORROW (2014)

June 8, 2014

edge Greetings again from the darkness. Director Doug Liman is best known for his fine work at the beginning of the “Bourne” franchise. His latest has so many obstacles to overcome, a tip of the cap is in order for a thriller that isn’t altogether without merit.

These obstacles include such things the all too familiar sub-genre of alien-invasion, an overload of special effects, a familiar actress in an unfamiliar action-hero role, and above all others, the casting of the divisive Tom Cruise … whose detractors will certainly get a kick out of the nearly endless stream of on screen deaths his character experiences. After all, what’s more fun than bashing Cruise over and over and over again? On the plus side, the special effects are very well done; Emily Blunt (despite being the best tanned Brit ever) more than holds her own; and the role allows Tom Cruise to do the two things he does best: incredible stunts and action sequences, and transform from cocky d-bag to dependable, highly competent icon. Without much thought, it’s pretty easy to see the similarities to his characters in Top Gun, Jerry Maguire, A Few Good Men, and The Color of Money … and of course, his recent outing in Oblivion. There is also a convenient excuse for Cruise to lose his battle helmet, an unnecessary segment of him riding his motorcycle, and of course, the patented Cruise sprint is on display.

The movie itself begs for the obvious comparison to Groundhog Day and Source Code, with elements of Aliens, District 9, and The Matrix. Despite all the familiarity, this one kind of works thanks to the screenplay of Christopher McQuarrie (3 other Cruise movies) based on the 2004 novel from Hiroshi Sakurazaka entitled “All You Need is Kill”. Why the Producers chose this generic, daytime soap opera type title over the cool source material title is beyond me.

Cruise especially takes to the first half comedic moments, and that explains why the first half of the movie is much stronger than the second. The phrase “On your feet, Maggot” takes on the the Sonny and Cher role from Groundhog Day, and to great effect. Supporting work from Noah Taylor, Brendan Gleeson, and (a gleeful scene chewing) Bill Paxton add sufficient distraction from the heavy action moments.

So whether you enjoy special effects, intense action scenes, or just watching Tom Cruise get killed time and time again, you will probably find this one entertaining enough … even though not much will stick with you a day later.

SEE THIS MOVIE IF: big budget Sci-Fi action movies on the big screen are your thing OR you can find humor in a Tom Cruise character being killed off over and over and over again … purely to advance the plot!

SKIP THIS MOVIE IF: you consider alien-invasion movies to have reached the saturation point

watch the trailer:

 


SAFE HOUSE

February 12, 2012

 Greetings again from the darkness. The action-thriller-spy genre can be quite fun when handled properly. The “Bourne” franchise and Salt come immediately to mind. What we have here is a ho-hum game of cat and mouse between CIA Agents elevated somewhat because they are played by Denzel Washington and Ryan Reynolds. It’s ho-hum because of the simplistic and predictable script from writer David Guggenheim.

To offset this formulaic script, director Daniel Espinosa leans heavily on near non-stop, frenzied action sequences. Luckily he has DP Oliver Wood (first two Bourne movies) to bring intensity and variety to the action. Denzel plays the veteran rogue agent who turns himself in to a U.S. Consulate after a decade off the grid. We learn he is a U.S. traitor of the worst degree. Reynolds plays a rookie agent on asignment to a going-nowhere “safe house” in South Africa. To say the action is lacking on his assignment is a bit of an understatement. That is, until Denzel is transferred to his site.

We learn a few things in this movie. First, “Safe house” is evidently CIA verbiage for “all hell breaks loose” in the form of massive gunfire and violent deception. Second, if you are an agent in charge of escorting one of the world’s most dangerous men, you would prefer your bosses not send the two of you into a crowded soccer stadium to pick up a GPS device. Things are likely to go wrong. Third, it’s not wise to walk in on Denzel when he is in a bathroom stall. Fourth, if you are Ryan Reynolds, your on screen girlfriends can be as beautiful as your real life girlfriends, and no one raises an eyebrow.

The film does remind us that it’s always cool to see Sam Shepard and Ruben Blades. Where have you been hiding Mr. Blades (pictured)? The rest of the strong cast includes Brendon Gleeson and Vera Farmiga as dueling Langley operatives, Liam Cunningham as a (surprise!) bad guy, Robert Patrick and Joel Kinnaman (from “The Killing“) as agents, and Nora Arnezeder as Reynolds’ hottie.

Being a fan of this genre, it is quite disappointing to see such an obvious and basic story … even though it has the right look and feel, and a nice match-up of stars. The overload of car crashes, gunfire, and hand to hand combat doesn’t offset the fact that everyone knows early on how this is going to end, and we suffer through quick teases of intrigue regarding the two leads. So even though Denzel makes an enjoyable good guy turned bad, and Reynolds shows he is way above the idiotic Green Lantern, this one just doesn’t offer much more than your average video game.

SEE THIS MOVIE IF: you have a hole that can only be filled with excessive noise, gun fire, car wrecks, blood and frenetic fight scenes.

SKIP THIS MOVIE IF: you are looking for something new in the spy thriller genre

watch the trailer: