ANOTHER ROUND (2021, Denmark)

April 24, 2021

Greetings again from the darkness. Oscar nominated for Best Foreign Language Film (Denmark), its director, Thomas Vinterberg was also nominated for Best Director. Mr. Vinterberg also directed the excellent 2012 film, THE HUNT, and this time out, he collaborates yet again with his co-writer and lead actor from that film: Tobias Lindholm and Mads Mikkelsen, respectively.

Mikkelsen (already one of the few must-watch actors) stars as Martin, a married man, father of two, and history teacher. His long-time friends include Tommy (Thomas Bo Larsen), a PE coach; Nikolaj (Magnus Millang) a Psychology instructor; and Peter (Lars Ranthe), the music teacher. The buddies are chatting over dinner as they celebrate Nikolaj’s 40th birthday, and they come to realize they are each floating through life – in a mid-life crisis of sorts, neither happy nor sad. It’s at this point where Norwegian Psychiatrist Finn Skarderud’s hypothesis is discussed. They agree to test Skarderud’s theory by maintaining a .05% Blood Alcohol Content (BAC), even while teaching.

Almost immediately, the men each feel mentally sharper, more engaged, and awakened to their lives. Martin re-connects with his wife, Anika (Maria Bonnevie), and becomes a history teacher that inspires students … quite a change from the complaints he had been receiving. The accomplishments of Hemingway and Churchill are discussed, as if alcoholics need role models. And then, to push a good thing even farther, the men decide if .05% works, why not take it to .10%? Well that’s what the men do, and of course, the results aren’t so great – ranging from upsetting to tragic.

Is it possible to re-discover a life that’s being wasted in self-pity or a state of numbness? Can alcohol jolt one back to life after the loss of youth and the reality of adult responsibility? Mid-life crisis has been addressed in many films, and alcohol is often part of the story … think SIDEWAYS (2004). We learn here that the Danish culture involves heavy drinking, and in Denmark, there is an extraordinarily high rate of teenage drinking.

The film is well acted, and Mikkelsen is terrific. Vinterberg dedicated the film to his daughter Ida, who was scheduled to appear in the film before dying in a car crash. He strategically includes Kierkegaard’s quote about life being lived forwards, but only understood backwards, and that truly is the crux of what the men are experiencing. The final scene is extraordinary and unexpected, as Mikkelsen wows with an interpretative and energetic dance to “What a Life” by Scarlet Pleasure. What a life, indeed. And perhaps there is hope after all.

Available on HULU

WATCH THE TRAILER


A WAR (Krigen, Denmark, 2015)

February 11, 2016

a war Greetings again from the darkness. Distinguishing between right and wrong has always been pretty easy for me, which probably explains my fascination when a good book or movie presents a decision weighted by moral ambiguity … especially one involving life and death. Such is the case with writer/director Tobias Lindholm’s (A Hijacking, 2012) latest, which has been Oscar nominated for Best Foreign Language Film (Denmark). It’s tension-filled and overflowing with moments that will make you question yourself and your beliefs.

Three parts make up the whole, and each segment brings its own pressures and is presented with its own camera technique. We see Commander Claus Pederson (Pilou Asbaek) leading his squad of Danish soldiers in their Afghan peace-keeping missions. The film bounces between these boots on the ground and Pederson’s wife (Tuva Novotny) back at home in Denmark trying to maintain a sense of normalcy for their three kids. The final act is a tense courtroom drama that will undoubtedly mess with your head.

Mr. Asbaek (“Game of Thrones” and the upcoming Ben-Hur remake) is spell-binding as Commander Pederson. When a land mine causes the loss of one of his men, Pederson proves that he is no desk-jockey, but rather a leader by example. He has a calm presence that inspires his men, though his fearless approach is quietly questioned by some. His in-the-heat-of-the-moment decision with his squad under fire saves the life of an injured soldier, while also resulting in a tragedy that could affect his military career, his family life, and his freedom.

It’s interesting to see how director Lindholm parallels the struggles of Mr. and Mrs. Pederson … albeit in different worlds. The personal and emotional challenges are everywhere and affect everyone. The 3 kids miss their father and struggle in their own ways with their new world. The wife misses her husband and battles to keep the kids in line. The husband misses his wife and their closeness. He also misses the little joys that come with being a (present) father. The soldiers struggle with their orders to patrol a community that doesn’t seem to want them. Even the community struggles with the constant threat of danger.

Commander Pederson’s fateful decision is the focus of the courtroom drama. The dilemma faced by him and his men is truly a no-win situation. His job was to protect his men while also protecting the citizens of the community. It’s a judgment call in the heat of the moment. Either decision would be right and either decision would be wrong. The issue on trial is so complex that it’s very likely the desired verdict would be split among those in the theatre. When Pederson’s wife tells him “It’s not what you did that matters. It’s what you do now.” We certainly understand her, but do we agree? Is it possible to judge a war crime when lives are in immediate danger?  What would you do? Unless you’ve been in those boots, it’s impossible to know. The best intentions can be eclipsed by a will to live and quest to save those for whom you are responsible. Is lying ever OK, and if so, what is the fallout?  How does it impact you, those you love, and those whose respect you have earned?

This is an exceptionally well made movie with a script that constantly has us questioning our morals. while providing no easy answers.

watch the trailer: