Greetings again from the darkness. Oscar nominated for Best Foreign Language Film (Denmark), its director, Thomas Vinterberg was also nominated for Best Director. Mr. Vinterberg also directed the excellent 2012 film, THE HUNT, and this time out, he collaborates yet again with his co-writer and lead actor from that film: Tobias Lindholm and Mads Mikkelsen, respectively.
Mikkelsen (already one of the few must-watch actors) stars as Martin, a married man, father of two, and history teacher. His long-time friends include Tommy (Thomas Bo Larsen), a PE coach; Nikolaj (Magnus Millang) a Psychology instructor; and Peter (Lars Ranthe), the music teacher. The buddies are chatting over dinner as they celebrate Nikolaj’s 40th birthday, and they come to realize they are each floating through life – in a mid-life crisis of sorts, neither happy nor sad. It’s at this point where Norwegian Psychiatrist Finn Skarderud’s hypothesis is discussed. They agree to test Skarderud’s theory by maintaining a .05% Blood Alcohol Content (BAC), even while teaching.
Almost immediately, the men each feel mentally sharper, more engaged, and awakened to their lives. Martin re-connects with his wife, Anika (Maria Bonnevie), and becomes a history teacher that inspires students … quite a change from the complaints he had been receiving. The accomplishments of Hemingway and Churchill are discussed, as if alcoholics need role models. And then, to push a good thing even farther, the men decide if .05% works, why not take it to .10%? Well that’s what the men do, and of course, the results aren’t so great – ranging from upsetting to tragic.
Is it possible to re-discover a life that’s being wasted in self-pity or a state of numbness? Can alcohol jolt one back to life after the loss of youth and the reality of adult responsibility? Mid-life crisis has been addressed in many films, and alcohol is often part of the story … think SIDEWAYS (2004). We learn here that the Danish culture involves heavy drinking, and in Denmark, there is an extraordinarily high rate of teenage drinking.
The film is well acted, and Mikkelsen is terrific. Vinterberg dedicated the film to his daughter Ida, who was scheduled to appear in the film before dying in a car crash. He strategically includes Kierkegaard’s quote about life being lived forwards, but only understood backwards, and that truly is the crux of what the men are experiencing. The final scene is extraordinary and unexpected, as Mikkelsen wows with an interpretative and energetic dance to “What a Life” by Scarlet Pleasure. What a life, indeed. And perhaps there is hope after all.
Available on HULU