I SWEAR (2026)

April 23, 2026

Greetings again from the darkness. The concept of ‘normal behavior’ seems quite elusive these days, but clearly the uncontrollable ticks and inappropriate (for proper society) verbal outbursts of Tourette Syndrome add to life’s complexities. Writer-director Kirk Jones (WAKING NED DEVINE, 1998) takes on the true story of John Davidson, whose actions prove role models come in many forms. Although the film doesn’t dig too deeply, it benefits from the real-life actions of one man and a couple of excellent lead performances … plus the always welcome presence of two beloved character actors.

The film opens in 2019 with the adult John Davidson (Robert Aramayo, DANCE FIRST, 2023) spouting an obscenity at Queen Elizabeth as he’s to receive his MBE (Member of the Order of the British Empire) for his volunteer work. This outburst actually occurred. We then flash back to 1983 Scotland where Scott Ellis Watson portrays young John as a charming middle school kid with a knack for soccer. Once the unexplained ticks begin, everyone assumes John is acting out – despite his denials. This includes the school administration and his own parents (Steven Cree and the always great Shirley Henderson), who dole out punishments ranging from physical to emotional … all in an attempt to rein in his actions.

If there is a more remarkable person in the story than John, it would be Dottie Achenbach (Maxine Peake, DANCE FIRST, 2023). She’s the mother of John’s schoolmate, and she’s been diagnosed with terminal cancer. Watching her get to know John and show patience with his affliction is not just heartwarming, but also a case study in patience and caring. Dottie helps John get a job (working for a stellar Peter Mullan) at the community center, and then assists in finding John his own flat as he strives for independence. Of course, as you would expect whenever someone bucks societal norms and expectations, John is a curiosity to some and bothersome to others. He faces judgment and even assault … plus an arrest from law enforcement that hasn’t yet been educated.

It’s adult John that really surprises. Not only does he embrace the responsibilities of his job, he begins helping others through his Tourette’s Weekend seminars. He recognizes what these folks are going through, as he’s living  life daily in the same (metaphorical) shoes. John becomes an ambassador for Tourette Syndrome through lectures and seminars … educating those who previously had no understanding. We’ve seen the quirks … kissing the lamppost … and now we see the true impact of caring. The relentless stream of “Sorry” has shifted to education and societal improvement. Robert Aramayo turns in a terrific performance as John, and the film leaves us with the keys: education, understanding, acceptance. Clips from a documentary on Davidson’s life are shown over the closing credits.

In theaters beginning April 24, 2026

WATCH THE TRAILER


MY BIG FAT GREEK WEDDING 2 (2016)

March 24, 2016

big fat2 Greetings again from the darkness. It’s been 14 years since the Portokolas family took over movie theatres, the box office, and casual conversation in most every social setting. I’ll readily admit that, despite my leanings toward more serious film fare, I was a huge fan of the 2002 surprise mega-hit. The movie was refreshing and observational, with commentary on proud cultures and helicopter parenting – but mostly it was funny. Bundt cakes and Windex will forever be a part of movie lore … as this sequel reminds us.

Given the Hollywood proliferation of sequels, re-makes and re-imaginings, the only thing surprising here is that it took so long for Wedding number 2. And yes, that is the only surprise. Nia Vardalos obviously wrote this script as a love letter to the fans of the original. It fits like a warm blanket – comfortable and familiar. The setting, the characters and the jokes … all familiar … yet still pleasant and easy to watch.

With that title, we know we are in for another Greek wedding. However, Toula (Ms. Vardalos) and Ian (John Corbett) have one daughter – 17 year old Paris (Elena Kampouris), and her big decision is whether to stay local for college or leave Chicago and the family for NYU. Since the wedding is not for the daughter, it falls to Toula’s parents. It seems Gus (Michael Constantine) and Maria (Lainie Kazan) have been living in sin for 50 years – all because the priest never signed the marriage certificate. Let the histrionics begin!

Director Kirk Jones (Nanny McPhee, Waking Ned Devine) stays true to the spirit of the Vardalos script and legacy, and much of the movie plays like one big inside joke for fans of the original. Windex make an appearance in each of the three acts, and we get a shot of decorated Bundt cakes, some exaggerated make-up and hair styles, and a steady stream of family members who just can’t help their propensity for being loud and up in everyone’s business.

Most of the original cast returns. Andrea Martin is back as scene-stealer Aunt Voula, and Mama-Yiayia (Bess Meisler) gets her usual “pop-ups” plus a touching moment in the wedding spotlight. New faces include Alex Wolff (brother of Nat, son of Polly Draper) as Paris’ prom date; and Rita Wilson (also a producer with her husband Tom Hanks) and John Stamos have a couple of scenes as a Greek couple; while Mark Margolis (“Breaking Bad”, “Better Call Saul”) appears as Gus’ brother from the homeland.

Nostalgia and familiarity are the keys here, and there is no reason to be overly-critical of a movie that is so pleasant and light-hearted. “There you go!”

watch the trailer: