MORBIUS (2022)

April 1, 2022

Greetings again from the darkness. Trust the science, they said. Dr. Michael Morbius is a brilliant doctor/scientist who has devoted his life to formulating a cure for the rare and crippling blood disease he and his friend Milo were born with. This is an origin story pulled from the Marvel comic book characters created by Roy Thomas and Gil Kane. The film is directed by Daniel Espinosa (LIFE 2017, SAFE HOUSE 2012) with a script adapted by Matt Sazama and Burk Sharpless, who previously collaborated on DRACULA UNTOLD (2014) THE LAST WITCH HUNTER (2015) and GODS OF EGYPT (2016). Sometimes past work tells you what you need to know.

An opening sequence features the always cool shots of a helicopter zipping around the water and cliffs of Costa Rica, before landing at the mouth of a cave that houses zillions (I counted) of vampire bats. The brilliant Dr. Morbius (Jared Leto) plans to blend vampire at blood with human blood in his latest try at finding a cure. All of his work is funded by the ultra-rich and equally suffering Milo, both men desperate for relief from their deteriorating bodies. We flashback 25 years to a clinic in Greece where young Michael (Charlie Shotwell, CAPTAIN FANTASTIC, 2016) and Milo (Joseph Esson) first meet as they are being treated with regular blood transfusions by Dr. Nikolis (Jared Harris, “Mad Men”).

Jared Leto stars as Dr. Michael Morbius, who is known in Marvel comics as “The Living Vampire”, so we kinda know where things are headed. It’s a surprisingly subdued performance by an actor renowned for his characterizations that are anything but. His grown-up friend Milo is played by the always entertaining Matt Smith, and Morbius’ love interest and research partner is Dr. Martine Bancroft (an excellent Adria Ariona). You’ve probably guessed that the blood blend works … right up until it turns Morbius into a blood thirsty killing machine. This puts FBI agents played by Tyrese Gibson and (master of wisecracks) Al Madrigal on his trail. And yes, we know this is headed to the high noon (or midnight) showdown between childhood blood buddies and it’s the do-the-right-thing Morbius versus the ‘hey, I like this superhuman power’ Milo.

The first segment of the film does a terrific job of setting the stage, but the story, the characters, and the execution let us down for the final two acts. The fight scenes feature some of the worst special effects I’ve seen in years. Sure, the film’s release has been delayed a couple of years, but that’s no excuse for what we see. On the bright side, some of the effects do work, and Matt Smith is fun to watch in a couple of his scenes. We do wish for more of Martine’s story, and for a better story overall (after the intro). The film is part of the SSU (Sony Spider-man Universe) and perhaps its best comparison is VENOM, sans the chuckles. It’s clear this film’s mission was to set the stage for a sequel, and that becomes even more obvious in the mid-credit scenes. Normally, I wouldn’t mention this, but since the director has already discussed, and an appearance was made in SPIDER-MAN: NO WAY HOME, I believe it’s fair game. The great Michael Keaton pops in as Adrian Toomes (aka Vulture), giving us an indication where the sequel is headed.

Opening in theaters April 1, 2022

WATCH THE TRAILER


SAFE HOUSE

February 12, 2012

 Greetings again from the darkness. The action-thriller-spy genre can be quite fun when handled properly. The “Bourne” franchise and Salt come immediately to mind. What we have here is a ho-hum game of cat and mouse between CIA Agents elevated somewhat because they are played by Denzel Washington and Ryan Reynolds. It’s ho-hum because of the simplistic and predictable script from writer David Guggenheim.

To offset this formulaic script, director Daniel Espinosa leans heavily on near non-stop, frenzied action sequences. Luckily he has DP Oliver Wood (first two Bourne movies) to bring intensity and variety to the action. Denzel plays the veteran rogue agent who turns himself in to a U.S. Consulate after a decade off the grid. We learn he is a U.S. traitor of the worst degree. Reynolds plays a rookie agent on asignment to a going-nowhere “safe house” in South Africa. To say the action is lacking on his assignment is a bit of an understatement. That is, until Denzel is transferred to his site.

We learn a few things in this movie. First, “Safe house” is evidently CIA verbiage for “all hell breaks loose” in the form of massive gunfire and violent deception. Second, if you are an agent in charge of escorting one of the world’s most dangerous men, you would prefer your bosses not send the two of you into a crowded soccer stadium to pick up a GPS device. Things are likely to go wrong. Third, it’s not wise to walk in on Denzel when he is in a bathroom stall. Fourth, if you are Ryan Reynolds, your on screen girlfriends can be as beautiful as your real life girlfriends, and no one raises an eyebrow.

The film does remind us that it’s always cool to see Sam Shepard and Ruben Blades. Where have you been hiding Mr. Blades (pictured)? The rest of the strong cast includes Brendon Gleeson and Vera Farmiga as dueling Langley operatives, Liam Cunningham as a (surprise!) bad guy, Robert Patrick and Joel Kinnaman (from “The Killing“) as agents, and Nora Arnezeder as Reynolds’ hottie.

Being a fan of this genre, it is quite disappointing to see such an obvious and basic story … even though it has the right look and feel, and a nice match-up of stars. The overload of car crashes, gunfire, and hand to hand combat doesn’t offset the fact that everyone knows early on how this is going to end, and we suffer through quick teases of intrigue regarding the two leads. So even though Denzel makes an enjoyable good guy turned bad, and Reynolds shows he is way above the idiotic Green Lantern, this one just doesn’t offer much more than your average video game.

SEE THIS MOVIE IF: you have a hole that can only be filled with excessive noise, gun fire, car wrecks, blood and frenetic fight scenes.

SKIP THIS MOVIE IF: you are looking for something new in the spy thriller genre

watch the trailer: