LILA & EVE (2015)

July 16, 2015

Lila & Eve Greetings again from the darkness. It’s the era of angry cinematic women, and this time we get Viola Davis and Jennifer Lopez as mothers who go on a rampage of violence to gain vengeance for the murders of their sons. In 1991 Thelma & Louise tried to teach abusive and pig-headed men a lesson, and now Lila & Eve face off against neighborhood gangbangers.

Director Charles Stone III is best known for Drumline (2002) and Mr 3000 (2004) and this high-stress thriller seems a departure for him, though he compensates with a talented cast. In addition to Ms. Davis and Ms. Lopez, we get detectives played by Shea Whigham and Andre Royo, and Michole Briana White as the leader of the support group.

Stories of vigilantism always skirt the line between gritty and far-fetched, and unfortunately this one leans a bit too far the wrong way. Watching these two women so easily track down their targets and then so effortlessly ‘take care of business’ is head-shaking when combined with the tricky plot twist. The side story focusing on the support group was actually the most interesting, as it provides a glimpse of the grieving process and psychological effects experienced by mothers of murdered sons. Even this part flies off the rails towards the end of the movie – though it was with the best intentions.

Jennifer Lopez at least seems to take some delight in her character … a role much less restrictive than that of Viola Davis, who is forced to play it straight and angry (and she is very adept at this). Mothers seeking vengeance is a cause I can support, but not more can be said about this film as the first rule of Fight Club …

watch the trailer:





December 4, 2014

calloused hands Greetings again from the darkness. Writer/director Jesse Quinones exorcises a few personal demons with this presentation based on his own childhood. While sharing in his therapy, we find ourselves smack dab in the middle of the chaotic dysfunction of 12 year old Josh, his mother, and her live-in boyfriend.

Josh (newcomer Luca Oriel) is a mixed race boy who shows some potential as a young baseball player, but he is being pushed hard by his mother’s boyfriend Byrd (Andre Royo, “The Wire“). In this case, pushed hard can be defined as abused and bullied in an extreme manner. See, Byrd is the kind of guy who expects the impossible from everyone else, while expecting almost nothing from himself. He is an overbearing mentor who physically and mentally abuses Josh, and doesn’t think twice about cursing out kids or adults. Byrd can be described kindly as a frustrated man chasing the American Dream vicariously through Josh. A more accurate description would be a sorry excuse for a human being.

In this type of situation, one would hope the mother would step in to protect her son. However, Byrd is just as abusive and domineering towards Debbie (Daisy Haggard), and given her mostly absent relationship with her father (Han Howes), she seems to be attracted to those who treat her poorly. When Debbie comes begging for a $10,000 loan, her dad has one condition … Josh is to prepare for a Bar Mitzvah. It seems an odd request, but Josh is soon spending time with Rabbi Brookstein (Sean McConaghy) who brings out an intellectual curiosity in Josh that had not previously been seen.

It’s a bit unusual for a film to tackle a character so apparently lacking in morality as Byrd. Andre Royo doesn’t blink in his portrayal of a guy who hits his girlfriend, beats her son, drinks excessively, steals from her so he can buy drugs, and puts very little effort into earning money to help pay for things like food, the mortgage, or utilities. It’s also unusual for a film to go directly after the challenges of racial, ethnic, class, and religious stereotypes. That said, it would have been nice to show more interaction between Josh and the Rabbi, rather than the relentless stream of “family” dysfunction. The Sandy Koufax history lesson was a good touch and helped tie in the Jewish theme with baseball, but we were much more interested in the process of building Josh’s self-confidence to the point where he could stand up to Byrd.

Baseball. Why can’t filmmakers understand that if you are going to show a sport, some care needs to go towards the details. Luckily, there aren’t many baseball scenes, but a home plate umpire without a protective mask is an unforgivable mistake. Slightly less annoying is the poor technique in Josh’s swinging a bat or fielding ground balls. Overlooking those issues leaves us with pretty interesting performances from Royo, Haggard, Howes and McConaghy. With a better script, this group, and Mr. Quinones’ direction, could have elevated the movie to something more than direct to video. In this current state, it still works as an example of perseverance, and the importance of solid mentors and a safe home for kids.

watch the trailer: