DON JON (2013)

September 26, 2013

don jon1 Greetings again from the darkness. It’s been a few months since I saw a screening, and I’m a bit surprised it’s getting a wide release (beginning September 27). On one hand, it’s the directorial debut of the very talented and popular Joseph Gordon-Levitt. On the other hand, the subject matter is not exactly mainstream … he plays a compulsive type who is addicted to online porn. Stereotypes abound!

There is a lot to like here (and no, the film is not pornographic in nature). It’s a front line observation of some things going on in society right now. Technology has quickly sucked away much of our face to face social interaction. Jon (JGL) has a compulsive personality. He is obsessed with cleaning his apartment, showing off his muscle car, perfecting his body at the gym, continuing his string of one-night stands with hot girls, confessing his sins to the priest, and last but not least … online porn. He sees nothing wrong with his addiction but readily admits his real life conquests don’t meet his standards – no matter how pretty or personable they might be. Still, he goes through the motions of dance club pursuits to keep up his image with his buddies.

don jon2 Even when he heads home for dinner with his family, communication is a mess. His sister (the great Brie Larson) never puts down her phone. His parents (Glenne Headly and Tony Danza) are bombastic and emotional. When Jon meets a “dime” (translated to a perfect 10 … why didn’t Blake Edwards think of that?), his mother talks only of grandkids and his dad congratulates him on “a nice piece of ___” (you get the point).

See, this “dime” is Barbara, played by Scarlett Johansson. She has the look Jon so values and since he has no concept of how a relationship works, she easily manipulates him to transition into her ideal man (rom-com movies, college courses, etc). In a very telling scene, Barbara and Jon take in a Rom-Com spoof “based on a novel by Nicholas Sparks” and starring Anne Hathaway and Channing Tatum. Barbara’s perfect man is a fictionalized knight in shining armor, while Jon’s perfect woman is the latest porn star. Though the issues are identical, neither sees their own flaws … only that of the other.

don jon3 The story takes a dramatic turn when Jon meets Esther (Julianne Moore) in a somewhat embarrassing incident (for him). The budding relationship between the older mentor and her student of life could have made a much more interesting movie as she guides him down a path of self-discovery.

JGL, Scarlett and Ms. Moore are all very good in their roles, as is the entire supporting cast (Danza especially comical as the perfectly cast dad). Although there are some very humorous scenes and lines in the film, I found it somewhat dis-spiriting due to the observations it makes on the young adult generation. The final act seemed a bit too clean for real life, but that doesn’t take away from what is really a nice first outing for Joseph Gordon-Levitt as a filmmaker. Stay tuned as I expect even better from him in the future.

SEE THIS MOVIE IF: you are brave enough for a peek at the social lives of single young adults in today’s world OR you want to see how the talented Joseph Gordon-Levitz handles his first hat trick: writer/director/actor

SKIP THIS MOVIE IF: Scarlett’s “Jersey Shore” accent is more than your ears can stand.

watch the trailer:

http://www.youtube.com/watch?v=6615kYTpOSU


IN A WORLD … (2013)

September 9, 2013

in a world1 Greetings again from the darkness. It’s always cool when an actor gets to pursue their first “all in” creative project. Two examples are Joseph Gordon-Levitt with Don Jon and the late Adrienne Shelly with Waitress. This time it’s Lake Bell who is writer, director and leading lady in a story about (at least partially) the empowerment of women in a male dominated field.

This is a very pleasant comedy with dramatic overtones. Ms Bell plays Carol, who is a voice/dialect coach with the dream of breaking into the good ol’ boys club of Voice Over acting. The title of the film was made famous the late great Don LaFontaine, who voiced hundreds of movie trailers that we all watched and listened to. The film begins with a little tribute to LaFontaine and sets the stage as the torch is passed to Sam (Fred Melamed, A Serious Man), who also happens to be Carol’s father, and cocky youngster Gustav (Ken Marino), who has a much different connection to Carol.

in a world3 The father-daughter issues abound as Sam of course believes Voice Over work should be limited to the deep, powerful voices of men. Carol also gets tossed into the relationship drama of her dad and his much younger girlfriend, the marital struggles of her sister (Michaela Watkins) and brother in law (Rob Corddry), and the workplace affections of her co-worker (Demetri Martin-Lewis). That’s a lot of sub-plots and it causes a loss of focus on Carol’s persistence to find her own voice, so to speak.

The quirkiness of Bell’s character also distracts a bit, but mostly she is charming and likable, and we really pull for her to succeed and overcome.  As a director, Bell does a nice job of helping us get to know the multitude of characters, and though there is much to garner interest, it’s just overload for the viewer. When the story focuses on Bell and her dad’s ignorance and competitiveness, the movie is at its best. This is definitely one to check out, and here’s hoping for more from Ms. Bell

NOTE: my fascination with screen voices was the subject a recent blog post entitled “Golden Voices of the Silver Screen”.  You can find it here: http://wp.me/pKvIs-10n

SEE THIS MOVIE IF: watching the good ol’ boys network take a few lumps

SKIP THIS MOVIE IF: Fred Melamed creeped you out in A Serious Man … he takes the creep level up a notch here

watch the trailer:

http://www.youtube.com/watch?v=bZHBjLFu5is


THE WORLD’S END (2013)

September 7, 2013

worlds end Greetings again from the darkness. This is the third in the unofficial Three Flavors Cornetto Trilogy, and my guess is if you know that, you have already seen this one. Director Edgar Wright has previously delivered is parody of Zombies (Shaun of the Dead), his parody of buddy-cop-action films (Hot Fuzz), and now takes on Sci-Fi in this latest … a worthy conclusion with the trademark quick cuts and rapid fire witty/silly dialogue.

I love the premise of this one. 5 buddies reluctantly reunite after 20 years to try and finish what they failed to in their youth: 12 pubs/12 pints … an epic pub crawl. It touches on the male transition to middle-age and also reinforces the old saying ‘you can’t go home again’. Simon Pegg (also co-writer with Wright) stars as Gary King, a recovering addict who is quite simply struggling with adulthood. His manic energy reunites the boys and carries the early movie. Nick Frost really shines here and takes on a different persona from the previous two movies.

worlds end2 As I have stated many times, comedies are the most difficult genre to review as everyone’s sense of humor varies. What I can report is that I laughed quite a bit at the dialogue, but didn’t have much love for the sci-fi portions, despite some similarities to Westworld and The Stepford Wives. Oh, and Rosamund Pike reminded me again why I am no fan of hers (yes, I realize I’m in the minority).

Hardcore Wright fans will enjoy the steady stream of regular faces, and yes, we do get the expected failed fence jump. This one won’t stick with me for long, but I appreciated the laughs.

SEE THIS MOVIE IF: you are a fan of the Simon Pegg – Nick Frost – Edgar Wright offbeat British parody films. It’s one of their best

SKIP THIS MOVIE IF: your comedy tastes lean toward the conventional … a territory Edgar Wright avoids at all costs

watch the trailer:

http://www.youtube.com/watch?v=n__1Y-N5tQk

 


THE SPECTACULAR NOW (2013)

August 16, 2013

spectacular1 Greetings again from the darkness. Coming-of-age teen dramas with a comedic flair that speak to that tumultuous period of life are rarely worthy of discussion. The exceptions hover film greatness: Rebel Without a Cause, Fast Times at Ridgemont High, Dazed and Confused, The Breakfast Club, and Say Anything … Along comes young director James Ponsoldt and his adaptation of Tim Tharp’s novel. While not perfect and falling just short of the level of those classics, it is nonetheless a welcome addition and quite interesting.

It’s tempting to call Sutter (played by up-and-comer Miles Teller) a happy-go-lucky kid. He’s the frat boy type – quick with a quip, smooth with the parents and girls, and the envy of the masses. However, that term would be misapplied to a kid who not only is never without his flask, but also gives them as gifts. He uses his wit and booze to dull spectacular2the pain of his aimless existence. We see his lackadaisical efforts at completing a college admission form, and it’s used as a plot device to track Sutter’s progression/maturation through the film.

Brie Larson is terrific as Sutter’s perfect match … right up until she decides that his philosophy of living in the now (even spectacularly) doesn’t leave hope for much of a future. After an extreme night of drinking and partying, Sutter gets awakened while laying in a neighbor’s front yard. Shailene Woodley (The Descendants) is bookworm Aimee Finicky, who recognizes the popular Sutter, even though he has no idea who she is. Slowly, the two connect on a level previously unknown to either … some good, some not so wise (just like real teenagers).

spectacular3 This couple of opposites learn much from each other, and soon enough, Sutter is confronting his long last father (Kyle Chandler). No real surprises what he discovers, but it’s a life lesson that must be learned. Sutter seeks more from his remaining family – a big sister (Mary Elizabeth Winstead) who escaped the grind, and a workaholic mom (Jennifer Jason Leigh) doing her best to provide hope for Sutter.

The script is co-written by Scott Neustadter and Michael Weber who also wrote (500) Days of Summer. John Hughes and Cameron Crowe proved they could present teen dilemmas in an entertaining way, and this one follows the same structure. This is a dialogue-heavy story as Sutter and Aimee struggle alone and together to figure out life’s next steps.

I will say that for the first few minutes of the movie, I found Sutter to be the kind of guy that I would typically have no interest in. Tip of the cap to the filmmakers and Miles Teller for turning that around. It should also be noted that Shailene Woodley is so naturally affecting, that her character never comes across as anything but sincere. Given the state of today’s mainstream coming of age stories, this one definitely deserves a look and could gather some attention come awards time.

SEE THIS MOVIE IF: you want to see a smart, mostly believable (Shailene Woodley would never go unnoticed in a high school) story about coming to terms with yourself at age 18 (we’ve all been there!)

SKIP THIS MOVIE IF: teen movies with raunchy comedy are the only teen movies you want to see (there seems to be an endless supply)

watch the trailer:

http://www.youtube.com/watch?v=XDTBLSkUmYk

 

 


BLUE JASMINE (2013)

August 15, 2013

blue j1 Greetings again from the darkness. Writer/director Woody Allen returns to the United States for his latest and examines a topic he knows much about … how to handle a public life that gets blown apart. Jasmine (Cate Blanchett) and Hal (Alec Baldwin) are living the extreme life of NYC power and luxury. It all crashes down around them when Hal is exposed and arrested as a Bernie Madoff type Ponzi-scheme white collar criminal, and Jasmine is tossed to the curb with no money or prospects.

Disoriented from this whirlwind personal tragedy, Jasmine heads west to San Francisco to live with her sister Ginger (Sally Hawkins), a blue collar single mom. The sisters haven’t been close for a couple of reasons. First, Hal scammed Ginger and her husband at the time (Andrew Dice Clay) out of their lottery winnings. Second, they are both adopted and Ginger constantly claims Jasmine got the “good genes” so it’s expected that she gets the breaks blue j2in life.

We quickly realize that Jasmine is bouncing between her fantasy of re-capturing her life of luxury and the harsh reality of her situation. She is not handling it well and falls back on things like going “back to school” to become an interior decorator. Additionally, she vocally disapproves of Ginger’s choices in men and poisons her thoughts that she (Ginger) can do much better than Dice or her current boyfriend (Bobby Cannavale). That leads to an expected turn of events featuring Louis C.K.

While Jasmine is absolutely unpleasant as a person or character, Ms. Blanchett does a fine job of keeping us tuned in to this slow-burning breakdown. Her scenes with Michael Stuhlbarg are awkward and excellent. It’s impossible not to be reminded of Blanche in A Streetcar Named Desire, and even Gena Rowlands’ remarkable performance in A Woman Under blue j3the Influence (1974). Is Jasmine a monster who refuses to face reality or a severely damaged soul incapable of thinking clearly? Our opinion varies from scene to scene.

The best and most insightful line of the movie comes courtesy of Ginger when she says “Jasmine has always had a way of looking in the other direction.” Her way of handling reality is to look away and pretend it doesn’t exist. The disgust at her sister’s working class environment and lack of empathy has us as viewers wishing someone would just slap her. Ms. Hawkins somehow manages to shine here despite the massive presence of Blanchett’s Jasmine. Woody Allen leaves us wishing we were all as strong as Hawkins’ character and thankful that we have no connection to a Jasmine.

SEE THIS MOVIE IF: you believe the richest people deserve any and all possible comeuppance OR you never thought Andrew Dice Clay could recover from The Adventures of Ford Fairlane

SKIP THIS MOVIE IF: you have no interest in seeing a spoiled princess make no effort to live like the rest of us

watch the trailer:

http://www.youtube.com/watch?v=FER3C394aI8

 


PAPADOPOULOS & SONS (2013)

August 14, 2013

papa Greetings again from the darkness. There is always a risk in stamping a movie with a particular label … “Greek” in this case. It can limit the audience to which it appeals if there are too many in-jokes or cultural references. Despite the heavy dose of Greek-ness, writer/director Marcus Markou offers up a terrific little story that most can enjoy. It’s certainly not at the level of My Big Fat Greek Wedding, but it’s charming and entertaining enough.

Stephen Dillane stars as Harry Papadopoulos, a self-made millionaire who loses everything during a financial market collapse. You will recognize Mr. Dillane as Thomas Jefferson from the excellent HBO mini-series “John Adams“. Here he plays a single dad to 3 kids: a stuttering plant loving son, a pop star-wannabe teenager daughter, and a nerdy young son with a penchant for picking stock trends. Joining them is screen veteran Selina Cadell as the housekeeper/nanny. The crisis sends the family back into the life of Harry’s brother Spiros (Georges Corraface), and they proceed to re-build the old family business … Three Brother Fish & Chips.

Sure, it’s a formulaic story, but the characters are interesting enough and Uncle Spiros is so full of life and spirit that he can’t help but get you excited for this second chance. Watching the family re-connect with each other and their past is not just pleasant, but also well presented. Mr. Dillane is wonderful as the uppity millionaire type, however, when he gives his hospital soliloquy regarding never feeling “so alive”, I do wish we had actually seen more proof of that.

While I most enjoyed the interactions between Harry and Spiros, the two musical/photo medleys seemed to interfere with the flow … rather than shortcuts, they proved a bit annoying. However, it’s always refreshing to see a movie where a family bonds together, and puts the past where it belongs.

watch the trailer:

http://www.youtube.com/watch?v=J1ymQF1Dnl8


2 GUNS (2013)

August 3, 2013

2 guns1 Greetings again from the darkness. The bar has been set with buddy flicks that mix comedy and action … Lethal Weapon and 48 Hours. The vast majority, including this one, fall short even while blatantly copying many elements from those classics. Guns blazing, rapid-fire repartee and huge explosions are requirements in this genre, as is an on screen bond between the two leads.

The good news is that instead of the original (tired) pairing of Vince Vaughn and Owen Wilson, we get Denzel Washington and Mark Wahlberg. Denzel plays the straight man role just fine, but Wahlberg is way over the top. He is in his typical strained-too loud-frenzied talking mode that just comes across as trying too hard. Instead of a truckin’ t-shirt, he should have worn one that said ‘kiss me I’m cute and funny’.

2 guns3 For some reason, most of these movies make the vital mistake of not providing a fully developed and menacing villain. Somehow the script manages to waste the great Edward James Olmos as a drug lord. He does what he can with what he’s given, but it’s frustrating to see him become the punchline of lame joke. Bill Paxton seems to be the only one who was given much to work with in the script and he chews the scenery every chance he gets. We also get a quick scene with Fred Ward and I think we would all rather have more from him here and less from the generic James Marsden. Of course, all of these movies require the presence of a female and in this case we get Paula Patton, who 2 guns2not only suffers through horrific dialogue, but also some absurd gratuitous nudity.

As you might guess from the trailer, corruption and double-crosses abound, and the Denzel/Wahlberg duo produces a few sparks, but this script based on the Boom! graphic novel just doesn’t hold up for a feature length movie. Icelandic director Baltasar Kurmakur, whose previous outing was the ultra-serious action drama Contraband (also with Wahlberg) falls victim to the weak dialogue and inconsistent villainy.

SEE THIS MOVIE IF: you fall for Wahlberg’s “charms” OR your preferences leans towards Tango and Cash style

SKIP THIS MOVIE IF:  a juicy villain and smart dialogue is a requirement for your enjoyment of action-comedies

watch the trailer:

http://www.youtube.com/watch?v=dVNe3RK2fgI


THE WAY WAY BACK (2013)

July 13, 2013

way way1 Greetings again from the darkness. This is one of those indies that has all the pieces in place to be not just a terrific “little” movie, but also a surprise box office hit.  It played well at festivals, critics love it, it has a very talented cast, it mixes humor with human emotion, and the co-directors and co-writers won an Oscar (with Alexander Payne) for writing the script to The Descendants.  It even offers the often effective coming-of-age story line in regards to Duncan (played by Liam James) as a miserable 14 year old stuck at a beach house with him mom, her obnoxious boyfriend and his snobby daughter.

The movie has a touch of “The Wonder Years” (without the narrator), but it’s a bit more caustic thanks to Steve Carell, who plays Trent, the condescending and bullying boyfriend who has no redeeming qualities that we can see (other than an inherited beach house and a nice tan).  It’s very unusual to see Carell in the “bad guy” role, but once you accept it, his lines and way way3lies cut through each scene.  Duncan’s mom is played by Toni Collette, and her character Pam is a divorced, insecure single mom trying to balance her own happiness with that of her teen-angst-filled son. Pam and Duncan are the outsiders in this beach community as we quickly learn when next door neighbor Betty (Allison Janney) barges across property lines (and personal space) with drink in hand and gossip flying.

Feeling further humiliated by his encounters with Betty’s cute daughter, Duncan finally gains a ray of hope thanks to Owen, the man-child manager of the Water Wizz park.  Sam Rockwell plays Owen, and quickly becomes a mentor to him by offering him a job and what I call … Water Wizzdom.  Of course, Duncan keeps the job a secret from the others in his life, and since they are mostly oblivious to his long absences, it proves again how self-centered the adults are in this little would-be family.

way way2 The well worn movie signs are all here … we recognize the characters and their struggles, in fact, we all know someone like each of the people that co-writers and co-directors Nat Faxon and Jim Rash present to us. We understand quickly that this is yet another coming-of-age tale with mostly clueless adults, and kids trying to cope on their own. Despite that, this one still mostly works. The writing and acting are such high quality that even though we are living in movie cliché-land, we still find ourselves caring about Duncan and Pam, laughing at Owen, and tossing tomatoes at Trent (Carell).

Special recognition to Sam Rockwell. Even though Duncan is the key character, it’s Rockwell’s Owen who recognizes that a little faith and encouragement goes a long way. Behind the facade of rapid-fire banter and laugh-inducing one-liners, Owen is coming to grips with a life of reality and shattered dreams. While never stooping to the typical Hollywood “win one for the Gipper” speech, Owen manages to instill a bit of confidence in Duncan … to the point where he refuses to let his mother pretend everything is OK with Trent.

way way4 AnnaSophia Robb plays the cute girl-next-door who recognizes potential in Duncan, but the filmmakers never allow this to turn into some ridiculous fairy tale. Instead we get characters who are each flawed, but real and recognizable. While all the typical pieces are present, there is enough crackle to the dialogue and quality acting to help this one rise above the usual muck. It’s a nice “little” alternative to the giant summer blockbusters. Nat Faxon and Jim Rash have shown again that they have a gift for dialogue and now a talent for guiding actors.  In this, their directorial debut, they prove that they also have skills as filmmakers. We should expect the next one to be even better!

**NOTE: you may think this looks like another Little Miss Sunshine, but it really flips the percentages in comedy vs drama

SEE THIS MOVIE IF: quirkiness and caustic dialogue mixed with some humorous and familiar coming-of-age moments are what you are looking for this summer movie season OR you want to see Steve Carell play something other than a nice guy

SKIP THIS MOVIE IF: if you are seeking light-hearted summer fluff … this one is filled with uncomfortable family drama

watch the trailer:

http://www.youtube.com/watch?v=6qoaVUdbWMs


THE LONE RANGER (2013)

July 6, 2013

lone ranger Greetings again from the darkness. The Western genre has always appealed to me. I love the clear division between good and bad. Heroes and Villains face-off and the good guys usually win, thereby protecting those too weak to protect themselves. TV had an impressive string of popular westerns: “The Rifleman”, “Maverick”, “The Big Valley”, “Rawhide”, “Bonanza”, and “Gunsmoke” (1955-75).

One of the most popular got it’s start on the radio in 1933: “The Lone Ranger“. When it hit TV in 1949, the great Clayton Moore donned the mask and badge, accompanied by Jay Silverheels as Tonto. Though they filmed a couple of movies, they were best known on the small screen. Then in 1981,  The Legend of the Lone Ranger was released in theatres. It was directed by William Fraker and starred Klinton Spilsbury. If you have never seen it … Mr. Fraker never directed another movie and Mr. Spilsbury never acted again. Enough said.

lone ranger2 Thirty-three years later, producer Jerry Bruckheimer, director Gore Verbinski and mega-star Johnny Depp have teamed up for a re-imagined Tonto and the Lone Ranger story. Yes, that is the proper order since this is mostly the story of Tonto, told by Tonto, with the camera focused on Tonto (Depp). There is very little respect for the roots of the story, and that’s probably because it would not be politically correct these days to have a subservient Comanche taking orders from a masked white man.

We first meet an aging Tonto as the “Noble Savage” in a 1933 Old West traveling museum. This approach reminds me of the far superior Little Big Man featuring Dustin Hoffman. Tonto proceeds to tell a young boy his version of history. We are never really sure if this is a tall tale or just a commentary on how our memory recalls events solely from our own perspective. Tonto’s character is given a full backstory, but John Reid, the square and square-jawed prosecutor who Tonto mentors into becoming the lone ranger4Lone Ranger (played by Armie Hammer) is presented as a naive buffoon. Reid’s courageous brother Dan is played by James Badge Dale, and the bad guys are played by Tom Wilkinson (Cole, the train baron), and William Fichtner (Butch Cavendish, the notorious outlaw who wiped out the Rangers).

It seems apparent that Verbinski was striving to create the next Pirates of the Caribbean franchise. The template is familiar … lots of action and wise-cracking, replete with the newest caricature in the Johnny Depp repertoire. Though Depp has many critics, I am not one. To me, he is a modern day Red Skelton, and I admire the nuances of his Captain Jack Sparrow, Wily Wonka, Mad Hatter, and of course, Edward Scissorhands. Tonto is another feather in his cap (so to speak) and his decision to base the look on Kirby Sattler’s painting “I Am Crow” adds a stark look along with fodder for comedy.  Depp performs an impressive stunt featuring a tall ladder and two trains … it plays like a tribute to the great Buster Keaton.

lone ranger3 Many film critics have been bashing the production – some even before the film’s release. In this day of information overload, we all are aware of the battle between the filmmakers and the studio. The final product does in fact wear the scars of entirely too many writers and budget mismanagement and limitations that come with the Disney brand. What should have been a perfect fit (ultimate good guy Lone Ranger) turned into a jumbled mess at times. The 2 1/2 hour movie easily could have been a full hour shorter. Maybe building two new locomotives worked great for realism, but was tough on the budget. With so few young movie-goers even aware of the Lone Ranger, creative freedom to re-imagine the character makes sense, but making him a klutzy sidekick probably doesn’t. So what we get are pre-release headlines telling us the film is a bomb. I find that unfair. It certainly appeared that most of the audience I was part of enjoyed the movie, though there were cracks about how long it was.

There are some very impressive segments within the film and having Rossini’s William Tell Overture playing over the heart-pounding climax adds a level of fun that most movies don’t have. The use of Monument Valley in Utah put me in the mood for a John Ford movie marathon.  So while I fully agree that the movie is much too long, the script should have been tightened, and more respect paid to the main character, it seems highly likely that the movie will be remembered much more fondly than film critics would have us believe … at least by those who give it a shot.

**NOTE: if you are unfamiliar with the legend, Britt Reid who became The Green Hornet, is the great nephew of John Reid (The Lone Ranger).

**NOTE: I totally missed the significance or tie-in of the blood-thirsty rabbits in this movie, though they did remind me of Monty Python’s Killer Rabbits.  If you “get” this, please explain to me.

**NOTE: Helena Bonham Carter.  ugh

SEE THIS MOVIE IF: you can ignore the critics and accept this as another blockbuster summer fun flick OR you want to see the latest addition to the Johnny Depp Hall of Oddity

SKIP THIS MOVIE IF: you are expecting the All-American hero as seen in the long ago TV series (this is really not his story)

Below are two videos.  The first is the 27 second opening to the TV series.  The second is one of the full trailers to the new movie:

http://www.youtube.com/watch?v=Td4RHvyAFsM

 

http://www.youtube.com/watch?v=3L5pbgKyWs4


WHITE HOUSE DOWN (2013)

June 30, 2013

WHD1 Greetings again from the darkness. Director Roland Emmerich loves destroying buildings. In Godzilla, he crushed Manhattan. The Statue of Liberty was trashed in The Day After Tomorrow. Independence Day saw The White House explode, and, as you would expect by the title, The White House gets pretty banged up again in his latest. We have come to expect summertime big, slightly dumb, action-packed popcorn movies, and this one certainly fits the bill (emphasis on dumb).

Relased just 3 months after Olympus Has Fallen, the plot is similar, but the approach is diametrically opposite. Emmerich seems to think he gets a free pass thanks to a steady stream of punchlines … spread amongst most every character. Hey, it’s a parody of action films so if you don’t like it, you must not “get it”. Unfortunately, we do get it and it’s just not that funny … the action is weak … the CGI appears shortcut … and the characters ring hollow. Through it’s numerous similarities and tips of the cap, Emmerich seems to beg us to compare it to the class of this genre … Die Hard (1988). WHD2We’ve all seen Die Hard, and sir, this is no Die Hard.

Channing Tatum takes on the lead action role, though he is working with a safety net … the buddy picture element supplied by Jamie Foxx. Unfortunately Tatum has neither the acting chops or the screen presence to pull off the lead, and Foxx’s President Sawyer is simply a poorly conceived character. Tatum’s daughter is played by Joey King, who was so good in Crazy Stupid Love.  Here she plays the role of smarter-than-adults kid and is clearly designed to be the patriotic heart of the film.

For these type of films to work, we need a nasty bad guy. James Woods is fun to watch as he chews scenery as the Secret Service Director. He holds one of the numerous personal grudges against the government and the faceless “Military WHD3Industrial Complex”. Woods’ number one guy on the assault team is Jason Clarke, who was last seen in a key role in Zero Dark Thirty (no coincidence, I’m sure). The rest of the supporting cast is pretty much wasted, including a miscast Maggie Gylenhaal, Richard Jenkins, and the always fun Michael Murphy (where has he been?).

There is nothing wrong with pure escapism, but rather than compare this to the classic 1988 Die Hard, it really has more in common with this year’s mediocre A Good Day to Die Hard. If you prefer your White House terrorist attack movies to be serious and full out action, then Olympus Has Fallen is the better call. Instead, if your preference is strained one-liners, an awkward buddy-film and hazy bad guy motivation, then White House Down might do it for you.

SEE THIS MOVIE IF: three months is the maximum amount of time you can go without a new attack on the White House action flick OR you just need some pure escapism with a stream of punchlines during what should be a high-tension event

SKIP THIS MOVIE IF: you prefer your action flicks to focus on action and not slapstick comedy OR you are already convinced Channing Tatum is less talented than Jason Statham despite his appearance in most movies these days (admitted exaggeration)

watch the trailer:

http://www.youtube.com/watch?v=4AXbiCdmXgw