SHORT FILMS – a recap of some recents (2024)
Greetings again from the darkness. With so many short films being released each year, I usually try not to devote too much time to them until the Oscar short list is announced. That’s the point when the narrowing down has occurred and there is a manageable list to work through. A number of film festivals act as ‘qualifiers’ for short films, and in the years where I attend a few festivals, I always try to schedule in a block of shorts. The creativity displayed by these filmmakers never disappoints, and many will go on to write and/or direct feature-length films. Below is a brief recap of some of the short films I’ve recently watched:
TEA (12:37)
It’s normal to get nervous before asking someone out on a date, or even having that first conversation. One particular young man, Nick (Michael Gandolfini, THE MANY SAINTS OF NEWARK, 2021,) takes it to an extreme as he videos himself rehearsing for the big moment. When a bee stings him just as the opportunity with the dream girl arises, Nick’s severe allergic reaction leaves the girl (Olivia Nikkanen, “The Society”) initially confused by his slurred speech, and ultimately in a race against time to save his life.
Written and directed by Blake Winston Rice, the film infuses humor and tension to create an unusual short film based on the monologue (written and performed) by Isaac Lee. The setting of a parking lot behind the store is a nice touch, adding to Nick’s sense of isolation. It’s also a reminder that epi-pens should be readily available.
LUKI & THE LIGHTS (10:40)
Explaining a severe disease to kids is among the most difficult situations a parent can find themselves in. This happened to Sascha Groen and her husband Anjo Snijders, after he was diagnosed with Amyotrophic Lateral Sclerosis (ALS, still commonly referred to as Lou Gehrig’s disease). The couple collaborated with co-writer Janna Brower-Schouten and writer-director Toby Cochran in this terrific animated film that addresses a need … and does so beautifully.
Luki is a friendly, happy robot who enjoys hanging out with his friends. One day while playing soccer, his hand won’t function properly. Luki’s tests by the doctor confirm the diagnosis of ALS, a neurodegenerative disease for which there is no cure. Rather than feel too sorry for himself, Luki maintains his spirit and love of life and friends. He even builds his own ‘Rascal’ so he can get around.
It’s a story of true friendship and passion for life, and his friends stay with him until the light goes out. After that, they celebrate their memories of Luki. While we long to protect kids, circumstances sometimes require us to explain the tough breaks. This little film works wonders.
For ALS information, educational material, and more, please visit globalneuroycare.org
ANUJA (22:11)
There is an old adage, ‘you do what you have to do’. But what if the choice isn’t easy or obvious? Such is the dilemma of nine-year-old Anuja. She has dropped out of school to work with her older sister Palak at a local (probably illegal) garment factory in New Delhi. The girls are orphaned and doing their best to get by.
Palak (Ananya Shanbhag) has a bit of a rebellious streak, and also understands that Anuja’s opportunity to test for enrollment at a boarding school is her sister’s one chance to escape a life of poverty, and will sacrifice anything to give her sister this chance. Anuja is played by Sajda Pathan, who lived on the streets of Old Delhi before finding assistance from social workers.
The burden carried by this young girl is painful to watch, as she wants nothing more than to continue her life with her sister, and certainly take no steps that would harm her. Director Adam J. Graves includes an early story about a farmer’s wife, daughter, and mongoose that sets the stage for what we see. The film was awarded the “Best Live Action Short” at this year’s HollyShorts Film Festival.
IN THE GARDEN OF TULIPS (13:38)
We immediately feel the tension between 16-year-old Cari and her father as they take a car ride through the Iranian countryside. The air lightens a bit as they stop at a roadside fruit stand for green plums, and then the two cut loose for a silly song about the plums.
The mood dramatically shifts again when law enforcement pulls the car over and begins questioning them. It’s not until the final scene that we realize this is the height of the Iran-Iraq war and we underestimated the stress and tension involved with this father-daughter road trip.
This film from director Julia Elihu and writer Ava Lalezarzadeh has been an award winner at some film festivals, and beyond that it’s a stark reminder of what’s at stake during war time. Ms. Lalezarzadeh also portrays the daughter, and excels in both writing and acting. The film was named ‘Best Live Action Short Film’ at the St Louis International Film Festival.
HIS MOTHER (13:27)
It’s probably not necessary to promote this as ‘inspired by a true story’. Writer-director Maia Scalia has perfectly captured an all-too-often-overlooked portion of an all-too-often-occurrence. A frazzled woman is working her way through traffic and desperately making phone calls.
Bethany Anne Lind (“Ozark”) plays Julie, the mother so desperate to reach her teenage son, her too-busy husband, and the Law Enforcement service too overloaded to understand the purpose of her calls. Her desperation is fed by the videos her son Harrison recently posted. When Julie gets a call from a friend “hoping” Harrison is safe since there is an active shooter at his school, the pieces all come together for us and we share the pit of the stomach turmoil with the mother.
Ms. Scalia’s film and Ms. Lind’s performance perfectly capture a parent’s nightmare, the societal concern with mental health issues, and the horror and far-reaching effects of school shootings.
TECHNICIANS (17:00)
Everyone has their own story, and by definition, “I’m just doing my job” offers a perspective through a one-sided lens. We first see David (J. Alphonse-Nicholson, “P-Valley”) as he’s taking care of his sick mother and struggling financially. He anxiously accepts a phone call offering a chance to work and earn. The writing-directing team of twin brothers Kevin Luu and Kelly Luu examine a large issue through a short film.
David has been hired to install automated manicure stations at a nail salon. The successful completion of his job will result in numerous technicians losing theirs … and he feels the scornful looks from the staff as he arrives. Befriending one of the technicians brings into focus the clash of two needs, and how the nail industry dives deep into Vietnamese culture.
With the recent conflict between the shipyard workers’ union and management over the use of technology, we certainly understand how the issue is widespread. The film finds a temporary solution, and ends on a welcome note of personal sweetness.
CALF (14:46)
After all these years, no one has yet been able to comprehend or explain or predict the behavior of teenagers. Even knowing the sometimes extreme nature displayed by teens, we can’t help but be shaken while watching Cait’s (Isabelle Connolly) reaction to an accident that occurs on her family farm in Ireland. Disturbing is the best description of this stunning film from writer-director Jamie O’Rourke … and it’s not all due to Cait.
This film grips you tightly early on, and doesn’t loosen the grip until well after it’s over. The desolate landscape and the simplicity of the family belies the hardships on the farm and within the family. Everything appears normal as one of their cows prepares to give birth in the barn. Cait carries her secret as the day progresses and she has a few interactions with her mother (Kate Nic Chononaigh), but nothing outside the norm.
Moments of suspense multiply here despite most of what we see being part of a regular day. The exceptions are extraordinary, and it’s not until the finale that we realize Cait’s behavior makes sense. This revelation heightens what has already been a gut-wrenching film to watch.
MILDRED 4 A MILLION (21:15)
Marla Gibbs is probably best known for her role as Florence on the TV series “The Jeffersons”, which began airing in 1975. She’s now 93 years old, and still capable of carrying this short film from writer-director Kimmie P. Callaway. Here, she plays Grandma (and great Grandmother) Mildred who loves to chat with everyone (whether they asked for it or not). She can’t wait to share that her great-grandchildren are coming for a visit. She’s a lonely woman who lives for this moment of connection.
Of course, the reality is, no matter how much the silver shines or how many Snickerdoodle cookies you bake, kids are kids … great-grandmother’s house is but another playground to call their own. She’s especially excited to bond with 8-year-old Stella (Obriella Genesis Witron) as two share a middle name … Gigi. The visit ends too quickly as her granddaughter (Brie Eley) apologizes and explains, the only way to get her kids’ attention is to have a million followers on Tik Tok. So that’s exactly what Mildred sets out to do.
Now, Mildred is the type who has her cell phone hidden away in a drawer “for emergencies”. She asks her millennial postal worker (Hayley Keown) to help her get it set up, and then proceeds to go down her physical therapist’s (Julian Ashley Mitchell) checklist of nine ways to capture followers (number 8 is a sex tape!). The comedy here plays to Ms. Gibbs’ strength and she pulls off most every scene. The good time watching the film is balanced with a reminder that the world moves very fast for kids today, and sometimes grandparents just want to slow it down and concentrate on … just talking.
Posted by David Ferguson 
Greetings again from the darkness. I am always in awe of filmmakers who find a way to connect with viewers through short films. And this latest animated film from director Jumai Yusuf is exceptionally short at just 7 minutes (including credits). Now you may be one of those who swears it takes longer than that for a story to affect you, and if so, this one provides a nice litmus test.
Greetings again from the darkness. Fast approaching his 83rd birthday, legendary Japanese animator Hayao Miyazaki claims this is the final film of his illustrious career. In 2015, he was presented with an honorary Oscar, and he has had three films nominated for Best Animated Feature: THE WIND RISES (2013), HOWL’S MOVING CASTLE (2005), and Oscar winner SPIRITED AWAY (2002). His career in animation dates back to the early 1960’s and this latest, which took six-plus years to complete, proves he is still amongst the best.
Greetings again from the darkness. For the third film in the ‘Trolls’ franchise, much of the creative team is back at it. This includes co-directors Walt Dohrn and Tim Heitz, as well as screenwriter Elizabeth Tippet, who penned this story based on the original characters of Thomas Dam. It seems obvious that this has been developed for kids, yet it’s always interesting to see how much effort the animation films put into entertaining the adults as well. And being the third film, expectations are naturally somewhat muted.
Greetings again from the darkness. Adapting literary works for the big screen is common practice; however, the stakes are a bit higher when dealing with a beloved classic Asian work that is more than 400 years old. “Journey to the West” was initially written during the Ming Dynasty and no original author has ever been confirmed. The stories were re-imagined for an English audience in 1942 by Arthur Waley and published as “Monkey”, and now director Anthony Stacchi and co-writers Steve Bencich, Ron J Friedman, and Rita Hsiao have brought their vision to the screen … focusing on one specific segment of the story.
Greetings again from the darkness. You may or may not be surprised that Teenage Mutant Ninja Turtles date back almost 40 years to the mid-1980’s when co-creators Peter Laird and Kevin Eastman published the comic and then signed on for the original TV cartoon series. This was followed by the first live-action film in 1990 (with Elias Koteas, Judith Hoag, Corey Feldman, Sam Rockwell, Josh Pais). Since then, there have been various TV series, as well as animated and live-action movies … the most recent being the poorly received films in 2014 and 2016. Along comes co-writers and co-producers Seth Rogen and Evan Goldberg, together with other credited writers Jeff Rowe, Dan Hernandez, Benji Samit, and Brendan O’Brien to deliver a contemporary and re-imagined look at the born-from-ooze Turtles. It’s co-directed by Jeff Rowe and Kyler Spears, previous collaborators on THE MITCHELLS VS THE MACHINES (2021).
Greetings again from the darkness. It’s a stretch to say this is the rare, animated kids’ action movie grounded in reality, yet we can say it is based on John Wilson’s 2018 YA novel, which in turn was inspired by the Bronze Masks of Sanxingdui unearthed by archaeologists in Sichuan, China back in 1986. The film is directed by Sean Patrick O’Reilly, known for his work on the “Howard Lovecraft” franchise, and twelve contributing writers are noted, including creator Xiaoming Yao.
Greetings again from the darkness. Looking for someone to create the opposite of a whimsical childhood fairy tale? The obvious answer is filmmaker Guillermo del Toro (an Oscar winner). He has built his career on delivering dark thrillers that dig into the recesses of our nightmares (PAN’S LABRYNTH, THE SHAPE OF WATER). In fact, he’s a master of this, which makes his vision of Carlo Callodi’s 1883 book a must see. GDT shares a director credit with animation expert Mark Gustafson (FANTASTIC MR FOX, 2009) and screenwriting credit with Patrick McHale. Matthew Robbins has a ‘screen story’ credit, and of course it all links back to Callodi’s source material.
Greetings again from the darkness. “Find a penny, pick it up, and all day long you’ll have good luck.” That’s how the old saying goes, and it plays a prominent part in this first animated feature film from Skydance Animation. Directed by former Disney animation choreographer Peggy Holmes, and co-written by Kiel Murray (CARS, 2006) and writing partners Jonathan Aibel and Glenn Berger, who teamed on the “Kung Fu Panda” franchise (as well as other projects), the film’s approach shifted when Skydance hired John Lasseter as head of animation. You may know Mr. Lasseter as the creative force behind Pixar and such groundbreaking films as TOY STORY (1995), but he’s also the guy that faced multiple accusations of workplace sexual impropriety and left Disney Pixar in late 2017. His Skydance hiring brought a change of director to the project, and was the reason Oscar winner Emma Thompson recused herself, replaced by Oscar winner Jane Fonda, who evidently had no such qualms about working for Lasseter.
Greetings again from the darkness. At the beginning of the film we are informed that this is a movie about the story that made Andy want a Buzz Lightyear action figure in the first TOY STORY (1995). It’s fair to ask – is this a spin-off, a prequel, or an origin story? The answer is a dash of all the above, yet also not exactly any of those. As with all Pixar features, the pedigree is beyond reproach. Writer-director Angus MacLane was the co-director on FINDING DORY (2016), while his co-writer here was Jason Headley (ONWARD, 2020), and the story was developed by Matthew Aldrich (COCO, 2017).
Movie Reviews from the Dark 