UPGRADED (2024)

February 9, 2024

Greetings again from the darkness. There is something to be said for ‘fake it ‘til you make it’, but most of us find bold-faced lying is a bit more difficult to root for. There is also something to be said for keeping to the familiar path, as therein lies safety. Adhering to the familiar is exactly what actress-turned-director Carlson Young has accomplished with the script from co-writers Christine Lenig, Luke Spencer Roberts, and Justin Matthews. We know where this is headed once we hear Anna interpret a piece of art she has mounted (without permission) in the small apartment her sister and (overly boisterous) brother-in-law have allowed her to stay since she’s in debt and without income.

Anna (Camila Mendes, “Riverdale) is chasing her dream of owning an art gallery, and has relocated to NYC for an internship at an art auction house run by dragon-boss Claire DuPont (Oscar winner Marisa Tomei in full Miranda Priestley mode). The Romantic Comedy formula kicks in pretty quickly as Anna gets a break at work and is invited to accompany Claire and her ‘mean girl’ minions to London for a big auction. Those minions (Fola Evans-Akingbola and Rachel Matthews) act as cruel stepmoms to Anna’s Cinderella. The required meet-cute happens after Anna’s titular upgrade to first class. While enjoying the airport spa, Anna accidentally dumps her Bloody Mary on rich boy Will’s high-dollar clothes and shoes.

Anna and Will (Archie Reneax, THE GREATEST BEER RUN EVER, 2022) are of course seated next to each other in first class for the transatlantic flight. It’s at this point where she chooses to avoid clarifying her role at the auction house, allowing Will (he’s rich and he adores kids!) to believe she’s the youngest Director in company history. This lie spirals as Anna weaves her way into the daily life of princely Will and his wealthy mom Catherine (Lena Olin, her must see film is THE UNBEARABLE LIGHTNESS OF BEING, 1988). Supporting work comes from Anthony Head as dead-by-design artist Julian Marx, and Thomas Kretschmann (KING KONG, 2005) as Arnold, the head of the company.

Every step of the story is predictable, and no apologies are necessary since this is precisely what fans of Hallmark Movies can’t get enough of. Ms. Mendes flashes the charm required for the role, and she’s surrounded by some other very talented folks. For those who prefer a bit more depth to characters and storylines, you likely already know this one’s not made for you. But for those who find pleasantry in the safe path with no surprise twists … a journey where the lovely liars get all the breaks since their heart is in the right place … this one’s for you.

Opens on February 9, 2024 on Prime Video

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Posted by David Ferguson

INDIANA JONES AND THE DIAL OF DESTINY (2023)

June 29, 2023

Greetings again from the darkness. “They look like snakes.” It’s such a simple line of dialogue, yet after 42 years and four previous movies, we know exactly what that means to retiring archaeology professor, Dr. Henry Jones, best known to all as the swashbuckling Indiana Jones. As the final chapter of the beloved franchise, this entry is the first one not directed by the legendary Steven Spielberg (listed here as an Executive Producer). Instead, James Mangold takes the reins, and also shares writing credit with his frequent collaborators Jez Butterworth and John Henry Butterworth, as well as “Indiana Jones” veteran David Koepp. Of course, George Lucas and Philip Kaufman receive credit for their original characters.

Harrison Ford once again dons the familiar whip and hat, and at 80 years of age, still possesses the screen persona and magnetism that first won us over in “Raiders of the Lost Ark”. The extended and frenetic opening sequence finds a young Indy (Ford is digitally de-aged for the sequence) at the tail end of WWII fighting Nazis over what else, a prized ancient artifact. I’ll leave the specifics to those who watch the film, but just know that it’s an interesting historical choice, and also one that matters little in relation to the enjoyment of the film.

Working alongside Indy in the opening sequence is his pal and fellow archaeologist, Basil Shaw (talented character actor Toby Jones, who seems to be in most movies these days). However, the fun part for me is seeing Thomas Kretschmann and Mads Mikkelsen share scenes as Nazi Colonel Weber and Dr. Voller, respectively. These are two of my favorite actors and I do wish they had a couple more exchanges … although Mikkelsen’s character gets significant screen time and plays a crucial role in how the story unfolds and concludes (he is also digitally de-aged for the opening sequence).

The story picks up with modern day Dr Voller and his band of misfits tracking down the relic and disturbing Dr. Jones’ retirement party. It’s at this point where Indy’s Goddaughter Helena (Phoebe Waller-Bridge) pops up creating a three-way battle for the priceless relic. This sets off a chain of events that leads them on a global trek to desert, sea, and hallowed cities of antiquity. Helena’s partner in crime is young Teddy (Ethann Isidore, sporting a Bob Griese Dolphins jersey), who is clearly the scrappiest of the bunch. Dr Voller’s troupe includes Shaunetta Renee Wilson as the misguided Mason, Brad Holbrook as sleazy Klaber, and Olivier Richters as one of the largest bodyguards you’ve ever seen.

Fans of the franchise know that the story is secondary to the characters and action, and there is no shortage of action on speeding trains, galloping horses, motorcycles, tuk tuks, vintage airplanes, and scuba dives. Antonio Banderas shows up as a boat-owning old friend of Indy, but it’s the appearance of series favorites John Rhys-Davies as Sallah, and Karen Allen as Marion, that generated cheers from the audience. Ms. Waller-Bridge holds her own with screen legend Ford, and it will be interesting to see the career path she chooses after her success on TV and now film. There could be criticism directed at the action sequences and the film’s pacing, but what’s the point? Mangold has delivered what the fans want. At times this feels like a live action cartoon, and that’s not meant as criticism. It’s pure fun, fantasy, and adventure cloaked in nostalgia; and the film is a fitting conclusion to a world class franchise.

Opens in theaters June 30, 2023

WATCH THE TRAILER

1 Comment | Action, Fantasy, Thriller | Tagged: , , , , , , , , , , , , , , , , , | Permalink
Posted by David Ferguson

AMERICAN TRAITOR: THE TRIAL OF AXIS SALLY (2021)

May 28, 2021

Greetings again from the darkness. World War II continues to provide the stories of individuals who were caught up in the horrific events surrounding the war – some folks acted heroically, some despicably, and still others simply did what they could to survive. Director Michael Polish (NORTHFORK, 2003) adapted the screenplay with Vance Owen and Darryl Hicks from the book by Mr. Owen and his father William E. Owen. It’s the nearly forgotten story of an American woman drawn into the powerful Nazi propaganda machine, and subsequently tried for treason.

Mildred Gillars is a name few will be familiar with. Portrayed well here by Meadow Williams, Ms. Gillars was known as Axis Sally by American servicemen during WWII. Her radio broadcasts of Nazi propaganda alternately entertained and enraged Americans, and this depiction of her story shines a light on the lengths to which the Nazis utilized psychological warfare in conjunction with traditional tanks and guns.

Director Polish spends most of the movie’s runtime on Gillars’ trial for treason, which provides a courtroom for Oscar winner Al Pacino (now 81 years old) to play her attorney James Laughlin and chew scenery with an enthusiasm and fervor matched by few actors. Joining Laughlin at the defense table is green-behind-the-ears attorney (and former GI soldier) Billy Owen (Swen Temmell), whose warm approach contrasts well with Laughlin’s gusto. The lead prosecutor John Kelly is played by Mitch Pileggi (“The X-Files”), and other supporting roles are covered by Lala Kent, Jasper Polish, and Carsten Norgaard.

Flashbacks are vital here, as we see Gillars “perform” her act, often in front of Joseph Goebbels, the chief propagandist of the Nazis during the war. Thomas Kretschmann (U-571, 2000) is excellent and sufficiently creepy as Goebbels, and some of the most intense scenes feature Goebbels and Gillars. Filmmaker Polish takes a sympathetic approach to Gillars, an approach surely to ruffle some patriotic feathers. The trial is not often-remembered in the aftermath of the war, but Ms. Gillars’ story makes us wonder just what we might do if our life was threatened … and just as importantly, how would our actions be judged after the fact?

 In select theaters and On Demand May 28, 2021

WATCH THE TRAILER

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Posted by David Ferguson

AVENGERS: AGE OF ULTRON (2015)

May 17, 2015

Avengers Ultron Greetings again from the darkness. Joss Whedon returns as writer/director for the sequel to his 2012 blockbuster The Avengers, and this time he juggles an exceptionally large, diverse and talented group of characters and actors who are not only involved in good versus evil, but also in the battle for screen time.

There is no shortage of write-ups from film critics and fanboys who have analyzed every aspect of the movie from every possible angle, and while I admit to taking that same approach to most movies, there is something about the Marvel franchise that cause me to flip off the film critic part of my brain and just sit back and enjoy. And enjoy I do. The characters are fun and interesting and the action is at times breath-taking.

Since there are, by my count, at least 23 actors who deserve mention, it makes little sense for me to list them here. It is worth noting that the key actors all reprise their roles as Avengers, and many of those in supporting roles are back as well. This time there are also many significant newcomers, and those include “The Twins” – Aaron Taylor-Johnson as Quicksilver and Elizabeth Olsen as Scarlet Witch. Other newbies include Linda Cardellini (“Mad Men”,” Bloodline”) as Hawkeye’s wife, Claudia Kim as Dr Helen Cho, Thomas Kretschmann as Strucker, and Andy Serkis as Ulysses Klaue. Though each is a nice addition, it’s the stellar voice work of James Spader as Ultron that really makes this movie click. Somehow Mr. Spader manages to convey a powerful presence despite maintaining a (mostly) even keel throughout. It’s masterful voice acting.

Missing this time out are Pepper Potts and Loki, though we hardly notice thanks to the first look at Vision (Paul Bettany) and Thanos (Josh Brolin) … plus the unveiling of Iron Man’s Hulkbuster armor. If you thought the first Avengers movie made it difficult to keep up with the characters, this one will have your head spinning. It’s probably the only quibble I have with it … character overload at the expense of character development. The Hawkeye family farm represents a meager attempt to have this group of superheroes set in a “normal” environment, but it just doesn’t quite work. The Avengers are at their best while snipping at each other or saving the planet … fortunately the movie offers plenty of the latter.

watch the trailer:

 

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Posted by David Ferguson