TOMMY’S HONOUR (2017)

April 19, 2017

Dallas International Film Festival 2017

 Greetings again from the darkness. Jason Connery (Sean’s son) directs this story about old Tom Morris and his son Tommy (Young Tom), written by Pamela Martin from the book by Kevin Cook. It’s a bit surprising that the story focuses as much or more on the melodrama and personal story of the younger Tommy than the historical influences, but there is links action to give us a feel for the times.

Jack Lowden and his dimples portray Tommy, while Ophelia Lovibond plays his love interest Meg. Their relationship drives the story, and we are reminded that small-minded people were every bit as prevalent 140 years ago as they are now. Tommy’s mother, their community, and even the minister of the Church pass harsh judgment on Meg and her unfortunate past. Combine that with the element of “Gentlemen”, which are anything but, and we get an understanding of how Tommy’s actions changed not just the game of golf, but also influenced the softening of the class difference. His push to bring respect and fairness to professional golfers erased the similarities with how race horses and golfers were treated the same from a wagering perspective.

This was the time of the original “13 Rules of Golf”, and when rowdy crowd hovered right next to the golfers as they played. Other than the closing credit graphics, Old Tom Morris (Peter Mullan) isn’t really given his due as a course designer, but this is really the story of his son, and though the film is a bit too long, it’s a story that deserves to be told.

watch the trailer:

 


DIFF 2017: Day One

April 2, 2017

The 2017 Dallas International Film Festival runs March 30-April 9

 The usual excitement of festival Day One was tempered somewhat by this incessant cough that I can’t seem to shake, and the realization that I will be a nuisance to others in the theatre. However, my goal of 30 movies in 10 days will not be stopped so I loaded up on Robitussin, cough drops and a giant bottled water, and headed off to my first scheduled movie. Of course, it was Friday afternoon so Dallas traffic forced me to into a fall-back plan before I had even seen one movie. Pulling off to the Angelika rather than continue creeping on Central expressway towards the Magnolia ended up as a fortuitous turn of events. The three movies I watched are recapped below.

WAKEFIELD

While I wasn’t a big fan of Robin Swicord’s directorial debut (The Jane Austen Book Club, 2007), she bounces back nicely with this Bryan Cranston vehicle with one of the more creative scripts featuring internal dialogue that I’ve ever seen. Cranston is showing a knack for selecting interesting interesting projects, and he excels here as the high-powered attorney who spontaneously decides to drop out of society in a most unusual manner.

There is a ton of social commentary on display here with targets including married life, suburban living, career pressures, and self-doubt … substantially summed up with a line from Cranston’s character, “Most everyone has had the impulse to put their life on hold.” As he proceeds through his new ‘unshackled’ and ‘primal’ lifestyle while observing unnoticed through the stained glass window in his garage attic, much of his focus seems to be on discovering just who he is at his core, and what is the truth behind his relationship with his wife (Jennifer Garner). It’s as if he is asking “What am I?” while staying close to his previous life in a voyeuristic way. The score is in the style of a 1980’s Brian DePalma movie, which just adds to the unique cinematic experience.

 

TOMMY ‘S HONOUR

Jason Connery (Sean’s son) directs this story about old Tom Morris and his son Tommy written by Pamela Martin from the book by Kevin Cook. It’s a bit surprising that the story focuses as much or more on the melodrama and personal story of the younger Tommy than the historical influences, but there is links action to give us a feel for the times.

Jack Lowden and his dimples portray Tommy, while Ophelia Lovibond plays his love interest Meg. Their relationship drives the story, and we are reminded that small-minded people were every bit as prevalent 140 years ago as they are now. Tommy’s mother, their community, and even the minister of the Church pass harsh judgment on Meg and her unfortunate past. Combine that with the element of “Gentlemen”, which are anything but, and we get an understanding of how Tommy’s actions changed not just the game of golf, but also influenced the softening of the class difference. His push to bring respect and fairness to professional golfers erased the similarities with how race horses and golfers were treated the same from a wagering perspective.

This was the time of the original “13 Rules of Golf”, and when rowdy crowd hovered right next to the golfers as they played. Other than the closing credit graphics, Old Tom Morris (Peter Mullan) isn’t really given his due as a course designer, but this is really the story of his son, and though the film is a bit too long, it’s a story that deserves to be told.

 

CITY OF GHOSTS (documentary)

Oscar nominated director Matthew Heineman delivered the stunning documentary Cartel Land in 2015, and here he once again proves his expertise as the messenger of important stories that need to be told.

The film begins in the Syrian city of Ragga in 2012, and we see the beginning of the revolution against the Assad regime. The sayings “Death is Death” and “Danger has a special taste” come into play, and by the end of the film, there is a clarity that is devastating.

The courageous and dedicated Citizen Journalists are divided into two groups: the internal who risk their lives in Ragga uploading news stories and videos of ISIS actions and, the external who are based in Turkey and Germany and post regularly to social media outlets. Their combined efforts and risk taking allow the real story to be told from their home city mostly cut-off from the outside world – as evidenced by the satellite graveyard.

RBSS (Ragga is Being Silently Slaughtered) is the movement spreading the truth about ISIS atrocities – including public beheadings, shootings, and bombings. It’s a terrifying story, never more so than during the professionally produced recruiting ISIS videos featuring young children. These brave folks have had friends, family and neighbors slaughtered which inspires them to continue fighting the guns and bombs with the power of words. It’s breathtaking.


NO STRINGS ATTACHED

January 23, 2011

 Greetings again from the darkness. If you have read even a few of my reviews, you know I am not typically a fan of the Hollywood Rom-Com. I find most of them lazy, lame, predictable and irritating. But when legendary comedy director Ivan Reitman (Ghostbusters, Dave, Stripes) gets involved, I will at least pay attention. Here Mr. Reitman directs a script that on the surface will examine the “friends with benefits” phenomenon.

The leads are played by Ashton Kutcher and Natalie Portman, and the twist here is that Portman’s Emma is the driving force behind the agreement with Kutcher’s Adam to not have a relationship … only relations. Even Adam’s friends point out to him that he is living every man’s fantasy. So does anyone think this will really work? Of course not.

 First, they are both just so darn cute! And Adam is oh-so-adorable as the sly one hoping to break through and convince Emma that he is worthy of her love. All the physical stuff continues as Adam works his job on the set of a “Glee” knock-off, battles with his dad (Kevin Kline) who is sleeping with Adam’s ex-girlfriend (a wonderful Opehlia Lovibond), and Emma slaves away saving lives in her job as a brilliant doctor. Oh, and one of Adam’s co-workers (a hilariously manic Lake Bell) has a mega crush on him, and Emma’s little sister (Olivia Thirlby) finds true love as does Emma’s friend Patrice (Greta Gerwig from Greenberg), who falls for Adam’s best friend. Wow. All that love and our two heroes just have to keep things between the sheets.

On the plus side, the side stories are enough fun that the film is easily watchable despite the predictable nature of the premise. Even the Portman/Kutcher story is tolerable thanks to the gender-switching nature of their personalities. I would have preferred to see the Friends with Benefits pact extended and examined (it worked in the Stieg Larsson books!). This is easily Mr. Reitman’s best comedy since 1993’s Dave, which also featured Kevin Kline. It’s nice to see Ms. Portman do something lightweight after her fabulous Black Swan performance, but I am really hoping Mr. Kutcher understands that someday he may really have to act and not just smile on cue.

SEE THIS MOVIE IF: you just absolutely must see a Rom-Com this week OR you want to see two very funny actresses going all out (Lake Bell and Ophelia Lovibond)

SKIP THIS MOVIE IF: even a slightly subdued Ashton Kutcher is more than you can take OR you are looking for a hugely surprising plot twist