MILE 22 (2018)

August 16, 2018

 Greetings again from the darkness. I like secrets too!  By definition, information is scarce on these teams, so Secret Ops units are perfect fodder for intrigue, espionage, and geopolitical action flicks. A fictional account of an elite paramilitary unit chasing down Russian spies is not only timely, but also timeless. Director Peter Berg and actor Mark Wahlberg are back for their 4th testosterone-laced collaboration. Their previous work included PATRIOTS DAY, DEEPWATER HORIZON, and LONE SURVIVOR, each with an element of truth to their story. Not so with their latest … at least we hope not.

Mark Wahlberg stars as Mark Wahlberg, er… James Silva, a child prodigy with anger issues who has grown into a military intelligence prodigy with anger issues and a rubber band. Silva snaps the rubber band on his wrist when his impatience bubbles up as those around him can’t keep up with his rapid-fire thinking. The only thing that works faster than Silva’s brain is his motor-mouth filled with cryptic cuts and curses. Lest you think this is another men’s only club, writers Lea Carpenter and Graham Roland have blessed us with two female action figures. One is played by MMA star Ronda Rousey. She is given little to do here. The other is Lauren Cohan (“The Walking Dead”) who, as team member Alice Kerr, has much to do – even beyond the absentee-mommy guilt burdening her.

Carlo Alban plays another member of the elite squad, while John Malkovich plays “Mother”, the flat-top toupeed control center leader … you knew there had to be an ultra-high-tech lair staffed with computer nerds. Since Wahlberg spends most of the movie yelling, and Cohan battles her estranged husband (Peter Berg cameo) over Skype, the most interesting character is Li Noor, played by Iko Uwais (THE RAID). Uwais brings a Bruce Lee quality to the film with an incredible hospital room fight scene, as well as a few other sequences that will have you marvel at his abilities.

Intensity and tension and violence and gun play and fighting and chase scenes are jam-packed into a relatively short run time, but the opening sequence is the closest thing we get to something that fits into a well-written espionage thriller. The team sets up a raid on a Russian FSB suburban safe house. Things get twisted, and the final kill ends with “you’re making a mistake”. The film then jumps ahead two years to the Overwatch team reassembling in Southeast Asia for a mission to transport Li Noor to an airfield 22 miles away. See, he holds the information regarding dirty bombs that can either save or cost thousands of lives.

The film features a framing device with Silva being debriefed after the mission. He is explaining why they do the important work they do and why they did the important work they did and why it’s important that we understand the work is important. There is government bashing and military cheerleading, but mostly the interview acts as a respite between violent action sequences. The film plays so much like a video game that each ticket should come with a joystick. If after watching this, you need more, you’ll be pleased to know there’s a cheesy line at the end that tees up the sequel … and don’t worry, director Berg and Mr. Wahlberg are already in pre-production for their fifth film.

watch the trailer:

Advertisements

DADDY’S HOME 2 (2017)

November 9, 2017

 Greetings again from the darkness. It’s rare for a sequel to be a better film than the original, and we are entering unicorn territory when dealing with comedy sequels improving on the first film. So hearing that most of the original cast is back for material from the same creative team – director Sean Anders and his co-writers Brian Burns and John Morris – well, expectations would normally be pretty low. However, all of that changes when we learn of two cast/character additions: Mel Gibson and John Lithgow.

After the fierce daddy competition between Brad (Will Ferrell) and Dusty (Mark Wahlberg) in the original two years ago, this film picks up with what looks to be a very healthy co-dad environment for all involved. In comedy-based cinema, the best way to disrupt a happy family synergy is to introduce the Christmas season and the sure-to-follow family turmoil. Enter Mel Gibson as Dusty’s estranged dad, and John Lithgow as Brad’s so-close-it’s-too-close dad … and let the holiday escapades begin.

At its core, this is an observational comedy about the contrast between old school and contemporary fatherhood – machismo vs emotionally open. Mel Gibson is key to the story working on multiple levels, and his performance is a reminder of his immense screen talent (in spite his personal life issues). His character’s idea of being a father has been around for many generations. Toughen up the kids and make sure they are strong and independent. Keep those emotions close to the vest. On the other side is John Lithgow and his over-hugging and blubbering true feelings approach.

The familiar supporting cast holds up their end admirably. Linda Cardellini and Alessandra Ambrosio are back as Brad’s and Dusty’s wives, respectively. Scarlett Estevez, Owen Vaccaro, and Didi Costine are back as the kids – each with their own quirks and growing pains. Even John Cena returns as Adrianna’s biological father, and to deliver one of the film’s best punchlines, as well as a bit that might forever ruin Christmas caroling for you.

The trailer, as with most comedies these days, gives away too many of the funny moments, so don’t expect any additional spoilers here. There is some comedy brilliance mixed in with the cheesy, over-the-top slapstick (a snowblower scene that could have easily worked in CHRISTMAS VACATION almost 30 years ago). The brilliant moments are often the quieter ones, and they focus on parenting, family, and the challenges of childhood. There is a surprising and unusual cameo near the end, and the movie is well executed to satisfy its built-in audience, while also capitalizing on those who enjoy (and/or need) a good, clean comedy at Christmas time.

watch the trailer:


PATRIOTS DAY (2016)

January 12, 2017

patriots-day Greetings again from the darkness. Is it too soon? If not, is it too painful to revisit? Even if the time is right, is injecting a fictitious supercop into the horrific events an acceptable approach? Every viewer of the film will have their own answers to these questions, but clearly writer/director Peter Berg (Deepwater Horizon, Lone Survivor) and Boston area native Mark Wahlberg believed now is the time and that this is the best way to re-create this catastrophe and its fallout.

Wahlberg plays Tommy Saunders, a Boston detective kicked back to uniform duty as penance for a run-in with another cop. His character is evidently a composite of multiple cops and first responders, and though he is the center of the film, the character is the weak link. He’s some type of supercop who never sleeps and manages to be literally everywhere something is happening … either the Boston Marathon finish line, FBI control center, the hospital interviewing survivors, or cruising the streets with his spotlight tracking down the bad guys.

Beyond Wahlberg’s character, the film does a remarkable job at re-creating the tragic events, the emotional and physical fallout, and the urgent law enforcement manhunt. Since it’s been less than 4 years, most every piece of this is fresh in our minds. We follow along from when the street cameras are used to identify the suspects all the way through the final capture from the backyard boat.

Another thing the film does well is tell the stories of certain individuals who were impacted. We experience the emotions of Boston Police Commissioner Ed Davis (John Goodman), the preparedness and cool of Watertown Police Chief Jeffrey Pugliese (JK Simmons), the highs and lows of MIT Officer Sean Collier (Jake Picking), the terror and courage of captive Dun Meng (Jimmy O Yang), and the focus and conflicts of Governor Deval Patrick (Michael Beach) and FBI Special Agent Richard DesLauriers (Kevin Bacon). There is also the story of survivors Jessica Kensky (Rachel Brosnahan) and Christopher O’Shea (Patrick Downes), and a few others who we get to know a little bit.

The bombers/terrorists/brothers are played by Alex Wolff and Themo Melikidze, and no effort is made to sympathize or explain their actions. The closest we get is an argument in the apartment with the wife (played by Melissa Benoist) over the wrong type of milk. I will not use the real names here as I don’t believe in providing any publicity for such creators of evil.

The film successfully establishes the “normal” start to what seemed to be a “normal” day. Of course, April 13 2013 turned out to be anything but. We hear the Newtown tribute at the opening of the race, and we see David Ortiz with his color proclamation at Fenway Park. The music by Trent Reznor and Atticus Ross is always spot on with the mood, and the last 10 minutes are by far the most emotional … we hear from the real life survivors, first responders and others so crucial to that time. I may believe that this story would best be told in documentary form, but there is no denying that it’s a reminder of the power of love, and the spirit of Boston and America.

NOTE: why does it seem Michelle Monaghan is underutilized in almost every movie she appears? She is such a fine actress, but she rarely seems to get the screen time she should

watch the trailer:

 


MOJAVE (2016)

January 21, 2016

mojave Greetings again from the darkness. The isolation of the desert seems the perfect place for an artist to achieve the existential awakening necessary during a time of personal doubt and crisis. The journey to find one’s true self becomes much more complicated when the one-man desert getaway is interrupted by heavy boozing, self-destructive tendencies, and a serial-killer sociopath. Such is the case with writer/director William Monahan’s (Oscar winner for his screenplay of The Departed) latest film.

Garrett Hedlund plays Thomas, a very successful filmmaker, who seems to take no joy from his life of luxury … a mansion in the hills, cool cars, a wife and daughter, and endless adulation. Sporting the ultra-cool celebrity look of sunglasses and long hair, Thomas heads off into the desert to either clear his mind or end his life. We aren’t really sure which, and neither is he. Lots of Vodka and reckless Jeep driving leave Thomas in a showdown of wits and machismo across a campfire from a sinister yet articulate drifter.

The drifter is Jack, played by Oscar Isaac, and it’s no surprise when we learn he is a serial killer … the sociopath part we figured out quickly, right along with Thomas. Their under-the-stars confrontation leads to a tragic accident the next day, and pits these two in a B-movie game of cat and mouse with a tone that reminds a bit of Cape Fear (1991) and U-Turn (1997).

Heading back to L.A., Thomas comes up with an incredibly stupid plan to cover his tracks. Being famous “since I was 19 years old” and having financial success with movies hasn’t trained Thomas on facing off against a clever nemesis. Even his discussion with his manager (played by an unusually low-key Walton Goggins) comes across as literary-speak rather than real advice. “Worry about what seems to be” is the advice Thomas rolls with.

Monahan fills the screen with tough-guy dialogue for these two characters that are both simultaneously stupid and smart. Jack and Thomas go at each like a couple of intellects, but it’s the class warfare that stands out. The 99% versus the 1%. The message seems to be that it comes down to circumstance on whether one is an artist or a psychotic felon … and the line separating the two is pretty slim.

It’s also not a very well disguised ripping of the film industry … especially of producers. Mark Wahlberg chews some scenery as a d-bag movie producer who talks loud and fast while accomplishing little. It’s a pretty funny turn for Wahlberg, though unfortunately his character spends limited time on screen. Louise Bourgoin has a couple of scenes, and quickly proves more would have been welcome.

The film may not be much to look at, and doesn’t really make much sense, but some of the dialogue duels and “brother” banter, manage to keep us interested throughout. “Take a left. Take a right.” It doesn’t much matter with these two well-read adversaries from opposite sides of the tracks.

watch the trailer:

 


THE GAMBLER (2014)

December 18, 2014

 

 

gambler Greetings again from the darkness. “I’m all in!” That’s a gambling phrase of which even the most risk-averse amongst us recognizes. When Blackjack addict Jim Bennett (played by Mark Wahlberg) goes all in, which he does every time, it’s more proof that he is “the kind of guy that likes to lose” … a description offered by one of the mobsters and loan sharks who lend him money.

Director Rupert Wyatt (Rise of the Planet of the Apes, 2011) and screenwriter William Monahan (The Departed) deliver a remake of the very cool 1974 film of the same title starring James Caan and written by James Toback. Wahlberg is spot on as the self-destructive gambler who, rather than live for the thrill of winning, seems intent on pushing the envelope of misery and turmoil. His character manages to go seriously in debt to the Koreans who run the underground gambling establishments, as well as ruthless gangster Michael Kenneth Williams (“Boardwalk Empire”), and a philosophical mobster (a bald John Goodman) doing his best Jabba the Hut impersonation.  These are three guys most of us would avoid at all costs.

Unfortunately, it’s a bit more challenging to accept Wahlberg as the rebellious writing prodigy with a privileged background, who articulates in a motor-mouthed rapid-fire onslaught of derisive observations meant to prove how he so despises mediocrity. It’s obvious Wahlberg is “all in” for this role, but it’s difficult not to compare to the more nuanced performance of Caan forty years ago.

Brie Larson (so great in Short Term 12) plays the bright student in Wahlberg’s class, but her role is so limited we are left to only imagine the heights of her talent. Anthony Kelley plays Lamar, a college basketball player ripe for Wahlberg’s world, and Andre Braugher has a blink-and-you’ll-miss-it scene as the college dean. Richard Schiff offers up some comic relief as a pawn broker making Wahlberg’s misery just a tad worse. The great George Kennedy plays Wahlberg’s dying grandfather in the film’s opening scene, and he is the first to provide warning on the mess his grandson has created.

Jessica Lange does a wonderful job as Wahlberg’s estranged mother who is filled with both scorn and sadness at the state of her son, and offers up one last bag of cash in an attempt to allow him to begin anew. The support work is strong across the board, but it’s Goodman who stands out, both with dialogue and a physical presence that deserves some type of award for personal courage and lack of inhibition. His monologue on “F.U. money” is worth the price of admission, though you may request a refund after seeing him shirtless in the sauna.

There is a distinctive style to the film, though at times it comes across as a Scorcese wannabe. From a soundtrack perspective, the diversity of music ranges from classical to folk to big band, with some of the lyrics acting as commentary on the story. The film is pretty entertaining as you watch, but leaves an emptiness once it’s over. With so much that works, it’s a shame it all disappears so quickly … just like money on a Blackjack table.

SEE THIS MOVIE IF: you need a lesson on “F.U. Money” OR you need proof that a shirtless movie star is not always a pleasant thing

SKIP THIS MOVIE IF: you are seeking gambling tips OR your ears burn when exposed to profanity

watch the trailer:

 


LONE SURVIVOR (2014)

January 21, 2014

lone survivor Greetings again from the darkness. This is one of those times where, in order to analyze a movie, one must separate from the emotion of the subject matter. In the traditional sense, this is not a great movie. However, in terms of practicality, the true story and characters and their actions, leave us emotionally exhausted and questioning whether any war actually makes sense. The other thing it does is bring to light just what impressive beings these brave soldiers really are.

The story is taken from the book (co-written by Patrick Robinson) and real experience of Marcus Luttrell. A Texan and member of Navy SEAL Team 10, Luttrell was one of four chosen for the June 2005 Operation Red Wings … the capture or kill of al Qaeda bad guy Ahmad Shahd. Dropped into the Afghanistan Hindu Kush mountains, the mission goes horribly wrong once the group is stumbled upon by goat herders. The Rules of Engagement provide guidance that is supported by CNN concerns … and the decision is made to release them and call off the mission.

To say all hell breaks loose after that is simply an understatement. The four SEALs face insurmountable odds that end according to the spoiler title. If you have seen Blackhawk Down or the opening sequence of Saving Private Ryan, then you have some idea of what to expect on screen as these elite soldiers fight for their lives and their country. The intensity and visceral violence is impossible to describe here. The bullets rip flesh and bone, while desperate re-grouping efforts lead to horrendous tumbles down rocky cliffs.

The movie begins with a glimpse at SEAL training, followed by a few minutes of base life … the competitiveness, the bonding, the breeding of fighting machines. Director Peter Berg does allow for a peek at humanity and personality, but the Band of Brothers culture is unmistakable. When one of them states “moderation is for cowards“, we never doubt for a second that this is part of their psyche.

The four Seals are played by Mark Wahlberg (Marcus Luttrell), Taylor Kitsch (Michael Murphy), Emile Hirsch (Danny Dietz), and Ben Foster (Matt “Axe” Axelson). While they are all believable, this is not an actor’s seminar. Neither is it a geopolitical editorial. Partisanship is non-existent here. Rather, we are reminded of the sacrifice that comes with war, and left to decide for ourselves if this approach is the best we can do … but never having any doubt that these are heroes and extraordinary men.

The real Marcus Luttrell makes an appearance in the movie … he is the SEAL that spills coffee and tells the rookie to clean it up. Finally, as director Berg was meeting with the families prior to filming, this quote came from Danny Dietz’s father after reading the obituary: “That’s who my son was. That’s how hard he fought. Make sure you get that right“.

SEE THIS MOVIE IF: you’re looking for a realistic glimpse at just how horrific war can be

SKIP THIS MOVIE IF: you’re looking for a political statement about whether US policy is right or wrong

watch the trailer:

https://www.youtube.com/watch?v=yoLFk4JK_RM

 


2 GUNS (2013)

August 3, 2013

2 guns1 Greetings again from the darkness. The bar has been set with buddy flicks that mix comedy and action … Lethal Weapon and 48 Hours. The vast majority, including this one, fall short even while blatantly copying many elements from those classics. Guns blazing, rapid-fire repartee and huge explosions are requirements in this genre, as is an on screen bond between the two leads.

The good news is that instead of the original (tired) pairing of Vince Vaughn and Owen Wilson, we get Denzel Washington and Mark Wahlberg. Denzel plays the straight man role just fine, but Wahlberg is way over the top. He is in his typical strained-too loud-frenzied talking mode that just comes across as trying too hard. Instead of a truckin’ t-shirt, he should have worn one that said ‘kiss me I’m cute and funny’.

2 guns3 For some reason, most of these movies make the vital mistake of not providing a fully developed and menacing villain. Somehow the script manages to waste the great Edward James Olmos as a drug lord. He does what he can with what he’s given, but it’s frustrating to see him become the punchline of lame joke. Bill Paxton seems to be the only one who was given much to work with in the script and he chews the scenery every chance he gets. We also get a quick scene with Fred Ward and I think we would all rather have more from him here and less from the generic James Marsden. Of course, all of these movies require the presence of a female and in this case we get Paula Patton, who 2 guns2not only suffers through horrific dialogue, but also some absurd gratuitous nudity.

As you might guess from the trailer, corruption and double-crosses abound, and the Denzel/Wahlberg duo produces a few sparks, but this script based on the Boom! graphic novel just doesn’t hold up for a feature length movie. Icelandic director Baltasar Kurmakur, whose previous outing was the ultra-serious action drama Contraband (also with Wahlberg) falls victim to the weak dialogue and inconsistent villainy.

SEE THIS MOVIE IF: you fall for Wahlberg’s “charms” OR your preferences leans towards Tango and Cash style

SKIP THIS MOVIE IF:  a juicy villain and smart dialogue is a requirement for your enjoyment of action-comedies

watch the trailer:

http://www.youtube.com/watch?v=dVNe3RK2fgI