THE SKELETON TWINS (2014)

September 23, 2014

skeleton twins Greetings again from the darkness. Kristen Wiig, Bill Hader, Ty Burrell and Luke Wilson … prepare yourself for 90 minutes of side-splitting laughter! OK, well you can prepare all you want, but you should know that while there are some funny moments, this is one of the bleakest films of the year. Bleak as in achingly painful to watch at times due to the emotional misery most every character experiences.

Hopefully no one stopped reading after “side-splitting laughter” because here is a sampling of thematic elements covered in the film: attempted suicide, suicide of a parent, adultery, sexual abuse of a minor, rampant lying, depression, horrific parenting, drug use, animal cruelty (goldfish).

If Bill Hader and Kristen Wiig of SNL fame don’t spring to mind when considering those elements, please keep an open mind. Both are extremely good (and believable) in their roles as twins estranged for a decade, forced back together after a near tragedy. See, after a miserable childhood, their time apart has prevented both from establishing a strong personal relationship with anyone else. Hader plays a self-professed “gay cliché”, while Wiig is pretending to have the perfect suburban life with her gung-ho, always “up”, good guy husband (Luke Wilson).

The film’s best humor is produced in small moments thanks to the connection between Wiig and Hader. It’s definitely not in the almost shameful attempts at crowd-pleasing offered in the SNL-ish scenes of lip-synching to Starship, and over-indulging on Nitrous Oxide at the dental office.

Real emotional turmoil exists in the scenes between Hader and Ty Burrell, and the unnecessary and inexplicable reunion between Hader, Wiig and their mother (Joanna Gleason). Burrell, known for his outstanding “Modern Family” role, is intriguing as a dramatic actor. Looking forward to more of this from him.

The script, co-written by director Craig Johnson and Mark Heyman, really does capture some poignant and dramatic moments, and certainly benefits from the extremely talented cast. Just don’t expect that side-splitting laughter … unless you are susceptible to lip-synching and/or nitrous oxide farting humor.

watch the trailer (but don’t believe the 50% comedy ratio):

 


LAST VEGAS (2013)

November 9, 2013

last vegas1 Greetings again from the darkness. I’ve been writing about “Gray Cinema” for the past few years and the understandable desire of Hollywood to capitalize on the aging population. Take that trend and mix it with new-age buddy pictures like The Hangover and Bridesmaids, and you can at least imagine what director Jon Turteltaub (the National Treasure movies) and writer Dan Fogelman (the very entertaining Crazy Stupid Love) were attempting to create.

The film’s poster recalls the glory days of the Rat Pack, so taking this foursome of sixty-something year old childhood buddies to Las Vegas presents many possibilities. There is no shortage of enthusiasm from the four leads: Michael Douglas as Billy, the smooth-talking lifelong bachelor who proposed to his thirty-ish girlfriend at a funeral; Morgan Freeman as Archie, suffocating in a cocoon of family over-protection; Robert Deniro as Paddy, the isolated widow wallowing in grief for the past year; and Kevin Kline as Sam, the stir-crazy Florida stereotype bored with 4:00 dinner parties and his marriage.

last vegas2 These top notch actors give it all they have, but there is just no rescuing such fluff and lack of substance. The script is frustrating throughout and just gives no credit to an audience that might appreciate even a gag or story line that wasn’t obvious from the opening credits. Mary Steenburgen‘s character provides a brief respite, but the developments are so absurd that neither her character or the story line can be taken seriously.

Toss in a bar fight, bikini contest, mandatory viagra jokes, a world class Casino penthouse, an inconceivable party that would be shut down by fire code, and a wasted cameo from 50 Cent … and you get a lame, flat, mostly unfunny story that barely skims the surface of an endless stream of possibly interesting topics.  It’s certainly not at the level of The Best Exotic Marigold Hotel … or even Space Cowboys.

I’ll end by stating that I am a huge fan of Gray Cinema, but my request is that some effort go into the script and production so that viewers are provided with an entertaining and intelligent and respectful experience. There is no need to dwell on the bits of culture that have passed them by or the physical ailments that plague their activities. Luckily, the stellar cast prevents this one from flopping to the level that the script deserves.

SEE THIS MOVIE IF: you can appreciate the novelty of a cast of leading men all in their sixties and seventies OR you get a kick out of knowing the punchline of every joke before it actually happens

SKIP THIS MOVIE IF: you expect a certain level of “smarts” in movies … even comedies.

watch the trailer:

http://www.youtube.com/watch?v=IMnr-R7BkkU