LOGAN LUCKY (2017)

August 17, 2017

 Greetings again from the darkness. When we think of public figures retiring, we typically accept that athletes, politicians and entertainers will no longer be honing their craft or grinding in their profession. Perhaps they will write their memoirs, or even dodge TMZ completely by spending their days fishing or playing golf. When Oscar winning film director Steven Soderbergh announced he was “retiring” from making movies after his 2013 SIDE EFFECTS, he simply transitioned to television (excellence in “The Knick”). Most of us assumed it was only a matter of time until he returned to the medium that made him famous. This “retirement” lasted less than 4 years.

When a line in the film describes it as “Ocean’s 7-11”, we can assume this is Mr. Soderbergh admitting that his “Ocean’s” trilogy was the inspiration for this comedy-satire heist film focusing on a well-planned crime by a team of siblings, rednecks and convicts. Channing Tatum, Adam Driver and Riley Keough star as the Logan clan – Jimmy, Clyde, and Mellie, respectively. With NASCAR as the target, the Logans are joined by the Bangs: Sam (Brian Gleeson), Fish (Jack Quaid), and Joe (a scene-stealing bleached blonde Daniel Craig).

Joining in the unconventional Hicksville fun are Katie Holmes and David Denman as Jimmy’s ex-wife and her new husband, a recently shorn Sebastian Stan as a race car driver, Seth MacFarlane as an obnoxiously rich blow-hard, Katherine Waterston in a too-brief role as a traveling medic, Hilary Swank as a determined FBI Agent, and Dwight Yoakum as a prison warden who rarely admits a problem. Also playing a key role is the music of John Denver … a move that teeters between tribute and punchline.

The set up and characters lend themselves to more laughter than we actually experience. There are more awkward moments than hilarious ones. As examples, brother Clyde’s (Driver) artificial hand is the center of focus on a few occasions, as are Joe Bang’s (Craig) expertise in science, and the small town West Virginia addiction to child beauty pageants. Their racetrack robbery plan is both ingenious and preposterous, which is also a fitting description of the film.

A writing credit goes to “Rebecca Blunt”, which in keeping with Soderbergh’s tradition, is a pseudonym (or nom de plume) for an unnamed writer (likely Soderbergh himself). The film mostly succeeds in delivering the opposite of the traditional Ocean’s slickness, and it’s entertaining to watch Channing Tatum and Daniel Craig (the credits list him as “introducing Daniel Craig) having such a good time on screen. While it doesn’t deliver the laughs of FREE FIRE or TALLADEGA NIGHTS, it is nice to have Soderbergh back where he belongs. Rather than an instant classic, it’s more likely to be remembered for Soderbergh’s attempt to change the movie distribution channels … Google can provide the details if you are interested.

watch the trailer:

 

 

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ITHACA (2016)

September 21, 2016

ithaca Greetings again from the darkness. The source material is the 1943 novel “The Human Comedy” from Pulitzer Prize winning writer William Saroyan; and it’s the directorial debut of Meg Ryan, the one-time ‘America’s Sweetheart’ who reunites with her Sleepless in Seattle co-star Tom Hanks (in a ghostly cameo). Due to these juicy ingredients, we can be excused if our expectations are a bit high.

As a viewer, it’s easy to relate to the emotions of young Homer McCauley (Alex Neustaedter) as his messenger job expedites the disillusionment that often accompanies adulthood. While Homer becomes more disenchanted the more he learns, we feel let down with each successive sequence. The adapted screenplay from Eric Jendresen never picks a direction, and instead teases us with numerous pieces from the novel with little follow through on any.

Homer’s dad (a very brief Tom Hanks apparition) has recently passed, and with his older brother Marcus (Jack Quaid, son of Meg Ryan and Dennis Quaid) off at war, Homer takes it upon himself to secure a job to help support his saintly and melancholy mother (Meg Ryan), his older sister Bess (Christine Nelson) and his little brother Ulysses (an energetic Spencer Howell). He pledges to be the best bicycle messenger ever when hired at the local telegraph company run by Tom Spangler (Hamish Linklater) and old-timer (grumpy and frequently inebriated) Willie (Sam Shepard).

Being that it’s war time, some of the telegraphs Homer must deliver are the worst possible news for the parents on the receiving end. As the film progresses, we see the light slowly go out of Homer’s once bright eyes. The accelerated coming-of-age aspect is at its best when his father-figure Willie brusquely tells him “You are 14 years old and you’re a man! I don’t know who made you that way.” It’s the most poignant moment of the film and the closest we get to a real theme.

The letters Homer receives from older brother Marcus contribute to his understanding of the world and the reading of the letters serves the purpose of story narration. The film is nostalgic and idealistic, but so unfocused that we are never able to fully connect with any of the characters. We are caught off guard when Homer proclaims his mother as the nicest person ever, although she has offered even less guidance than Forrest Gump’s mom. Ithaca, Ulysses, and Homer … we can’t miss the mythology ties, as well as the importance of home, but it always feels like something is missing.

In 1943, six time Oscar nominee Clarence Brown made a movie based on this same novel, and the cast included Mickey Rooney, Frank Morgan, Donna Reid and Van Johnson. In this new version, John Mellencamp provides the musical score, and Ms. Ryan has stated that the novel helped her work through a difficult time in her personal life. She’s likely to get more opportunities to direct; her first outing is easy enough to watch, but just as easy to forget.

watch the trailer: