Greetings again from the darkness. Director Rod Lurie’s latest is not only based on a remarkable true story, it uses the real American soldier’s names (and some real soldiers) and depicts the valiant efforts of those who were part of the Battle of Kamdesh in Afghanistan on October 3, 2009. Mr. Lurie (THE CONTENDER, 2000) is a West Point graduate and Army veteran, and the film is based on the book by CNN correspondent Jake Tapper, with a screenplay from Eric Johnson and Paul Tamasy.
We first meet the new arrivals on their helicopter transport under the cover of darkness. They have been assigned to this combat outpost known as “Camp Custer.” The nickname comes from the assumption that everyone there is going to die. Why is that? Well for some reason, this military outpost is positioned so as to be surrounded by the foothills of a mountain range – creating a natural shooting gallery of which the soldiers are sitting ducks. It’s one of the most vulnerable military outposts ever created, and with it comes so many Taliban attacks that the soldiers can’t even take seriously their local scout’s constant warnings, “The Taliban are coming!”
There are 53 soldiers assigned to the camp, and the aura of impending doom hovers non-stop. To compensate, joking around and playing sports are utilized to pass the time between attacks. The men even debate whether calling home is a good thing or not. One of the bunk beds has “It doesn’t get better” carved into the frame – that’s a taste of the kind of inspiration floating around. “Thank you for your service” is pure parody amongst these soldiers, and it’s easy to understand, given the tension they must feel – we are nervous merely watching from the safety of an armchair.
The performances are solid and you’ll recognize a few. Orlando Bloom is Lieutenant Keating, Scott Eastwood is Sergeant Cline Romesha, and Caleb Landry Jones is a standout as Carter, the ex-Marine outcast who is more complex than initial impressions lead us to believe. On an unusual note, the list of “relateds” is quite impressive: Eastwood is of course the son of Clint, Milo Gibson is the son of Mel, James Jagger is the son of Mick, Will Attenborough is the grandson of Sir Richard Attenborough, and Scott Alda Coffey is the grandson of Alan Alda.
Director Lurie divides the film into chapters associated with officers, but the segment that most every viewer will find riveting is the near-40 minute attack on the outpost by hundreds of Taliban gunmen. It’s relentless battle action at a level rarely seen in movies, and we feel like we are in the middle of it. This onslaught feels like hopelessness, followed by desperation, followed by survival mode. Never does it feel like an outright victory, but more a relief for those who survive. Cinematographer Lorenzo Senatore makes this a visceral experience – one we won’t forget.
Very little politics come into play here. Instead this is about the men in the line of fire – their courage – and their desperate attempts to live and hold the outpost. All of which is followed by a haunting breakdown that stuns. This battle resulted in 8 dead and 27 injured American soldiers, followed by many medals, including two Medal of Honors. The closing credits honor those killed in action, and we see photos of the actual soldiers next to the actor who played them.
Greetings again from the darkness. The U.S. Coast Guard has played a role in many movies over the years, but only a few have placed this service branch directly in the heart of the story … most recently The Guardian (2006), which was little more than a cheesy, too-talkative water-based rip-off of Top Gun. Director Craig Gillespie (Lars and the Real Girl, 2007) takes a much different approach as he presents a look at one of the most legendary and heroic real-life rescues in Coast Guard history.
The Oscar-nominated writing team behind The Fighter(2010): Scott Silver, Paul Tamasy, and Eric Johnson have collaborated on the screenplay based on the book from Casey Sherman and Michael J Touglas. It’s a worthy tribute (and clearly Disney-influenced) to what is described as the greatest Coast Guard small-boat rescue. It combines a boat-load (sorry) of tension-filled ocean-based sequences with some pretty interesting character-based sub-plots within a Massachusetts community that has become all too familiar with storm-based catastrophes.
Chris Pine stars as Bernie Webber, an awkwardly shy and obsessive rule-follower, who has lived under a cloud of doubt ever since a previous rescue mission failed, resulting in the death of a local fisherman/husband/father. We first meet Bernie as he bungles through a first date with Miriam (Holliday Grainger, a young Gretchen Mol lookalike). The film then jumps ahead to 1952 when they become engaged and Bernie is ordered into a questionable mission by his “not-from-around-here” commanding officer Daniel Cluff (Eric Bana). See, a huge storm has literally ripped apart not one, but two giant tankers, leaving crew members battling for survival. It should be noted that Bana the Australian, tosses out a laughable southern accent that is a joke within the movie and within the theatre (for different reasons).
Bernie and his crew: Richard Livesay (Ben Foster), Andy Fitzgerald (Kyle Gallner), and Ervin Maske (John Magaro), take off against all odds in a too-small boat against too-big waves in a desperate attempt to rescue the tanker crew that includes brilliant engineer (and quiet leader) Ray Sybert (Casey Affleck) and characters played by John Ortiz and Graham McTavish. Affleck excels as what can be termed a quiet leader. Of course, we know how the story ends, but the heroic efforts against a very powerful Mother Nature show-of-force make for compelling movie watching.
The special effects are stout, though not be as spectacular as The Perfect Storm(2010) or In the Heart of the Sea (2015), and it’s the human-factor that provides more than enough thrills, excitement, and tension. In fact, the biggest issue I had was that I saw a 3-D version which is an absolute disservice to the film. Most of the story takes place at night and at sea, so the 3-D consequence of dimmed light and muted colors results in a far too dark and dull look to the film. I spent much of the movie sliding the 3-D glasses down my nose in a simple attempt to enjoy a bit more brightness. The recommendation would be to skip the higher-priced (money grabbing) 3-D version and take in the more pleasing “standard” version.
Disney makes feel-good movies. Their target market is not cynics or the overly critical among us. The romance pushes the “corny” meter, but keeps with tradition of other Disney movies based on true stories like The Rookie(2002) and Dreamer: Inspired by a True Story(2005). Keep this in mind you’ll likely find this one pretty entertaining. Stick around for the closing credits as a slew of real photographs from the actual 1952 event are displayed, as are photos of the real heroes from that night.