SLOW LEARNERS (2015)

August 19, 2015

slow learners Greetings again from the darkness. One of the staples of Romantic Comedies is that the two key players are the only ones who don’t realize they are “right” for each other. This is often accomplished through one of two methods: either two characters who “despise” each other, or as characters who are “just good friends”. This little film manages to blend those two approaches … and make us laugh in the process.

The first 15 or 20 minutes of the film are packed with very sharp comedy writing and acting. Adam Pally (“Happy Endings”) plays Jeff, and Sarah Burns (“Enlightened”) plays Anne. These two misfit adults get along very well together both as co-workers and friends who quote literature at (not to) each other. Anne’s opening visit to the doctor (played by Peter Grosz of Sonic ad fame) is outright hilarious, while Adam’s book club features some real zingers from Bobby Moynihan, Gil Ozeri, and Reid Scott (“Veep”).

It’s not until Jeff and Anne make a pact to change their public personas in an effort to be “cool” and more attractive to the opposite sex that the film takes kind of a nasty – well at least unlikable – turn. Becoming alcoholic d-bags does help them experience a summer of wild escapades, but predictably, neither is especially happy. Anne picks up pointers from some trashy reality TV show called “Prisoners of Love” … a knock-off of “The Bachelor” that deals with convicts and the women who would love them.

Adding to the comedic elements are quick scenes with Cecily Strong, Catherine Reitman (daughter of Ivan) and Kate Flannery, along with a couple of sequences with Jeff’s parents (Kevin Dunn, Marceline Hugot). More interactions with the parents would have been a welcome respite from the extended d-baggery of Jeff and Anne.

Mr. Pally is a master of the deadpan delivery, while Ms. Burns can best be described as a Kristen Wiig starter kit (that’s a compliment). Co-directors Don Argott and Sheena Joyce, and co-writers Matt Serword and Peter Swords lost sight of what delivered such a strong beginning for the film, and instead focused on reminding us to “embrace the darkness” and to “Be yourself. Everyone else is taken”. Good lessons indeed, but maybe not the comedy gold mine that was expected.

watch the trailer:

https://www.youtube.com/watch?v=uzxVeo5Mx-E

 


ADULT BEGINNERS (2015)

May 21, 2015

adult beginners Greetings again from the darkness. It’s certainly understandable that the Duplass Brothers (“The League”) are working relentlessly to take advantage of their window of creative opportunity. In the vein of their HBO show “Togetherness”, this is another com-dram with the theme of thirty-somethings coming to terms with adulthood and responsibility.

In their role as Producers for this latest project, Team Duplass has assembled a strong group: director Ross Katz (himself best known as a Producer of In the Bedroom and Lost in Translation), and funny folks Nick Kroll, Rose Byrne, Bobby Cannavale, Joel McHale, Jane Krakowski, Bobby Moynihan, Paula Garces, and Celia Weston. Unfortunately, the script does not rise to the level of the on screen talent, leaving us with a mostly benign story with few laughs and little message.

Things kick off with Kroll’s character in full crash-and-burn mode when his entrepreneurial offering “Mind’s I” implodes just before it is scheduled for rollout. He loses his money, his investors’ money, and most any semblance of the fair weather friends one accumulates while living the high life in NYC. Packing up what little dignity he retains, Kroll heads to the suburbs to live with his pregnant sister (Rose Byrne), her husband (Bobby Cannavale) and their 3 year old son Teddy.

It’s not that the path is obvious, but rather than it’s executed so blandly. The zingers and physical humor are mostly lacking, and the film can’t seem to decide if it wants us to laugh, or if it would rather prove how tough parenthood and adulthood and responsibility can be. Bobby Moynihan spikes the comedy in a short scene, and Paula Garces may be the most interesting character despite only appearing in a few scenes. The swimming lessons sequences led by Jane Krakowski are mostly vacuous, and are used instead to focus on the insecurities of Kroll and Byrne. As in “Togetherness”, the kids seem to be an afterthought … like a lamp … but less than a sconce.

The scenes are well paced and the story clicks right along, but overall it plays more like a TV show … albeit one with an abundance of cursing, too few laughs, and no new insight into the tough world that awaits as we step out of childhood (evidently in our mid-30’s).

watch the trailer: