PINOCCHIO (2022)

September 8, 2022

Greetings again from the darkness. Once upon a time … in 1880 (or so) … writer Carlo Collodi (aka Lorenzini) had his original “Story of a Marionette” published. The story of his character Pinocchio has since been told to countless children through just about every possible form of media. The classic Disney animated feature film from 1940 won two Oscars (song, score) and the recent 2019 Italian film version received two Oscar nominations. So why is it that we continue to find new ways to tell the story? Well, because the messages are crucial for kids to understand: pay attention to your conscience, beware of temptations, and decisions have consequences. Of course, anytime a filmmaker re-imagines a classic, folks will line up to shout about how unnecessary it is. However, with a kids’ movie, we must recognize that expectations and tastes have shifted. It’s a bit more challenging to get today’s kids to pay attention for 90 minutes.

This version comes to us from Disney as a Live Action film enhanced with computer animation. No, Pinocchio isn’t played by a real person, and in fact, there are only a few real actors on screen – the most important being Oscar winner Tom Hanks as Geppetto. However, the computer-generated Pinocchio (looking almost identical to the 1940 animated version) interacts with both human actors and other computer-generated characters, almost always in a seamless manner.

The film opens as our narrator (Jiminy Cricket) explains that we are in for a “humdinger of a tale.” We soon see low-talking Geppetto (Oscar winner Tom Hanks) in his shop of ‘Toys, Clocks, and Oddments.” He’s busy crafting, and talking to, a wooden puppet meant to fill the void that has left Geppetto a grieving man. His fantastical wall of cuckoo clocks features beloved Disney characters, including the instantly recognizable Jessica Rabbit from WHO FRAMED ROGER RABBIT (1988). That film, as well as this one, were directed by Robert Zemeckis (an Oscar winner for FORREST GUMP, 1994). Mr. Zemeckis was also one of the screenwriters along with Chris Weitz and Simon Farnaby.

Most everyone on the planet knows the story of Pinocchio. The Blue Fairy (Cynthia Erivo) tasks Jiminy Cricket (voiced perfectly by Joseph Gordon-Levitt) to be the conscience of the ‘almost real boy’ and sets the ground rules for becoming real: Pinocchio must be brave, truthful, and unselfish. As with all of us, Pinocchio immediately faces temptation and danger. His comes in the forms of Stromboli, Pleasure Island, and ultimately, Monstro the giant sea creature. Tension is elevated when Geppetto and Pinocchio are separated, and a great adventure follows. Much of this follows the original storyline, with contemporary flourishes included … not all of which are positive additions.

Benjamin Evans Ainsworth (TV mini-series “The Haunting of Bly Manor”) voices Pinocchio, and of course, Mr. Hanks is spot on as Geppetto. Other voice and live acting is delivered by Angus Wright, Keegan-Michael Key, Kyanne Lamaya, Luke Evans (as The Coachman), and Lorraine Bracco (voicing new character Sofia the Seagull). Alan Silvestri composed the film’s score and Don Burgess was the Director of Photography. Ms. Erivo serves up a “big” version of “When You Wish Upon a Star” in a key most kids won’t come close to, but other than a few moments too dark for the youngest of kids, this should make for enjoyable family viewing … which may not be the case when Guillermo del Toro releases his stop-motion animated version later this year for Netflix.

Premieres on DISNEY+ on September 8, 2022

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THE COURIER (2021)

March 19, 2021

 Greetings again from the darkness. Spies, and the whole world of espionage, are prime for cinema thanks to the globe-trotting and varied settings, the personality of those drawn to such a calling, and the intrigue and two sides of the work itself – either turning on those to whom one was once loyal, or even pretending to. Director Dominic Cooke (ON CHESIL BEACH, 2017) and writer Tom O’Connor (THE HITMAN’S BODYGUARD, 2017) enter the spy thriller genre with a strong cast and a Cold War setting … not the first to do so, and certainly not the last.

The film is based on a true story, so of course there are conflicting recollections of how this all went down. Oleg Penkovsky (played expertly by Merab Ninidze, McMAFIA, 2018) was part of GRU, the main intelligence agency of the Soviet Union. His front row seat to, and subsequent concern with, Soviet Premier Nikita Khrushchev’s apparent obsession with starting a nuclear war with the United States, led Penkovsky to reach out to the U.S with classified intelligence in hopes of thwarting global doom. This was the height of the Cold War, with the Cuban Missile Crisis ultimately a key element of Penkovsky’s intel.

Ambitious CIA Agent Emily Donovan (Rachel Brosnahan, “The Marvelous Mrs. Maisel”) reached out to MI6 Agent Dickie Franks (Angus Wright), who recruited British salesman Greville Wynne (Benedict Cumberbatch) to be their amateur spy … a regular citizen to conduct regular business while procuring valuable documents from Penkovsky. Greville is portrayed as anything but a James Bond-type. Instead, he’s a fun-loving family man whose wife Sheila (Jessie Buckley, I’M THINKING OF ENDING THINGS, 2020) has forgiven him once for marital indiscretion, and is not inclined to do so again.

This story occurred not long after Pyotr Semyonovich Popov was executed for delivering Soviet intelligence to the United States. Because of this, the CIA had a weak presence and required Britain’s assistance … enter Greville Wynne. Greville is an odd bird. One could even say a bit goofy. However, Cumberbatch delivers a terrific performance as he transitions into a more complex and courageous man than the one we initially meet.

Although the story is not as tightly told as the best spy thrillers, there are two segments that are pretty well done. Watching Penkovsky (code name “Ironbark”) and Greville get to know each other and then work together is quite interesting – and made even better by the two actors. Also the final act, with both men in KGB prison, finally ups the tension level to what we expect for the genre. The brutal environment and mistreatment is well conveyed, and it’s the point where we realize what the risk-taking of espionage can lead to. There are times the film is similar in tone to THE INFORMANT, and other times it recalls BRIDGE OF SPIES, though the latter is a superior film. This was a crucial point in the Cold War, and the film is interesting enough thanks to the cast and real life story.

THE COURIER is receiving a theatrical release on March 19, 2021

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