LUCY (2014)

July 28, 2014
lucy Greetings again from the darkness. Writer/Director Luc Besson has a track record of mixing stylistic visuals with more traditional action: La Femme Nikita, Leon: The Professional, The Fifth Element. This time he tries to mix those components with fantasy, sci-fi and neuroscience. His hope was that Scarlett Johannson in a snug t-shirt and Morgan Freeman as an on screen narrator (guiding us through the maze of info) would sufficiently distract viewers from the international drug-muling mess.  Scarlett’s new found expertise as action hero (thanks to The Avengers) has her cast here in a role that previously would have gone to Anjelina Jolie.
We have all fantasized about expanded brain power, and many films have touched on this: Transcendence (Johnny Depp), The Matrix franchise, and Limitless (Bradley Cooper) to name a few. Omnipotence may not be everyone’s goal, but it sure seems to be difficult to pull off in in movies. This time around, there is a Korean drug syndicate led by Choi Min-sik (Oldboy) who has synthesized a drug that takes the human brain to a new level. To buy into this, you have to accept the premise that humans only use 10% of their brain … a claim long ago disproved.  Still, it’s a movie, so let’s roll with it.
There are some nice moments in the film, but the pieces just don’t fit smoothly together. Circumstances are such that Scarlett finds herself experiencing the effects of the drug – first by dancing on the ceiling ala Lionel Ritchie or Linda Blair (your choice), and then with the most awkward phone call to mom in film history. Soon enough her telekinetic powers are so advanced, she mows down the heavily armed bad guys with a flick of the finger. If that makes no sense to you, you’ll have to follow along with Professor Morgan Freeman’s charts and graphs. His lecture spells out each of the steps that Scarlett will go through and the interconnected scene cuts makes sure all movie goers can keep up … even those who don’t use 10% of their brain.
My biggest complaint is that if a movie about extraordinary intelligence is to be made, then the movie itself should at least be  smart … or witty. What the movie tells us is that expanded brain access allows us to medically diagnose our friends through a hug,  instantly change hair color while strolling through the airport, and create invisible force fields to trap our enemies. We also learn that really smart people drive the wrong way on one-way streets. In Dallas, we typically refer to those people as idiots … or at least horrible drivers. Evidently the joke is on us – those are the enlightened ones!
This movie should have been a lot more fun than it was. A tip of the cap to Mr. Besson for casting Choi Min-sik and Amr Waked (Salmon Fishing in the Yemen), and for the global trek from Taipei to Berlin to Paris to NYC … and finally two things rarely seen in the same movie … a dinosaur and a flash drive. It was kinda nice to see the script attempt to make the point that smart people use their minds, while lesser beings resort to violence … though it could have been interesting to see good vs bad while ON this fancy new drug. Although Scarlett’s character remembers the taste of her mother’s milk, I expect the memory of this film will fade quickly.
SEE THIS MOVIE IF: a couple of impressive Scarlett action sequences and some Besson visuals are enough to carry you for 90 minutes
SKIP THIS MOVIE IF: you have difficulty buying Scarlett’s vacuous facial expression as an indication of extraordinary brain power
watch the trailer:
https://www.youtube.com/watch?v=MVt32qoyhi0


SALMON FISHING IN THE YEMEN (2012)

March 25, 2012

 Greetings again from the darkness. This is one of those times where I am going to be somewhat critical of a movie that is based on a book I haven’t read. That doesn’t change my belief that this movie is stuck in the gray area between romantic drama and comedy, and because of it, comes across as just a lightweight film with no real message or emotion. For this, the director Lasse Hallstrom gets the accusatory glance. His history with Chocolat and Dear John are examples of how his fondness for all things mushy gets in the way of real story-telling.

The best parts of this movie are the comedic elements. Stuffy British fish expert Ewan McGregor has some really funny deadpan moments and his inner office battles with his boss wreak of truism. Same with Kristin Scott Thomas, who plays the Prime Minister’s Press Secretary as if she were told this was a screwball comedy. She is funny and over the top, and was probably horrified when she saw the final version of the movie.

 The story is quite creative and interesting – a Yemeni Sheikh (Amr Waked, Syriana) has a vision of creating a vast green-land around a man-made freshwater river where Salmon spawn and feed the community. Unfortunately, the story leaks to the locals that this Sheikh with too much money is playing God just to satisfy his fishing hobby. Local rebels get involved in trying to stop the Sheikh and the project. Meanwhile, this Sheikh spouts off wisdom and advice as if he just finished reading the greatest hits of Confucious.

To bring this fishy project to fruition, the Sheikh enlists the British government’s help and that’s how Ms. Thomas, Mr. McGregor and a wonderful Emily Blunt get involved. We see early on that McGregor is stuck in a loveless marriage to a witch (figuratively speaking) played by Rachael Stirling (who may have the deepest voice of any actress since Lauren Bacall). Blunt’s character is a bit desperate for love and falls quickly for a soldier (Tom Mison) who is shipped off to war. So when Blunt and McGregor first meet … it seems destiny that these two opposites will attract.

 The scenery here is pretty impressive – especially the Scottish castle that houses the team for a brief period. I was just continually frustrated that more insight wasn’t provided into what makes this Sheikh tick. Is he truly the visionary he claims? If so, why? What did the locals really think of the project and was any effort made to deliver the long term vision? If not, why? Why did Blunt fall so quickly for this soldier? Just because they had fun in bed? Seems a bit shallow for someone who can peer into the soul of a nerd like McGregor. And why did McGregor ever fall for this ice-queen he married? Makes no apparent sense.

Simon Beaufoy‘s screenplay of Paul Torday‘s novel delivers a few good chuckles, but mostly leaves us wanting a real direction for the story and bit more depth of character. It’s always frustrating when a promising premise leaves us fighting so hard to swim upstream … just like the salmon and characters of the film.

SEE THIS MOVIE IF: if your favorite movie genre is non-descript love stories OR you have been anxiously awaiting a film with a lead character who is a fish expert

SKIP THIS MOVIE IF: you are looking for an expert comedy or an expert love story

watch the trailer: