A UNITED KINGDOM (2017)

February 23, 2017

a-united-kingdom Greetings again from the darkness. Sometimes I just know immediately that I’m going to be out of touch with popular opinion on a movie, and this historical-romantic-biopic from director Amma Asante (Belle) and screenwriter Guy Hibbert (Eye in the Sky) is one of those times.

It’s a crowd-pleaser featuring David Oyelowo and Rosamund Pike in a real life story with some similarities to last year’s Loving (the chronicle of Richard and Mildred Loving’s interracial marriage). Mr. Oyelowo plays Seretse Khama, a 1947 university student in London when we first meet him. Ms. Pike is Ruth Williams, a local Londoner working clerical at an insurance company when the two meet at a local dance. The attraction is immediate.

Not long after, Seretse discloses to Ruth that not only is he in love with her, but he’s also the King-in-waiting for Bechuanaland in Africa. The marriage is met with dissent from all fronts: family (racism), Seretse’s people (cultural and societal reasons), and Great Britain (mostly concerned with appeasing its ally South Africa and the growing notion of Apartheid). Seretse and Ruth believe their true love is strong enough to win over those dissenters. The backlash is much worse than anticipated.

A very cool element with the film is the use of the actual house Ruth and Seretse lived in, and the locals were more than willing to contribute. While the strength of these two individuals remains inspirational to this day, the film falters in a few ways. Both Jack Davenport and Tom Felton are stuck playing British foils in the overwritten manner in which we would expect from a 1940’s movie on TCM. Again acknowledging my out of step opinion, Ms. Pike simply lacks the range for such a role. Her deer-in-the-headlights go-to facial expression is a slap to the courageous woman she is portraying. However, the biggest issue with the film is its lack of continuity … its choppiness, if you will. So many scenes abruptly end right as the substance is beginning. Multiple times we are left hanging, wondering why we don’t get to finish a conversation or finalize a conflict. There are some terrific moments that are torn apart by the numerous butchered scenes, though the strong performances of Oyelowo and Terry Pheto (Tsotsi) as his sister shine through.

This is a terrific and interesting piece of history that deserved a better film. In 1966, Bechuanaland gained its independence and became what’s known today as Botswana, and the story of Seretse and Ruth is one that needs to be told. Most viewers likely won’t be bothered by the things that irritated me, and that’s probably a good thing.

watch the trailer:

 


BELLE (2013, UK)

July 12, 2014

belle Greetings again from the darkness. Always a bit partial to films based on a true story, I would have to label this as a fictionalized historical period piece, and a step above most costume dramas (though the costumes here are quite stunning). While it’s a very attractive movie to look at, I was a bit frustrated at the multi-directional approach that just skimmed many topics.

The movie could have focused on the relationship between cousins Dido Elizabeth Belle (Gugu Mbatha-Raw) and Lady Elizabeth Murray (Sarah Gadon). Or it could have zeroed in on the unusual complexities raised by the illegitimate mixed race Belle being raised in British Aristocracy. Still another option would have been digging into the historical impact of Zong massacre and the subsequent arguments, court trials and appeals. Instead, we get a splash of each … which leaves the viewer wanting more detail on all three.

The cast is very strong and features Tom Wilkinson as Lord Mansfield, Lord Chief Justice of the King’s Court … he raises Belle at the request of his nephew (her father). Lord Mansfield’s wife is played well by the always excellent Emily Watson.  Also featured are Miranda Richardson, Matthew Goode, Penelope Wilton (always entertaining), James Norton, Sam Reid, and Tom Felton – who creates yet another despicable character to go with his Draco from the “Harry Potter” series.

Maybe the best term for this is historical melodrama, as the courtroom decision comes across as anti-climatic, with more third act attention paid to Belle’s love interest (Mr. Reid). Very little is known of the actual Dido Elizabeth Belle, but it seems clear that her role in the Zong trial was dramatically enhanced for the purposes of the film. In fact, more drama may have played out for the film’s writing credit between the director Amma Asante and the WGA. Though the director lost the writing credit, she can be proud enough of the final product.  The two cousins are featured in the famous 1779 painting (see below) that inspired the story.

1779 painting