Greetings again from the darkness. Welcome to the Greater Paths Baptist Church. Or what’s left of it. Writer-director Adammo Ebo has expanded her 2018 short story (same title) into a feature film that serves up a satirical look at the proliferation of mega churches and all that entails – ego, greed, self-absorption. Her best move was casting Regina Hall and Sterling K Brown in the crucial lead roles.
In the faux-archival footage, we see Pastor Lee-Curtis Brown (Sterling K Brown) eloquently and passionately sermonizing to the massive congregation. At its peak, his church had 26,000 members who filled the offering plates each Sunday. We know this because this pastor is not shy about flashing his designer label clothes or collectible cars, or mentioning the private jets and helicopters. He uses these glitzy material goods to reinforce what good Christians each member is. But that was then, and this is now. The church has been closed due to a very public scandal involving Pastor Lee-Curtis and his inappropriate behavior with teenage boys.
The story here involves the pastor and his first lady wife Trinitie (Regina Hall) as they strategize about creating excitement for the grand re-opening of their church. The scandal is clearly the biggest hurdle; but so is Heaven’s House, a local church run by ‘Pastor Sumpter and Pastor Sumpter’, a husband and wife team played by Conphidance and Nicole Beharie (so good in BREAKING, 2022). After the scandal, Heaven’s House welcomed many transferring members and is now in the process of growing their church to a new level.
This is a mockumentary and the “documentary” filmmakers follow Lee-Curtis and Trinitie around most of the day, sometimes even when they aren’t particularly welcome. Because of this, we see Lee-Curtis as a narcissist mostly devoid of any semblance of reasonable perception of how others view him. He may seek the road to redemption, but that trust has been broken. Trinitie stood by her man through the hard times, and it seems clear they are both desperate to regain the power and privilege that is now lost.
Sterling K Brown and Regina Hall are both fully committed to these roles. Brown’s intensity, no matter how displaced his character feels, absolutely works. And Regina Hall’s performance is even more fun to watch. She’s especially effective at showing Trinitie’s inner turmoil of maintaining dignity versus the desire for the power lifestyle. She excels at biting her tongue and struggles to avoid letting her true feelings show … she’s a pillar of loyalty behind a cheerleader’s fake smile. She also delivers the perfect final shot.
This mockumentary isn’t funny in the Christopher Guest way, but rather with a bleak commentary on power-hungry people and megachurches, with a few exceptions. What once was a congregation over 20,000 is now only the “Devout Five”. We get the best ever pinkie toe joke, and Ms. Hall and Mr. Brown go all in on their rendition of Crime Mob’s “Knuck You if You Buck” while driving. It’s a bit confusing that the faux-doc doesn’t fully follow the idea of only showing what the camera crew captures, but the description of “EGO” as ‘edging God out’, and a marketing plan seemingly tied to a glittery handheld sign and statue of Jesus give us some idea about these two. In TOMBSTONE, Doc Holiday states, “My hypocrisy knows no bounds”, and that’s so true for Lee-Curtis and Trinitie. While there are flashes of brilliant satire, unfortunately the target is just too easy, and the filmmaker chooses to remain on the surface rather than dig deep for the juicy part.
Opens in theaters on September 2, 2022
Posted by David Ferguson 
Greetings again from the darkness. Not so long ago, it was a compliment to be called “a man’s man.” It was a term of endearment and respect that meant a man was strong, quiet, adventurous, and trustworthy. Sir Ranulph Fiennes, born Ranulph Twisleton-Wykeham-Fiennes, 3rd Baronet, fit the bill. He refused the royal title saying being born into it is not the same as earning it. The man-the myth-the legend is cousin to actors Joseph and Ralph Fiennes, and has been better labeled as “the greatest living explorer”, and documentarian Matthew Dyas wants us to know all about him.
Greetings again from the darkness. I should start by admitting I would purchase a ticket to watch Tilda Swinton jaywalk on a country road or sit in a corner reading quietly to herself or carefully slice the crust off a PBJ. In other words, I find her to be a fascinating performer who takes risks and whose characters and movies are consistently worthy of attention. This film is directed by Oscar winner George Miller and he adapted the script with co-writer August Gore (Mr. Miller’s daughter) from the 1994 short story, “The Djinn in the Nightingale’s Eye” by AS Byatt. This is Mr. Miller’s first film since MAD MAX: FURY ROAD (2015) and fits into his diverse filmography that also includes the original MAD MAX (1979), THE WITCHES OF EASTWICK (1987), LORENZO’S OIL (1992), BABE: PIG IN THE CITY (1998), and HAPPY FEET (2006). This is a filmmaker who chooses his own projects.
Greetings again from the darkness. Bank robbers are commonplace in movies, and some focus on the planning stage, while others look to the actual robbery or the escape. Writer-director Abi Damaris Corbin and co-writer Kwame Kwei-Armah tell the true story of a man who went into a bank, made a bomb threat, and took hostages … all while having no intention of stealing the bank’s money. A former Marine went to this extreme to make a very visible point about how veterans are mistreated, especially by the VA.
Greetings again from the darkness. Movies featuring man versus beast date back to at least 1933 with KING KONG, and have proven to be fan favorites many times since, likely peaking with JAWS in 1975. Of course, this sub-genre has also produced too many flops to count as low-budget filmmakers have attempted to capitalize with the cheap-thrills approach to entertainment. Director Baltasar Kormakur has previously flashed his skill with nature thrillers ADRIFT (2018) and EVEREST (2015), and here he’s working from a script and story by Ryan Engle (NON-STOP, 2014) and Jaime Premak Sullivan (BREAKING IN, 2018). It’s tempting to call this one ‘Cujo as a lion’, as a tip of the cap to the 1983 adaptation of Stephen King’s horror-novel, but there are many reasons not to do so.
Greetings again from the darkness. Drugs continue to destroy lives despite this being 40 years past when Nancy Reagan first counselled folks to ‘Just say no’. Not surprisingly, an ad campaign had little effect in the war against illicit drugs that immediately made people feel better (regardless of the long-term impact). Before and since that era, there have been countless films with storylines depicting the negative side of drugs – violence, gang activity, broken families, shattered dreams, failing health, and death. The drug stories that work best are those that narrow the focus and zero in on a personal story, and that’s what director Michelle Danner and screenwriter Jason Chase Tyrrell have done here.
Greetings again from the darkness. It’s been 25 years since the paparazzi chased the car into that Paris tunnel. The ensuing accident took the lives of Princess Diana, her boyfriend Dodi Al Fayed, and their driver, Henri Paul. The tragic and stunning event led to global grieving for a Princess who many felt never was accepted as a member of the Royal Family. Director Ed Perkins (BLACK SHEET, 2018) uses only archival footage, stills, and news clips to show how the media covered Diana over what was less than two decades in the spotlight. No new interviews – the talking heads we are accustomed to in documentaries – are included here, only the editing of existing media materials are offered as storytelling devices.
Greetings again from the darkness. We are taught from an early age to take good care of our teeth. For vampires, oral health care is even more important. See, their fangs cannot grow back … in fact, that’s the only part of their bodies that those supernatural powers can’t heal. This leads us to the premise of this film – vampire hunters collecting fangs not just to thin the heard, but also for the monetary reward attached to such valuable collectibles. Look, I’m trying here; but this first feature from long-time stuntman and stunt coordinator JJ Perry suffers from a lackluster script seemingly gap-filled to connect a handful of decent ideas and raucous fight sequences.
Greetings again from the darkness. Aubrey Plaza proved during “Parks and Recreation”, and most every role since, that she is nearly unmatched in her ability to deliver blistering one-liners. However, over the last few years, she has expanded her repertoire and has become a fascinating, multi-talented actress who is exciting to watch. The feature film debut of writer-director John Patton Ford provides the opportunity for Ms. Plaza to push her dramatic chops into the world of crime. She not only doesn’t disappoint, she excels.
Greetings again from the darkness. Co-written with Michael Bronner (THE MAURITANIAN), co-writers and co-directors Declan Lawn and Adam Patterson base their first feature film on a remarkable true story … one whose final chapter may not yet be written. We are surrounded by fraud on a daily basis – emails from a Nigerian Prince and spam calls for an expired car warranty that never existed, to name a couple of mainstream schemes. But the real life saga of Robert Freegard takes fraud and the long con to a whole new level.
Movie Reviews from the Dark 