Greetings again from the darkness. Perhaps we can all agree that hiking is not best served as a spectator sport. Sure, there have been other hiking movies, including WILD (2014) as Cheryl Strayed (portrayed by Reese Witherspoon) takes on a solo hike of the Pacific Crest Trail. Yet almost by definition, a hike is meant, at a minimum, to help clear one’s head and, at its best, allow a connection with nature as one tries to center themselves from the stress of life. Writer-director Bart Schrivjer w-d (not his first hiking movie) has seemingly captured these elements of hiking better than others.
We hear a phone call between close buddies Chris and Lluis, and then flash forward ten years as Chris (Bart Harder) and Lluis (Carles Pulido) meet up to hike the 600 km (370+ miles) of the West Highland Way and Cape Wrath Trail. The plan is for 28 days on the journey and a hope that the friendship can be reignited. See, as it does, life has happened in much different ways for these two gents. Chris is attached to his phone in order to keep up with a business that depends on him. Lluis quit working as a wedding videographer and now seems a bit lost (though committed to the journey). Chris and his significant other are preparing to have a kid, while Lluis has no interest in starting a family – despite not really knowing what he wants.
One thing beyond debate is the spectacular beauty of the Scottish Highlands. Schrivjer often chooses to film Chris and Lluis from afar to give a sense of how small they are in comparison to this majestic environment. As you might imagine, there are no shortage of challenges for the two friends. Rain, midges, rocks, hills, injury, secrets spilled, and even crossing paths with other hikers are some of what they face. Periodic games of Uno in the small, shared tent help pass the time as their bodies rest. They even choose to scrap GPS and go “old school” with a paper map … although it appears they cheat a bit on this one.
Chris and Lluis periodically have minor tiffs as you would expect, and it becomes clear that both are in need of nature’s healing power … right along with their friendship which has drifted over the years. Each viewer will likely have their own perspective of what to take from the film. Some will probably find it slow and a bit dull, while others will attach to the self-reflective atmosphere provided by the breathtaking views and minimal dialogue.
Opening in UK cinemas on April 24, 2026
Posted by David Ferguson
It’s possible, even likely, that I’ve been more surprised by a book than I was by this latest from Joe Pappalardo (a freelance journalist and critically acclaimed author), but I don’t recall when or by what book. While it’s understandable that many readers would initially muster little interest in a true story that took place 99 years ago in a small town located in the Texas panhandle, that’s where the surprise comes in. The Borger, Texas population may be significantly smaller now than it was then, yet the story includes politics, violence, corruption, brothels, moonshine, sports gambling, greed, and the evolution of America … many of the elements that keep us glued to the book’s pages and sometimes stunned by what we are reading.
Greetings again from the darkness. As evidenced by the abundance of ‘shoot-em-ups’ released each and every year, it’s clearly not that challenging for screenwriters to find a reason to have characters firing bullets at each other. Director Ben Wheatley proved his mettle with this genre in 2016 with the excellent and madcap FREE FIRE. This time out, he’s working from a script by Derek Kolstad (the “John Wick” and “Nobody” franchises) and Bob Odenkirk (well known comedy writer and star of “Better Call Saul”).
Greetings again from the darkness. For a soldier of war, making it back home is the goal; yet it’s also only a first step. What comes home with the veteran is never simple. Many films have characterized PTSD on screen, but the debut feature from writer-director Aaron Davidman digs even deeper. Slinger (Joshua Close, “Fargo”) returns home as a wounded Special Forces veteran who nearly died (perhaps he even did briefly) and now must rediscover his own self while also finding his place in a society that presents so many challenges for him.
Greetings again from the darkness. For his debut feature film, writer-director Josh Heaps pays tribute to the Italian Giallo films (originating in the 1960’s) he clearly adores. But he goes a step further by creating his own Giallo … placing a Giallo-loving film student right in the heart of a Giallo world. Clearly not a film for the masses, but for the admirers of this genre, it’s likely to bring great pleasure and entertainment.
Greetings again from the darkness. It’s a tradition that began with JAWS (1975). Every summer gets a new disaster or shark movie … something to put a bit of doubt into the minds of beach vacationers everywhere. Of course, Spielberg’s original film (from Peter Benchley’s novel) remains the best, and in addition to the slew of movies, it’s been joined by Discovery’s “Shark Week” and even the absurd “Sharknado” movies. In fact, there have been so many through the years, that we are ready for the blending of disasters like we get with this latest from writer-director Tommy Wirkola (the underappreciated VIOLENT NIGHT, 2022).
Greetings again from the darkness. Evidence of the greatness of William Shakespeare has been provided so many times and in so many ways over so many years. Books, live theater, movies, and the work of influenced artists have made their way to various audiences, and regardless of the specific project, the source material stands tall. Director Aneil Karia and actor Riz Ahmed previously shared an Oscar for their excellent short film THE LONG GOODBYE (2021) and now they have collaborated again on an adapted screenplay by Michael Lesslie (MACBETH. 2015 with Michael Fassbender and Marion Cotillard) for a new version of Shakespeare’s “Hamlet”.
Greetings again from the darkness. Psychologists long ago concluded that ‘belonging’ is a fundamental human social need. Finding our ‘peeps’ … a group of similar folks to share life with … plays a significant role in our identity – who we are. Documentarian Julie Wyman turns her focus … and her camera … onto herself as she searches for her own place.
Greetings again from the darkness. The first documentary from Cindy Meehl was her award-winning profile of ‘horse whisperer’ Buck Brannaman in BUCK (2011). It was a fantastic profile of an interesting man, and Ms. Meehl’s latest provides an even more personal look at artist James Grashow and his six-decade career, culminating in his masterpiece, “The Cathedral”.
Greetings again from the darkness. If you see something, say something. If you know something, say something. If you fear something but aren’t sure, say something. Such is the world we live in today … the world our children live in today. Somehow that same world also revolves around social media and the insatiable desire to be ‘seen’. The first feature film from writer-director Oscar Boyson and co-writer Ricky Camilleri takes on these somewhat conflicting societal issues, and they do so with an approach that’s at times absurdist, often comical, and always a bit frightening (in a real world way).