THE TROUBLE WITH JESSICA (2025)

April 24, 2025

Greetings again from the darkness. For most of us, the worst thing that happens at a dinner party is the pork loin is a bit dry or the wine selection is a bit lacking. Among the worst occurrences are the friction and hurt feelings caused by a joke-gone-wrong, or God forbid, someone brings up politics. It’s just such a dinner party that kicks off this film from writer-director Matt Winn and his co-writer and frequent collaborator, James Handel.

Husband and wife Richard (Rufus Sewell) and Beth (Olivia Williams) arrive at the lovely London home of Sarah (the always fabulous Shirley Henderson) and Tom (Alan Tudyk). Hitching a ride is uninvited mutual ‘friend’ Jessica (Indira Varma), whose recent book has just hit the bestseller list. Jessica is one who sometimes over-imbibes and is a notorious flirt, rarely taking much precaution in either activity.

Two things happen that drastically impact the evening’s proceedings … and neither has to do with the Clafoutis dish Tom prepared (and takes enormous pride in). The friends are stunned when they learn Sarah and Tom must sell the house quickly or face financial ruin – something unthinkable to those who have lived this life. Secondly, and infinitely more shocking, is the realization that Jessica has committed suicide in the garden. On top of those biggies, secrets are later revealed that feel like a gut punch after the crisis.

With the home sale pending, Tom and Sarah believe a dead body will turn off the buyer, resulting in the bankruptcy they so fear. Their plan is to convince long-time friends Richard and Beth to go along with a scheme that will prevent further disaster. Arguing, debating, and ‘what about’ discussions, some quite animated, take center stage with the group. The drama is elevated by a nosy neighbor (Anne Reid) and an unexpected visit from the potential buyer (a terrific Sylvester Groth who played Goebbels in INGLOURIOUS BASTERDS, 2009).

Winn cleverly uses chapter subtitles, each beginning with “The Trouble with …”, to reinforce the live theater feel of the story. Some of the chapters work better than others, but it’s the veteran and talented cast that diligently pull off the dark humor at a time no one should be laughing. Shirley Henderson especially shines as she spews her lines with that unique and distinctive voice of hers.

The soft jazz score, credited to director Matt Winn and Matt Cooper, provides a nice touch, and mostly we just look at these folks and wonder how far they will go to keep themselves out of trouble. If not for the comedic touches, it would be quite disturbing … well, even with the comedy, it’s quite disturbing. However, a new twist on the dinner table setting is welcome, and despite everything, the film maintains a level of entertainment.

Opens in theaters on April 25, 2025

WATCH THE TRAILER


PINK FLOYD: LIVE AT POMPEII (1972/2025)

April 24, 2025

Greetings again from the darkness. No one familiar with Pink Floyd would expect a conventional concert film from the band. So how about a live concert from the ancient Roman amphitheater in Pompeii, the city destroyed by the eruption of Mount Vesuvius in 79 A.D.? And just for fun, we’ll have the band playing to an empty arena … no fans allowed. Now THAT is a Pink Floyd concert film.

Adrian Maben’s film was first released in 1972, and has had subsequent video releases since, so it’s likely most Pink Floyd fans have seen the film in one form or another. However, it’s time to watch again – only this time in a remastered 4K version that looks and sounds great. The beginning of the film shows all of the band’s equipment being set up (and yes, they had challenges with running enough electrical power to the area).

If you aren’t sure, this is the post-Syd Barrett lineup with Roger Waters on bass (and gong), David Gilmour on lead guitar, Richard Wright on keyboards, and Nick Mason on drums. In keeping with the times, we often see Gilmour and Wright going shirtless, scraggily hair on Waters, and sandals for the Italian sand. Also making his way around the band and equipment is Peter Watts (father of actress Naomi Watts), the band’s stage and sound manager.

It’s quite a visual to see the band and all the high dollar equipment set up in the middle of an empty majestic relic of the past. Songs played in the amphitheater include “Echoes” (split into two pieces), “A Saucerful of Secrets”, “One of These Days” (mostly Mason’s drumming), and then add-ons include “Careful with that Axe, Eugene”, “Mademoiselle Nobs” (with canine vocals), and “Us and Them”. We get some limited interviews, but the only real insights gained are: Mason likes pie without the crust, and the band readily admits to much arguing (no surprise there).

Pink Floyd was always willing to experiment with sounds and sights – here we get some early graphics and effects, including volcanic lava. This film offers a look into those early 1970’s years, and there are even some segments filmed inside the studio for the classic album, “The Dark Side of the Moon”. Certainly, the film helps make sense of the superb lyric, “The lunatic is in my head”.

In theaters and in IMAX beginning April 24, 2025

WATCH THE TRAILER


USA FILM FESTIVAL 2025 preview

April 21, 2025

April 23-27, 2025

Angelika Film Center, Dallas

There may be no such thing as a Free Lunch, but thanks to the USA Film Festival, there is something even better … FREE MOVIES! Of course, not all screenings are held at no charge, yet this remains an affordable and entertaining festival experience for all film lovers.

Celebrating its 55th anniversary, the festival has long been one of my favorites due to the schedule of diverse films: narratives, documentaries, shorts, students, and experimental. Mix in a selection of repertory films, attendance by a slew of filmmakers and celebrities, and the annual tributes to industry icons, and you quickly see why this Dallas-based festival holds a special place in my heart.

This year’s opening night event on April 23 is “The World of Nancy Kwan – A Salute to Nancy Kwan”. The breakout star of THE WORLD OF SUZIE WONG (1960) will participate in a book signing and an on-stage conversation, following a career retrospective including clips of her performances in film and television. Also on opening day, there is a Salute to renowned director Jon Avnet with a screening of his new film, THE LAST RODEO. Mr. Avnet will attend along with the film’s co-stars, Neal McDonough and Mykelti Williamson. All three were involved with the fantastic TV series, “Justified” and “Boomtown”, and Mr. Avnet is known for having directed FRIED GREEN TOMATOES (1991), as well as Broadway plays.

Other highlights on the festival schedule include Beth Lane’s powerful documentary UnBROKEN, a look at how the Holocaust impacted her own family (with Q&A session); Mitch Yapko’s short film WATCHING WALTER featuring Ft Worth’s own Stephen Tobolowsky in the title role (director and star in attendance); William Shockley’s directorial debut, LONG SHADOWS, a western with an impressive cast; director Daniel Minahan’s stunning ON SWIFT HORSES (based on the novel by Shannon Pufahl) with another tremendous cast; and Jason Buxton’s psychological thriller, SHARP CORNER starring Ben Foster.

That’s just a quick taste of what’s coming, along with other feature films, documentaries, and short films. In a perfect example of what sets this festival apart, actor Martin Kove will attend and be honored at a special 50th anniversary screening of the cult classic, DEATH RACE 2000 (1975). The closing night film will be the soon-to-be-released TONIC from local filmmakers, writer-director Derek Presley and editor Jason Starne. Filmed entirely in Dallas’ Deep Ellum area, the film covers a rough night of what-else-can-go-wrong for a washed-up pianist played by Billy Blair.

USA Film Festival excels in offering a diverse festival experience with something for everyone.

For more details and to view the full schedule of programs, visit
https://www.usafilmfestival.com/
 
Tickets range from Free – $10 (quantities are limited).
https://www.eventbrite.com/cc/55th-annual-usa-film-festival-4150893
 
DAY-OF-SHOW TICKETS — (Based on availability) Any unsold/unreserved tickets will be made available  at the Angelika Film Center upstairs Sales Desk beginning ONE HOUR prior to EACH showtime.


CHOSEN FAMILY (2025)

April 18, 2025

Greetings again from the darkness. It’s feasible for a filmmaker to have the best intentions with a project, and for whatever reason, the end result just not be satisfying. This appears to be the case with this latest from Heather Graham, who wrote, directs, and stars in a film meant to inspire us to take control of our own life and stop blaming others for the obstacles or our own poor decisions.

Ms. Graham (BOOGIE NIGHTS, 1997) stars as Ann, a self-described people-pleaser who teaches yoga at a studio she doesn’t own in a coastal Rhode Island community that looks to be somewhat affluent. Somehow, her sparsely attended yoga classes must pay well, as Ann lives in a stunning home overlooking the water. Her first mission is to pick up her sister Clio (Julia Stiles, 10 THINGS I HATE ABOUT YOU, 1999) from drug rehab and drop her at their parents’ house. Dad (Michael Gross) is a religious zealot constantly accusing Ann of “living in sin”, while Mom (Julie Halston) is filled with regret that she never pursued the singing career she desired. This is Ann’s family, so given the film’s title, you can likely guess where this is headed.

In contrast to her chaotic family, Ann has a group of very close friends who support her. Max (Thomas Lennon, “Reno 911”) is opening a new waterfront restaurant with the help of his wife Francis (Oscar winner Odessa Rae) and their friend Roz (Andrea Savage, STEP BROTHERS, 2008). Ann’s poor/comical track record with boyfriends is a constant point of discussion, and Max introduces her to his contractor, Steve (John Brotherton, FURIOUS 7, 2015). Steve is a nice man and the two hit it off.

Things change quickly when Steve agrees to introduce Ann to his daughter Lilly (Ella Grace Helton, “Sweet Magnolias”), who hasn’t handled her parents’ divorce very well. That’s an understatement. In fact, Lilly displays the psychotic behavior of someone who has been a psychopath-in-training for years. She’s manipulative and vindictive, and has no intention of letting Ann come between her and good ol’ dad.

I’d like to say this piece of the story is overdone to the extreme, but again, that would be an understatement … one capped off with a totally inappropriate hip-hop dance contest between Ann and Steve’s child, Lilly. This happens around the time that Ann posts an all-too-honest vlog while wearing a bikini and dissing her family. Somehow, all of this is supposed to be played as comedy, but mostly it’s kind of pathetic seeing grown adults act the way they do here. At least Lilly’s obnoxious behavior can be explained as a young kid going through a stressful destruction of the only life she’s known.

Ann’s vlog brings her notoriety as an influencer, yet she continues to kowtow to Steve, her parents, and her sister. Things come to a head when Ann gets her big yoga break on stage at an exposition. Chaos ensues on stage and it (finally) awakens something in Ann.

We get a quick dose of a horrific backstory involving Ann and Clio as kids, but it’s never explored, and Ms. Graham handles most of Ann’s scenes with a mixture of bug eyes and squinting in disbelief.  The end result may not be what we’ve come to expect from movies, but it’s the sensible finale that gives meaning to the film’s title. There is very little real humor in this comedy, and though just about any of the story lines could have been more fully developed, we are instead left with a mishmash of Ann’s own making … which turns out to be the moral of the story.

Available for digital download beginning April 21, 2025

WATCH THE TRAILER


Broadway Dallas: MAMMA MIA! (2025)

April 17, 2025

Music Hall at Fair Park

April 15-27, 2025

Sometimes a getaway to a Greek isle is meant only to be a good time. Such is the ongoing popularity of the stage production “based on the songs of ABBA”. The Swedish band’s global success was first derived through these songs in the 1970’s. In 1997, British playwright Catherine Johnson wrote the story that led to the smash stage musical (1998), followed up by the blockbuster film in 2008 (starring Meryl Streep and Amanda Seyfried). Both the stage production and the film were directed by Phyllida Lloyd. The most recent of many incarnations of the stage musical continues this year with a United States tour, a six-month stint on Broadway (beginning in August 2025), and finally, an international tour.

For those local to the area, Broadway Dallas features a two-week run of the production and if the audience from the April 16 show is any indication, the immense popularity of the show remains in place thanks to a blend of the comedy and music. You likely know the story of Donna Sheridan, a single mom who has raised her daughter Sophie while running a hotel on a picturesque Greek island. Twenty-year-old Sophie is preparing for her wedding to Sky, and unbeknownst to her mother, has invited three of Donna’s former lovers … one who is most likely Sophie’s unnamed father.

This talented cast consists of Christine Sherrill (Donna), Amy Weaver (Sophie), Carly Sakolove (Roxie), Jalynn Steele (Tanya), Rob Marnell (Harry Bright), Jim Newman (Bill Austin), Victor Wallace (Sam Carmichael), and Grant Reynolds (Sky). Although much of the focus is on Donna and Sophia, it’s really Donna’s friends, Roxie and Tanya, who steal the show as Donna and the Dynamos and in individual scenes that elicit roars from the appreciative audience. I found Ms. Steele’s Tanya to be especially entertaining (and energetic). Of course, the three men all have their moments in the spotlight, ensuring a love-love connection with those in attendance.

The music composed by Benny Andersson and Bjorn Ulvaeus (both of ABBA) is obviously an integral part of the production. Unfortunately, during this show, the vocals were often drowned out by the too-loud instrumentation of the band’s guitars, organs, and drums. This was especially disappointing during highlight moments for featured solos by Ms. Sherill and Ms. Steele. The distraction was lessened during the ballads, and when the ensemble was in full force, the choreography delivered rousing fun for all.

White walls and blue doors make up the simple set design, evoking the familiar images of Santorini. The only shifts occur when a bed is added for ‘indoor’ scenes or a boat (named “Waterloo”) takes us briefly to the shore – and a terrific ensemble number with flippers and snorkels. Overall, the show is quite the crowd-pleaser and the familiar songs (“Dancing Queen”, “Mamma Mia”, “S.O.S.”, “Super Trouper”) generated a bit of unsolicited audience sing-along and clapping-in-time. You will likely notice a few dedicated fans dressed in sparkles and spandex, fully committing to their adoration of “Mamma Mia!” … a show designed to deliver a good time for all.

https://broadwaydallas.org/shows/mamma-mia/

@BroadwayDallas


NEIL YOUNG: COASTAL (2025, doc)

April 14, 2025

Greetings again from the darkness. Over his 60-year career, Neil Young has proven to be one of a kind. As an incredibly talented songwriter with an instantly recognizable singing voice, he’s also acclaimed for his guitar playing. Few musicians have cut a wider swath of diverse music than the Canadian-born Young. His success began in the 1960’s with Buffalo Springfield and Crosby, Stills, Nash, and Young. A solo career with two amazing albums (“After the Gold Rush”, “Harvest”) took him to new heights in the 1970’s, followed by some hard-rocking tunes with Crazy Horse. Since then, he’s kept fans guessing as to what style each successive record would feature.

He has also dipped his toe into directing movies, and the most recent one I saw was MOUNTAINTOP (2019) directed by Young’s nom de plume, Bernard Shakey. The film was an interesting look at the uneasy process of Young and Crazy Horse collaborating on a new album. This time out, Young/Shakey is not directing. Instead, it’s Neil’s wife, actress Daryl Hannah. She spends most of her time behind the camera, though we do catch a few glimpses of the SPLASH (1994) star. She gets full credit for the crisp black-and-white look of the film.

It opens with Neil Young writing in the sand as the waves flow in and out. It’s a reminder that writing is his true gift, and this occurs just as he’s undertaking a short tour on the west coast. Each show will be held at an outdoor venue … including the stunning amphitheater, The Ford. Thanks in part to COVID, this is Young’s first tour in four years, and his son Ben joins him for one leg of the tour. As the miles go by, we eavesdrop as Neil and his Silver Eagle bus driver, Jerry Don Burden, chat about a few topics … including Howard Hughes.

The conversations aren’t particularly interesting (and neither man appears to be wearing a seatbelt), but we do gain some insight that Young’s activism remains in place as he hopes the crowd will understand the meaning behind his song, “Love Earth”. A later singalong reinforces this. Of course, Young’s blistering “Ohio” in 1971 solidified his voice on social topics.

Beyond all of that, this film, and most of Neil Young’s career, has been about the music. In these beautiful venues, Young digs deep into his catalog for some rarely (maybe never before) played live songs. His musicality is expressed through many guitars, a piano, a reed organ, and his ever-present harmonica. This solo act is something to behold, and it raises another question: has the renowned curmudgeon softened? This appears to be a kinder, gentler Neil Young. He even serves up playful banter with his audiences. Perhaps recovering from a brain aneurysm has caused this, or maybe it’s the steady presence of his wife. Either way, it’s a good look for the 79-year-old musical genius – the one who sips tea from a Willie Nelson porcelain mug.

In theaters for one night only on April 17, 2025

WATCH THE TRAILER


THE KING OF KINGS (2025, animated)

April 10, 2025

Greetings again from the darkness. We don’t typically look to South Korea for animated children’s stories recounting the history of Christianity, yet this first film from Angel Studio delivers just that … well specifically, the story of Jesus for Easter. Seong-ho Jang has made a name as a Visual Effects expert, and with this directorial debut, he tells the Jesus story in a way that should keep most kids engaged. The screenplay was written by director Jang, Rob Edwards, Jamie Thomason, and Hoseok Sung.

We open with the great Charles Dickens on stage reciting his “A Christmas Carol” to an audience. Backstage, Dickens’ three kids are a bit rambunctious and interrupt the show to the point that tests the patience of Charles. Young Walter, obsessed with tales of King Arthur, is especially troublesome. Upon arriving back home, Charles promises Walter a story with even more adventure and excitement, although the boy is a bit disenchanted that there will be no dragons.

Charles, with an assist from wife Catherine, proceeds to tell the story of Jesus … despite Walter’s initial rebuff of “a baby story”. We watch as the story plays out (often with Walter in the scene), although the movie does periodically bounce back to the study where Charles is weaving the tale and Walter is (mostly) mesmerized. Most of the familiar segments of the story of Jesus are included: the manger, plagues, parting of the Red Sea, John the Baptist, Satan tempting Jesus, feeding the masses. We meet the twelve apostles, and see miracles performed, the story of Lazarus, the Last Supper, Peter’s three denials, Judas’ betrayal, and of course, the crucifixion and the resurrection.

The voice cast is outstanding. Kenneth Branagh is Charles Dickens, while Uma Thurman is his wife Catherine. Roman Griffin Davis voices Walter, the kid whose shenanigans are the reason behind the story. Others include Oscar Isaac as Jesus, Mark Hamill as King Herod, Pierce Brosnan as Pontius Pilate, Ben Kingsley as Calaphus, and Forest Whitaker as Peter. The film is visually appealing and told in a way that kids should easily follow (through the eyes of Walter) … and some will be surprised at the similarities to King Arthur and the Knights of the Round Table.

Opening in theaters on April 11, 2025

WATCH THE TRAILER


ONE TO ONE: JOHN & YOKO (2025, doc)

April 10, 2025

Greetings again from the darkness. So why did John Lennon and Yoko Ono leave England to live in New York? This film provides the answer. Where did they choose to live? The film provides the answer. Why did John perform his only full post-Beatles concert in 1972? This film provides the answer. Why did they become so politically and socially active during those first 18 months in the States? This film provides the answer. And if you ever wondered how John felt about American television, well you guessed it … this film provides the answer.

Where did all of these answers come from? Well, Oscar winner Kevin Macdonald (ONE DAY IN SEPTEMBER, 1999; THE LAST KING OF SCOTLAND, 2006; MARLEY, 2012) co-directs with Editor/co-director Sam Rice-Edwards and they focus on a very brief timeline, so that we might better understand John Lennon and Yoko Ono. You might think you know all you need to know about this famous couple, but the filmmakers, along with Producer Sean Ono Lennon, ensure that you see and hear clips you haven’t seen or heard before.

Much of this is centered around John’s only full post-Beatles concert in 1972, entitled “One to One”. Its purpose was to raise funds for kids through Willowbrook State School. And that’s not the only storyline about a kid – it turns out, one of the reasons John and Yoko moved to the states was her hope in reuniting with a long-lost daughter named Kyoto. It’s just one of the elements of the film that makes this much more of a personal story than simply a recap of celebrities. 

The film also works as a snapshot of the era. President Richard Nixon (one clip shows him sporting a maroon blazer), extremist Jerry Rubin, “The Mike Douglas Show”, Dick Cavett, Attica, Andy Warhol, and Billy Graham all have their moments. The attempted assassination of George Wallace is shown, as are numerous TV ads, TV series clips, and some news reports. The Vietnam War and Watergate are featured, yet somehow Allen Ginsburg reciting an ode to wiping one’s rear-end nearly steals the show.

We’ve all seen clips from Lennon’s One to One concert, and here they are remastered and sound terrific. “Instant Karma”, “Hound Dog”, “Cold Turkey”, “Imagine”, “Give Peace a Chance” are all shown, but it’s the scorching version of “Come Together” that really stands out. Of course, we are subjected to Yoko’s onstage banshee screeching … though thankfully near the end of the film, she gets a more heartfelt chance to actually sing.

During the film, the contrast with Nixon is obvious. John and Yoko are sincerely committed to peace, love, and justice, while Nixon’s politics for power stands opposed. The recreation of John and Yoko’s small apartment in the Village is quite something to behold – and remarkable when compared to the photographs and archival footage. When John describes his early obsession with TV as ‘a window into the world’ and a replacement for the fireplace of his youth, we gain even more insight into the man known mostly for his music and quips. In 1973, John and Yoko moved from the small apartment in the Village to the swanky Dakota building. His wish for the couple to be remembered as “two lovers” comes closer to reality with this film. Some of their home movies (with Sean) are played as the runtime ends.

In IMAX theaters on April 11, 2025

WATCH THE TRAILER


LITTLE MISS SOCIOPATH (2025)

April 8, 2025

Greetings again from the darkness. Some folks just kind of float through life feeling ‘not seen’ … even though their inner voice speaks to them incessantly. This describes Clementine/Clem, a Pharmacy Technician who specializes in holding her tongue in most social and family situations. When her beloved dad dies, Clem is forced to cohabitate with her less than warm-hearted stepmom. This is the set-up for the first feature film from writer-director Miv Evans.

To clarify, death is not typically a hot topic for comedy, but this time it’s front and center of some dark comedy that pushes the boundaries of the ethics most members of society subscribe to. (A relatable) Jenny Tran plays Clem. She’s a repressed individual who rarely gets noticed, though her rapid-fire inner dialogue provided through narration informs us of her many insecurities, her love for her dad, and her challenging stepmom. When Dad unexpectedly passes, Jenny is bullied into caregiving for Bella (Victoria Goodhart), her uptight former hippie artist stepmom.

At work, Clem forms a rare connection with the oddball new hire. Adam (Brendan Michael Coughlin) is her ‘fantasy guy’, mostly because he’s charming and notices her and engages with her. It matters little that he is mostly full of BS, while spinning tall tales about his background, situation, and knowledge. Add morphine to this arrangement and soon enough Jenny has a new business venture that finds her selling her soul to cash in on the elderly as a client of Swan Song Agency – featuring the world’s most constantly put-off receptionist.

Add in Mrs Carter (Lisa Scott), an extraordinarily nosy neighbor, and Erica (Pamela Shaw), a flamboyant and slightly mysterious client of Clem’s new caretaking service, and you have the makings of an entertaining venture that will test your own moral code – do you support Clem or are you shocked? Filmmaker Evans kicks off the film with the line, “Everyone seems normal till you get to know them.” That sentiment certainly holds true in this little movie that would be quite popular at most film festivals.

The film releases on April 7, 2025

WATCH THE TRAILER


FREAKY TALES (2025)

April 4, 2025

Greetings again from the darkness. While I’m unsure whether this qualifies as a tetraology, this oddball and zany film consists of four separate yet interrelated stories with crossover characters.  Previous collaborations from the film’s co-writers and co-directors, Anna Boden and Ryan Fleck, include CAPTAIN MARVEL (2019), the underrated IT’S KIND OF A FUNNY STORY (2010), and SUGAR (2008).

It’s 1987 and the audience for a just-ended movie is making its way outside the Grand Lake Theater in “hella wild” Oakland, California. A truck full of neo-Nazis spew vile at the patrons as they cruise by. Best friends Lucid (Jack Champion, RETRIBUTION) and Tina (Ji-young Yoo, “ExPats”) make their way to The Gilman for some live music. There is an unrequited love connection between the two friends as the jam, but things turn violent when the neo-Nazis show up. Punks vs Nazi bullies goes full bore.

In Chapter Two, Dominique Thorne and Nomani make up the group Danger Zone, and as they leave the previously mentioned movie, they are verbally abused by the Nazis and recognized by someone who invites them to Rap Battle the great Too $hort. It’s in this segment where Ben Mendelsohn identifies himself as a cop … and the Rap Battle features some blistering lyrics.

The next chapter finds Pedro Pascal’s Clint as the collections muscle behind a crime lord, and as his pregnant wife waits in the car, Clint has a hilarious interaction with Hank, a video store manager played by Oscar winner Tom Hanks. Hank peppers Clint with movie trivia questions, despite Pascal being there for a completely different reason.

Throughout the story, there are references to the local NBA team, the Warriors, and their playoff series against the hated Lakers. Local legend “Sleepy” Floyd is mentioned, and the final chapter pretty much belongs to Sleepy (played by Jay Ellis) and Ben Mendelsohn. Angus Cloud (“Euphoria”) passed away in 2023 and he excels in his scenes with Mendelsohn. Sleepy Floyd goes off on a mystical rampage of revenge and it’s a visually volent treat.

If you are the type of movie goer seeking nuance … this ain’t the place. The filmmakers play homage to 1980’s genre films like REPO MAN (replete with neon green eye glow), while PULP FICTION is another obvious influence (Chapter 4 resembles KILL BILL a few times). Raphael Saddiq’s score is a nice complement, and you’ll note cameos from Keir Gilchrist, Marshawn Lynch (driving a bus), Too $hort, and the real Sleepy Floyd. Unfortunately we are never given instructions on how to register for “Sleepy’s Mind Wide Awake” seminar. A grain of salt is included.

Opens April 4, 2025

WATCH THE TRAILER