Greetings again from the darkness. This sounds less like a music trivia question and more like a trick question: Who played with The Beatles, The Rolling Stones, The Who, The Kinks, Jefferson Airplane, Harry Nilsson, Joe Cocker, Jeff Beck, Badfinger, Art Garfunkel, Graham Parker, and on solo albums by all four Beatles? Of course, if you are a fan of music from the 1960’s and 1970’s, you likely know it’s not a trick and the answer is the amazing and talented keyboardist, Nicky Hopkins.
First time director Michael Treen provides a platform for musicians and performers to pay tribute to “the legendary Nicky Hopkins.” And what they do is gush over Hopkins’ talent. Perhaps the best compliment given is that Hopkins was never the star – he just made the song better. And by ‘the song’, it refers to the fact that he played on more than 250 albums by various bands and musicians. Hopkins was the studio musician extraordinaire. He even periodically played live shows, and Treen includes some clips of Hopkins performing on stage.
As a child prodigy, Nicky studied classical music and later transitioned those remarkable skills into other genres. Treen includes various clips of a 1991 interview with Hopkins, so that viewers better understand the reserved personality of this keyboard genius. Beyond the input from the musicians who worshipped his ability, we hear from his widow who clearly adored him. It’s here where we learn of his drug abuse, alcoholism, and subsequent rehab. And by this time, we are quite aware of the lifelong health issues accentuated by Nicky’s early onset Crohn’s disease … the complications of which contributed to his too-soon death at age 50.
Hopkins may be best remembered for his contributions to fourteen albums by The Rolling Stones, and I always think of him when I hear “Revolution” by The Beatles. Only this year was Nicky Hopkins finally inducted into the Rock ‘n Roll Hall of Fame. He can now forever be remembered as the musician who just made the song better. In fact, it’s mentioned that Hopkins believed he was Frederic Chopin reincarnated … who are we to argue?
In UK cinemas beginning November 21, 2025
Posted by David Ferguson 
Greetings again from the darkness. I’ll begin by admitting two things. First, I don’t watch many romantic-comedies. Second, I do understand why the genre is appealing to so many. That second point seems especially true around the holidays when emotions run high and the Hallmark channel peaks. Netflix is joining in the fun with this latest from writer-director Mark Steven Johnson, who in 2010 explored the genre with WHEN IN ROME. Not one to shy away from gorgeous settings, this time Johnson takes us to Paris, France.
Greetings again from the darkness. Why do 95% of schools have lockdown drills? Why are active shooter defense products a $3 billion industry? Why do thirty states allow teachers to carry firearms? Well, the answer is pretty simple and is clearly stated by one of the students interviewed: because more of us care more about our gun rights than the safety of children. That’s one of the heartbreaking points that comes from this documentary by co-directors Zackary Canepari and Jessica Dimmock.
Greetings again from the darkness. The thing I love about documentaries is that so many tell stories that might otherwise not be told. Quite often, we don’t even realize there is a story to be told, which is the case with this latest from Celia Aniskovich about selling Christmas trees. If you’ve ever strolled the streets of Manhattan in December, then you know there’s no place like NYC at Christmas. Maneuvering through the mass of people becomes more challenging thanks to the street vendors lining the sidewalks selling Christmas trees. And there’s the story.
Greetings again from the darkness. Like most who obsess over cinema, I went through my French New Wave phase. Actually, binge is likely more accurate since the phase has yet to end. I’ll always make time for Truffaut, Godard, Chabrol, Rohmer, Varda, and Demy. American director Richard Linklater clearly shares this fondness as he releases this homage on the heels of BLUE MOON, his other superb 2025 release. Co-writers on this film are Holly Gent, Laetitia Masson, Vincent Palmo Jr, and Michele Petin … two of whom have previous collaborations with Linklater.
Greetings again from the darkness. We don’t see the fire. There is no need. We see the aftermath right along with Dusty as he takes a deep breath and surveys what’s left of his multi-generational ranch. We are also there as he auctions the cattle that he can no longer tend to. Without the assistance of any significant early dialogue, writer-director Max Walker-Silverman (A LOVE SONG, 2022) ensures we understand the man that Dusty is.
Greetings again from the darkness. Historians record events for future generations. We tend to think of history as what we read on the page in books, yet it’s the photographers who often bring those words to life – delivering visuals that hit home and make the past so memorable. Few photographers have done it better or for a longer period of time or across a more diverse cross-section than photojournalist Steve Schapiro.
Greetings again from the darkness. According to one of those interviewed, this isn’t just a Bigfoot story … it’s THE Bigfoot story! The film is directed by Eli Watson (not his first Bigfoot project) and produced by Seth Breedlove, the founder of Small Town Monsters – a production company with projects in the vein of the old “In Search of …” series.
For most moviegoers, what makes or breaks a particular film is a combination of the story and the characters. Not much (if any) thought goes into how the film was made, what techniques or technology was utilized, or how many folks were involved in the process. That’s OK, and in fact, it’s the goal of most filmmakers – produce a film that entertains or enlightens, while keeping the magic behind the curtain. Of course, that ‘magic’ is actually hard work by a large crew after a significant amount of planning and preparation. For those who do care about such things (cinephiles, aspiring filmmakers), this latest book from Sir Roger Deakins is one to read and one to absorb.
Greetings again from the darkness. For those who think of Sydney Sweeney as just an attractive model for blue jeans or eye-candy on the red carpet, this is a movie that will change your mind. She plays tough. OK, not as tough as boxing champ and domestic violence survivor Christy Martin, whom she portrays here … but tough, nonetheless.
