Dances With Films LA
Greetings again from the darkness. Making its world premiere at this year’s Dances With Films LA is the first feature film from writer-director Jay Diaz, whose previous credits include numerous short films, videos, and TV episodes. Himself a first generation American, Diaz tells the similar story of Angel, a man working hard at life while trying to prevent his dreams from slowly slipping away.
Angel (played with heart by Jeff Torres) is a barista at a local coffee shop, an Uber driver, and the caregiver for his ailing mom. In other words, Angel is a grounded giver who also happens to be easy to like and root for. He’s the kind of guy who helps co-worker Heather (Lauren Marini) shoot an audition film, while he also arranges the cake for his young Goddaughter’s birthday party. That birthday party, and one thrown by another co-worker are two of the three that play a key role in the story and in Angel’s life. Surprised to cross paths with his now New York-based ex, Mia (Corina Calderon), Angel awkwardly greets her before heading off to his Uber gig. It’s here where he bumps into his old film school buddy, Taylor (Brian Thomas Smith). Taylor admits that he owes Angel and is surprised to learn that his more talented friend gave up his dream of filmmaking. An invitation to an industry party follows.
There are various elements of the story that work exceptionally well. The only nitpick is the abundance of ‘white people are bad’ moments sprinkled throughout. Of course, we understand that’s part of the challenge Angel faces on a regular basis, yet he’s such a strong and interesting character, this approach seems overly emphasized. We certainly respect his calm demeanor in these unfortunate situations, and he even acts as a connective facilitator during one confrontation. Angel is simply a guy we like and respect, and his constant use of “I got you” is never an empty promise. The varying vibes of the three different parties prove what a juggling act Angel must handle each and every day. By the end, he senses hope that his dreams may still be achievable. Cinematographer Tony Joun effectively shoots the up close and personal scenes, while also capturing the distinct areas of Los Angeles.
Premiering at Dances With Films LA on June 20, 2026
Posted by David Ferguson 
Greetings again from the darkness. Sometimes I believe the best use of cinema is in proving the old adage, ‘truth is stranger than fiction’. Combining that with the mission of Dances With Films to remain a festival that highlights independent filmmaking, featuring director Jay Silverman’s film on Opening Night is a fitting choice. It’s a remarkable story that writer Van Billet based on his own family. We can only imagine some of those holiday memories.
Greetings again from the darkness. It’s been said that we must experience the bad times to fully appreciate the good times. However, while those bad times are occurring, they can feel overwhelming and like it will never get better again. It’s also been said that inner peace can only be found by appreciating what one has. All of this philosophy is on display in this latest from writer-director John Carney and co-writer Peter McDonald. Mr. Carney has been the creative force behind three other gems centered on music: FLORA AND SON (2023), SING STREET (2016), and ONCE (2008). Mr. McDonald’s 2011 short film PENTECOST received an Oscar nomination. These guys are talented and they’ve done it again with this film.
Greetings again from the darkness. We all love a good (and sneaky) twist in a movie. It takes exceptional storytelling and acting to pull it off, and it’s a bit funny when it becomes obvious that the screenwriter just kind of ran out of ways to maintain the suspense. That’s what happens about twenty minutes into this one from writer-director Katie Aselton, real life wife of filmmaker Mark Duplass, who also co-wrote this script.
Greetings again from the darkness. Stories on geopolitics are almost always interesting, and this latest from writer-director Olivier Assayas (CARLOS, 2010) and co-writer Emmanuel Carrere is also quite timely, given the current state of international events. The film is based on the 2022 fictionalized novel by Giuliano da Empoli, and it’s inspired by the life of Vladimir Putin’s former Deputy Chief, Vladislov Surkov … named here as Vadim Baranov.
Greetings again from the darkness. You likely know that an octopus has eight limbs (the name is a giveaway). Did you also know they have nine brains and three hearts? Anything else you need to know about the species, at least for this movie, will be explained by Marcellus (voiced by Albert Molina), the main attraction at the aquarium where much of this story takes place. Most every book club had the 2022 best-selling debut novel from Shelby Van Pelt on its agenda, and now writer-director Olivia Newman (WHERE THE CRAWDADS SING, 2022) and co-writer John Whittington have adapted it for the big screen.
Greetings again from the darkness. The first feature film from writer-director Sophy Romvari has been well received on the festival circuit, and it’s easy to see why so many have been drawn in by this Canadian- Hungarian production. It’s a deeply personal film with autobiographical elements from the filmmaker. The best family dramas often deliver a gut-punch, and this one certainly does … yet it’s the storytelling structure that provides hope for future gems like this.
Greetings again from the darkness. Thoreau famously wrote, “The mass of men live lives of quiet desperation.” That quote may overstate the being of the staff at The Grand, a 100-year-old hotel that once provided service for royalty, but now the seaside inn is crumbling at the seams and desperate for guests. The feature film directorial debut from writer-director Harry Sherriff and co-written by Laurence Tratalos is quite a pleasant surprise.
Greetings again from the darkness. The concept of ‘normal behavior’ seems quite elusive these days, but clearly the uncontrollable ticks and inappropriate (for proper society) verbal outbursts of Tourette Syndrome add to life’s complexities. Writer-director Kirk Jones (WAKING NED DEVINE, 1998) takes on the true story of John Davidson, whose actions prove role models come in many forms. Although the film doesn’t dig too deeply, it benefits from the real-life actions of one man and a couple of excellent lead performances … plus the always welcome presence of two beloved character actors.
Greetings again from the darkness. Memorable movies need not have a huge budget or special effects. All that’s needed is an interesting story and characters we care about. Screenwriter Robert Machoian (the excellent THE KILLING OF TWO LOVERS, 2020) fully understands this, while Cole Webley’s feature film directorial debut (after many shorts and videos) transitions the story to the big screen in a way that leaves us emotionally drained. It’s one of the obligatory ‘tough watches’ that plays the festival circuit – only this one is extremely well written, directed, and acted.
Movie Reviews from the Dark 