THE DILEMMA

January 15, 2011

 Greetings again from the darkness. On average, I see two new releases per week. Selections are based on subject matter, cast, director, and most often, the trailer. My two most recent viewings were BLUE VALENTINE and SOMEWHERE, both somber to say the least. So a light-hearted buddy flick with Vince Vaughn and Kevin James, and directed by Ron Howard, seemed like just the right change of pace.

Unfortunately, the actual film has little resemblance to the film advertised in the trailer. Sure the comedy scenes from the trailer are present: Vince gives an acidic toast, Kevin James does his fat-man dance, and Channing Tatum plays an off-center tattooed boy toy with a loaded gun and dead fish. Where the fraud comes in is with the rest of the film. This is a pretty dark, weighty relationship movie that poses quite the moral dilemma (hence the title) for Vince. Should he tell his best friend and business partner that his wife is cheating on him?

Rather than a few rounds of funny scenes with Vaughn trying to get it right, we get “deep” emotional wrangling of a poor guy who just doesn’t know the best solution. Along the way he hurts many people he likes, and a few he doesn’t. Please don’t take this wrong, I am fully onboard with dramas being mixed with comedy. In fact, Ron Howard has provided us with one of the best examples of this … PARENTHOOD. However, this is nowhere near that level, and in fact, misses the mark in both comedy and drama.

I spent much of the movie trying to decide who was most frightening, Winona Ryder or Karen Carpenter. What?? Oh wait, I meant Winona Ryder or Jennifer Connelly. Too soon? Come on, she died in 1983. The point is Ms. Ryder carries forth with her BLACK SWAN look and Ms. Connelly evidently hasn’t had solid food for at least a dozen years. Queen Latifah does her best to bring some energy to the film, but her character only has about 3-4 scenes. It’s always nice to see how Ron Howard works in his brother Clint and his father Rance … thereby keeping their actor’s guild cards current.

 There really was a good idea here, but the comedy and drama just weren’t meshed well. And Kevin James as a genius engineer? Seems a stretch from Mall Cop! Ron Howard has some classic movies to his name. Some funny ones like NIGHT SHIFT, and some dramatic ones like A BEAUTIFUL MIND and APOLLO 13. Unfortunately, this one falls flat and really provides little entertainment.

SEE THIS MOVIE IF: umm … sorry, I’ve got nothing … just watch the trailer and save your money.

SKIP THIS MOVIE IF: you are expecting a slapstick comedy with Vince Vaughn, Kevin James and Queen Latifah.

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Posted by David Ferguson

MADE IN DAGENHAM

January 1, 2011

 Greetings again from the darkness. The first thing that strikes you about this movie is that it looks and feels like ancient history. In fact, it is based on the real life happenings in 1968 – only about 40 years ago. Sally Hawkins (so wonderful in Happy-Go-Lucky) portrays Rita O’Grady, the Ford sewing machinist who reluctantly takes on the leadership role in the battle for equal pay for women in Great Britain.

Director Nigel Cole tells this story minus the heavy-handedness of the times. In fact, it’s a very entertaining tale of right vs wrong (but, “that’s how we have always done it”). He uses actual archival footage of Ford plants, cars and workers, as well as general footage of England circa 1968. These cuts give the film a feel for the times and prevent any over-analysis of wardrobe and sets in the movie. Mr. Cole clearly has an understanding of women based on this film and his previous work in Calendar Girls.  He also pulls no punches on his views of unions of the day.

The cross-fire between the unions, Ford Motor, the workers and the government really bang home the notion of just how ridiculous this entire argument was (and is). Rita O’Grady was so effective because she cut through the muck and made it what it  really is … a simple case of right vs. wrong. Rights vs. privilege. This was never more apparent than in her meeting with Secretary of State Barbara Castle (Miranda Richardson). Madam Secretary is attempting to negotiate a settlement that will keep Ford happy, but quickly realizes … with help from O’Grady … that there is really only one correct course of action.

Supporting work is excellent from Bob Hoskins, Ms. Richardson, Daniel Mayes (as O’Grady’s husband), Rupert Graves and Rosamund Pike (husband and wife on different sides of the debate) and the rest of the cast of women, as well as the Ford executives and Union leaders. The film mostly rests on the shoulders of Sally Hawkins, who breezes through with a natural energy that just makes you want to pull for her. She was terrific in Happy-Go-Lucky, and even better here.

The film stops short of detailing the massive battle that escalated the following year between Secretary Castle and the Labor Unions. Most attribute these fights to the downfall of the Labour Party in 1970. However, Ms. Castle’s contributions are very clear in these all-important topics and led directly to England’s Equal Pay laws of 1970, which in turn paved the way for most other countries to follow.

This is a very uplifting film and shows the bravery and determination required of those who change the course of history. Whenever you hear talk regarding the lack of strong female movie roles, this film is exhibit number one that fact is often more powerful than fiction!  And it helps when told in a jolly good fashion.

SEE THIS MOVIE IF: you enjoyed Norma Rae OR you agree with the old saying “what’s good for the goose, is good for the gander”

SKIP THIS MOVIE IF: you prefer serious social issues be confined to CNN – even if presented in an entertaining way

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Posted by David Ferguson

LITTLE FOCKERS (2010)

December 27, 2010

 Greetings again from the darkness. This is the third installment of the series that began 10 years ago with Meet the Parents, a very fine, creative adult comedy with plenty of laughs. The second film introduced Dustin Hoffman and Barbra Streisand as parents of Ben Stiller‘s character. The comedy became much more risqué, yet less funny.

Now we have the third and hopefully final installment … although, the last scene certainly sets the stage for another. Whatever chuckles there might have been were ruined by the over-played trailer. This has become the norm for American comedies. For some reason, movie producers believe the trailers should include 2 full minutes of funny scenes. Unfortunately, that just about uses up all the laughs from most comedies. This little focker is no exception.

The star-studded cast is back – Robert DeNiro, Blythe Danner, Ben Stiller, Owen Wilson, Teri Polo, Barbara Streisand and Dustin Hoffman all reprise their roles. This time we are also treated to a spastic Jessica Alba, a quirky Harvey Keitel, a creepy Laura Dern … and even Deepak Chopra makes an appearance. Even this cast is not enough. Jay Roach directed the first two and turns the reins over to Paul Weitz (In Good Company, About a Boy). But even new directorial blood is not enough. Though comedy is truly an individual taste, it’s pretty clear that more effort on the script was needed. Let’s hope this is the end of the line for the Fockers.

SEE THIS MOVIE IF: you haven’t seen the preview and you enjoyed the second one.

SKIP THIS MOVIE IF: you are hoping they have recaptured the magic of Meet the Parents

** NOTE: I am purposefully not including the trailer in case you haven’t seen it and you want to see the movie.  Trust me … it’s best this way.

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Posted by David Ferguson

TRUE GRIT (2010)

December 17, 2010

 Greetings again from the darkness. Just back from a Dallas screening of the Coen Brothers latest, and once again I am in awe of their filmmaking proficiency. For those concerned about a remake of the John Wayne classic, fear not! Joel and Ethan instead remain true to the Charles Portis novel. In fact, the Portis prose is what adds the uniqueness to this story of revenge.

One may assume that Jeff Bridges as Rooster Cogburn would dominate the movie, but I suggest to you that relative newcomer Hailee Steinfeld (as Mattie Ross) more than holds her own, and in fact, often carries the story. We never once doubt her commitment to the cause … hunting down the man who shot her father. That man, Tom Chaney, is played in a most peculiar manner by Josh Brolin. Brolin’s dim-witted Chaney borders on a cartoon character, except he has a real mean streak.

There are so many wonderful touches in this film that I am not sure where to start. Obviously, the Portis dialogue jumps out immediately. Watching the grizzled, grungy cowpokes and this 14 year-old farm girl spout off such beautiful prose forces a smile to your face. It is an enjoyable challenge just to keep up with the banter between Cogburn, Mattie and LaBoeuf (Matt Damon), a Texas Ranger who also happens to be hunting Chaney. There are also hilarious exchanges between Mattie and a local horse trader, and later Barry Pepper (as Ned Pepper) joins in with some top notch verbal sparring.

 DP Roger Deakins does his thing with the camera and landscape. We feel we are right there on the dusty trail or on a snowy ride. The wardrobe, guns and town all come across as totally authentic and add to the richness of the film. There are no hokey vista shots without purpose. Everything in the film has a reason and contributes to the cause of presenting a terrific western story of revenge and retribution. Watching the bond develop between the main characters is quite moving, and though I wasn’t ready for it to end, I found the ending quite satisfying.

The trailer for this film is one of my favorites of the year. Johnny Cash singing “God’s Gonna Cut You Down” is not in the film, but it certainly set the mood. So, no real surprise here, but another fantastic film from the Coen Brothers. You don’t have to be a lover of westerns to enjoy this one and, please, no worries about Jeff Bridges facing off against John Wayne. There is room for both!

SEE THIS MOVIE IF: you can appreciate the blend of sparse landscape, gruff cowboys and beautifully written dialogue OR you just want to see Matt Damon uphold the Coen Brothers tradition of one atrocious haircut per film.

SKIP THIS MOVIE IF: you believe no one can top John Wayne, by golly OR you prefer your westerns to be only dark and bleak in the vein of Unforgiven.

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Posted by David Ferguson

THE TOURIST (2010)

December 12, 2010

 Greetings again from the darkness. Ahh, beautiful people in beautiful places. That’s a good start! Throw in some amazing film blood lines: directed by Florian Henckel von Donnersmarck (The Lives of Others), writers Christopher McQuarrie (The Usual Suspects), Julian Fellowes (Gosford Park) and Jerome Salle. Salle wrote and directed the 2005 French film that this one is based on – Anthony Zimmer. The stellar cast is led by Angelina Jolie and Johnny Depp, and includes Paul Bettany, Timothy Dalton, Rufus Sewell and the always solid Steven Berkhoff. No way to mess this one up, right??

Somehow, despite all of that, the final product is a jumble of tired visual stunts, lame dialogue and a twist so obvious it might as well have been in the trailer. The aim was a thriller with involvement of mobsters, stolen millions, boat chases, rooftop shootings, crackling dialogue intertwined with dangerous settings and high fashion. The biggest failing is with the dialogue … so many wasted moments. The give and take between Depp and Jolie is just outright lame.

 Where is the payoff for sitting through the endless string of stupid moves from Scotland Yard inspectors? The police tail on Jolie’s character looked like something from the Pink Panther movies … only it is played straight! Same with the interactions between the two stars. How about some playful banter? Did Depp’s character need to be so dull? A math teacher from Wisconsin. Really? And poor Angelina. She is used as a flesh and blood Jessica from Who Framed Roger Rabbit. EVERYTHING about her is exaggerated! Yet, she still flashes her glances like her characters from Salt or any other action film she has upgraded over the years. The film just can’t decide what it is … thriller, farce, comedy?? It just doesn’t work here.

And I have to mention the absurdity of the chase scenes through the Venice canal. It’s not very often a boat chase scene is limited to 4 knots speed. How could the shooters miss time after time? At least we were treated to some stunning shots of Venice. That’s the only positive I can offer for this one.

SEE THIS MOVIE IF: Three beautiful things is good enough (Angelina, Depp, Venice) OR you want to see the slowest boat chase scene in history

SKIP THIS MOVIE IF: you expect crackling dialogue OR you prefer your thrillers to actually have moments that thrill

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Posted by David Ferguson

I LOVE YOU PHILLIP MORRIS (2009)

December 11, 2010

 Greetings again from the darkness. The real story of Steven Russell is downright fascinating. He is the ultimate con man and has been nicknamed “King Con”. A master of reading people, gaining trust and manipulating many systems, Russell was proved to have stolen from a major food service corporation and a major healthcare organization. Stolen, as in hundreds of thousands of dollars. The smaller cons are too numerous to count. And don’t forget his string of jail/prison escapes!

Glenn Ficarra and John Regua (the writing team behind Bad Santa) co-direct this story based on Steve McVicer’s book on Russell. Somehow they have delivered a hokey, boring film despite the man at the center of the story. Luckily for them, Jim Carrey drums up a terrific performance as Russell and provides some relief from the amateurish script and direction.

The role of Phillip Morris is tackled by Ewan McGregor in a manner we have not previously seen from him. His effeminate naivety offers a nice contrast to the domineering Russell/Carrey. The support work is minimal but provided by the very capable Rodrigo Santoro and the very talented (but totally wasted here) Leslie Mann.

The film shows us the beginning of the fall for Russell. His parents tell him he was adopted and he responds by tracking down his birth mother. He pretty much falls apart after that meeting and commences with his endless stream of cons. Is he a happily married man or is he gay? Is he a brilliant strategist or an embezzler? His life changes during one of his trips to jail. He meets Phillip Morris. Their life together is full of excess, thanks to Russell’s latest scam. As always, the con is exposed and Russell spends his entire life alternating between being on the lam or in jail.

I found the film inferior to Catch Me if You Can, a better (not great) film about another real life con man, Frank Abignale. The cat and mouse chases of that film held my interest. This film has little drama despite the obvious talents of this off-center man. My guess is that in the hands of better filmmakers, this could have been a much improved film.

Apparently, Russell’s biggest con was played on himself. He never really figured out who he is. He is now serving a life sentence in near-solitary confinement in prison. Mr. McVicker, the book’s author, has stated two very telling observations. First, he suspects Phillip Morris was not quite as innocent as he would have us believe. Second, his description of Russell as a man “who makes you want to believe” tells you all you need know about this ultimate con man.

SEE THIS MOVIE IF: You still need proof that Jim Carrey is a real actor and not just a goofy side show OR the Enron scandal just wasn’t quite funny enough for you

SKIP THIS MOVIE IF: You have read the book OR don’t find much humor in con men

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Posted by David Ferguson

MORNING GLORY (2010)

November 16, 2010

 Greetings again from the darkness. It would be easy to dismiss this film as typical lighthearted Hollywood fluff that carries no real message (other than a 2 hour escape). The interesting thing is that its really not an escape – we are tossed right into the workaday world of a manic TV producer. Additionally, though it has plenty of light moments, it also carries a bit of depth in breaking down a couple of lead characters.

Rachel McAdams plays Becky Fuller, morning TV show producer. Becky is a cute, driven, frantic, EverReady Bunny ball of energy who watches multiple TV’s and carries on multiple conversations, all while texting incessantly. She is hired by Jeff Goldblum in his final attempt at resurrecting ratings for “Daybreak”, a mere blip of competition to “The Today Show”.

The story gets interesting when Becky recruits/blackmails news legend Mike Pomeroy (Harrison Ford) to co-anchor the show with Diane Keaton‘s character. To compare, Keaton’s character will kiss a frog or don a pink tutu and has mastered the perpetual smile so necessary for morning TV. Ford’s character may not have smiled since 4th grade and views the mission of TV as delivering news and hard stories and information.  The good news is that Keaton is actually in control and not over the top, as she has been in most of her recent movies.  Ford certainly takes grumpy to the extreme.

The conflict in the story comes from Ford’s character (labeled the world’s third worst person), whom the world has passed by, and McAdams’, who is the eternal optimist. It’s pretty obvious they will somehow save each other, but still I found it entertaining to watch the road.  I also got a kick out of the exploits forced upon the poor weatherman played by Matt Malloy.  The weatherman role has always seemed to me an odd intersection of clown and scientist.

The film itself, directed by Roger Michell (Venus, Notting Hill) and Aline Brosh McKenna (The Devil Wears Prada), does a nice job with insight into those whose personalities are bound tightly to their job. There were a few occasions where the film felt choppy – like some scenes were cut or reinserted, and the music was consistently weak. I also could have done with about 8 fewer scenes of McAdams running through New York in her heels – we get that she never stops moving! The love story with Patrick Wilson felt forced, though making the point was necessary.  And thank goodness, there was no May-September romance between Ford and McAdams!  Even though it’s not at the level of Broadcast News, it offers enough depth and comedy to make this a worthwhile film to see.

SEE THIS MOVIE IF: you can’t imagine letting loose of your blackberry for anything or anyone OR you are fascinated by any woman who can sprint while in heels.

SKIP THIS MOVIE IF: you actually believe Harrison Ford is a grumpy old man OR watching Diane Keaton kiss a frog crosses the line for you

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Posted by David Ferguson

DUE DATE (2010)

November 7, 2010

 Greetings again from the darkness. Director Todd Phillips has become comedy director du jour thanks first to Old School and the more recent mega-blockbuster The Hangover. This film is not quite at the level of the two prior films, but it certainly holds it own in today’s multiplex. In other words, it has some laughs … even a few laugh outloud moments. Especially if you have somehow managed to avoid the trailers.

The best way I can describe this one is as an updated Planes, Trains and Automobiles, only with Todd Phillips humor, rather than John Hughes humanity. That being said, Mr. Phillips does work hard at minimizing the gross-out factor and does try to instill some true character development with Robert Downey, Jr and Zach Galifianakis. The element of fatherhood, both loss of and becoming one, plays a role as these two polar opposites bang heads for 3 days.

Ethan (Zach G) is an actor-wannabe, motivated by the sitcom “Two and a Half Men”. He is an excessively annoying individual who displays only the rarest moments of rationale behavior. Downey, Jr is reunited with his Kiss, Kiss, Bang, Bang (a former DF Best of the Year) co-star Michelle Monaghan as an uptight architect (Peter) and his soon to deliver first child wife (Sarah). They get little screen time together, but the relationship plays a role. Circumstances cause Ethan and Peter into a rental car and cross country race to get Peter home before Sarah delivers.

The road trip includes a Western Union run-in with Danny McBride, a pit stop for glaucoma “meds” with Juliette Lewis and a quick ride from Jamie Foxx, after Ethan falls asleep at the wheel and they fly off a highway ramp. Just when things seem better, Ethan partakes in some of the medication, takes a wrong turn and the two find themselves at the Mexico border, glassy eyes and all. This all occurs while Ethan and his dog work to befriend Peter, while transporting not only the “meds”, but also Ethan’s deceased father’s ashes … in a coffee can.

Many of the gags are predictable, but some are quite funny. It doesn’t have near the gross-out element of The Hangover, except for Ethan’s pre-bedtime ritual and his matching dog. Would have liked a few more segments with cameos – maybe the other guys from The Hangover, because the attempt at making these guys appreciate each other falls a bit short. The soundtrack includes Neil Young, Cowboy Junkies, Cream and Pink Floyd, so there is usually a nice background tune playing. Additionally, RDJ and Zach G prove once again that they are forces of physical comedy when provided decent material.

SEE THIS MOVIE IF: you recognize the shooting star known as Zach Galifianakis OR road trip humor is your cup of coffee

SKIP THIS MOVIE IF: a masturbating dog is an automatic scene-killer for you OR you believe no one can match Steve Martin and John Candy

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Posted by David Ferguson

YOU WILL MEET A TALL DARK STRANGER

October 10, 2010

 Greetings again from the darkness. Sound and fury signify nothing. The narrator begins the film by reminding us of Shakespeare’s words. I can’t decide whether or not this was a confession by Woody Allen that he realized the movie fits that phrase. I have followed Mr. Allen’s film career since the early 70’s and have learned that sometimes disappointment follows. Of course, there are also times when pure screen magic occurs, making the journey worthwhile. Unfortunately, there is no magic here, just sound and faux-fury.

Here is a convoluted recap of the story: Elderly woman Helena (Gemma Jones) is dumped by her doesn’t want to admit he’s aging husband Alfie (Anthony Hopkins). He tries to be a swinging bachelor and ends up marrying a gold-digging call girl named Charlamaine (Lucy Punch). Helena looks for guidance from Cristal (Pauline Collins),a fortune teller referred by Helena’s daughter Sally (Naomi Watts). Sally is married to Roy (Josh Brolin), a morally bankrupt one-hit wonder in the novel-writing business. She works at a very successful art gallery run by Greg (Antonio Banderas). Sally and Roy yell at each other a lot and Sally has eyes for Greg, who instead has eyes for Iris (Anna Friel), a painter Sally discovered. Roy has peeping eyes for Dia (Freida Pinto), whom he can see from his bedroom window.

So, you get the idea. It is actually a set-up that fits perfectly with a Woody Allen film. A madcat story where no one is happy with their life and they each seek proof of their worth. Interesting that they seem to have some security with their current partner, but it’s just not enough. The cast is stellar, and London makes the perfect setting. However, nothing really clicks. Manly Josh Brolin just doesn’t wear neurosis well. I didn’t enjoy watching Naomi Watts yell at people. Anthony Hopkins’ character is such a pathetic re-tread that it really annoyed me. Mr. Allen obviously finds Freida Pinto appealing because her character gets perfect lighting and comes across as a victim, despite dumping her fiancé.

Despite all the turns in these sub-plots, only one of the stories really has any finality to it. Now I don’t mind endings that leave much to the imagination, but I do get irritated when it appears the filmmaker just lost interest. Even when that filmmaker is Woody Allen. 

SEE THIS MOVIE IF: you believe Woody Allen only makes timeless classics OR listening to Leon Redbone sing “When You Wish Upon a Star” is worth $10 to you.

SKIP THIS MOVIE IF: you are susceptible to the directives of fortune tellers OR you just can’t take one more film about a struggling writer, a lustful senior citizen or a career woman whose biological clock is ticking.

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Posted by David Ferguson

IT’S KIND OF A FUNNY STORY (2010)

September 30, 2010

 Greetings again from the darkness. Attended a screening last evening and came away a bit surprised. The preview, thanks in part to Ida Maria’s blaring song “Oh My God”, had me convinced this was going to be a typical slapstick teen comedy. Instead, co-writers and co-directors Anna Boden and Ryan Fleck deliver a black comedy-drama that has appeal to both teens and grown-ups. (based on the Ned Vizzini novel)

The story revolves around Craig, a 16 year old who is feeling depressed and suicidal given the pressures of a relentless father, looming college entrance exams and a screwed up social life. You are right if you are thinking this sounds like just about every 16 year old on the planet. The difference here is that Craig checks himself into a psych ward … he ends up in the adult wing, since the teen wing is undergoing renovations. Craig is played by Keir Gilchrist (The United States of Tara), who I can best describe as a young Keanu Reeves clone, only too smart rather than too clueless.

Since this is part comedy, you can imagine the characters who fill the ward. Craig bonds with Bobby, played by Zach Galifianakis, who seems happy to play the mentor role (quoting Dylan) for Cool Craig, but just can’t seem to find the strength to live his own life. Of course, we also get the emotionally damaged hot girl played exceptionally well by Emma Roberts (daughter of Eric, niece of Julia; Nancy Drew). The film accepts its own stereotypes for the other characters with labels such as “the schizophrenic”.

The message of the film seems to be that we all go through stages of doubt and uncertainty, and the best “cure” is to somehow remove the stress and discover our real talents and personality. You may end up creating art in the form of a brain map, or even a music video of Bowie/Queen’s “Under Pressure” (an elaborate inset to the film).  Just live.

The filmmakers evidently struggled with where their line was for the direction of the story. With previous serious films Half-Nelson and Sugar, my guess is their vision was a much more complex and darker script rather than the final version which has more mass appeal. The Zach Galifianiakis character specifically, seemed poised to make a real statement. Instead we are left with his reserved, knowing smile as Craig presents him a gift and the hope of getting together for ping pong. Also, not much story is given to Emma Roberts and her penchant for cutting herself. She seems magically cured after a roof top encounter with Craig. Anyway, the comedy sections are more successful than the drama sections, provided you are able to find humor in the illness and weakness of others.

This is certainly not at the level of One Flew Over the Cuckoo’s Nest, but it is an entertaining film from a comedic perspective. It will probably be remembered as Zach Galifianiakis fist role where he flashed some real acting chops, and hopefully as Emma Roberts breakout role.

SEE THIS MOVIE IF: you enjoy humor derived from the darker elements of life OR you want to say “I was there” when Zach Galifianakis proved he could do more than smirk.

SKIP THIS MOVIE IF: you think a movie should be either a comedy or drama, not both OR hearing the opening riff to “Under Pressure” causes flashbacks to Vanilla Ice explaining how he didn’t sample the song.

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Posted by David Ferguson

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