Greetings again from the darkness. Having worshiped at the acting alter of Meryl Streep since 1977 (her brief appearance in Julia), this frequent movie-goer takes great delight in seeing her donning a leather jacket and bangles while strumming an electric guitar. Somehow she continues to expand on her already unmatched diverse resume of movie characters – this time as an aging leader of a cover band that plays to a small but loyal audience at a Tarzana bar.
Ricki is no rock star, though she clearly chased the dream. We learn of this when we see her working as a checker at the local supermarket, and then again when her ex-husband (Kevin Kline) calls her home to Indianapolis in a desperate attempt to pull their daughter Julie out of a suicidal depressive state brought on by her husband leaving for another woman. Julie is played by Ms. Streep’s real life daughter Mamie Gummer, and their bond plays out well enough on screen.
The movie’s peak occurs with the family dinner scene, as Ricki is united with her three kids, including sons Josh (Sebastian Stan – known in the Marvel world as Bucky Barnes) and Adam (Nick Westrate). It doesn’t take long before true emotions are bubbling over causing much discomfort throughout the restaurant. See, Ricki left her family to chase her music dream, leaving Kline and his second wife Maureen to provide a sense of normal family life. Maureen is played by six-time Tony Award winner Audra McDonald, who sadly doesn’t get to “flash” her famous singing voice in a movie that is comprised of songs for about half of its running time.
Director Jonathan Demme (an Oscar winner for Silence of the Lambs) and writer Diablo Cody (an Oscar winner for Juno) inexplicably drop the family drama soon after the dinner scene and we spend most of the second half watching Streep and Rick Springfield play out their dysfunctional relationship onstage. If you are unfamiliar with Springfield, he was a pop star in the 80’s and was the Dr. McDreamy predecessor while on “General Hospital”. Lately you may have seen him as the creepy plastic surgeon on “True Detective” … he looks much more normal here.
The band does a nice job with the familiar songs, and Streep is effective as the lead singer and audience favorite. However, even with Demme’s stellar track record with musical documentaries (Talking Heads, Neil Young, Bruce Springsteen), it’s difficult to understand why so much time is devoted to the musical performances after the extensive family drama set-up. A perfect example is that once the final act hits, Julie is given no more dialogue. It’s a strange turn.
The script does make a couple of very interesting points. The first involves the repercussions of a mother in chasing her dream … Ricki compares herself and perception to that of Mick Jagger. The second involves addressing the “job” of parents to love their kids. Either of these could be the central theme of a very interesting film, but as with other topics, the surface is barely scratched in this film. Despite the odd choices made by writer and director, it’s clear Ms. Streep is loving her time on stage … her version of Dobie Gray’s “Drift Away” is alone worth the price of a ticket.
watch the trailer: