THRASH (2026)

April 10, 2026

Greetings again from the darkness. It’s a tradition that began with JAWS (1975). Every summer gets a new disaster or shark movie … something to put a bit of doubt into the minds of beach vacationers everywhere. Of course, Spielberg’s original film (from Peter Benchley’s novel) remains the best, and in addition to the slew of movies, it’s been joined by Discovery’s “Shark Week” and even the absurd “Sharknado” movies. In fact, there have been so many through the years, that we are ready for the blending of disasters like we get with this latest from writer-director Tommy Wirkola (the underappreciated VIOLENT NIGHT, 2022).

The small coastal town of Annieville, South Carolina is bracing to take a direct hit from a Category 5 hurricane. Most of the town has evacuated, yet some remain. Among those are pregnant Lisa (Phoebe Dynevor, ANNIVERSARY, 2025; “Bridgerton”), whose boss made her work, and young Dakota (Whitney Peak, “Gossip Girl”), who is home alone, grieving the loss of her mother and dealing with stifling anxiety. We get a countdown to impact, and Dakota’s Oceanographer uncle (Djimon Hounsou) has promised her he’s on the way.

A massive hurricane, along with the storm surge, flooding, and high winds is not enough this time. Along with all of that comes bull sharks and great whites that are swimming (and eating) their way through the town, including the flooded houses. A t-boned meat truck dumps a ton of blood in the streets to ensure we have enough shark attacks to keep these stragglers in danger. Dakota and Lisa share a story, while three foster kids just outside of town get their own – although for the three kids, it turns out their foster parents may have been the real sharks.

Wirkola’s film has plenty of tension and gore for the genre, and enough storytelling to keep us interested. We see the danger involved with rescue efforts when folks ignore the advanced warnings. In a previous review, I mentioned that Phoebe Dynevor is a rising star, and I’m sticking to that.

Premieres on Netflix on April 10, 2026

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VIOLENT NIGHT (2022)

November 30, 2022

Greetings again from the darkness. HO-HO-HO! Who is ready for the best ever Santa slasher movie? Admittedly, it’s a narrow sub-genre and anyone that knows me or reads my reviews, knows full well that this is not the type of movie I typically recommend. However, it’s the season for charity and director Tommy Wirkola (HANSEL & GRETEL: WITCH HUNTERS, 2013 – sequel in the works) and co-writers Pat Casey and John Miller (the screenwriters behind the “Sonic the Hedgehog” films) have gifted us an extremely violent and often very funny Christmas present, replete with a sledgehammer-slinging Santa Claus.

We first meet an inebriated Santa (“I’m on a break”) at a local pub, where he explains to a mall Santa why he has become so disenchanted with the job … greedy, self-centered kids who only want more video games. The booze numbs Santa’s disgust as he heads off on his sleigh … and Wirkola delivers the first shocking moment as Santa’s barf keys us into the type of twisted tale we are about to experience. David Harbour (best known for “Stranger Things” and HELLBOY, 2019) is absolutely all-in for this far-from-glamorous portrait of jolly ol’ Saint Nick. On his rounds, Santa raids household liquor stashes while chomping on cookies and eschewing skim milk. He’s a full-blown slob, yet still holds a soft spot for “nice” kids, while having little mercy for the “naughty” among us.

Most of the story takes place at the Lightstone family compound, where one-percenter Gertrude (CHRISTMAS VACATION alum Beverly D’Angelo) is the foul-mouthed matriarch ruling over her entitled and unlikable family consisting of daughter Alva (Edi Patterson) and her airhead-actor husband Morgan (Cam Gigandet) and their poser teenage son Bert (Alexander Elliot). Also present for the festive evening are Gertrude’s son Jason (Alex Hassell), his estranged wife Linda (Alexis Louder) and their precious 7-year-old daughter Trudy (Leah Brady). Santa arrives at the Lightstone mansion not long before a team of mercenaries, led by Mr Scrooge (John Leguizamo), storm the place and take the family members hostage. Their mission is to break into the family vault and abscond with $300 million in cash.

What follows is a demented mash-up of DIE HARD (1989), HOME ALONE (1990), BAD SANTA (2003), and THOR (2011). Deadly weapons used here include your expected firearms, but also a finely-honed candy cane, an icicle, a skating shoe, and a Christmas tree star, among other holiday items. Most prominent is the sledgehammer wielded by Santa, and the flashback to his pre-Santa days for explanation. The violent action is plentiful, and it’s well-balanced with countless lines of comedy. Surprisingly, there is a story nestled in amongst the mayhem, and the heart of it revolves around the bond between Santa and young Trudy. She’s a true believer in him and that overrides his uncertainty about the job, and inspires him to stick around for the fight. Santa can’t explain the mystique of Christmas “magic”, but he does know an 1100 year marriage has its ups and downs.

Obviously, this is not one for the kiddos (it’s a hard R-rating), and they should be shielded from this Yuletide yuck. Director Wirkola has delivered an instant holiday classic for those seeking the bizarro world flicks contrasting to the more respectable family fare of IT’S A WONDERFUL LIFE and A CHRISTMAS STORY. Who would have ever thought that Festivus might be the safer holiday?

Opens in theaters on December 2, 2022

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