SHORTCOMINGS (2023)

August 3, 2023

Greetings again from the darkness. In the past twenty years, Randall Park has built an excellent acting career, likely best known as nice guy dad, husband, and restauranteur on the long-running TV series “Fresh Off the Boat”. He also had prominent roles in the mini-series “WandaVision”, “Veep”, and the Ant-Man movies. Now taking his shot as a feature film director, Mr. Park sticks closely to the Asian community, while simultaneously taking a step forward by not emphasizing generational aspects and familiar cultural tropes. He’s working from a script that Adrian Tomine adapted from his own graphic novel.

The film opens with Miko (Ally Maki, “Wrecked”) and Ben (Justin H Min, AFTER YANG) watching the end of a film festival movie. It plays as a parody of the hugely successful CRAZY RICH ASIANS (2018) and leads to contrasting reactions and an argument for Miko and Ben. Miko is the curator of the film festival and is thrilled the movie received such positive audience reactions, while Ben, a struggling indie filmmaker, is totally offput by the film’s pandering and mass appeal. We quickly realize Ben is a condescending jerk and Miko is fed up.

Ben manages a small arthouse movie theater in Berkeley and often has lunch at a local diner with his only other friend, Alice (a terrific Sherry Cola, JOY RIDE), who points out that his smugness doesn’t play well with others. Alice is gay and laughs off her tendency to ‘play the field’. Miko calls out Ben on his blonde, blue-eyed white girl fetish, and then soon after announces she is taking an internship in New York City, causing us to realize this movie is probably going to deal with Ben’s road to redemption (hopefully resulting in a worthwhile human being).

With Miko living across the country, Ben seems to be at his most comfortable with Classic Movies and solo chill. He’s a film school dropout with no filter and no sense of timing with his comments and critiques. Basically, he’s not a likable guy, and we see this in his separate pursuit of two blond, blue-eyed white girls. He hires performance artist Autumn (Tavi Gevinson) to work the ticket booth at the theater, and has no idea how to deal with her emotional swings and artistic leanings. Things are even worse with Sasha (Debby Ryan), who is coming off a breakup with her girlfriend. Despite warnings from Alice to stay clear, Ben’s pompous nature is once again exposed, leaving him all alone.

Ben’s world changes abruptly when Alice informs him she is also moving to New York and invites him to come visit. He sees this as a chance to get back together with Miko, who has quasi-ghosted him since she left. When Ben arrives, he finds Alice living with Meredith (Sonoya Mizuno, EX MACHINA) in a serious relationship, and stumbles on Miko in a situation that causes confusion, and of course, conflict. Leon (Timothy Simons, “Veep”) is a NYC fashion designer with an Asian fetish plays a key role in this segment.

The film is billed as a comedy, and while there are some funny moments, there is actually a sadness throughout … most of it related to how most everyone is searching for love while trying to avoid loneliness. During this search, we are often our own worst enemy (Ben being the prime example here). The message here is that while we are all flawed, one can only find joy once they sincerely enjoy the happiness of others. Watching Ben’s journey is not always a pleasant viewing experience, however his story is well told.

In theaters beginning August 4, 2023

WATCH THE TRAILER


CHRISTINE (2016)

November 3, 2016

christine Greetings again from the darkness. On July 15, 1974, television news reporter Christine Chubbuck read a prepared statement and then committed suicide on-air by putting a gun to her head and pulling the trigger. You may not recognize her name, but you have likely heard the story … it’s no urban legend. Director Antonio Campos and writer Craig Shilowich offer up a biopic with some insight into Ms. Chubbuck’s personal and professional life so that we might better understand what drove her to such a public and tragic end.

Rebecca Hall takes on the titular role (don’t mistake this for the 1983 John Carpenter/Stephen King film), and despite her usual stilted on screen mannerisms, she delivers what is an emotionally raw and nuanced performance that is the best of her career … and one that keeps us glued to a story of which we already know the ending. We see a woman dedicated to her vision of the profession, while being maddening to those who know her, love her, and work with her. She has an awkward intensity that compounds her lack of social skills and an ongoing struggle with depression. Somehow, Ms. Hall allows us to understand the personal and professional struggles and how things could have spiraled into hopelessness for Christine.

The commentary on the early days of tabloid journalism (“If it bleeds, it leads”) is especially interesting given how the current Presidential campaigns have been covered more than 40 years after the film is set. One might also note the parallels to the character of Howard Beale in Network (1976) … though Christine Chubbuck was less vociferous and never took to yelling “I’m mad as hell, and I’m not going to take it anymore” while on camera (though she evidently felt that way).

Support work comes from Tracy Letts as the frustrated news director, Michael C Hall as the mixed-signals anchorman on whom Christine has a quiet crush, J. Smith-Cameron as her mother and housemate, Maria Dizzia as her friend and co-worker, and Timothy Simons as the misunderstood and ignored weatherman.

The film clearly makes the point that Christine was a misfit in her work and personal life, and though some of the timeline and known specifics are either re-worked or ignored for artistic purposes, Ms. Hall must be commended for highlighting the effects of depression. Even the best meaning friends and family can unintentionally make things worse. We see a clip of Walter Cronkite’s actual report of her death, and Christine’s own words – “The latest in blood and guts” – were actually ahead of her time.

watch the trailer: