DON’T SAY GOOD LUCK (2026)

August 14, 2026

Greetings again from the darkness. “Break a leg.” The well-meaning phrase dates back many years as a way to avoid the dreaded ‘good luck’ for someone preparing to perform on stage. When high school sophomore Sophie explains this to her mother, the mom hugs her and offers how bad she would feel if her daughter actually broke her leg. Such is the love of a mother … this particular mother … in this heartfelt movie from director Julia Hart, who co-wrote the screenplay with her husband Jordan Horowitz and Laura Hankin. It’s based on Ms. Hankin’s own personal story.

Sophie is played by Sunny Sandler (daughter of Adam, who also produces the film). She’s nervous for her audition for the “Waitress” musical at school. A butt dial from dear old dad (Max Greenfield) unwittingly clues her in to the return of mom’s (Melanie Lynskey) cancer. This happens just before Sophie’s turn on stage, and the real emotions shown impress the director (Stephanie Beatriz) and win her the lead role. Sophie’s big moment is tempered by her mom’s horrible news.

Sophie’s grandparents (Steve Buscemi, Bebe Neuwirth) arrive to ‘help’, and while grandpa offers driving lessons, grandma overreacts to everything, bringing more stress to an environment already on edge. So, while emotions are in overdrive, the comedy relief is provided by Jon Lovitz (a Sandler favorite) at the family bagel shop. The laughs are welcome due to the intensity of emotions shown by both mother-daughter relationships, and the BFF dynamic between Sophie and Carolyn (Scarlett Estevez). Plenty of teen angst and grown-up drama is on display, yet Ms. Sandler, and especially Ms. Lynskey both deliver such believable and strong performances, that the scales never tip.

Drama on the school stage would be enough for most teens, although life often delivers more than what seems fair. Mom wants Sophie to pursue her dreams, while Sophie doesn’t want to miss a moment with her mother. Plenty of tears flow, and yet, the interactions and situations mostly are handled in a way that seems realistic and true-to-the-moment.

Premiering on Netflix on August 14, 2026

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ENCANTO (2021, animation)

January 5, 2022

Greetings again from the darkness. Well we knew this day would come – an animated film that eclipses Pixar’s COCO (2017) in vibrant colors and stunning animation. The opening credits celebrate this as Disney’s official 60th animated feature film, and it’s truly prismatic and a glorious visual treat. The trio of directors include ZOOTOPIA (2016) collaborators Jared Bush and Byron Howard, as well as first time director Charise Castro Smith.

The story is set in Columbia, continuing the current trend of global trekking in animated films like LUCA, MOANA, RAYA AND THE LAST DRAGON, and the aforementioned COCO. It’s also in keeping with Disney’s feel-good approach to a kinder, gentler world where there are no real villains, and most of our protagonists discover their inner-strength. This story revolves around the Madrigal family, who live in a magical house that takes strength from a magical candle, and all of the family members possess their own special power. Well, all of them except for Mirabel (voiced exceptionally well by Stephanie Beatriz, “Brooklyn Nine-Nine”). Mirabel’s special night fell flat and she’s the only one in the family lacking a “gift” … and her judgmental Abuela Alma (voice by Maria Cecilia Botera, singing by Olga Merediz) never lets her forget. Of course what we notice, and no one else seems to, is that Mirabel is a caring, loving, soul, and we know a payoff is coming.

The songs are from the talented Lin-Manuel Miranda, and the bloodlines connected to his IN THE HEIGHTS movie are readily apparent. It’s likely a few of the songs will stick with kids, not the least of which is, “We Don’t Talk About Bruno”. What won’t be as popular with kids is a story over-crowded with characters and a backstory seemingly inserted to ensure the film slides into the modern day political climate. There are simply too many characters (and too many powers) for young kids to keep track of – not to mention the two factions within the family (Julieta’s side and Pepa’s side). There is a flashback to the family’s history and how they came to live in the magical house, and it’s a story that mirrors the journey of many immigrants.

The voice acting and singing are all superb, and mostly stay consistent to the Columbian story line. And Mirabel is certainly a character we expect kids to take a shine to. She’s kind and friendly and has a loving heart. Pixar tends to offer up stories that are perfectly structured, while Disney has always known how to tug on the heartstrings.

Now streaming on Disney+

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