WILD CARD (2015)

February 8, 2015

wild card Greetings again from the darkness. Most of us know what to expect when we hear “it’s a Jason Statham movie”. However, when you add to that “written by two-time Oscar winner William Goldman”, it generates a bit more excitement and higher expectations than normal. This becomes slightly complicated when the Jason Statham part stretches his acting, but it’s the script that is essentially a letdown.

The film is a remake of the 1986 film HEAT with Burt Reynolds, and both movie versions are based on Goldman’s novel of that title. This time it’s Jason Statham as Las Vegas security expert Nick Wild, who possesses a particular set of skills … to go along with a drinking and gambling problem. Known for such films as CON AIR (1997), THE MECHANIC (also with Statham, 2011), and THE EXPENDABLES 2 (also with Statham, 2012), director Simon West is no stranger to action sequences and cool guys with baggage. There are a couple of outstanding fight scenes that capitalize on Nick Wild’s preference for non-traditional weapons, including a huge finale at The Silver Spoon Diner where he utilizes, well, silver spoons.

Statham gets an opportunity to do something besides fight and drive, as he is cast as the emotionally handicapped warrior with a big heart. He protects his friends and does favors for those who are weaker. In fact, the banter between he and Michael Angarano (as Cyrus) is some of the best work of Statham’s career. The noir-speak dialogue allows Statham to have some fun with vocabulary words, but the script never really lets him connect with anyone other than Cyrus. Instead we get too many scenes of guzzling vodka and an extended blackjack scene that is so predictable, it’s actually kind of annoying to watch.

The biggest downside to the film is the steady stream of recognizable and pretty well-known actors who pop up for only a brief scene or two. The list includes Sophia Vergara sporting a sweater that flaunts her assets, Max Casella as her conniving boyfriend, Jason Alexander as an office-sharing attorney, Hope Davis as a blackjack dealer, Dominik Garcia-Lorido (Andy Garcia’s daughter) as Nick’s call girl friend in need, Milo Ventimiglia as bad guy Danny DeMarco, Anne Heche as the supportive diner waitress, and a wonderful, but all too brief, Stanley Tucci as a hotel/casino owner modeled on a few real life owners and mobsters.

Although the film skips the traditional Statham car chases and love-making, we do get many flashy shots of him driving a classic Pontiac GT. The old school Vegas setting is a welcome diversion from the glitzy new Vegas we more often see in movies. Keeping with the retro feel is Dean Martin crooning “Blue Christmas” in the opening moments, and other classic songs carefully coordinated throughout the story. Statham’s struggles with alcohol and gambling, and his stated intent to leave Vegas forever provide the film with an incredibly disjointed and lightweight story from the pen of someone as decorated as William Goldman.  It’s nice to see Statham sport a bit of emotional depth, but the film likely doesn’t offer enough fight scenes for his true fans. The dark and humorous moments provide enough entertainment to encourage those fans to give it a shot, but please be careful with those spoons.

watch the trailer:

 


CHEF (2014)

June 16, 2014

chef Greetings again from the darkness. Sometimes it’s nice to to just sit back and enjoy a pretty simple and familiar story with (mostly) likable people and an uplifting message. Don’t worry, I’m not going soft on movies … it’s just that I found this little movie made me laugh and smile, and despite the formulaic approach (it plays like a sports movie) it made me care what happened to the characters (even though there was never any real doubt).

Jon Favreau plays Carl Casper, the chef at a swanky L.A. restaurant owned by Dustin Hoffman. When a powerful food critic (Oliver Platt) is headed their way, chef and owner butt heads like the true artist and bean-counter they are. The Chef wants to wow the critic with a unique meal, while the owner wants to stick to what’s been filling seats for a decade. Guess who wins? Once the Chef’s public berating of the critic goes viral on social media, the soul-searching begins. Our hero soon learns that all phases of life – including parenting and cooking – work out much better when passion and full attention are in place. The film is a not so subtle reminder to all of us that our attitude determines our altitude (thanks to Zig Ziglar).

This is a remarkable cast, many of which appear on screen for only a short time. The Chef’s lead assistants are comprised of Bobby Cannavale and John Leguizamo. The maitre’d is Scarlett Johansson. Chef’s ex-wife is played by Sophia Vergara, and her other ex-husband is Robert Downey Jr in a hilariously mind-muddling scene. Amy Sedaris has a funny scene as the fast-talking publicist and comedian Russell Peters plays a photo-happy Miami Beach cop. Even Emjay Anthony, as the young son Percy, has some nice moments.

Mr. Favreau has had a remarkably varied film career as a writer, director, producer and actor. He wears all of those hats here. It’s clearly a personal project for him and he wears it well, though a bit of script tightening could have elevated the film a notch. You might remember him from writing and starring in (with Vince Vaughn) Swingers in 1996, and of course, he more recently directed colossal blockbusters Iron Man and Iron Man II. It’s been quite a career, and it’s nice to see him take on the smaller, more personal projects again.

The best “foodie” movies I can recall are Mostly Martha (2001), Eat Drink Man Woman (1994) and the animated classic Ratatouille (2007). This latest culinary comedy from Favreau definitely holds it’s own, and gives us an exceptional soundtrack and road trip from Miami to New Orleans to Austin and back to LA. My only wish was that the language had been toned down for a PG-13 rating so that more families could enjoy it together.

SEE THIS MOVIE IF:  a low-budget, star-studded, charming, funny road trip foodie movie with father-son bonding is just what you need in the midst of blockbuster summer season.

SKIP THIS MOVIE IF:  a fluffy comedy utilizing the gimmickry of superstars in brief roles is too lightweight for your movie tastes.

watch the trailer: