
It’s been 40 years since it’s original release, and this latest remastering looked and sounded amazing on Cinemark’s largest screen. Following those opening moments, we get our first look at Marlon Brando as Vito Corleone. On this screen, it was almost like seeing him for the first time … a disquieting figure that oozes power and commands respect.
There is no need for another review of this truly classic American film. Instead, this will offer a few observations (possible spoilers) and notes of interest … combined with the highest possible recommendation to watch this one again!
At its core, author Mario Puzo‘s story is about power, loyalty, trust and family. We witness what happens when one is viewed as having too much power. Loyalty is rewarded, and disloyalty brings the harshest possible penalty. Trust is gained over time, but lost in a flash. And family is the most complex subject of all.

There were a few things that jumped out at me during this viewing. The use of oranges (the fruit) contradicts the health benefits preached by the medical profession. Every time we see a bowl of fruit, a fruit stand or someone peeling, eating, or selecting an orange, a scene of doom (usually quite violent) is soon to follow. Carlo is even wearing an orange suit when Sonny (James Caan) shows up and paints the sidewalk with him. Don’t miss the billboard featuring oranges that Sonny drives by just before he pulls up to the toll booth. Brando’s final scene is preceded by him playfully scaring his grandson with an orange peel. I understand the importance of Vitamin C, but I think I’ll stick with supplements!

The famous “Mattress Sequence” was put together by George Lucas (Star Wars fame) for his friend Coppola. This is the segment after the Louis Restaurant shooting where we get a montage of B&W crime photos and newspaper headlines. These are real life crime photos and one of the shots is of Frank Nitti, Al Capone’s trusted enforcer.
It’s quite fascinating to recognize how many “classic” lines of dialogue sprung from the movie, especially when you notice the minimalistic approach to dialogue used by Puzo and Coppola. Much of the communication is non-verbal body language, glances, nods and shrugs … Brando, especially, is a master at this.


So the real point here is that if you ever doubt the magic and power of movies … shut off your phone, close the blinds, take the cannoli, and let The Godfather absorb your thoughts. While you are at it, remember … it’s not personal, it’s business (only you shouldn’t really believe that).
Thanks to Cinemark for making me an offer I couldn’t refuse.