THE FIGHTER (2010)

December 15, 2010

 Greetings again from the darkness. Don’t let the hype or the fear of just another “boxing” movie keep you from this one. Yes, it is based on the true story of “Irish” Micky Ward, a boxer from Lowell, Massachusetts, but this is every bit as much a story of family and commitment and tenacity as any story you know.

Directed by David O Russell (I Heart Huckabees), the film does a terrific job of dumping us right smack into this blue collar community and this oh-so-colorful family. Mark Wahlberg stars as Micky Ward, the younger brother of former boxer Dicky Ecklund (a no-holds-barred Christian Bale). Ecklund’s reputation lived for years off his fight against Sugar Ray Leonard, where Leonard either was knocked down or slipped down. Either way, Dicky is as close to a local legend as it gets. In the mid-80’s, younger brother Micky joined the fight game – with Dicky as his trainer and his mother (Melissa Leo) as his manager.

As realistic and believable as the boxing is in the film, the real trick was in presenting Micky’s family. The first impression of his mother and gaggle of sisters is that it’s a cartoonish presentation. In fact, it’s a very realistic portrayal! When local bartender Charlene (Amy Adams)becomes involved with Micky, she tries to set him straight on exactly what his family is doing to his career.

 Oh, did I mention that Dicky was a crackhead? Did I mention that his mother pushed him into fights against upper weight classes because she needed the money? Did I mention that Micky tries to remain loyal to the family … even to the extent of nearly costing him a shot at a legitimate career? There are some real emotions going on all over this well-paced film. Thanks to the Amy Adams character, we really get to see how an “outsider” views the family, and vice versa. It’s not a pretty sight!

I can’t say enough about Bale’s performance as Dicky. He has the movement and gait of both a boxer and a crackhead. His mannerisms mirror that of the real Dicky, as seen over the ending credits. This is crazy good acting. Melissa Leo is fast becoming the hardest working actress in Hollywood. This is the third film I have seen her in this year! Her performance, when combined with Jacki Weaver in Animal Kingdom, really generates terror for any kids with creepy mothers! Amy Adams is totally convincing as the pretty, tough love interest and guiding light for Micky. As for Wahlberg, he is quite convincing as a boxer. His physicality is without question. The only thing I didn’t like was the couple of times he slipped back into his mumbling, whiny persona. Luckily that effect was minimal.

This is a film I would recommend to most. The only word of caution is the language is quite realistic for working class Lowell, Mass. In other words, the “F” word is utilized in every conceivable manner throughout. It’s just part of the community fabric. Also, be warned that the boxing is also quite realistic … it’s a violent sport and that comes across very well. I loved how the boxing matches were filmed digitally for effect. Just a wonderfully well made film with terrific performances … and actually quite uplifting!

SEE THIS MOVIE IF: you enjoy uplifting films based on a true story OR you have always wanted to see someone punch Marky Mark in the face

SKIP THIS MOVIE IF: the overuse of the “F” word with a Massachusetts accent gives you nightmares OR those nightmares intensify when you see Christian Bale after a 40 lb weight loss


WELCOME TO THE RILEYS (2010)

November 27, 2010

 Greetings again from the darkness. Reading the synopsis of this one could lead you to believe you’ve seen the same thing 40 other times – an indie flick where a nice guy rescues the teenage runaway who has fallen into a life of stripping/prostitution. This assumption would be incorrect. What sets this one apart is the script from writer Ken Hixon and the acting trio of James Gandolfini, Kristen Stewart and Melissa Leo.

Two of those names may surprise you. Gandolfini is of course best known from his run on The Sopranos. What many don’t realize is that he was a fine character actor prior to that iconic role. And many more know Kristen Stewart only as Bella from the Twilight franchise. In fact, she was a scene stealer prior to that in Panic Room and again in Into the Wild. Melissa Leo has experienced a career boon since her Oscar nomination for Frozen River. This year, she can also be seen in two other current releases … Conviction and The Fighter.

Hixon’s script is unusual because it captures the feel of how these people would actually interact. Gandolfini owns a plumbing supply business and leading, as they say, a life of quiet desperation. His wife (Leo) has been a virtual recluse since their teenage daughter died. Their marriage basically died that night as well, though they keep going through the motions that 30 years together brings. While attending a convention in New Orleans, Gandolfini stumbles into a strip joint and falls right into the life of Stewart.

The obvious thought is that he sees this as his opportunity to rescue her from this awful life and be the father he never got to be for his own daughter. But there is more. He really comes across as a guy just searching for meaning in life … his own life. He doesn’t pretend to have the answers, but is not content to sit around and wait to die. His bizarre actions motivate his wife to actually leave the house and join him in New Orleans. Her reaction to what she finds is, once again, very real and un-Hollywood.

No need for me to give away any details or additional plot points. Watching these three together is refreshing for this avid movie goer. The stereotypes are minimal. The dialogue is sparse, but authentic … just like the setting. Searching for meaning can be a painful process and it’s not always obvious when one has succeeded. The director of the film is avid music video director Jake Scott, who also happens to be the son of Ridley and nephew of Tony. Jake avoids the  over the top tendencies of his more famous relatives. In fact, the level of understatedness is a joy to behold.

SEE THIS MOVIE IF: you find life’s interactions to be fascinating OR you appreciate nuanced acting performances, even in “little” movies

SKIP THIS MOVE IF: you live for movie car chases and explosions OR in your mind, Gandolfini will always be Tony Soprano and Kristen Stewart will always be Bella.