WAR FOR THE PLANET OF THE APES (2017)

July 12, 2017

 Greetings again from the darkness. Counting the original in 1968, this is the ninth Planet of the Apes film (sourced from the Pierre Boulle novel), and the third in the most recent reimagining – including Rise of the Planet of the Apes (2011) and Dawn of the Planet of the Apes (2014). That’s almost 50 years of talking apes questioning the role, purpose and intent of humans. Director Matt Reeves (Let Me In, Cloverfield) is back after ‘Dawn’ and clearly has an affinity for the characters and the continuing saga. This one is by far the most personal … if that’s the right term when applied to a species other than persons!

Opening with the film’s best battle scene (and perhaps the most superb and vivid of the franchise); the film stuns us with the realism of apes on horseback and searing violence that rivals any war film. We are immediately drawn in by the thrilling and intimate battle scenes, and the accompanying adrenaline rush. It’s a beautiful and heart-pounding opening that will surely satisfy even the most demanding action-oriented fans. This is also when we notice that Michael Giacchino’s score as a complementary thing of beauty and not just more over-the-top action film music bravado.

The great Andy Serkis returns as Caesar, the leader of the apes, and dare I say, one of the most exciting and dynamic recurring characters in the movie universe. This third film belongs to Caesar and we see his intelligence, personality and skills have evolved in each. His human nemesis this time is Woody Harrelson in Colonel Kurtz psycho-war lord mode. In the years since Dawn of the Planet of the Apes, a simian virus has wiped out much of the human race and now the last two human factions (one led by Harrelson) are preparing for a final epic war, while at the same time, all remaining humans are united against apes.

Apes simply want to be left alone in the forest, but humans focused on their destruction are forcing the apes to fight. One particular attack causes Caesar to erupt in anger and strive for revenge, providing the foundation for a movie with less action than the previous two, and a more concerted focus on story and character. Some may be disappointed in this. Others (like me) will find it fascinating.

Joining Serkis/Caesar for a third round are Terry Notary as Rocket and Karin Konoval as Maurice (orangutan). Also returning is Toby Kebbel as Koba – this time in a manner that really messes with Caesar’s mind. Steve Zahn steals his scenes as the comedy relief chimp known only as “bad ape”, with Judy Greer as Cornelia, and young Amiah Miller as Nova (same name as Linda Harrison in the original). Nova is a human girl who seems to fit much more with the apes than the warmongering humans. Fans of the original will also note Caesar’s son is named Cornelius (the same as Roddy McDowell’s ape in the original). Director Reeves delivers what would be a fitting end to a trilogy, but there is likely to be yet another if fans can appreciate that the series has evolved every bit as much as the apes.

watch the trailer:

 

 


DAWN OF THE PLANET OF THE APES (2014)

July 14, 2014

planet Greetings again from the darkness. Admitting a weakness is the first step. Yes, I am a proud, long-time fan of this series. My soft spot for these films began when I was a kid – mesmerized by the 1968 original, while watching from the back seat of the car, as the clunky metal speaker hung on the window and my parents sat in the front. Oh, and yes, I was wearing my pajamas!

It’s pretty much impossible to describe the technological advances in movies since Charleston Heston stumbled into one of the biggest shocker endings the movies have ever provided (and that was 46 years ago!). Heck, the advances since the 2011 movie with James Franco are staggering to see. The combination of real actors, CGI and fantastic motion capture technology make for a realistic look that is unsettling at times.

Many know the work of Andy Serkis (Gollam, King Kong) who is considered the master of motion capture acting, and here he returns as Caeser, the leader of the apes. Only this time, he has real competition, especially from Toby Kebbell as Koba, his friend who was previously mistreated in the lab by humans … thereby explaining their opposite view of the few remaining humans.

This entry from director Matt Reeves (Cloverfield, Let Me In) picks up 10 years after the 2011 movie. The apes have established a very cool community in the forest, while only a few immune humans survived the lab-born simian virus that was leaked. The apes have continued to get smarter and even have their own culture and code (apes don’t kill apes). The surviving humans have fought amongst themselves and only recently organized a faction with Gary Oldman’s Dreyfus as their leader. Malcolm (Jason Clarke) takes a small group over the Golden Gate Bridge to see if they can reignite a dam which could produce the energy so desperately needed in human town.

Almost immediately, humans and apes meet. The big philosophical chess match begins with Malcolm and Caeser negotiating for cooperation and peace, while Koda and Drefus see war as the only solution. Alliances are drawn, fragile accords made, loyalties are questioned, and hierarchies crumble. See, it turns out the apes are like us, and we are like the apes.

There is a terrific battle scene, but the real joy here is the personalities and look of the apes. It is fascinating to watch the interactions … and that final shot is startling! The only downside is the caricature of Carver played by Kirk Acevedo. He is the token human d-bag but his character is so over the top it ruins most of his scenes. Luckily, he has very few … and they are offset by the really cool horse dismount displayed by Caesar. If you buy into this, it’s a tension-filled jolly good time.

SEE THIS MOVIE IF: you are fan of the series and want to be awed by the evolution of the apes – both in the story and on the screen

SKIP THIS MOVIE IF: you just can’t buy into the apes thing OR you miss Roddy McDowell and his rubber mask too much to ever give the nod to CGI.

watch the trailer: