SPOTLIGHT (2015)

November 12, 2015

spotlight Greetings again from the darkness. Faith. A word that easily could have been the title of this gripping and heart-wrenching film. Faith can be defined as trust and belief. Faith can also be defined as religion and ideology. Few things are more devastating than broken faith … the core of this “based on actual events” story of The Boston Globe’s exposure of rampant child molestation by dozens of Catholic priests, and the systematic cover-up by “The Church”.

It’s challenging to name a movie that is as well-made as this one, while also being as difficult to watch. We know the story … we even know how it snow-balled globally … but the raw emotions of disgust and sheer anger permeate much of our being as we watch it unfold on screen. Director Tom McCarthy (The Station Agent, The Visitor) co-wrote the script with Josh Singer (The Fifth Estate) and it’s worthy of favorable comparison to other investigative newspaper films like The Insider (1999), Zodiac (2007), and even the granddaddy of them all … All The President’s Men (1976).

The opening scene takes place in a 1976 Boston police station. A priest has been accused of molesting a child. Within a couple of minutes we witness the empty promises, the intimidation, and the cover up. So much is conveyed in this brief opener, not the least of which comes courtesy of the ambivalence of the veteran cop as he shrugs it off as ‘just another day’ in front of an idealistic rookie cop. This is accompanied by Howard Shore’s spot-on score, with the best parts featuring only a piano and bass.

Flash forward to 2001 as we meet the investigative journalist team called “Spotlight”. It’s led by editor Walter “Robby” Robinson (Michael Keaton) and his three reporters: Mike Rezendes (Mark Ruffalo), Sacha Pfieffer (Rachel McAdams), and Matt Carroll (Brian d’Arcy James). They report to Ben Bradlee Jr (John Slattery), whose father was the editor of The Washington Post during the Woodward/Bernstein/Watergate era. New to The Globe is managing editor Marty Baron (Liev Schreiber). Unlike the others, Mr. Baron is neither a Boston local nor a Catholic. In fact, we catch him reading Dan Shaughnessy’s book “The Curse of the Bambino”, just so he can get a better feel for the community and its people.

What is most fascinating about the movie is that it focuses on the investigative aspects – just how diligent the reporters were in putting the story together – and how fluid the process was … the story led them, not vice versa. There was no media agenda to “get” the church. Instead, the reporters experienced natural shock as each piece of the puzzle was discovered. One of their key sources was a priest-turned-psychologist (voiced by Richard Jenkins) who helped them put scope to the numbers. Another was Phil Saviano (Neal Huff), the leader of a victim’s group, who had tried before to provide documentation to the press. Saviano is the perfect example of how someone so passionate about a cause can be viewed with such skepticism … right up to the point when they are proven correct. Three attorneys add perspective to the cover-up. Eric Macleish (Billy Crudup) made a career of settling cases (and silencing victims) for the church. Mitchell Garabedian (Stanley Tucci) is the polar opposite – he fights vigorously to get the victims heard, while Jim Sullivan (Jamey Sheridan) is caught in the middle – settling cases for the church and struggling with his conscience. Other interesting characters include Paul Guilfoyle as Pete Conley, a smooth-talking power-broker for the church, and Len Cariou as Cardinal Law – the man at the top who eventually apologized and was rewarded with a high-ranking position at The Vatican.

The film is so well crafted and acted that it features more than a few “best scenes”. Sacha has a brief encounter with a former priest on his front door stoop. The priest freely admits to molesting kids and his rationalization will certainly deliver chills to most any viewer. Since this is Boston, it makes perfect sense for the reporters to be so distracted by the story, that it supersedes the Red Sox game they are attending at Fenway Park. Being that the investigation lasted well into 2001, it’s quite informative to watch a news agency shift directions for the September 11 tragedy, and along with the nation, put all else on hold. Finally, there is a point in the movie where we as viewers have just about had our fill of extreme emotions – we either need to hit something or throw up – and reporter Rezendes comes through with exactly what is needed: an emotional outburst and release of exasperation rivaling anything previously seen on screen. It’s a wonderful moment for Ruffalo as an actor, and a peak moment for viewers.

The story hit the front page of The Boston Globe in January 2002. The paper won a Pulitzer Prize in 2003 for its superlative investigative journalism. The report vindicated so many who had been taken advantage of, and exposed the colossal arrogance of the church. The innocence of a child vs the power of God. The story broke the faith that so many once held, and started a global (as evidenced by the closing credits) reckoning and awakening that was desperately needed. The film offers a line of dialogue, “It takes a village to raise a kid … or abuse one.” In other words, it took the often silent actions of so many to allow this despicably evil horror to continue. In a tribute to the newspaper profession, it took a small group of dedicated reporters to pull back a curtain that should never again be shut. Let’s have faith in that.

watch the trailer:

 


PRISONERS (2013)

September 23, 2013

prisoners1 Greetings again from the darkness. This film is one of those goldmines for discussion and debate. Each successive scene begs the viewer to judge the actions of those involved, but even beyond that, the movie is screaming to be picked apart by those of us prone to do so. It’s actually the best of both worlds for film lovers … it challenges us on a personal and moral basis, and also as one who analyzes scripts, acting choices, and filmmaking techniques.

Having seen the trailer, I was very much aware of the foundation of the film … two young girls are kidnapped and, frustrated with the lack of progress by the police, one of the dads seeks his own form of justice. So I couldn’t help but cringe with the obvious metaphor opening scene where Hugh Jackman’s character (Keller Dover) experiences one of those life-bonding moments with his teenage son Ralph (played by Dylan Minnette). Once past that, the set-up is expertly handled … two middle class families sharing friendship and Thanksgiving dinner. Keller and his prisoners4wife Holly (Maria Bello) have two kids: Dylan and their young daughter Anna (Erin Gerasimokovich). Their neighborhood friends Franklin and Nancy are played by Terrence Howard and Viola Davis, who have a teenage daughter Eliza (Zoe Borde) and young daughter Joy (Kyla Drew Simmons). Perfect families and perfect friends shattered by a horrific ordeal when the young girls go missing. The main suspect is a simplistic man-child who drives a ratty RV. Alex Jones is played by Paul Dano in the most uncompromising manner possible.  He lives a simple existence with his aunt, played by Melissa Leo.

prisoners3 Enter Detective Loki (played by Jake Gyllenhaal). Loki is an odd bird who never lets a case go unsolved. His quirky personality and facial ticks and buttoned-up shirt provide us with enough backstory that we understand his dogged pursuit and need to work alone. As the story unfolds, we are overwhelmed with an abundance of terrific story lines. In fact, there are so many that we feel downright cheated at all the deadends and dropped-cold sub-plots.

As a father, I certainly could relate to Keller’s relentless, stop-at-nothing pursuit of the first and only lead. Exactly where would I draw the line for my own actions? I can’t answer that other than to say that I totally understood his approach. That’s not to say I condone such actions, only that I fully empathize. Holly’s reaction to the ordeal is to curl up in bed with prisoners2meds. That too is understandable. Loki’s frustration with his own department and the false leads is also understandable. So while each character’s actions make sense, the viewer’s frustration is palpable, not just because of these things, but in the mis-use of such fine actors as Mr. Howard, Ms. Davis, and Ms. Leo. Jackman, Gyllenhaal and Dano dominate through much different methods, yet we viewers constantly find ourselves wanting to know more about the teenage kids, the priest played by Len Cariou, and of course, the Howard and Davis characters.

You will pick up on some thematic similarites to films such as The Lovely Bones, Primal Fear, Ransom, and Mystic River.  The film’s message is not vague; it’s even overly obvious. Keller is a survivalist … the kind of guy who is prepared for any disaster. No matter how prepared one is, the loss of a child will test your morals, faith and inner-strength. What would you do? How far would you go? Is there a line you won’t cross to protect your family? Those questions are much simpler until real life forces you to answer.

One thing you will quickly notice is just how stunningly beautiful this film is. The credits provide the answer in Director of Cinematographer Roger Deakins, probably the best in the business. French-Canadian Director Denis Villenueve gave us the exceptional Incendies, and while this one has plenty to offer, I believe some fine-tuning with writer Aaron Guzikowski (Contraband) could have elevated this one to Oscar worthy material. So take your friends and be prepared for post-movie discussion. Everyone will have their own thoughts and opinions. That doesn’t make this a great movie, but it serves the purpose of getting us to question our faith and beliefs.

SEE THIS MOVIE IF: you are willing to question your own moral bounds when the safety of your family is at stake OR you enjoy personal thrillers in the whodunnit mode.

SKIP THIS MOVIE IF: you prefer taut thrillers with few loose ends and easy puzzle pieces to assemble along the way

watch the trailer:

http://www.youtube.com/watch?v=bpXfcTF6iVk