JOHN WICK 3: PARABELLUM (2019)

May 16, 2019

 Greetings again from the darkness. Worlds are colliding! No, no … not in the way of “The Avengers” movies, but it’s kind of hard not to smile when Keanu Reeves and Laurence Fishburne share a scene (or two) in a mini-reunion of THE MATRIX. Mr. Reeves and director Chad Stahelski are back for a third time, and somehow they manage to raise the bar yet again on the fight sequences. And let’s face it, the fighting and action are why so many are drawn to this franchise. This latest entry runs 2 hours and 10 minutes, and almost every bit is a frantic chase scene or violent fight … or both.

The film picks up mere moments after JOHN WICK: CHAPTER 2 ended. If you recall, John had killed a member of the High Table inside the Continental Hotel, an unforgivable break in the treasured rules. Winston (Ian McShane), the manager of the hotel, has given his friend a one hour head start prior to issuing the “excommunicado”. It’s that order (and the $14 million bounty) that sends every assassin on the planet on Wick’s trail.

No need to wait for the good stuff … the film’s first two fight sequences are extraordinary feats of stunt coordination, and consume the first 15-20 minutes. Here is what John Wick (and we viewers) are in for: Guns (many kinds), lots of knives, a hatchet, swords, a book, enough broken glass to fill a recycle center, horses, motorcycles, cars, every martial art known to man, highly trained dogs, a public library, a museum/collectibles display, a stable, and a ballet theatre complete with dancers. There is even a current NBA player, 7’3” Boban Marjonovic, who battles John Wick and ultimately learns books can be used for something other than reading.

John Wick’s background is revealed, and his general level of tiredness reaches exhaustion, which actually adds an element to a character who is quite efficient with his conversation. There are a few people who are called on to help Wick, in particular we have Laurence Fishburne as the Bowery King, Anjelica Huston as the Ballet Director, and Halle Berry as Sophia, a former assassin who now runs the Continental Hotel in Morocco. See, even an underworld crime syndicate promotes from within. The segment with Sophia is one of the most fun, and it’s not because of Ms. Berry. Rather her beautiful and highly-trained dogs are scene stealers who are devastating in their commitment to carry out orders.

Other characters of interest include Asia Kate Dillon (“Billions”) as the Adjudicator, one who enjoys doling out punishment; Mark Dacascos (Wo Fat in “Hawaii 5-0) as Zero, the ultimate Wick fanboy who wants nothing more than to be the one who kills him; Jerome Flynn (“Game of Thrones”) as Berrada, the senior official who doesn’t negotiate fairly; Said Taghmaoui as The Elder from the High Table, who listens to Wick’s proposal. Other supporting roles are filled admirably by Robin Lord Taylor, Jason Mantzoukas and Susan Blommaert.  Of course, some of the most fun occurs again at The Continental Hotel as Reeves’ Wick interacts with Lance Reddick and Ian McShane.

From the department of “Give ‘em what they want”, the film has a very similar look, feel and tone to the first two, but director Stahelski (a standout stunt coordinator) and writers Derek Kolstad, Shay Hatten, Chris Collins, and Mark Abrams keep it fresh with new characters, new props and some terrific set design. The early model computers are contrasted with the high tech gadgetry of the Continental, and with a body count likely higher than the first two films combined, this entry can best be described as brutally entertaining … is that even a thing?  The violence is vivid and excessive and non-stop, and if that’s not your style, you should at least know that the title is taken from the Latin “Si vis pacem, para bellum” – If you want peace, prepare for war.

watch the trailer:

 

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WHITE HOUSE DOWN (2013)

June 30, 2013

WHD1 Greetings again from the darkness. Director Roland Emmerich loves destroying buildings. In Godzilla, he crushed Manhattan. The Statue of Liberty was trashed in The Day After Tomorrow. Independence Day saw The White House explode, and, as you would expect by the title, The White House gets pretty banged up again in his latest. We have come to expect summertime big, slightly dumb, action-packed popcorn movies, and this one certainly fits the bill (emphasis on dumb).

Relased just 3 months after Olympus Has Fallen, the plot is similar, but the approach is diametrically opposite. Emmerich seems to think he gets a free pass thanks to a steady stream of punchlines … spread amongst most every character. Hey, it’s a parody of action films so if you don’t like it, you must not “get it”. Unfortunately, we do get it and it’s just not that funny … the action is weak … the CGI appears shortcut … and the characters ring hollow. Through it’s numerous similarities and tips of the cap, Emmerich seems to beg us to compare it to the class of this genre … Die Hard (1988). WHD2We’ve all seen Die Hard, and sir, this is no Die Hard.

Channing Tatum takes on the lead action role, though he is working with a safety net … the buddy picture element supplied by Jamie Foxx. Unfortunately Tatum has neither the acting chops or the screen presence to pull off the lead, and Foxx’s President Sawyer is simply a poorly conceived character. Tatum’s daughter is played by Joey King, who was so good in Crazy Stupid Love.  Here she plays the role of smarter-than-adults kid and is clearly designed to be the patriotic heart of the film.

For these type of films to work, we need a nasty bad guy. James Woods is fun to watch as he chews scenery as the Secret Service Director. He holds one of the numerous personal grudges against the government and the faceless “Military WHD3Industrial Complex”. Woods’ number one guy on the assault team is Jason Clarke, who was last seen in a key role in Zero Dark Thirty (no coincidence, I’m sure). The rest of the supporting cast is pretty much wasted, including a miscast Maggie Gylenhaal, Richard Jenkins, and the always fun Michael Murphy (where has he been?).

There is nothing wrong with pure escapism, but rather than compare this to the classic 1988 Die Hard, it really has more in common with this year’s mediocre A Good Day to Die Hard. If you prefer your White House terrorist attack movies to be serious and full out action, then Olympus Has Fallen is the better call. Instead, if your preference is strained one-liners, an awkward buddy-film and hazy bad guy motivation, then White House Down might do it for you.

SEE THIS MOVIE IF: three months is the maximum amount of time you can go without a new attack on the White House action flick OR you just need some pure escapism with a stream of punchlines during what should be a high-tension event

SKIP THIS MOVIE IF: you prefer your action flicks to focus on action and not slapstick comedy OR you are already convinced Channing Tatum is less talented than Jason Statham despite his appearance in most movies these days (admitted exaggeration)

watch the trailer:

http://www.youtube.com/watch?v=4AXbiCdmXgw