ONE NIGHT IN MIAMI (2020)

January 10, 2021

 Greetings again from the darkness. Four grown men hanging out in a Miami motel room may not strike you as a promising premise for a must-see movie, but this wasn’t just a group of random buddies. Inspired by what actually happened on February 25, 1964, the film takes us behind the closed door that sheltered newly crowned heavyweight boxing champion Cassius Clay, pro football superstar Jim Brown, singer-songwriter-entrepreneur Sam Cooke, and activist Malcolm X, as they met to discuss their burgeoning roles as leaders in the Black community.

Each of the four main characters gets their own introductory prologue so that we have a feel for them prior to their motel rendezvous. We watch as Sam Cooke, smooth voice and all, bombs at the Copacabana Club simply because most of the rich white folks in the audience don’t want to be entertained by a black singer. In London, we are plopped into the ring of the first Cassius Clay – Henry Cooper fight, so we can witness Clay’s remarkable athleticism and showmanship … and also the rare instance of his being knocked down. We then head to St. Simons Island, Georgia, an historic spot for both the American Revolution and the Civil War. Local football hero Jim Brown is invited to iced tea on the front porch by a local rich man (Beau Bridges) and his daughter (real life daughter Emily Bridges). They fawn over his prowess as a sports figure, but after a friendly chat, state matter-of-factly why Brown is not allowed into the main house. Lastly, we pick up with Malcolm X as he disagrees with Elijah Muhammed, and the subsequent conversations with his wife about the ramifications of leaving the Nation of Islam.

These vignettes set the stage for the four men to meet in Malcolm X’s motel room after Clay’s historic defeat of Sonny Liston for the Heavyweight Championship of the World. Clay is portrayed by Eli Goree (RACE, 2016), who does a nice job of capturing the champ’s moves in the ring, as well as his charm, braggadocio, and intellect outside it. Cooke is played perfectly by Tony Award winner Leslie Odom Jr (Aaron Burr in both the stage and film version of HAMILTON), while Aldis Hodge (CLEMENCY, 2019) is Jim Brown and Kingley Ben-Adir (“The OA”) is a standout as Malcolm X.

Cooke and Brown are under the impression that this is going to be a wild Miami party, while Clay is in a celebratory mood, even though he knows the real reason the four men have gathered. Rather than a bash, Malcolm X has arranged an evening of “reflection” for the four men he envisions as leading the revolution of blacks against the devil known as the white man. What follows are multiple discussions – some deep, some angry, some both – about how the men view their position in society and culture. What Malcolm terms “The Struggle”, they each relate to, but have found their own personal ways of dealing. Brown wants to transition into acting as something less physically demanding, and Cooke is building his record label and buying cars to flaunt his success. Clay is young. He just turned 22 the month prior, and he is somewhat reluctantly buying into the Muslim Faith … quite the coup for Malcolm X’s plan.

The fun here is derived from the terrific interactions between four very different personalities, each with varying degrees of comprehension on their budding power. How best to utilize that power is the dilemma, and each man has their own opinions and perspectives. Cooke is on one extreme wanting to succeed in a capitalistic society, while Malcolm X is on the other extreme pushing activism and a full revolution (“blow it up”). The exchanges and conflict between these two are the highlights of the film, as Odom and Ben-Adir shine.

This is the feature film directorial debut of Oscar and Emmy winning actress Regina King, and while a screen adaptation of a stage play may be a risky first in the director’s chair, Ms. King handles the material expertly … as does the cast. Kemp Powers adapted his own stage production for the big screen, and he’s also a co-writer on the latest Pixar gem, SOUL. Supporting roles are covered by Lance Reddick (as Kareem X), Michael Imperioli (as Angelo Dundee), and Joaquina Kalukango (as Betty X). Sam Cooke was murdered later that same year. Malcolm X was assassinated by a Nation of Islam member one year later, and Cassius Clay of course changed his name to Muhammad Ali and passed away in 2016 at age 74. Jim Brown is still alive at age 84. These men each made their mark as leaders in the Black community, and even though we will never know what they talked about that night in Miami, the film digs in to personalities and leaves out the hero worship. Ms. King’s debut film will likely appeal more to history buffs and cinephiles, but it’s one that deserves attention.

Amazon Studios will release ONE NIGHT IN MIAMI… in Miami theaters December 25th, 2020, in select US theaters on January 8th, 2021 and on Prime Video January 15th, 2021

WATCH THE TRAILER


JOHN WICK 3: PARABELLUM (2019)

May 16, 2019

 Greetings again from the darkness. Worlds are colliding! No, no … not in the way of “The Avengers” movies, but it’s kind of hard not to smile when Keanu Reeves and Laurence Fishburne share a scene (or two) in a mini-reunion of THE MATRIX. Mr. Reeves and director Chad Stahelski are back for a third time, and somehow they manage to raise the bar yet again on the fight sequences. And let’s face it, the fighting and action are why so many are drawn to this franchise. This latest entry runs 2 hours and 10 minutes, and almost every bit is a frantic chase scene or violent fight … or both.

The film picks up mere moments after JOHN WICK: CHAPTER 2 ended. If you recall, John had killed a member of the High Table inside the Continental Hotel, an unforgivable break in the treasured rules. Winston (Ian McShane), the manager of the hotel, has given his friend a one hour head start prior to issuing the “excommunicado”. It’s that order (and the $14 million bounty) that sends every assassin on the planet on Wick’s trail.

No need to wait for the good stuff … the film’s first two fight sequences are extraordinary feats of stunt coordination, and consume the first 15-20 minutes. Here is what John Wick (and we viewers) are in for: Guns (many kinds), lots of knives, a hatchet, swords, a book, enough broken glass to fill a recycle center, horses, motorcycles, cars, every martial art known to man, highly trained dogs, a public library, a museum/collectibles display, a stable, and a ballet theatre complete with dancers. There is even a current NBA player, 7’3” Boban Marjonovic, who battles John Wick and ultimately learns books can be used for something other than reading.

John Wick’s background is revealed, and his general level of tiredness reaches exhaustion, which actually adds an element to a character who is quite efficient with his conversation. There are a few people who are called on to help Wick, in particular we have Laurence Fishburne as the Bowery King, Anjelica Huston as the Ballet Director, and Halle Berry as Sophia, a former assassin who now runs the Continental Hotel in Morocco. See, even an underworld crime syndicate promotes from within. The segment with Sophia is one of the most fun, and it’s not because of Ms. Berry. Rather her beautiful and highly-trained dogs are scene stealers who are devastating in their commitment to carry out orders.

Other characters of interest include Asia Kate Dillon (“Billions”) as the Adjudicator, one who enjoys doling out punishment; Mark Dacascos (Wo Fat in “Hawaii 5-0) as Zero, the ultimate Wick fanboy who wants nothing more than to be the one who kills him; Jerome Flynn (“Game of Thrones”) as Berrada, the senior official who doesn’t negotiate fairly; Said Taghmaoui as The Elder from the High Table, who listens to Wick’s proposal. Other supporting roles are filled admirably by Robin Lord Taylor, Jason Mantzoukas and Susan Blommaert.  Of course, some of the most fun occurs again at The Continental Hotel as Reeves’ Wick interacts with Lance Reddick and Ian McShane.

From the department of “Give ‘em what they want”, the film has a very similar look, feel and tone to the first two, but director Stahelski (a standout stunt coordinator) and writers Derek Kolstad, Shay Hatten, Chris Collins, and Mark Abrams keep it fresh with new characters, new props and some terrific set design. The early model computers are contrasted with the high tech gadgetry of the Continental, and with a body count likely higher than the first two films combined, this entry can best be described as brutally entertaining … is that even a thing?  The violence is vivid and excessive and non-stop, and if that’s not your style, you should at least know that the title is taken from the Latin “Si vis pacem, para bellum” – If you want peace, prepare for war.

watch the trailer:

 


WHITE HOUSE DOWN (2013)

June 30, 2013

WHD1 Greetings again from the darkness. Director Roland Emmerich loves destroying buildings. In Godzilla, he crushed Manhattan. The Statue of Liberty was trashed in The Day After Tomorrow. Independence Day saw The White House explode, and, as you would expect by the title, The White House gets pretty banged up again in his latest. We have come to expect summertime big, slightly dumb, action-packed popcorn movies, and this one certainly fits the bill (emphasis on dumb).

Relased just 3 months after Olympus Has Fallen, the plot is similar, but the approach is diametrically opposite. Emmerich seems to think he gets a free pass thanks to a steady stream of punchlines … spread amongst most every character. Hey, it’s a parody of action films so if you don’t like it, you must not “get it”. Unfortunately, we do get it and it’s just not that funny … the action is weak … the CGI appears shortcut … and the characters ring hollow. Through it’s numerous similarities and tips of the cap, Emmerich seems to beg us to compare it to the class of this genre … Die Hard (1988). WHD2We’ve all seen Die Hard, and sir, this is no Die Hard.

Channing Tatum takes on the lead action role, though he is working with a safety net … the buddy picture element supplied by Jamie Foxx. Unfortunately Tatum has neither the acting chops or the screen presence to pull off the lead, and Foxx’s President Sawyer is simply a poorly conceived character. Tatum’s daughter is played by Joey King, who was so good in Crazy Stupid Love.  Here she plays the role of smarter-than-adults kid and is clearly designed to be the patriotic heart of the film.

For these type of films to work, we need a nasty bad guy. James Woods is fun to watch as he chews scenery as the Secret Service Director. He holds one of the numerous personal grudges against the government and the faceless “Military WHD3Industrial Complex”. Woods’ number one guy on the assault team is Jason Clarke, who was last seen in a key role in Zero Dark Thirty (no coincidence, I’m sure). The rest of the supporting cast is pretty much wasted, including a miscast Maggie Gylenhaal, Richard Jenkins, and the always fun Michael Murphy (where has he been?).

There is nothing wrong with pure escapism, but rather than compare this to the classic 1988 Die Hard, it really has more in common with this year’s mediocre A Good Day to Die Hard. If you prefer your White House terrorist attack movies to be serious and full out action, then Olympus Has Fallen is the better call. Instead, if your preference is strained one-liners, an awkward buddy-film and hazy bad guy motivation, then White House Down might do it for you.

SEE THIS MOVIE IF: three months is the maximum amount of time you can go without a new attack on the White House action flick OR you just need some pure escapism with a stream of punchlines during what should be a high-tension event

SKIP THIS MOVIE IF: you prefer your action flicks to focus on action and not slapstick comedy OR you are already convinced Channing Tatum is less talented than Jason Statham despite his appearance in most movies these days (admitted exaggeration)

watch the trailer:

http://www.youtube.com/watch?v=4AXbiCdmXgw