THE LAST TREASURE HUNT (2015)

June 7, 2015

last treasure Greetings again from the darkness. Their father’s sudden death after a heart attack reunites an estranged brother and sister. Disclosing that this was the second heart attack for the dad – but the first that his offspring knew of – provides all the back story one needs to understand the communication deficiencies within this family and the struggles these two have in connecting with each other, and making peace with the past and present.

The dad (Art LaFleur, Field of Dreams) was a bit eccentric, and one of his traditions was an annual treasure hunt for his kids Oliver (Casey Nelson) and Lucy (Kate Murdoch). When these now young adults show up for the reading of the will, they are taken aback by their father’s last wish – an elaborate 6 clue final treasure hunt to uncover the true details of their inheritance. Oliver and Lucy grudgingly team up to solve the clues.

Of course, the emotional rollercoaster kicks in and these two bicker like brother and sister, dredging up past memories both good and bad … well, mostly bad. It’s only fair that a massive melodrama caution flag is waved here. There are some realistic moments as the siblings pick and prod each other as only this relationship can; however, much more time is spent as each of them deal with their own baggage of self-loathing.

The supporting cast adds a welcome change of pace from the brother-sister thing, as we get Cousin Alfred (Jeff Grace) – an odd bird with a camera who wants to buy the dad’s house; neighbor Gary (Charles Hoyes) who was good friends with the dad and adds clarity to the situation; and Oliver’s girlfriend Susan (Kandis Erickson) who has much to fight through herself. In addition to these characters, the house and the island locale loom large in most scenes, as do the volumes of books throughout each room.

Kate Murdoch and Casey Nelson not only co-star in the film, but also co-wrote the script, which provides the foundation for director Patrick Biesemans’ first feature film.

 


FARAH GOES BANG (2013)

April 9, 2015

Farah Greetings again from the darkness. This feature film debut from writer/director Meera Menon and co-writer Laura Goode played Tribeca in 2013, as well as a few others on the film festival circuit since. It takes only a few minutes before it’s clear that Ms. Menon has no inhibitions about displaying the human side of women.

Three friends decide to hit the road in support of Senator John Kerry in his 2004 Presidential campaign against George Bush. These early 20-somethings are bright, idealistic and seeking a cause … they call the Iraqi war “our Vietnam”, and characterize Kerry as the closest thing they have to Bobby Kennedy. Getting Kerry elected may be their first mission, but Roopa (Kiran Deol) and KJ (Kandis Erickson) also have a second mission of making sure their friend Farah (Nikohl Boosheri) loses her virginity (they use a much more colorful colloquialism).

A road trip from Los Angeles to the hotly contested political environment of Ohio offers a few interesting characters along the way: a rude redneck, a thoughtful conservative veteran, and an energetic and opinionated transgender. It also allows the three friends plenty of time for heavy drinking (sometimes until they hurl), pot smoking (to test the alarm), brawling (more than once), exceedingly colorful language, and the expulsion of bodily gas. That’s right … all the things we have come to expect from a road trip movie featuring guys are presented in full female glory. Plus as an added bonus, we get numerous scenes revolving around the ongoing challenges of Persian women’s grooming habits.

Racism and sexism are touched upon, but mostly this movie is about friendship. Unfortunately, the story bounces from comedic to ultra-serious and we only get brief flashes of the girls’ backstories … all of which could have added depth to the film. It seemingly takes forever to get to the core of KJ’s anger-management issues, and Farah’s hang-ups with doing the deed make a bit more sense once we understand her family story.

It’s impressive to see how Ms. Menon brings out the human side in her three leads, and each of the actresses boldly goes “there” to show the connection to each other. On the downside, somehow both the political play and the virginity device (complete with fireworks) come across as annoyances that distract from watching how three real friends interact with each other. Future Menon films will undoubtedly fulfill the promise only teased at by her debut.

watch the trailer: