CRAZY, STUPID, LOVE.

July 31, 2011

Greetings again from the darkness. From the opening scene it is clear we aren’t in for a typically lame rom-com with caricatures instead of characters and punchlines instead of feelings. Instead, this one is all about the characters and their feelings … realistic feelings of pain, anger, hope and frustration. Now don’t misunderstand. It doesn’t go too deep and there is still plenty of humor in the moments.

Cal (Steve Carell) and Emily (Julianne Moore) are sharing one of their many restaurant moments over the course of their long, steady marriage. Only  this time, something spoils the comfort zone. Emily says she wants a divorce and later tells Cal that she had an affair with a co-worker (Kevin Bacon). What follows is as close to real life reactions as we could ever hope for in a rom-com. Cal is hurt. The kids are angry. Emily is confused. Their friends take sides.

The intertwining story lines and characters are both sad and funny. We see how people react when they are attracted to others … or not. We see how people react when they wonder if a decision was rash. We see how basically nice people try to do the right thing for themselves and others, but still mess it up sometimes.

 After moving out, Cal heads to a local upscale lounge that seems to be stocked with gorgeous women and only a handful of men … every night. In real life, the line of men waiting to enter would be wrapped around the block. Still, one of the regulars is Jacob, played by Ryan Gosling. He is a thing of beauty himself, and always quick with just the right line. His science is making women believe he cares about nothing but them. Cal is discouraged by Jacob’s incredible success rate. Jacob notices Cal’s negative vibe and agrees to train him. But first, the makeover … wardrobe, haircut and conversation skills.

The polar opposite effect of what you might expect from Hollywood – these nice people begin to question their direction. Cal longs for Emily. Emily still thinks about Cal, but dates her co-worker. The son (Jonah Bobo) has a crush on the older baby-sitter, who has a crush of her own. Even Jacob falls hard for new attorney Hannah (Emma Stone) who has just walked out on her wet rag boyfriend (Josh Groban) who offered her a job, rather than a ring. Oh what a tangled web we weave. And that’s just the stuff I can tell you!

 Cal’s first conquest utilizing his newly learned skills is a teacher played with full energy by the terrific Marisa Tomei. She only has a couple of scenes, but as usual, Ms. Tomei makes the most of her screen time. The high school baby sitter is played well by Analeigh Tipton, but it’s interesting to note (in real life) she is 3 days younger than law school grad Hannah (Stone).

 All of the actors are top notch here. Steve Carell continues to get better … this is a superior movie to Date Night (with Tina Fey). Julianne Moore is solid, though her character is mostly mopey. Ryan Gosling and Emma Stone are both outstanding. Gosling is known for mostly offbeat, dark independent films but shows again how easily he slides back into sex symbol. Ms. Stone is headed for super-stardom. She was really good in Easy A and has a star-making turn in the upcoming film The Help. After that, it’s on to the new Spider-Man for her.

Glenn Ficarra and John Requa are the co-directors and were responsible for the much less mainstream I Love You Phillip Morris, with Jim Carrey and Ewan McGregor. Surprisingly the film was written by Dan Fogelman, who is known for his script writing on the animated Cars movies.

Chances are good that more women will want to see the movie, but the surprise is, many men will relate to what’s going on with the Steve Carell and Ryan Gosling characters. There is enough humor to keep everyone happy and enough strong writing to say this is a very good movie.

SEE THIS MOVIE IF: it’s date night and you are looking for a good comedy/drama made for adults

SKIP THIS MOVIE IF: you find it difficult to find any humor in watching a couple struggle through a divorce, no matter how well made it is.


THE KIDS ARE ALL RIGHT (2010)

August 5, 2010

 Greetings again from the darkness. Laurel Canyon and High Art are two of director Lisa Cholodenko’s previous best films. She seems to have a knack for exploring interpersonal relationships and observing human emotions. Here she co-wrote a very good and insightful script with Stuart Blumberg.

The story centers around a married lesbian couple played by Annette Bening and Julianne Moore. They play the moms’ to Mia Wasikowska (Alice in Wonderland) and Josh Hutcherson (Bridge to Terabitha). Turns out, each of the ladies gave birth to these kids with help of the same sperm donor. The kids decide they want to meet the donor dad and it turns out he is uber-cool Mark Ruffalo: owner of an organic garden and restaurant, rider of awesome motorcycle, wearer of stylistic leather jacket, and master of hippie-type language that connects with teenagers. In other words, he is a parents’ worst nightmare.

The story examines real life issues such as marriage, family life, mid-life crisis and self-fulfillment. It wraps those things brilliantly around an unconventional family, each with recognizable personality types.

The weakness in the film is two-fold. An important storyline develops between Ruffalo and one of the moms that just seemed out of place to me. The point was made, but could have been made in a much more realistic way. Worse though is the performances of two wonderful actresses – Annette Bening and Julianne Moore. With a couple of exceptions, I thought they were both over-the-top in just about every scene. They were almost caricatures of their character types. My gut feeling is that one or both will receive Oscar nods because of the “risky” roles, but the histrionics should not be rewarded.

Interesting tidbit: daughters of Steven Spielberg, David Mamet and Michael Eisner all have roles in the film. Wow … that’s some parental firepower in Hollywood! This one is worth seeing for the script and for Ruffalo’s best performance, but it’s really not as funny as it tries to be. Probably would have worked better as a straight drama.


A SINGLE MAN (2009)

January 31, 2010

 (1-31-10) Greetings again from the darkness. World famous fashion designer Tom Ford (YSL, Gucci) dives head first into the movie world as writer (screenplay) and director of this one. As expected, the visual details are impeccable – from the “glass house” to the color scheme to the set design to the wardrobe and make-up. All that is missing is a character we care about.

Colin Firth has been nominated for many awards for his performance as George, the grieving professor, who in 1962 lost his partner of 16 years. Not even sure grieving is the correct word. Mostly, George has just given up on life. He gets up every morning and puts on his facade and begins the false-front that is his day.

We see, in flashback/daydream form, Mathew Goode as George’s partner. They seemed to have been very happy together. We also see Julianne Moore as George’s neighbor and long ago shot at a “real” relationship (her words). Ford has a nice touch showing Ms. Moore applying make-up as she puts on her best front for an evening with her grieving friend, George. It’s all a bit pathetic actually.

Anyway, here it is 8 months after his lover’s death and George has apparently decided to end his misery. We are locked in to his preparations, which are every bit as fastidious as his morning routine. My favorite parts were when George gets shocked out of his little world and has to interface, even briefly, with a colleague or neighbor’s kid. The way he maintains his front is the key to what’s ticking.

Overall, it is impossible to argue with the praise being heaped upon Mr. Firth for his fine performance, but this film is really pretty shallow and gives us nothing to ponder. Maybe the Christopher Isherwood novel (source material) is better. Evidently the subject matter clicked with Mr. Ford … too bad he wasn’t successful in sharing his connection.