THE EAST (2013)

July 1, 2013

east1 Greetings again from the darkness. Co-writer and director Zal Batmanglij re-teams with his Sound of My Voice co-writer and actress Brit Marling (Another Earth) to deliver another cult-based story. This time they focus on big, bad corporations and the eco-terrorists who target them.

Ms. Marling’s character is hired by Patricia Clarkson’s Security Company that specializes in protecting big corporations from the terrorist attacks and acts of revenge that these cults of anarchists perpetuate. Marling goes undercover to learn the secrets of The East, one of the particularly aggressive cult-like groups. The leader of The East is played by Alexander Skarsgard, who works with an overly-zealous and bitter Ellen Page and former med student Toby Kebbell.

east3 Are these idealists, anarchists, eco-activists or eco-terrorists? Is their “eye for an eye” philosophy a form of retribution or is it meant to draw attention so that a wrong can be righted? Are there extremes to which they won’t go? This group doesn’t seem united in their answers to these questions, though their deep woods hangout draws comparisons to Charles Manson’s compound.

As Marling becomes part of the group, she participates in the “jams”, which are the actual strikes against the companies and the decision makers in charge. Specifically, they give a pharmaceutical giant a taste of their own medicine … getting the desired results, which they watch online. Of course, there is always the risk of prison and/or injury and things don’t always go according to plan.

east4 The cast is pretty talented and also includes Jason Ritter, Shiloh Fernandez and Julia Ormond. The story will remind a bit of Sound of My Voice, and also Martha Marcy May Marlene. In other words, the attraction of the cult and commitment to cause. The set-up to the story is very well done, and it’s no real surprise as opposing ideals and conflicts creep into a group of idealists. Is violence necessary or are there more effective methods to make one’s protest heard and spur change? While the movie lacks the edge of the best indies, it still makes for good movie discussion … and crosses into real life beliefs and, personal and political stances.

**NOTE: Brit Marling is one of those rare combinations of Writer/Actress, and she is talented at both. She would be a wise choice as a prediction of future Oscar winner at some point … the only question is whether that will come as a writer or actress.

SEE THIS MOVIE IF: you are a fan of Sound of My Voice and/or Martha Marcy May Marlene OR you’re in the mood for a intriguing story during this time of blockbuster summer releases OR you just want to see Alexander Skarsgard in full scraggily mode

SKIP THIS MOVIE IF: you refuse to believe big corporations would never put profit above public well-being OR you’re looking for a few good laughs (not sure this one has even one)

watch the trailer:

http://www.youtube.com/watch?v=2oPoTrnHQ3I


MY WEEK WITH MARILYN

December 2, 2011

 Greetings again from the darkness. I was initially ambivalent on seeing a movie about Marilyn Monroe making a movie. My twisted thinking was that I have already seen the actual film The Prince and the Showgirl, and this particular story is based on a book by Colin Clark who claims to have had a connection/fling with Marilyn during the production phase of the film. Since I had always doubted Clark’s claim, it wasn’t until early reviews of Michelle Williams‘ performance hit Twitter that I started to get interested.

 For an actor, playing Marilyn Monroe must be similar to playing Elvis. Everyone on earth knows what the real deal looks and sounds like. What is interesting about this film is that it is chock-full of actors playing well known people. In addition to Williams/Monroe, we get Eddie Redmayne as Colin, Kenneth Branagh as Sir Lawrence Olivier, Julia Ormond as Vivia Leigh (Olivier’s wife), Toby Jones as Arthur Jacobs, Dominic Cooper as Milton Greene, Karl Moffat as DP Jack Cardiff, Dame Judi Dench playing Dame Sybil Thorndyke, Zoe Wannamaker playing Paula Strasberg (Monroe’s acting coach), and Dougray Scott as Arthur Miller (the famous writer and Monroe’s husband at the time).

 Michelle Williams dominates the film just as Monroe would have. She mimics the iconic movements, but best succeeds in capturing the essence of Marilyn. History states that Olivier was very impatient with Marilyn and struggled with her irregular schedule and “method” approach to acting (which he abhorred). It is little wonder that Marilyn struggled so with her first and only film outside of the U.S. Many have an image of Ms. Monroe as a ditsy blonde, but there are a couple of well-documented autobiographies that show a pretty shrewd business person and one very aware of her marketable and valuable public image.

 As for the film, it rates a couple of ticks higher thanks to the outstanding performances of both Michelle Williams and Kenneth Branagh. If not for them, it would be little more than a TV movie. Speaking of, this is the first feature film for director Simon Curtis, whose previous work has been seen on television. Personally, I would have preferred a movie that focused on either the making of The Prince and the Showgirl or a view of the human side of Marilyn. Here, we get a shortage of each.

SEE THIS MOVIE IF: you want to see Michelle Williams’ beautiful performance as Marilyn (she is likely to get an Oscar nom)

SKIP THIS MOVIE IF: you are looking for any real insight into what Marilyn was like as a real person (this one just skims the surface)

watch the trailer: