THE DINK (2026)

July 23, 2026

Greetings again from the darkness. In 2004, we had a film based on dodgeball, so it only makes sense that the hottest game going these days, Pickleball, gets its shot on the big screen. Josh Greenbaum (WILL & HARPER, 2024) directs a screenplay from Sean Clements (“Workaholics”), and the result is a comedy in the realm of films like HAPPY GILMORE (1996), KICKING & SCREAMING (2005), and yes, DODGEBALL: A TRUE UNDERDOG STORY (2004). The film tries (too) hard to generate laughs, and its best moments seem to be in the sincere intergenerational bond between two otherwise mismatched characters.

Jake Johnson (“New Girl”) stars as Dustin Boyd, a one-time tennis prodigy whose pro tennis career was derailed by a wrist injury. Having been cultivated from an early age by his father (think Todd Marinovich), the collapse of his career also caused a break in his relationship with dear old dad, Chuck (Ed Harris), who now owns and runs a prestigious tennis club where he allows Dustin to train rich kids … although he spends most of his time telling stories about ‘what could have been.’ As the popularity of pickleball grows, tennis traditionalist Chuck fights the pressure from the pickleball contingent led by Skip (the always great Patton Oswalt). A quirk in the club by-laws sets up a duel – a match between the tennis proponents and the pickleball group.

Circumstances shove Dustin into the pickleball universe, and it’s this route that offers him a shot at regaining dad’s respect. Actually, pickleball is prescribed to him by his unconventional doctor played by Ben Stiller (also a producer on the film). Dustin thinks the new game is hokey, but he finds a true friend in Candace (Oscar winner Mary Steenburgen). This contrasts with RJ, his loyal assistant at the club (played by Aaron Chen, George on “Fisk”), who worships Dustin, but hesitates to call him out. Dustin and Candace are surprisingly good together – not just as pickleball partners against Gail (Cleo King) and Judy (the late Lynne Marie Stewart, Miss Yvonne on “Pee-Wee’s Playhouse”) – but as true friends.

The duel – traditional versus contemporary – ends exactly how you would expect, and it’s elevated by surprise appearances from a couple of real life tennis legends during the match. Jake Johnson is at his comedic best in slightly awkward situations, but much of this one is so obvious and generic, it’s difficult to give much credit to the comedy. The use of Country music and the classic film, THE GRADUATE (1967) are especially nice touches, as are supporting roles from Christine Taylor (Stiller’s wife) and Martin Kove (THE KARATE KID). The pickleball fans out there deserve their moment on the big screen, and they will hopefully find a few more laughs than I did.

THE DINK will premiere globally on AppleTV on July 24, 2026

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WILL & HARPER (2024)

January 11, 2025

Greetings again from the darkness. Realistically speaking, there should be more words for ‘friendship’, designating the multiple levels on which ‘being friends’ can occur. If Financial Advisors can have “A” (like Warren Buffett), B, C, and D (like me) clients, then wouldn’t it be reasonable for us to have levels of friendship for those we entrust with our kids and a house key versus those we meet periodically for happy hour, or those we acknowledge in the grocery store with a wave and a smile? OK, so while the viability of friendship by ranking is not likely, this latest from Josh Greenbaum (BARB AND STAR GO TO VISTA DEL MAR, 2021) introduces us to a friendship we can all strive for.

Andrew Steele was the head writer for “Saturday Night Live” from 1995 through 2008. Nominated many times for Emmys and WGA awards, he won an Emmy in 2002. During the time at SNL, Steele struck up a friendship with the great Will Ferrell, who was a memorable cast member from 1995 through 2002, before striking gold in movies. Almost thirty years into the friendship, Steele informed Ferrell that Andrew was now Harper (an interesting story behind the name choice), and her transition had begun in 2022. Now, keep in mind that Will Ferrell is a guy in his mid-50’s. Sure, he’s been around Hollywood for decades … but still, this information from a long-time friend would surprise most anyone.

Going back to levels of friendship, Ferrell suggests the two take one of Harper’s beloved cross-country road trips together. Watching the film, it plays like Ferrell prefaces this as a way for the two to reconnect, but on a deeper level, it translates into Ferrell making it easier for Harper to get more comfortable in public with her new self. Either way, this is a friendship to admire and the type of character we should each respect.

We have all seen many movies where buddies take a road trip together. However, these 16 days become much more personal and eye-opening than the average buddy flick. The two friends exchange personal details, and respectfully, Ferrell allows Harper to vocalize and process what this new identity means, how it feels, and how she is accepted by others (who are not long-time friends). There are many stops along the way, including parking lots, sporting events, and a dive bar in Oklahoma. Most of this provides some insight, although the over-staged bits (disguises) seem out of place.

Will Ferrell does in fact reward us with doses of humor. “Are you a worse driver now?” is an instant classic, and their friendship-based banter helps us feel like we are along for the ride. There are segments featuring Harper’s daughters and SNL celebrities, and Harper sometimes reminds us of her prolific comedic writing skills. Perhaps the most telling interactions are those with strangers – related both to Ferrell’s status and Harper’s gender. These days, there is a growing anti-trans sentiment that threatens to destroy the advances made over the past years. It seems to me that the message being delivered here is not one of celebration or special treatment, but rather acceptance and friendship … allowing adults to be who and what they want to be, as long as they aren’t harming others. That also seems like the definition of human decency. This one will likely have you analyzing your own reactions, and you’ll definitely want to stick around for Kristin Wiig’s remarkable song at the end.

available on Netflix

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