7 DAYS IN ENTEBBE (2018)

March 15, 2018

 Greetings again from the darkness. Freedom fighters or terrorists? Which label gets applied is often dependent upon one’s point of view. In 1976 an Air France flight from Tel Aviv to Paris via Athens was hijacked. Director Jose Padilha (“Narcos”, ROBOCOP, 2014) brings us the big screen version of Gregory Burke’s (’71) screenplay.

The 7 day ordeal bounces between the captors and hostages at the abandoned terminal in Uganda and the political maneuverings of the Israeli government officials as they deliberate whether to break with policy and negotiate with terrorists. There are also flashbacks to the planning stages with the hijackers, in an attempt to help us understand their perspective.

Daniel Bruhl plays Wilifried Bose and Rosamund Pike plays Brigitte Kuhlmann. These are the two main hijackers who get most of our attention. Mr. Bruhl seems destined to always play the ultra-serious character, and Ms. Pike is once again miscast … something that happens whenever she is cast. Although she seems to throw down her best Patty Hearst look, we never really buy these two as committed to the cause, which prevents the necessary build-up of suspense.

The film’s biggest flaw is not capitalizing on the opportunity afforded by Nonso Anozie’s Idi Amin Dada, and even more disappointing is the abbreviated scenes between Shimon Peres (Eddie Marsan) and Yizhak Rabin (Lior Ashkenazi, FOXTROT). The two actors excel in their head-to-head confrontations, but we feel cheated every time it cuts away.

Once a strategy is formed, we are introduced to the Special Ops team (IDF). They only have a day or two to train and rehearse, and one of the key players is Ben Schnetzer (THE BOOK THIEF, 2013). He and his girlfriend quarrel over his duty, which keeps him away from her dancing performance with Batsheva Dance Company.  As Operation Thunderbolt proceeds, the crosscuts between Special Ops training and the dance rehearsals are setting the stage for the film’s climax.

So the hijackers never really generate the feeling of danger, the government deliberations are cut short, and the filmmaker takes a huge creative risk by synchronizing the final rescue mission with the opening night dance performance. The film is negatively impacted by poor pacing, an overall lack of tension for such a terrifying historical event, and questionable, albeit creative, story-telling structure. It does serve the purpose of educating those unfamiliar with the story, and it’s a reminder that even 4 decades later, the Israeli – Palestinian hostilities continue. As a special note of interest, the only Special Ops member killed in the raid was Yoni Netanyahu, the brother of the current Prime Minister of Israel.

watch the trailer:

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ROBOCOP (2014)

February 14, 2014

robocop Greetings again from the darkness. The expected cringes and groans never fully surfaced as the modernized re-boot of Paul Verhoeven’s 1987 classic unfolded on the screen. Sure, I wish Peter Weller made even a cameo appearance, and yes, I missed the charm, humor and satire that has allowed the original to remain relevant; but, director Jose Padilha reimagines the story, sticks to PG-13 action, and incorporates the video game look favored by today’s filmgoers.  The result is an adequate action movie with a Dr Frankenstein twist, a dash of questionable technological morality, topped with the always evil corporate conglomerate.

The opening sequence takes place in Tehran and is extremely well done, setting the stage for incisive commentary on today’s foreign policies and drone usage. Unfortunately, THAT movie never materializes, but we do get the over-the-top conservative news host … played colorfully by Samuel L Jackson, who does manage to work in his iconic catchphrase (yes even a PG-13 movie is allowed one MF). His holographic studio reminds of Minority Report, and has the futuristic look required to distract us from any real message.

Joel Kinnaman (TV’s “The Killing“) adequately fills the part man/ part robot role (good guy and good cop Alex Murphy), but the script really lets him down when it comes to his wife (Abbie Cornish) and kid, his crime-fighting instincts, and the overlapping criminal elements – some poorly cast generic arms dealer and the ultimate villain known as mega corporation OmniCorp run by the great Michael Keaton. The movie’s best scenes involve the interaction between Keaton and the always terrific Gary Oldman, playing a conflicted doctor/robotics genius with a conscience (most of the time).

The supporting cast is stellar and features a nasty Jackie-Earle Haley, a properly proper Jennifer Ehle, a relatively straight-laced Jay Baruchel, a two-faced police captain played by Marianne Jean-Baptiste, Murphy’s partner Michael K Williams, and Oldman’s loyal assistant played by Aimee Garcia (“Dexter“). The biggest missed opportunities involve the cop partnership with Mr. Williams … such an integral part of the first movie (Nancy Allen), but here it seems most of this story was inexplicably left on the editing floor.  The story, the viewers and Mr. Williams deserved much better.

A bit too much shakycam in the first shootout left me disappointed, as did most of the action sequences. However, the effects for the robotic suit and Murphy’s “body” are fantastic.  Especially effective is the scene with Murphy first becomes aware of what remains of him and how much is robotic suit.  This is very much a tale of moralistic choices, and it could have been interesting to see Murphy go a bit deeper in his existential questioning of Man or Machine. Mostly, I was simply relieved it wasn’t terrible and didn’t tarnish the legacy.

**NOTE: the city of Detroit is the base, but the movie never really touches on the problems within the actual city.  In fact, very little crime solving is shown – but we do have the stats relayed to us.

SEE THIS MOVIE IF: you wonder what Iron Man would be like with an evil billionaire calling the shots rather than a  brilliant billionaire wearing the suit OR you never miss the rare (these days) chance to see Michael Keaton on screen.

SKIP THIS MOVIE IF: you are perfectly content to allow the 1987 film version to maintain its spot as THE Robocop movie.

watch the trailer:

http://www.youtube.com/watch?v=INmtQXUXez8