TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM (2023)

August 1, 2023

Greetings again from the darkness. You may or may not be surprised that Teenage Mutant Ninja Turtles date back almost 40 years to the mid-1980’s when co-creators Peter Laird and Kevin Eastman published the comic and then signed on for the original TV cartoon series. This was followed by the first live-action film in 1990 (with Elias Koteas, Judith Hoag, Corey Feldman, Sam Rockwell, Josh Pais). Since then, there have been various TV series, as well as animated and live-action movies … the most recent being the poorly received films in 2014 and 2016. Along comes co-writers and co-producers Seth Rogen and Evan Goldberg, together with other credited writers Jeff Rowe, Dan Hernandez, Benji Samit, and Brendan O’Brien to deliver a contemporary and re-imagined look at the born-from-ooze Turtles. It’s co-directed by Jeff Rowe and Kyler Spears, previous collaborators on THE MITCHELLS VS THE MACHINES (2021).

The first thing we notice is the animation. It’s a different look than what we are accustomed to, and Mikros Animation has blended traditional Anime with a harsher, more vibrant look to complement the heavy dose of action this film delivers. The style takes a bit to get comfortable with, but once you do, the effects are easy to appreciate. Since this is a next-generation TMNT, we also get a new origin story in the opening sequence. The same green ooze flows into the sewer, and there is an emphasis on the work of scientist Baxter Stockman (voiced by Giancarlo Esposito, of “Breaking Bad” fame).

Soon enough, we flash forward 15 years to the teenage years. Leonardo (Nicholas Cantu), Rafael (Brady Noon), Donatello (Micah Abbey), and Michealangelo (Shannon Brown Jr) have been raised and trained by Master Splinter/Dad (Jackie Chan). Their big outings are to the grocery store with strict instructions to not be seen. The individual personalities begin to surface, and it’s made clear these boys dream of being accepted in the outside world and attending high school. And we all know what happens when an overprotective parent clashes with teenagers seeking independence … a tale as old as time.

When the turtles cross paths with April O’Neill (Ayo Edibiri), aka April O’Puke due her extreme camera shyness, their hopes of becoming heroes mesh nicely with her desire to break a big story for the school newspaper. The timing couldn’t be better for all involved as an evil menace is preparing to take over the world. Nope, it’s not Shredder, but rather Superfly (an amazing Ice Cube) and his own band of mutants. Superfly’s plan involves turning all Earthly animals into mutants in order to rule the humans. The Turtles must decide if bonding with fellow mutants is more desirable than allowing Superfly to destroy the world of humans and their new friend April.

The rest of the voice cast is outstanding, and includes: Rose Byrne (Leatherhead), John Cena (Rocksteady), Seth Rogen (BeBop), Paul Rudd (Mondo Gecko), Maya Rudolph (Cynthia Utrom), Post Malone (Ray Fillet), Hannibal Burress (Genghis Frog), and Natasia Demetriou (Wingnut). Action fills the screen through much of the run time, and the action sequences are huge spectacles for animation. However, it’s the sheer volume of action that is my only real issue. It feels like the teamwork and camaraderie that played such a big part in Turtle lore gets shortchanged here. There simply isn’t enough time spent with four Turtles cracking wise – a surprise given the comedic roots of Rogen and Goldberg.

Plenty of pizza and ooze are present, and the heavy dose of hip-hop classics adds to the contemporary vision. The Turtle van is quickly shown, although it’s little more than a stolen pizza delivery truck, and the score by Trent Reznor and Atticus Ross plays well here. No “Cowabunga” exists in this re-boot, leaving some history behind, yet overall, we should be pleased that Turtle Power is back with our favorite heroes in a half-shell.

Opens in theaters on August 2, 2023

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THE MITCHELLS VS THE MACHINES (2021, animated)

December 11, 2021

Greetings again from the darkness. What would happen if human survival depended on the Griswolds (from the VACATION movies) battling the rogue robots programmed to take over the planet? Filmmakers Michael Rianda and Jeff Rowe answer to that scenario is hyper-active, frenetic, overly-busy visual chaos that attempts to blend apocalyptic science fiction, extreme action sequences, and dysfunctional family comedy-drama. It’s a lot to tackle, and for the most part, it works.

Katie Mitchell (voiced by Abbi Jacobson) is preparing to head to film school. Her nature-loving dad, Rick (Danny McBride) is concerned about how he and Katie have drifted apart over the years, and he’s also worried that her educational choice could lead to disappointment. Katie’s mom, Linda (Maya Rudolph) is mostly supportive and upbeat, and yet a bit saddened that the once close father-daughter duo no longer speak the same language. Youngest son Aaron (voiced by co-director Rianda) and family dog Monchi have their moments, and mostly this is a fairly typical dysfunctional family. In fact, dysfunctional family seems to be a misnomer since it describes most families, even the highly organized one that seemingly have their act together … represented here by the Poseys (Chrissy Teigen and John Legend).

Katie’s generation’s adoption and dependency on technology has widened the gap in connection with the previous generation … specifically the bond between father and daughter that was so strong when she was young, and now barely hangs on by thread. Dad is the generation of the supreme screwdriver, while Katie is all about creating memes and videos. He fixes things, while she creates things. Dad decides a family road trip to drop Katie at college is the solution to fixing the frayed relationship. This happens on the same day that mega-Tech guru Mark Bowman (Eric Andre) is introducing his next-gen PAL robot, which is smart technology on steroids. However, it turns out, software has feelings too, and the original PAL (Olivia Colman) seeks revenge for being replaced. An army of robots is sent to capture the entire human race.

A couple of quirky things leave the Mitchell family as our final hope against the robots, and as you might expect, saving the world can lead to reparations in the father-daughter relationship. Dad gains an appreciation for the creative skills of Katie, while she learns of his great personal sacrifice for family. It’s an unusual blend of two distinct stories, but mostly we are left exhausted after a nearly two hour run time. The screen is often cluttered and overloaded with distractions (including old school Furbys with a twist), and although there is a cool throwback look to some of the animation, it’s simply too much of a good thing. Younger kids may be mesmerized by the frantic action, but the story lines are not likely to be followed by most under 10 or so. This one has garnered a great deal of Oscar buzz, which makes sense as adults decide such things.

Streaming on Netflix

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