STEALING PULP FICTION (2025)

June 26, 2025

Greetings again from the darkness. The first feature film from writer-director Danny Turkiewicz is an expanded version of his same-titled 2020 short film. It’s also an example of clueless buddies being passionate about a very bad idea. Mostly though, the characters here seem to share a certain unspoken loneliness that unites them.

Let’s clear the air on this one. It’s a goofy lark that never takes itself too seriously. It’s the kind of movie that opens on two buddies sitting in a bar brainstorming pun-themed businesses while sipping colorful drinks with little umbrellas in the glasses. Jonathan (Jon Rudnitsky, HOME AGAIN, 2017) and Steve (Karan Soni, Dopinder in the Deadpool movies) are film lovers with opposite personalities, although they do share a certain charming ineptitude. This worrisome pair also shares acronyms for everyday language. Examples include MTP for movie theater popcorn, and KIT for keep in touch. It’s this level of ‘brilliance’ that finds them agreeing on their next project … a specific cinematic heist.

A late-night screening of PULP FICTION leads to the knowledge that what they watched was directly from the personal 35mm reels from the director’s own collection. So, what do they decide? To steal the reels, of course (this film’s title is likely a giveaway).  Soon their gang for this heist has grown to four, including their wonderfully deadpan friend Elizabeth (Cazzie David, filmmaker of I LOVE YOU FOREVER, and daughter of Larry David), and their personal therapist Dr. Mendelbaum (Jason Alexander taking on the name of an infamous “Seinfeld” character).

Despite the lack of any real plan – and a failed “Practice Heist” – the foursome proceeds with the idea. There is a definite retro look and feel to the film, including numerous Tarantino nods, and movie posters for Turkiewicz’s previous short films pop up in the background periodically. The loneliness aspect mentioned above comes around for all four of our main characters … with a little help from one of Mendelbaum’s other patients (Victoria Secret model Taylor Hill) and the Pillisdorf Social Club. A special shoutout to Seager Tennis who goes fully unhinged playing Tarantino. Silly, odd, and unconventional all describe this film, and at 84 minutes, it may best be described as harmless fun … for those days when you want to avoid deep thought.

Opening in select theaters and on digital beginning June 27, 2025

WATCH THE TRAILER

Leave a Comment » | Comedy | Tagged: , , , , , , | Permalink
Posted by David Ferguson

WILD CARD (2015)

February 8, 2015

wild card Greetings again from the darkness. Most of us know what to expect when we hear “it’s a Jason Statham movie”. However, when you add to that “written by two-time Oscar winner William Goldman”, it generates a bit more excitement and higher expectations than normal. This becomes slightly complicated when the Jason Statham part stretches his acting, but it’s the script that is essentially a letdown.

The film is a remake of the 1986 film HEAT with Burt Reynolds, and both movie versions are based on Goldman’s novel of that title. This time it’s Jason Statham as Las Vegas security expert Nick Wild, who possesses a particular set of skills … to go along with a drinking and gambling problem. Known for such films as CON AIR (1997), THE MECHANIC (also with Statham, 2011), and THE EXPENDABLES 2 (also with Statham, 2012), director Simon West is no stranger to action sequences and cool guys with baggage. There are a couple of outstanding fight scenes that capitalize on Nick Wild’s preference for non-traditional weapons, including a huge finale at The Silver Spoon Diner where he utilizes, well, silver spoons.

Statham gets an opportunity to do something besides fight and drive, as he is cast as the emotionally handicapped warrior with a big heart. He protects his friends and does favors for those who are weaker. In fact, the banter between he and Michael Angarano (as Cyrus) is some of the best work of Statham’s career. The noir-speak dialogue allows Statham to have some fun with vocabulary words, but the script never really lets him connect with anyone other than Cyrus. Instead we get too many scenes of guzzling vodka and an extended blackjack scene that is so predictable, it’s actually kind of annoying to watch.

The biggest downside to the film is the steady stream of recognizable and pretty well-known actors who pop up for only a brief scene or two. The list includes Sophia Vergara sporting a sweater that flaunts her assets, Max Casella as her conniving boyfriend, Jason Alexander as an office-sharing attorney, Hope Davis as a blackjack dealer, Dominik Garcia-Lorido (Andy Garcia’s daughter) as Nick’s call girl friend in need, Milo Ventimiglia as bad guy Danny DeMarco, Anne Heche as the supportive diner waitress, and a wonderful, but all too brief, Stanley Tucci as a hotel/casino owner modeled on a few real life owners and mobsters.

Although the film skips the traditional Statham car chases and love-making, we do get many flashy shots of him driving a classic Pontiac GT. The old school Vegas setting is a welcome diversion from the glitzy new Vegas we more often see in movies. Keeping with the retro feel is Dean Martin crooning “Blue Christmas” in the opening moments, and other classic songs carefully coordinated throughout the story. Statham’s struggles with alcohol and gambling, and his stated intent to leave Vegas forever provide the film with an incredibly disjointed and lightweight story from the pen of someone as decorated as William Goldman.  It’s nice to see Statham sport a bit of emotional depth, but the film likely doesn’t offer enough fight scenes for his true fans. The dark and humorous moments provide enough entertainment to encourage those fans to give it a shot, but please be careful with those spoons.

watch the trailer:

 

Leave a Comment » | Action, Thriller | Tagged: , , , , , , , , , , , | Permalink
Posted by David Ferguson