TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM (2023)

August 1, 2023

Greetings again from the darkness. You may or may not be surprised that Teenage Mutant Ninja Turtles date back almost 40 years to the mid-1980’s when co-creators Peter Laird and Kevin Eastman published the comic and then signed on for the original TV cartoon series. This was followed by the first live-action film in 1990 (with Elias Koteas, Judith Hoag, Corey Feldman, Sam Rockwell, Josh Pais). Since then, there have been various TV series, as well as animated and live-action movies … the most recent being the poorly received films in 2014 and 2016. Along comes co-writers and co-producers Seth Rogen and Evan Goldberg, together with other credited writers Jeff Rowe, Dan Hernandez, Benji Samit, and Brendan O’Brien to deliver a contemporary and re-imagined look at the born-from-ooze Turtles. It’s co-directed by Jeff Rowe and Kyler Spears, previous collaborators on THE MITCHELLS VS THE MACHINES (2021).

The first thing we notice is the animation. It’s a different look than what we are accustomed to, and Mikros Animation has blended traditional Anime with a harsher, more vibrant look to complement the heavy dose of action this film delivers. The style takes a bit to get comfortable with, but once you do, the effects are easy to appreciate. Since this is a next-generation TMNT, we also get a new origin story in the opening sequence. The same green ooze flows into the sewer, and there is an emphasis on the work of scientist Baxter Stockman (voiced by Giancarlo Esposito, of “Breaking Bad” fame).

Soon enough, we flash forward 15 years to the teenage years. Leonardo (Nicholas Cantu), Rafael (Brady Noon), Donatello (Micah Abbey), and Michealangelo (Shannon Brown Jr) have been raised and trained by Master Splinter/Dad (Jackie Chan). Their big outings are to the grocery store with strict instructions to not be seen. The individual personalities begin to surface, and it’s made clear these boys dream of being accepted in the outside world and attending high school. And we all know what happens when an overprotective parent clashes with teenagers seeking independence … a tale as old as time.

When the turtles cross paths with April O’Neill (Ayo Edibiri), aka April O’Puke due her extreme camera shyness, their hopes of becoming heroes mesh nicely with her desire to break a big story for the school newspaper. The timing couldn’t be better for all involved as an evil menace is preparing to take over the world. Nope, it’s not Shredder, but rather Superfly (an amazing Ice Cube) and his own band of mutants. Superfly’s plan involves turning all Earthly animals into mutants in order to rule the humans. The Turtles must decide if bonding with fellow mutants is more desirable than allowing Superfly to destroy the world of humans and their new friend April.

The rest of the voice cast is outstanding, and includes: Rose Byrne (Leatherhead), John Cena (Rocksteady), Seth Rogen (BeBop), Paul Rudd (Mondo Gecko), Maya Rudolph (Cynthia Utrom), Post Malone (Ray Fillet), Hannibal Burress (Genghis Frog), and Natasia Demetriou (Wingnut). Action fills the screen through much of the run time, and the action sequences are huge spectacles for animation. However, it’s the sheer volume of action that is my only real issue. It feels like the teamwork and camaraderie that played such a big part in Turtle lore gets shortchanged here. There simply isn’t enough time spent with four Turtles cracking wise – a surprise given the comedic roots of Rogen and Goldberg.

Plenty of pizza and ooze are present, and the heavy dose of hip-hop classics adds to the contemporary vision. The Turtle van is quickly shown, although it’s little more than a stolen pizza delivery truck, and the score by Trent Reznor and Atticus Ross plays well here. No “Cowabunga” exists in this re-boot, leaving some history behind, yet overall, we should be pleased that Turtle Power is back with our favorite heroes in a half-shell.

Opens in theaters on August 2, 2023

WATCH THE TRAILER


MONEY MONSTER (2016)

May 15, 2016

Money Monster Greetings again from the darkness. Adam McKay and Michael Lewis sought to educate us on the corruption and deceit within the marrow of the financial world in The Big Short. Director Jodie Foster and three writers (Jim Kouf, Alan DiFiore, Jamie Linden) scale things way back to show the effects on a single, working class man … and how Wall Street and the media conspire to make it hard on us little guys.

George Clooney stars as Lee Gates, a Jim Cramer type cable news financial guru … the kind of media star who makes an Apollo Creed style entrance (complete with “dancing”) for each segment. Julia Roberts plays Patty, the show’s ultra-talented producer, and the one who keeps Gates and the show from flying off the rails. It’s just another typically hectic day in the studio, when the show is abruptly interrupted by a man who charges the stage pointing a gun at Gates. Kyle (Jack O’Connell, Unbroken) has a few things to get off his chest, and makes it clear that he blames Gates for a recent financial loss … and he expects some answers.

It turns out that Gates had presented a recent investment as a sure thing, and Kyle believed him. When that company lost $800 million overnight, Kyle’s loss was his $60,000 nest egg. Kyle represents the work-class folks who are simply fed up with the lies and manipulation for which the media and Wall Street seeming conspire on a regular basis.

It’s Jodie Foster’s first directorial outing since The Beaver (2011), and she seems at home with a straight-forward hostage-for-admission story. Created for a mass audience (no segment or issue goes too deep), there are snippets of Clooney and Roberts humor that will satisfy their fans. The three most interesting characters are the gun-wielding, end-of-the rope Kyle; his pissed-with-a-twist girlfriend played by Emily Meade (who provides the film a lift when it’s needed); and Caitriona Balfe as Diane Lester, the communications officer for the evil corporation at the heart of the swindle.

As with so many things these days, the hostage ordeal plays out on TV and captures the limited attention span of average Americans … heck, the film even references the OJ Simpson event. Of course, this film isn’t an instigator, but rather an exhibitor – a mirror of the times. Once the spectacle ends, everyone returns to their normal activities.

Since this thriller really only offers a few moments of real suspense, viewers might have more fun spotting and identifying the multitude of cable TV faces sprinkled throughout. The 1970’s were the era for extraordinary conspiracy movies, and this one is less Network or Chinatown, and more like Phone Booth or John Q. ‘Forget it Kyle. It’s Wall Street (and cable news).’

watch the trailer: