Greetings again from the darkness. My first exposure to Count Orlok was in a film class at the University of Texas. We were shown a portion of director FW Murneau’s 1922 silent film, NOSFERATU: A SYMPHONY OF HORROR. I was mesmerized with the look of the film and especially with Max Schreck as Orlok. While growing up, I fawned over other vampire movies – Bela Lugosi, Lon Chaney Jr, Christopher Lee, and even Frank Langella – but I never again saw anything like Schreck’s Orlock. And yes, over the years, vampires have become frequent subjects of movies and even TV shows, and “Nosferatu”, based on the original Bram Stoker story from 1897 spawned NOSFERATU THE VAMPYRE (1979, directed by Werner Herzog, starring Klaus Kinski) and NOSFERATU (2023, directed by David Lee Fisher, starring Doug Jones). My anticipation soared when it was announced that the extraordinarily creative filmmaker Robert Eggers (THE WITCH, 2015; THE LIGHTHOUSE, 2109; THE NORTHMAN, 2022) would be basing his version on Henrik Galeen’s script from the 1922 original.
At its core, the story is a gothic tale of a woman haunted by the terrifying vampire obsessed with her. The “her” is Ellen Hutter played by Lily-Rose Depp (WOLF, 2021, and yes she’s Johnny Depp’s daughter). Ellen’s husband is Thomas Hutter played by Nicholas Hoult (familiar with the look of this genre via WARM BODIES, 2013, and RENFIELD, 2023). When Thomas’ job takes him out of town, friends Friedrich Harding (Aaron Taylor-Johnson) and Anna Harding (Emma Corrin, DEADPOOL & WOLVERINE, 2024) invite Ellen to stay with them. It turns out the work Thomas is assigned is a real estate transaction with a mysterious recluse named Count Orlok. You may have experienced a bad real estate deal in your life, but it’s nothing like this one.
When it becomes apparent that Ellen’s trauma is not merely nerves, but rather an evil spiritual presence, the expertise of Professor Albin Eberhart von Franz is sought in an attempt to gain some control. The professor is played by Willem Dafoe, who once portrayed the aforementioned Max Schreck in SHADOW OF A VAMPIRE (2000). Playing Count Orlok this time is Bill Skarsgard, who you likely recall was superb as Pennywise the Dancing Clown in IT (2017) and IT CHAPTER TWO (2019). Skarsgard’s actual features are undetectable here, and especially jarring is his voice that truly sounds from another world (supposedly months of training). His Orlok is a true and memorable presence.
Eggers’ film looks stunning and gorgeous and creepy. The opening sequence is fascinating and everything one could ask for in how a vampire horror movie appears on screen. He surrounded himself with previous collaborators: Director of Photography Jarin Blaschke, Production Designer Craig Lathrop, Costume Designer Linda Muir, Film Editor Louis Ford, and Composer Robin Carolan. It’s an excellent team and one that excels at every step. My only issue with the film comes down to the cast. Lily-Rose Depp has the perfect look for the character, yet her torment never quite works. Aaron Taylor-Johnson and (the usually stellar) Willem Dafoe both seem to be showboating as if attempting to stand out in a movie dominated by a fearsome creature. It pains me to say that the cast (other than Skarsgard) simply take away some of the impact that the film should have had. Despite this, the film is lyrical, mystifying, and absolutely glorious in its look.
Opens in theaters on December 25, 2024
Posted by David Ferguson 
Greetings again from the darkness. The secret sauce for movies based on comic books and superheroes has always seemed pretty obvious … give the hardcore fans what they want. Somewhere along the way, the industry shifted its focus from entertainment to pushing the boundaries of technology. The result was a (many) years long stream of visual extravagance with little heart and soul. Writer-director Shawn Levy and co-writers Rhett Reese, Ryan Reynolds, Zeb Wells, and Paul Wernick have managed to right the wrong and put things back on track. Of course, Disney’s purchase of 20th Century Fox and the Marvel Universe slowed down development, but they have finally capitalized on two fan-favorite characters developed by Rob Liefeld and Fabian Nicieza … Deadpool and Wolverine.
Greetings again from the darkness. This is one of those prestige movies that simply isn’t as important as it portends to be. That doesn’t mean it’s unwatchable, only that it lacks the emotional weight and depth to which it strives. Director Michael Grandage (GENIUS, 2016) is working from a script that Ron Nyswaner (PHILADELPHIA, 1993) adapted from the 2012 book by Bethan Roberts … itself inspired by the true story of writer EM Forster.
Movie Reviews from the Dark 